A TRIBE CALLED QUEST 1996 Beats Rhymes and Life FULL ALBUM HD

Beats, Rhymes and Life is the fourth studio album by American hip hop group A Tribe Called Quest. Released on July 30, 1996, by Jive Records, it followed three years after the highly regarded and successful Midnight Marauders. Produced by The Ummah, the album is a departure from the joyful, positive vibe of the group's earlier albums and is regarded as their darkest album in content. It debuted at number one on the Billboard 200 and was certified platinum by the Recording Industry Association of America (RIAA) on October 27, 1998.

Background
In September 1993, shortly after the recording of Midnight Marauders had concluded, Phife Dawg moved to Atlanta.[1][2] Along with Q-Tip's conversion to Islam the following year, the addition of Jay Dee to the group's new production team, The Ummah, and the enlistment of guest rapper Consequence, Q-Tip's cousin, the group dynamic changed drastically.[2][3][4] Phife Dawg later stated that "the chemistry was dead, shot", while Q-Tip felt that becoming a Muslim "made the atmosphere much more serious."[2][3]

Music and lyrics
For Beats, Rhymes and Life, The Ummah created a minimalist sound reminiscent of The Low End Theory, which Ali Shaheed Muhammad described as "nothing extravagant, nothing far out."[2][5] Miles Marshall Lewis of The Source praised The Ummah for being "the most proficient in the rap game at using samples as instruments in themselves."[6] Regarding Jay Dee's five contributions to the album, Q-Tip stated, "He would just send me the beats and then I would lay them."[7] One of his contributions, the lead single "1nce Again", was hailed as "one of the few successes" on the album and a "surprising R&B crossover."[5]

Lyrically, the group addresses "everything from O.J. to spirituality" and were recognized for the complexity of their messages.[5][8] However, they were criticized for sounding "bored", "confused, hostile, and occasionally paranoid."[2][5] In the song "Keeping It Moving", Q-Tip responds to the diss comments made about him in MC Hammer's songs "Break 'Em Off Somethin' Proper" and "Funky Headhunter", as well as Westside Connection's song "Cross 'Em out and Put a K".[9] In the first verse, he says that comments previously made about the West Coast were not intended to be a diss and that people should not misinterpret his lyrics

Track listing
All tracks produced by The Ummah, except track 9 produced by Rashad Smith.
No. Title Writer(s) Length
1. "Phony Rappers" Kamaal Fareed, Malik Taylor, Dexter Mills Jr. 3:35
2. "Get a Hold" Fareed, James Yancey 3:35
3. "Motivators" Fareed, Ali Shaheed Muhammad, Taylor, Mills 3:20
4. "Jam" Fareed, Taylor, Mills 4:38
5. "Crew" Fareed, Muhammad 1:58
6. "The Pressure" Fareed, Muhammad, Taylor 3:02
7. "1nce Again" (featuring Tammy Lucas) Fareed, Muhammad, Taylor, Yancey, Steve Swallow 3:49
8. "Mind Power" Fareed, Muhammad, Taylor, Mills 3:55
9. "The Hop" Fareed, Taylor, Rashad Smith 3:27
10. "Keeping It Moving" Fareed, Yancey 3:38
11. "Baby Phife's Return" Fareed, Taylor 3:18
12. "Separate/Together" Fareed 1:38
13. "What Really Goes On" Fareed, Leroy Bonner, Greg Webster, Andrew Noland, Marshall Jones, Ralph Middlebrooks, Walter Morrison, Marvin Pierce, Bruce Napier 3:23
14. "Word Play" Fareed, Taylor, Mills, Yancey 2:59
15. "Stressed Out" (featuring Faith Evans) Fareed, Muhammad, Mills, Faith Evans, Yancey, Gary Taylor 4:57
Total length: 51:18