Framed (1947) | A film noir directed by Richard Wallace

"Framed" is a film noir directed by Richard Wallace and released in 1947. The movie is a classic example of the genre, featuring elements of crime, drama, and suspense. Starring Glenn Ford, Janis Carter, and Barry Sullivan, "Framed" revolves around a complex web of deceit, betrayal, and criminal intrigue.

The story follows Mike Lambert (Glenn Ford), an American mining engineer who becomes entangled in a scheme orchestrated by a corrupt sheriff, Ben Wallace (Edgar Buchanan), and a seductive femme fatale, Paula Craig (Janis Carter). Lambert is framed for a murder he did not commit, and as a result, he finds himself on the run from the law.

As Lambert attempts to clear his name, he discovers the extent of the conspiracy against him. Paula, who initially appears to be his ally, may have her own agenda, and the corrupt sheriff is determined to keep Lambert from exposing the truth. The narrative unfolds with a series of twists and turns, keeping the audience in suspense as Lambert tries to navigate the dangerous terrain of false accusations and hidden motives.

Glenn Ford delivers a compelling performance as the wrongly accused protagonist, capturing the desperation and determination of a man fighting against overwhelming odds. Janis Carter embodies the archetypal femme fatale, her character blurring the lines between ally and adversary. Barry Sullivan, in the role of Jeff Cunningham, adds complexity to the narrative as Lambert's friend who may hold crucial information.

The film's cinematography, led by Burnett Guffey, contributes to its noir atmosphere with its use of shadows, high contrast lighting, and evocative camera angles. The visual style enhances the tension and mood, characteristic of classic film noir.

The musical score, composed by Marlin Skiles, complements the film's suspenseful tone, underscoring key moments and heightening the overall sense of drama.

"Framed" is recognized as a solid entry in the film noir genre, offering a gripping narrative with all the key elements associated with the style—moral ambiguity, shadowy cinematography, and a sense of fatalism. While it might not be as widely remembered as some other films from the era, "Framed" remains a notable addition to the classic noir canon, showcasing the genre's ability to explore the darker aspects of human nature and society.