Modern Art: Conquest by Culture

I have discovered that the whole point of "Modern Art” (heavily monitored) is to lead humanity toward the acceptance of Post-Humanism.
This has been an excruciatingly slow-walked diabolical plan since the Renaissance up until today preying on one of our five basic senses: Our eyes.
I reveal their shenanigans so that humanity can embrace our organic conscious evolution and reject their synthetic version of evolution.
People have become so repulsed by the art they told is “art” that their creative currency sits dormant within...by design.
The key to unlocking the malaise surrounding art
and why people overlook it as a MAJOR factor in our evolution lies in understanding modern art as it has thus far been presented.Show more

Conquest by Culture
Modern Art is being used as a weapon of mass deception right under our noses and we can neither see the writing on the wall nor smell the odorless, odious poison it is emitting. It is a literal “holographic out-picturing”

The study of visual art should be serving as a CATALYST for great human creative endeavors to propel us forward into the Golden Age.
It does NOT!
If we are to correct this we must take the time to understand how art got to the crazy state it is in now.
Not realizing the profound effect art has had on mankind deep within most cultures, we fail to pay attention to modern and contemporary art, dismissing it as a sidebar of life.
However, modern art is one of the most controlled areas of society because it is an easy entrance into the human psyche through one of our five senses: the eyes.
We have to remember that the Illuminati had picked up the thread where the Catholic Church left off monitoring and controlling society and the focus of influence shifted from the Vatican to Europe and the US.
The Rockefellers were very quick to make the connection between innovation and the Arts, and they did not want any outside innovators penetrating their schemes for mankind, so it was that the Rothschilds took up the issue of Activism within artistic fields.
So it was that art would be forever more in the hands of globalists to mold public perception.
The Rockefeller Foundation awarded a significant grant that facilitated in the creation of Tavistock. Before Tavistock was founded in 1946 it was officially The War Propaganda Bureau in Wellington House.
Almost all founders were psychiatrists.
Tavistock Institute managed to successfully coerce the populace of the U.S. to participate in WWI at a time when the majority of the American people were opposed to it.
Wellington House evolved into the Tavistock Institute and went on to shape the destiny of Germany, Russia, Britain and the United States in a highly controversial manner.
The people of these nations were unaware that they were being “brainwashed by the origins of “mind control and inner directional conditioning” .
Tavistock was found to have a profound effect on the moral, spiritual, cultural, political and economic policies of the US and Great Britain, and under the banner of CULTURE, they played a large part in shaping and using the arts as a visual conditioner for the mind.
We can see now that they were determined to shape culture through the arts specifically.
The Tavistock Institute is often associated with conspiracy speculation, the most common of which associate it with the Beatles and the Rolling Stones.
The Rough Guide to Conspiracy Theories notes that the Tavistock Institute is believed by many to be part of a totalitarian agenda to take control of education and culture with the intent and purpose of utterly and completely destroying these things by “‘means of rock music and drugs to rebel against the status quo, thus undermining and eventually destroying the family unit.”
The Rockefeller Foundation awarded a significant grant that facilitated the creation of the Tavistock Institute.
Also the Edmond de Rothschild Foundations are a large contributor in the areas of the arts, health, entrepreneurship, and the sharing of best practices in philanthropy. STRENGTHEN ACTIVISM WITHIN ARTISTIC FIELDS
and sustain a professional, social, and political debate on the value of cultural diversity

In societal structure art is filed under culture, which is heavily patrolled by all media and is backed by the same oligarchs that control the central banking system, science, health, history and all disciplines of study. Art is considered one of the giants of influence yet it is at the same time downplayed as a mere entertainment feature of life, by design.
Here we see the history of human distortion from “Prehistoric” times through modern art, post modern to trans and post humanism.
Fragmenting our faces to fragment our minds on a subconscious level.
We are constantly exhibited as fractured. Constantly portrayed as disfigured through the ages.
We were told we started out as apes and we shall inevitably devolve into post humanism.
This is how they want us to perceive ourselves.
Thus began a slow reset of our perception of self which appears as a constant throughout contemporary and modern art.
in reference to art and literature the English word CONTEMPORARY comes from Latin con-, Latin temporarius (Temporal, temporary. Transitory.) From Middle English temporal, temporel (“transitory, worldly, material, of secular society”),
from Old French temporel or Latin temporālis (“of time (in grammar), temporary, relating to time as opposed to eternity”), The truth is we are beautiful. This is us.
Prime Creator Source already brought heaven to Earth, and we are an extension of source.
It is important that we remain fully human and organic, connected to Prime Creator Source rather than a synthetic central hub of intelligence where we shall be bound as soulless entities for eternity, slaves to the whims of technology.
The masks of indigenous peoples initially inspired Picasso and he stole their mask imagery and made it his own work. Thus began the extended age of the artistic ravaging and fragmentation of the human species as new artists followed suit.

Meanwhile across the pond in America the idea for the Museum of Modern Art was developed in 1929 by Abby Aldrich Rockefeller, wife of John D. Rockefeller Jr. who in time became MoMA’s greatest benefactor.

MoMA still profits today under the trusteeship of prominent corporate billionaires such as Larry Fink, CEO of Blackrock.
We have to ask ourselves WHY? What is it about modern art that has the attention of the CEO of the largest corporation in the world? Many members of the Council on Foreign Relations are also trustees of MoMA. Why are world affairs so closely related to modern art? Got any ideas?
MoMa officers and trustees constitutes a Who’s Who of billionaires, connected to big Pharma, cancer research, oil tycoons, educators, psychiatrists, psychologists, corporations etc Paula Crown a MOMA trustee, is a former member of President Obama’s Presidential Committee on the Arts and Humanities
Many members of the Council on Foreign Relations serve as trustees on the board of MOMA
Mimi Haas, Marlene Hess and Larry Fink to name just three.
They are now tactically engaged in how the arts and humanities sectors can impact community well-being, economic development, public health, education, civic engagement, and climate change.
Its public members include the heads of the National Endowment for the Arts; the National Endowment for the Humanities; and the Institute of Museum and Library Sciences. Ex officio members are the Secretary of the Smithsonian Institution.
On December 28, 2022, it was announced that BlackRock and Volodymyr Zelensky had coordinated a role for the company in the reconstruction of Ukraine. This is how close the arts are to global policy making!
“By placing the experience of the individual at their heart, arts and humanities approaches will help to shape the future of healthcare.” Christopher Smith
UKRI Sector Champion for the Creative Industries and Executive Chair, Arts and Humanities Research Council 2023
The Arts and Humanities Research Council (AHRC) published its first equality, diversity and inclusion (EDI) action plan in April 2021. It stated that ‘arts and humanities disciplines depend on a diverse range of methods, viewpoints, subjects and approaches in order to continue to thrive and develop’. This is how they institute transgender surgeries, transhumanism and finally post humanism by way of one of the five senses through visual art.
Art today has nothing to do with aesthetics and everything to do with politics and whether or not they serve an agenda.
In August 2017, all private committee members resigned in protest of then-president Donald Trump's response to the Unite the Right rally in Charlottesville, Virginia.
On September 30, 2022 President Joseph Biden reinstituted and expanded the President’s Committee on the Arts and the Humanities by Executive Order 14804. Tsione Wolde-Michael, most recently the founding Director of the Smithsonian’s Center for Restorative History who is the current Executive Director of the PCAH.

Is there perhaps another reason more than the art itself? Is it perhaps a front for a much more lucrative business model that is fast overtaking even drugs and guns?
Edward Morgan says:
“It has been years that I become very suspicious of the modern art and it didn’t take a long time for me to realize how the modern art has acted as a catalyzer to cover-up pedophilia but recently as the modern world evolves in perversion and blood, modern art, in consequence, have become more aggressive in presenting pedophilia, cannibalism and as the latest evolution, presents ”Pedovore.”
Hillary Clinton:
“In my line of work, we often talk about the art of diplomacy as we try to make people’s lives a little better around the world. But, in fact, art is also a tool of diplomacy. It reaches beyond governments, past the conference rooms and presidential palaces, to help us connect with more people in more places. It is a universal language in our search for common ground, an expression of our shared humanity.
That’s why Art in Embassies is so important. The Museum of Modern Art first envisioned this global visual-arts program in 1953, and President John F. Kennedy formalized it at the U.S. Department of State in 1963. Working with over 20,000 participants globally, including artists, museums, collectors, and galleries, this landmark public-private partnership shares the work of more than 4,000 American and international artists annually in more than 200 U.S. Embassies and Consulates around the world. These can be exhibitions, permanent collections, site-specific commissions, or two-way artist exchanges. Many remarkable artists have been involved with Art in Embassies, and this year we were proud to award the first biennial U.S. Department of State Medal of Arts to Cai Guo-Qiang, Jeff Koons, Shahzia Sikander, Kiki Smith, and Carrie Mae Weems.
Just think about what an exhibition of American and local artists means to someone across the world yearning to express herself or himself. Artists push boundaries and show what the human spirit is capable of, forming bonds of understanding with people they may never know. For over 50 years, Art in Embassies has showcased the best of this talent. I am grateful, as it promotes creativity, ignites collaboration, and builds on American diplomacy.”
The event celebrated the 50th anniversary of the Art in Embassies program, which has been deploying visual art as part of the art of diplomacy for 50 years. DEPLOY:
To position (troops) in readiness for combat, as along a front or line.
To bring (forces or material) into action.
To base (a weapons system) in the field.
Over time, in tiny incremental steps modern art introduced Materialism by way of Art Deco, Fascism by way of Futurism, Anarchy by way of Dada, Pro-war sentiment by way of the Propaganda Art Movement, Mass Consumerism by way of Pop Art, Insanity by way of Shock Art,
Manipulated Science by way of The Environmental Movement which emerged in the 1960s to effect social and political issues relating to natural and urban environments and so on.
Why so many art movements in such a short period?
Simply put, Art being a universal language is more efficient in conveying propaganda than the written word.
Within just a decade before WW1 artists removed the nurturing element from woman by portraying women as angular and metallic and no longer soft and curvacious.
This was all a visual ploy to prepare women to lend themselves to the "war effort" and all the acrobatics that were solicited via art and multi-media in this propaganda extravaganza summonsed an army of Rosie the Riveters.
As time sped up it was necessary to develop an arsenal of visual propaganda to feed into the eyes of the masses to justify two world wars, a Cold War and smaller yet ongoing and strategic worldwide wars in order to normalize the acceptance of endless conquest under the pretext of maintaining order in the world.
It was act two of the Roman Crusades during the Renaissance amped up by the Industrial Age to ensure the goal of full spectrum dominance toward a Post Humanist world.
Again and again we rise to the occasion only to be exploited. Now that we know that both sides of the World Wars were funded by the same faction I don't think we humans would have been so eager to answer that "call to duty" for without us those wars would have been impossible to wage.
Canadian Armour Passing Through Ortona, 1944 Giclee Print by Charles
Modern art has even been weaponized in psychological operations by the CIA who established a division known as the Propaganda Assets Inventory, a branch of psychological warfare intended to boost pro-American messaging during the Cold War.
The CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.
During the propaganda war with the USSR, this new art movement was touted as proof of the creativity, the intellectual freedom, and the cultural power of the US.
Russian art on the other hand was seen as locked in the ideological stasis of communism, unable to compete with the freedom ringing in the hearts and minds of Americans. The intelligence agency actually curated exhibitions of abstract art to wage its ideological war.
Who is to say when and if this infiltration ever ends?
The names Picasso, Van Gogh, Monet, Motherwell, Pollock, Rothko, Warhol, Basquiat have been burned into our brains. Yet very few of us could even name one local artist.
We have been trained to believe that great art is measured in fame and fortune, far from the reach of the average person. WHY? Because our creativity is one of the greatest threats to their demise.
That is always why there is a choice of Les Miserables or Cinderella in theaters.
Modern Art galleries were built especially to house modern art while endless articles, exhibits and trends are perpetuated by the art created. Surprisingly few in number of artists generate work that psychologically affects the many.
Of course modern and contemporary art would look really exposed within the bounds of great Tartarian Architecture so they had to build some ghastly buildings to accommodate post modernism.
We now know from the release of the maps of Grand Tartaria in 2013 that this architecture is from Grand Tartaria and existed long before the 1800’s when many these institutions were founded.
Tartaria was ransacked and their architecture usurped for all the famous art museum locations around the world.
They literally stole the cultural magnificence of Tartaria and used it to twist it into a new and effective cultural propaganda system.
German Museum Of Fine Arts in Leipzig. Destroyed in WW2.
In the 60’s the Asia Art Museum was established as a bridge of understanding between Asia and the United States and between the diverse cultures of Asia. In 1987 Mayor Dianne Feinstein proposed a plan to revitalize the museum. It was moved to its current location: the old Main library , a Beaux Arts-style building Designed by George Kelham in 1917?
Tatsuno Kingo, a Japanese architect worked at the architectural offices of the Gothic Revivalist William Burges and is said to have designed the Fukuoka Akarenga Cultural Center The art academies have made sure to churn out art to fit the next trend designated to affect the populace culturally, focusing heavily on abstract art which is noticeably devoid of meaningful social commentary. Many of their directives come from think tanks such as Tavistock.
You shall have nothing and be happy.
Zxcvb Modern Art has also served as a measure to our adversaries as to how much insanity the general populace will tolerate without putting up a fight. They used the Shock Art Movement to experiment with this notion to raise the bar and take measurements as to the tolerable level of madness, then they raise it.
SHOCK art: it is an increasingly marketable art, described by one art critic in 2001 as "the safest kind of art that an artist can go into the business of making today”. Artist's Shit, a 1961 artwork by Piero Manzoni, consists of 90 tin cans, each reportedly filled with 30 grams (1.1 oz) of Manzoni's faeces. A tin was sold for €124,000 at Sotheby's on May 23, 2007, and tin 54 was sold at Christies for £182,500 on October 16, 2015. Dirty money?
Piss Christ, 1987, by Andres Serrano a photograph of a crucifix submerged in the artist's own urine.
The Holy Virgin Mary, a black Virgin Mary, with elephant dung, before a background of pornography, by Chris Ofili.
The Chinese the Ministry of Culture attempted a crackdown on the art form banning the use of corpses or body parts in art.
Maurizio Cattelan, Comedian, 2019, Banana taped to a wall, sold for $120,000. Hermann Nitsch (96 Aktion – Giardini San Martino, Napoli, M, 1996)
Like everything else modern art has been bastardized, commercialized beyond the point of redemption, Now that you have the full picture of where this acceptance of art is going as a norm, it is advisable to withdraw your creative currency from this farce.

Shadow Walker: “Modern art is the death of creativity for me. I felt like I died inside when I was doing modern art to conform in order to get my degree. That damned painting got me an A+ and my degree.
I didn’t feel free, nor did I feel like the art I enjoyed doing was being appreciated.
They wanted me to do more messes than create art I would be proud of.”

Artist Terence Koh had an installation in 2007 that was literally gold plated pieces of his fecies. In total, the pieces all sold for $500,000.00.
Myra Hindley was a vicious child murderer who along with her partner Ian Brady, sexually assaulted and murdered five children, To this day, the remains of all her victims have not been found. Artist Marcus Harvey thought that making a portrait of her out of children's hand prints would be fitting. Most of us think it's gross. But either way, we're talking about it, so he's got the attention he wanted.

In 2012, a Swedish "artist" named Carl Michael von Hausswolff
was so desperate for attention that he stole ashes of Holocaust
victims and made them into a painting.

Woman
Today we have reached a point where we are being sold physically impossible science as truth through art. A sculpture of a man breastfeeding attests to this. This is specifically designed to step on your sense of logic, defy natural biology and butcher your comprehension of the true function of language.
Please by all means go ahead and be trans-dignified but while you are at it don’t step in my logic space, defy natural biology and butcher my understanding of the meaning of words and the function of language. You are trespassing on my real estate and invading my property with your desires, I have no need to be affected by your ideas and you mine.
I remain indifferent to your sexual choices but if you start mutilating prepubescent children you will have a lot of explaining to do.
And to those rare people born with intersex conditions that have anatomy that is not considered typically male or female, I am not addressing you because you were born that way.
All these sculptures are part of the trans humanist transgender agenda to end humanity as we know it and inch ever closer to the state of Post Humanism. It is high time we took stock of what has happened to the precious act of art and reclaim it as a powerful tool for humanity’s evolution. Just like everything else it has been usurped and and used against us, and we have all fallen for it.
Unveiled as part of this year’s Parcours section at Art Basel is a work being described as the first ever public sculpture depicting a nude, openly trans woman. Designed by the American trans artist Puppies Puppies (aka Jade Guanaro Kuriki-Olivo), the work is a life-sized bronze statue in the tradition of classical sculpture, based on a 3D scan of the artist’s body. Written on the work’s plinth is the word: “woman”.
2.” Coping " the story of transgender ) Sculpture Andru Fijalkowski This area of contemporary art is a testament to the worship of Moloch or Baal who is always depicted as half male and half female with breasts and male genitalia. The greater intent behind this psychopathic operation is for you to believe that our adversaries are superior to Prime Creator Source. The brainwashed prepubescents who undergo chemical invasion and mutilation to change their genders are known by satanists as "Living sacrifices", but they don't tell them that prior to surgery.
Our ancestors warned us in plain sight about this devilry.The Devil has breasts.
Speaking of the exorbitant price tags on art, we cannot dismiss all the financial shenanigans connected to art. "The New American Painting” tour, 1958 -1959 was the first of more than 50 exhibitions sent abroad by MoMA’s International Program.
Woman III by Willem de Kooning sold for $137.5 million.
Kazimir Malevich’s Black Square sold for a phenomenal $60 million.
AFTER the CIA in conjunction with Nelson Rockefeller who was a board trustee of MOMA, (and much later a Vice President from 1974 to 1977under President Gerald Ford), MOMA promoted this art all over Europe which falsely made the art famous and consequently very expensive, to the tune of millions.
"The New American Painting” tour was the first of more than 50 exhibitions sent abroad by the Museum's International Program"The New American Painting'" It was composed of 80 pictures, four to five by each of 17 artists, was selected by Dorothy C. Miller, Curator of Museum collections.
It is the most comprehensive show yet seen in Europe devoted to the advanced American
Paintings of the last decade.
The artists represented are: Baziotes, Brooks,
Francis, Gorky, Gottlieb, Guston, Hartigan, Kline, de Kooning, Motherwell, Newman, Pollock, Rothko, Stamos, Still, Tomlin and Tworkov.
Elegy to the Spanish Republic No 35 (1954-8). Robert Motherwell

We saw the power that visual art can demonstrate over the mind when we observe the fake prehistoric cave art that was presented to us as visual evidence for man evolving from Apes. Many people bought it.
The Rockefellers made the artwork that they themselves collected, by sending art shows of art they owned all across Europe and the US. Publishing them in art history books for curriculum made the art famous and then they put them up for auction at Sothebys or Christie’s at exorbitant prices.
No wonder these paintings became so famous and consequently worth millions of dollars. Other influential shows after The New American Painting European CIA tour Exhibit included "Modern Art in the United States" (1955) and
"Masterpieces of the Twentieth Century" (1952).
Because Abstract Expressionism was expensive to move around and exhibit, Nelson Rockefeller, was called in to “help” (Remember his mother had co-founded the Museum of Modern Art in New York.)
As president Rockefeller was one of the biggest backers of Abstract Expressionism (which he called "free enterprise painting”) his museum was contracted by the Congress for Cultural Freedom to organize and curate most of its important art shows.
It was NEVER about great masterpieces, it was what they could achieve politically, no matter how ugly and absurd the paintings were!
The museum was also linked to the CIA by William Paley, the president of CBS broadcasting and a founding father of the CIA, sat on the members' board of the museum's International Programme.
John Hay Whitney, who had served in the CIA's wartime predecessor, the OSS, was its chairman.
Tom Braden, first chief of the CIA's International Organisations Division, was executive secretary of the museum in 1949.
Zxcvb David Rockefeller, the last surviving grandchild of robber baron John D. Rockefeller personal art collection auction at Christie’s in the spring of 2018 netted almost a billion dollars all of which was donated to “CHARITY”. Charity being those organizations that devote themselves fully toward the New World Order’s many divisive and political agendas toward Globalism which often debuted through art exhibit topics such as Climate, Transhumanism, Transgender and Covid art shows to name a few.
Remember, the original Rockefeller millions went to indoctrinating teachers to indoctrinate humanity toward being a slave race and for doctors to establish the petroleum based standard of synthetic medicines which today has become BIG Pharma. Rockefeller saw the ability to monopolize the oil, chemical and medical industries at the same time as taking control of the educational system to “legitimize” the new false science that would wipe out the natural remedies in use at the time.
The trustees of MOMA sent their art collection, promoted as America's most distinctive contribution to contemporary art, (but really a CIA weaponized art exhibit) on a worldwide tour, then printed books of the art for mass distribution. Then later after these artworks became so famous, they put them up for auction at Sothebys or Christy’s for exorbitant prices.
They were all in on it including relationships between MOMA, Sothebys and the CIA.
David Rockefeller bought a Rothko for $9000.00 and sold it later for about $32 million dollars,
He said it was the “best investment I ever made” yet they are rigging it all, cashing in on human creative currency.
so you can be sure that all charities they donate to in this day and age will go toward the same philosophy of control of information, indoctrinating education programs, biased science etc. They play with our world like its a monopoly board Why there have been over two hundred different art movements spawned within a 100 year time span yet the sole Byzantine period of art lasted almost 1000 years. (According to historians). The marriage of Art and Science...
The American Academy of Arts and Sciences is one of the oldest societies in the United States. It was founded in 1780 during the American Revolution by John Adams, John Hancock, and other Founding Fathers of the United States. Under the Arts and humanities section 5, Visual Arts sit right beside philosophy, history and literature. Art is a really big deal to these people and they understand fully the impact that art has on shaping society.
The Fall 2017 issue of Dædalus, "Civil Wars & Global Disorder: Threats & Opportunities," is the first publication of the American Academy project. The Rockefeller Foundationas an American private foundation and philanthropic medical research and arts funding organization has given more than $17 billion in current dollars to “Charity” Rockefeller’s took complete control of the medical system in the early 1900’s and replaced the organic with the synthetic in medicine.
He also appropriated large sums for various institutions such as the General Education Board. It gave $500,000 toward the endowment of the Graduate School of Education at Harvard in 1919 and $1,000,000, the largest gift ever made to an institution for training teachers, to the building fund of Teachers College Columbia University, in 1920.
In the 1930s funding included the support of eugenics.
John D. Rockefeller Sr. first conceived the idea of the foundation in 1901.
In 1906, Rockefeller's business and philanthropic advisor, Frederick Taylor Gates, who decided what topics of reform were ripe and encouraged him toward "permanent corporate philanthropies for the good of Mankind” Gates served as president of the General Education Board, which became the leading foundation in the field of education.
This way, Modern art becomes a huge funder of propaganda foundations
that ensure the perpetuation of a slave race through funding Agenda-driven education, biased science and rigged medical studies established exactly for the purpose of control across the planet.
By the end of 2016, assets were tallied at $4.1 billion (unchanged from 2015), with annual grants of $173 million.
A quick glance at the trustees reveals the topics being funded...climate change and inequality.global action needed to regenerate our planet, energy investments and policy work on areas including sustainable investing, renewable energy, power, and infrastructure to reduce carbon emissions, food ecosystems, entrepreneurship, social innovation, and youth development. For many years the Rockefellers have been pouring billions of dollars into projects and international groups, which are working to bring in a public One-World government.
Each of the 13 families, of which the Rockefellers belong, has their own set of Mothers of Darkness and their own secret Satanic leadership of Kings, Queens, Princesses and Princes of Darkness.
When it comes to art their influence has been huge, and people don’t even look at art as an area of significance. Sight is one of the five senses so it makes absolute sense that art sits right up there with science and medicine as one of the key modes propaganda and control to be utilized for their agenda against the masses on a worldwide scale.
How the ARTS affect the healthcare system today.
ANSWER: The importance of rooting healthcare solutions in communities is recognised in the NHS and in the increasing role of social prescribing, where individuals’ health and wellbeing needs are addressed through connections to activities, groups and services in their community.
This approach has informed a diverse mix of projects, from engaging with cultural heritage such as museums to reduce social isolation to the wellbeing benefits of art and nature.
The General Education Board (GEB) was a private organization established in 1903 by John D. Rockefeller Sr. to promote education in the United States, without distinction of race, sex, or creed.1 The GEB focused on improving education for white and black children in the South by expanding state education departments and modernizing farming practices in the South.2 It helped eradicate hookworm and created the county agent system in American agriculture, linking research as state agricultural experiment stations with actual practices in the field.3 The GEB's strategy was to increase crop yield, thereby raising farm incomes and building a stronger tax base to help fund public education.1 The GEB provided major funding for schools across the nation and was very influential in shaping the current school system.0
In the case of modern art we are expected to believe that it is our destiny to become post- human. Post Humanism is the end game of modern art aided intrinsically by post modernist art, hybrid experimentation, Transhumanism, Extropism and technological and surgical augmentations represented through art.
Here we come full Circle
The roots of Posthumanism, in art and in general, can be found in its predecessor and antithesis - humanism which was birthed during the Renaissance.
(To the Popes humanism meant the control and subjugation of humans and how to maintain that.
Humanism originated in Renaissance Europe when Christianity was co-opted by Satanists
Where its central concept of the creation and production of art was a distraction from establishing control over intellectual property, censoring maverick philosophers and keeping indigenous peoples and women from ever contributing to human evolution.
Humanism was a way for the church to maintain power and control over the secular area of the population.
The pretense of the focus on elevating human potential coincided with the elevation of the Roman Catholic Church’s own power across Europe “For the good of humankind as a whole”
Humanism, was set up by a small elite who had access to books and education and was intended as a cultural mode to influence all of society. It was sold as a program to revive the cultural legacy, literary legacy, and moral philosophy of classical antiquity, yet according to Foment there was no classical antiquity.
Humanism maintained the principles of a human-centered existence rather than a religion-centered life and was the momentum behind most Renaissance cultural achievements. Renaissance Humanists sought to create a citizenry able to speak and write with eloquence and clarity, be capable of engaging in civic life and persuade others to virtuous and prudent actions.
The church believed they had godlike power to act as an intermediary between God and humans, that was the extent of their Humanism.
For centuries to come, humanism dictated the rules in art and imposed the rules on how artworks should look like and what they should depict. Widewalls Editorial: No author named: Written as if a separate entity from human??
Title: “Being Human and Post Human in the Eyes of Art
Note: Art has the eyes, not the humans???
“Posthumanism was born with technology, much later, as an evolved, much advanced version of humanism, and it aimed to change everything the humans were, and thought they were.
By inventing robots and discovering space, for instance, we diminished our specialness as a species, focusing more and more on scientific discoveries that would make our past clearer and our future easier.” These tendencies were reflect by and in art, in all fields of it, be it literature or visual arts.
Perhaps the first specific step towards Posthumanism art was taken by Futurism, ( Fascism) through their bold manifesto written by F.T. Marinetti in 1909: ”We want to hymn the man at the wheel, who hurls the lance of his spirit across the Earth, along the circle of its orbit...” and ” We stand on the last promontory of the centuries!...
Why should we look back, when what we want is to break down the mysterious doors of the Impossible?
Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.”
By studying modern art we can see how this tactic is being implemented today through the Modern Art Complex to goad us toward Transhumanism.
It is important that we remain fully human and organic, connected to Prime Creator Source rather than a synthetic central hub of intelligence where we shall be bound as soulless entities for eternity, slaves to the whims of a false technological demigod.
Human enhancement through technological advancement is fast becoming the route to post-human or cyborg-like biological entities. Cyborg technologies enable and support collective intelligence which can be easily remote controlled by a central ruling hub.
Post Human explores the new approaches to figurative art based on vital developments in biotechnology and computer science which redefine the notions of the self and of the human figure.
Post humanists believe that our consciousness is an epiphenomenon and the body is a vehicle that can and should be repaired, and even traded in like a car. In the posthuman, there are no essential differences between bodily existence and computer stimulation, cybernetic mechanism and biological organism, robot technology and human goals.
This essentially allows and encourages different types of enhancements for human beings and the generations to come, provided by industrial science and artificial intelligence. They conveniently and eerily skip any ethical issues about exactly where this leads humanity...to post humanity!
The ‘anti-women’ element of becomes glaring as men now win women’s pageants & sports.
The Getty Museum
John Paul Getty had a flair for courting teenage girls, marrying them, getting them pregnant and neglecting them until they left; and went on to have five sons from four of his five wives.
In 2000, CIA/NSA contractor Steven D. Kelley, remote viewed the Getty and discovered that the Getty Museum in Los Angeles, California is built over a luxurious subway city and thousands of miles inside it connects to Deep Underground Military Bases. J. P. Getty was given a knighthood by Queen Elizabeth when this structure was completed. the Getty serves as a hub of child trafficking. There is a huge city underneath the Getty, which links up to the other 250 or more underground bunkers, it connects to the New World Order airport of Denver, Colorado. It is believed that "Underground bases trafficking children and running the Chemtrails in California were destroyed back in 2019.
We also know now that there are many human hybrid experiments going on in theses DUMBS. Think Podesta art collection.
As wife of JP’s son Gordon Getty, Ann Gilbert Getty was a prominent socialite in New York and San Francisco alongside being a keen philanthropist for political, scientific and artistic causes. She served on the boards of the Metropolitan Museum of Art, the New York Public Library and New York University.
Over the years, she also ran fundraising events for Democratic political candidates including Kamala Harris and Barack Obama.
Natalia Williams, better known as Nats Getty, Daughter of J. Paul Getty’s granddaughter Ariande Getty and Justin Williams. August’s sister Age: 27
Career: Model, designer, artist and LGBTQ rights activist
The one who: Is married to a transgender YouTuber
Examples of trustees:
Mary Schmidt Campbell President's Committee on the Arts and the Humanities Advisory Committee to the White House on Cultural Issues
Pamela Joyner, President's Committee on the Arts and the Humanities Advisory Committee to the White House on Cultural Issues • Private member
David L. Lee is chairman of the Board of Overseers of the University of Southern California medical school, a trustee of the J. Paul Getty Trust, and chair of the Board of Trustees of the California Institute of Technology. Steven A. Olson: Olsen holds a B.A. in political science and economics from UCLA and a master's degree from UC Berkeley's Graduate School of Public Policy.
Robert W. Lovelace is a portfolio manager for the American Funds and president of the New Perspective Fund and New World Fund.23 He is also the vice chair and president of Capital Research and Management Company, a subsidiary of Capital Group, and serves on the Capital Group Management Committee.

Edward Morgan says:
“It has been years that I become very suspicious of the modern art and it didn’t take a long time for me to realize how the modern art has acted as a catalyzer to cover-up pedophilia but recently as the modern world evolves in perversion and blood, modern art, in consequence, have become more aggressive in presenting pedophilia, cannibalism and as the latest evolution, presents ”Pedovore.”
In my line of work, we often talk about the art of diplomacy as we try to make people’s lives a little better around the world. But, in fact, art is also a tool of diplomacy. It reaches beyond governments, past the conference rooms and presidential palaces, to help us connect with more people in more places. It is a universal language in our search for common ground, an expression of our shared humanity.
That’s why Art in Embassies is so important. The Museum of Modern Art first envisioned this global visual-arts program in 1953, and President John F. Kennedy formalized it at the U.S. Department of State in 1963. Working with over 20,000 participants globally, including artists, museums, collectors, and galleries, this landmark public-private partnership shares the work of more than 4,000 American and international artists annually in more than 200 U.S. Embassies and Consulates around the world. These can be exhibitions, permanent collections, site-specific commissions, or two-way artist exchanges. Many remarkable artists have been involved with Art in Embassies, and this year we were proud to award the first biennial U.S. Department of State Medal of Arts to Cai Guo-Qiang, Jeff Koons, Shahzia Sikander, Kiki Smith, and Carrie Mae Weems.
Just think about what an exhibition of American and local artists means to someone across the world yearning to express herself or himself. Artists push boundaries and show what the human spirit is capable of, forming bonds of understanding with people they may never know. For over 50 years, Art in Embassies has showcased the best of this talent. I am grateful, as it promotes creativity, ignites collaboration, and builds on American diplomacy.
The event celebrated the 50th anniversary of the Art in Embassies program, which has been deploying visual art as part of the art of diplomacy for 50 years. DEPLOY:
To position (troops) in readiness for combat, as along a front or line.
To bring (forces or material) into action.
To base (a weapons system) in the field.
The VISUAL NARRATIVE! Most modern art has no meaning other than an intellectual explanation. It does not serve the evolution of humanity but rather tries to convey a false sense of enlightened progress when in fact it represents a devolution as the arts progress more and more toward shock and awe and eventually outright depravity as acceptable norms.
It is no wonder that the mass population no longer wants much to do with art, let alone discover the true purpose of art. This is on purpose so that the so called elites would have it all in its depraved ways to themselves.
Art as it is:
Hijacked on every level to quash our Creative Currency:
A subconscious visual mind-control programme of soul-fragmentation-mirroring toward a post-humanist end game
by subverting Prime Creator Source's sacred role in creation and natural evolution.
Art as it should be:
A portal to creating divine existence on Earth by bringing heaven to Earth using the abundance of elements at our fingertips to paint an entirely new 5D environmental canvas.
Art as it always was: (before the intervention of the resets and the manipulation of our DNA: )
An extension of divine human expression connected to cosmic intelligence that naturally expresses itself as easily as breath fills the lungs.

In contrast to today, the Tartarians saw life as art. The post Tartarian Reset usurped art for its own gain and destroyed creative currency by design.

This is why the works plundered from the Renaissance were not signed.
Artistry of any kind was just another skill incorporated into the whole. The Tartars probably taught their children all the skills of artistry at a young age, because it was a given and an unquestioned fact that they were born creative geniuses.
It was during the Renaissance that art was separated from the whole in order to contain and control it. Separation = control.

During the previous Golden Age everything was an art form, from healing to music to environmental aesthetics and science, it all worked together to reach the highest possible resonance.
The bells and the organs were built into the architectural bones of the structure and their music would be life enhancing to all forms of life for miles around.

The Tartarians used the ethers for energy, no one had to go to work to pay bills so all of their existence was dedicated to creativity and living life in synchronicity with Prime creator Source.
They sought to bring heaven to earth through the use of harmonics, sacred geometry and by incorporating a spiritual way of life of such an order that enraged whoever the foreign entities were that invaded this earth to such a degree, that to destroy them was of the greatest significance before they could set about their plans to take over the entire Earth.

Whichever entity came in before the Renaissance to restart humanity separated art from the whole (as they knew how powerful it is) by attributing the paintings and sculptures to certain individuals who they claimed were talented geniuses. In this way they could establish without question that great art was a rarity and endow a god-like celebrity status upon the artists like Raphael and da Vinci.
This is also why musicians are also referred to as artists.
Once these artists become separated from the rest of society as revered, then the rest of the populace then believes that they themselves do not have these abilities.