ONE RAINY AFTERNOON (1936) Francis Lederer & Ida Lupino | Comedy, Musical, Romance | B&W

One Rainy Afternoon is a 1936 American romantic comedy film directed by Rowland V. Lee, starring Francis Lederer and Ida Lupino, and featuring Hugh Herbert, Roland Young and Erik Rhodes. It also marked the last film appearance by actress Florence Lawrence, who died in 1938, who had an uncredited bit role in the film. It was written by Stephen Morehouse Avery, with additional dialogue by Maurice Hanline, from the screenplay for the 1935 French film Monsieur Sans-Gêne by Emeric Pressburger and René Pujol, which was based on the story "The Satyr" by Pressburger. The film was reissued in 1948 as Matinee Scandal.Show more

SYNOPSIS
Actor Philippe Martin and his married date Yvonne plan to neck in a darkened cinema, but he gets the wrong seat and mistakenly kisses lovely Monique, a publisher's daughter. An absurd scandal results; to protect Yvonne, Philippe insists that he was simply overcome by Monique's beauty. This naturally intrigues Monique--but her nominal fiancé feels differently. A broad satire of French bureaucracy.

On a rainy afternoon in Paris, debonair actor Philippe Martin goes to a darkened movie theatre for a romantic assignation with his married mistress, Yvonne, but sits in the wrong seat and kisses instead lovely Monique Pelerin, the daughter of a powerful publisher. Monique, who is engaged to powerful Count Alfredo Donstelli, makes a public accusation against Philippe, and the priggish head of the Purity League exploits the incident until it becomes a national scandal, with Philippe dubbed "The Kissing Monster". When Philippe is tried, his defense is that he was overcome by Monique's beauty, and that it is a Frenchman's nature to be romantic, even to perfect strangers. His punishment is to spend just three days in jail, but when he is released, he discovers that Monique has paid his fine, supposedly to avoid more publicity, but actually because she is secretly attracted to him.

Meanwhile, the tabloids have made Philippe into a national hero, and instead of his producer, Maillot, firing the actor, he gets a raise.

CAST & CREW
Francis Lederer as Philippe Martin
Ida Lupino as Monique Pelerin
Hugh Herbert as Toto
Roland Young as Maillot
Erik Rhodes as Count Alfredo Donstelli
Joseph Cawthorn as Monsieur Pelerin
Donald Meek as Judge
Georgia Caine as Cecile
Murray Kinnell as Theatre Manager
Mischa Auer as Leading Man
Richard Carle as Minister of Justice
Phyllis Barry as Felice
Lois January as Monsieur Pelerin's Secretary
Eily Malyon as President of Purity League

Directed by Rowland V. Lee
Written by Screen story: Emeric Pressburger, René Pujol, Screenplay: Stephen Morehouse Avery, Add'l Dialogue: Maurice Hanline
Produced by Jesse L. Lasky
Cinematography Merritt B. Gerstad, J. Peverell Marley
Edited by Margaret Clancey
Music by Ralph Erwin (music), Preston Sturges (lyrics), Jack Stern (lyrics)
Distributed by United Artists
Release dates May 13, 1936, January 1948 (re-release)
Running time 94 min., 80 min. (dvd)
Country United States
Language English
Budget $511,383 (est)
Box office $603,903 (world)

One Rainy Afternoon was the first of a small number of United Artists sound films which were produced by its vice-president, Mary Pickford, and the first film for Pickford-Lasky Productions. This film also marked Francis Lederer's first starring role for the studio.

United Artists ran an advertisement in The Hollywood Reporter with "thank-you's" to executives from other studios who allowed their stars to appear in One Rainy Afternoon. The ad states: "We are returning these artists to you with increased box office value."

The film began production in early January 1936. It was released on 13 May of that year, and re-released in January 1948.[6] The film was made for an estimated $511,383, and grossed $603,903 worldwide.

Reception
Writing for The Spectator in 1936, Graham Greene gave the film a poor review and described it as a film whose "wings don't work". Criticizing director Rowland Lee as "giv[ing] a useful demonstration of how not to direct this kind of story", and characterizing Lederer's acting as "embarrassing", Greene found that at least for Lupino's contribution to the film "she is one of the more agreeable screen dummies to whom things are made to happen".