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The Bad Sister (1931) | Directed by Hobart Henley
"The Bad Sister" is a 1931 American pre-Code drama film directed by Hobart Henley. The film features Conrad Nagel, Sidney Fox, and Bette Davis in key roles.
The story centers around Marianne Madison (played by Sidney Fox), a young woman who is persuaded by her ambitious and manipulative mother, Mrs. Madison (played by ZaSu Pitts), to impersonate her twin sister Laura Lou, who has recently passed away. Marianne takes on Laura Lou's identity and becomes entangled in a complicated web of deception, leading to romantic entanglements and family conflicts. Conrad Nagel plays the role of Dr. Dick Lindley, who becomes romantically involved with Marianne.
"The Bad Sister" is notable for being one of Bette Davis's early film appearances, although she is in a supporting role. Sidney Fox delivers a nuanced performance as the conflicted and manipulated Marianne, while Conrad Nagel adds a solid presence as the romantic interest. Bette Davis's role is relatively small, but her talent is already evident in her portrayal of Laura Madison.
Hobart Henley's direction contributes to the film's melodramatic tone, characteristic of the early 1930s. The narrative explores themes of identity, deception, and the consequences of familial manipulation. The film is an interesting reflection of the pre-Code era, where storytelling could be more daring and provocative.
While "The Bad Sister" may not be as well-remembered as some other films of its time, it is appreciated by fans of early Hollywood cinema for its melodramatic storytelling and the chance to see Bette Davis in her early career. The film is an example of the types of roles Davis was initially cast in before achieving greater recognition in later years.
In summary, "The Bad Sister" is a product of its era, featuring melodramatic storytelling and notable performances from Sidney Fox and Conrad Nagel. Bette Davis's presence adds interest for fans of classic Hollywood cinema, showcasing her talent even in the earlier stages of her career.
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