Les Vampires (1915 Silent Crime Serial film) (Ep6) Hypnotic Eyes

Episode 6 – "Hypnotic Eyes"
Fifteen days have passed since the events at Maillot. Moréno is looking for clues to lead him to the Vampires, and reads in a paper that a Fontainebleau notary has been murdered by them; as he happens to possess a gaze with a terrible hypnotic power, he takes control of his new maid, Laura, to turn her into his slave. Meanwhile, Philippe and Mazamette happen to see a newsreel on the murder inquest, in which they spot Irma Vep and the Grand Vampire.Show more

They cycle to Fontainebleau to investigate. En route they spot an American tourist, Horatio Werner, riding fast into the forest, and follow him. He places a box under one of the boulders, and they take it. The Grand Vampire, who is staying in the Royal Hunt Hotel under the pseudonym of Count Kerlor, along with Irma in disguise as his son, Viscount Guy, reads in a paper that George Baldwin (Émile Keppens), an American millionaire, has been robbed of $200,000.

Whoever can capture the criminal, Raphael Norton, who has fled to Europe with the actress Ethel Florid, will be awarded the unspent balance of the loot. "Kerlor" notices that Mr and Mrs. Werner, who are staying at the hotel, are distressed by this notice, and concludes that Mr. Werner is Raphael Norton. Philippe and Mazamette arrive at the hotel and find that the Vampires are based there.

In a different hotel they force open the box and find Baldwin's stolen money inside. Moréno comes to the Royal Hunt in disguise. While the Grand Vampire tells the hotel guests a story, Irma breaks into the Werners' suite, finding a map leading to the box in the forest. When she leaves, she is captured and chloroformed by Moréno, who takes the map.

While his gang take Irma away, he dresses his hypnotized maid, Laura, as Irma and tells her to give the Vampires the map. Once one of the Vampires (Miss Édith) follows the map to get the treasure, Moréno's gang ambushes her, only to find that Philippe has already taken it. Moreno demands that the Grand Vampire ransom Irma Vep. In the early morning, the police raid the hotel and find that Werner is actually Norton, so Philippe and Mazamette win the money. Moréno falls in love with Irma and decides not to return her to the Grand Vampire.

Instead, he hypnotizes her and causes her to write a confession of her involvement in the murders of the Fontainbleau notary (in this episode), Metadier (episode 4), the ballerina Marfa Koutiloff (episode 2), and Dr. Nox (episode 1). The Grand Vampire comes to meet Moréno, but Moréno by hypnotic command compels Irma to kill him. The episode ends with the now-wealthy Mazamette informing a dozen adoring journalists that "although vice is seldom punished, virtue is always rewarded".

The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. This is a French production.
Les Vampires is a 1915–16 French silent crime serial film written and directed by Louis Feuillade. Set in Paris, it stars Édouard Mathé, Musidora and Marcel Lévesque. The main characters are a journalist and his friend who become involved in trying to uncover and stop a bizarre underground Apache gang, known as The Vampires (who are not the mythological beings their name suggests).

The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made.[2] It was produced and distributed by Feuillade's company Gaumont. Due to its stylistic similarities with Feuillade's other crime serials Fantômas and Judex, the three are often considered a trilogy.

Fresh from the success of Feuillade's previous serial, Fantômas, and facing competition from rival company Pathé, Feuillade made the film quickly and inexpensively with very little written script. Upon its initial release Les Vampires was given negative reviews by critics for its dubious morality and its lack of cinematic techniques compared to other films.

However, it was a massive success with its wartime audience, making Musidora a star of French cinema The film has since come under re-evaluation and is considered by many to be Feuillade's magnum opus and a cinematic masterpiece. It is recognised for developing thriller techniques, adopted by Alfred Hitchcock and Fritz Lang, and avant-garde cinema, inspiring Luis Buñuel, Henri Langlois, Alain Resnais, and André Breton. It is included in the book 1001 Movies You Must See Before You Die.