Paul Ingbretson Talks about the Best Ways to Use the Eyes - No. 84

A revisit to the question of how to use the eyes when working like a Boston School painter. Focus, generalized and particular, lost and found, coming out of a fog, and aspects of the question of the ‘finish’ are all addressed.

QUESTION: You have to retrain the way you see. And correct the instinct to focus on one thing. If nearsighted, as I am, is it helpful to take off your glasses until further along in the painting process?JAN