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Did you know that Nirvana's third studio album, In Utero, almost had a completely different title? Or why producer Steve Albini insist that he take 0% of the album's royalty sales? Why did Kurt agree to change a song title to satisfy major retail stores when he was always so against the corporate music industry? Stick around as we answer these questions and more, on...10 Fun Facts About In Utero by Nirvana10 Things You Didn't Know About Nirvana In Utero1. First TakeKurt Cobain sang most of the lyrics on In Utero in one take and the entire album was produced in only 14 days because Nirvana wanted to release something raw and spontaneous as a follow up to their polished and pre-meditated album Nevermind. The band also elected to work with producer Steve Albini because Cobain was a fan of the primitive sound on Albini produced albums such as Surfer Rosa by the Pixies or Pod by The Breeders.As Albini himself explains:"The bulk of the record Kurt sang in one sitting. He sat with this broken acoustic guitar on his lap and had me play the songs back to him and he would strum along on this acoustic guitar and sing the songs. That was exactly the way he wanted to present it."

Drummer David Grohl would also explain that In Utero can be difficult for him to listen to, due to the raw and personal nature of the album: “Obviously In Utero was a direct response to the success and sound of Nevermind. We just pushed ourselves in the other direction, like, “Oh really, that's what you like? Well, here's what we're going to f****** do now!” But it is a hard album for me to listen to from front to back. Because it's so real, and because it's such an accurate representation of the band at the time, it brings back other memories, it kinda makes my skin crawl... I don't spend a lot of time thinking back on things I've done. But In Utero, man, what a trip."

2. The Simon Ritchie Band

Nirvana and producer Steve Albini wanted to record In Utero in a place where they wouldn't be surrounded by screaming fans trying to intrude on their workspace or be tempted by nearby "shenanigans." Even going so far as to book the studio under a fake name to avoid anybody leaking the news that a major rock band was going to be recording their next album in the area.“It was far enough away from anybody that the band knew socially, and we wouldn’t have a f****** TV crew out front every day or any drug dealers trying to do business... We had to make sure that word didn’t get out... I booked the studio on my account under the pseudonym the ‘Simon Ritchie Band,’ which was of course Sid Vicious’ real name...Until the flight cases started arriving... nobody knew. The cases had Nirvana spray-painted on the side of them, but until that happened, even the people who owned the studio didn’t know that Nirvana was going to be recording there.”

3. 0%

Producer Steve Albini refused to take a percentage of the album royalties, electing to work only for a flat fee. Ok, so that fee was $100,000 dollars which is no small amount to an average person. But considering that the album would go on to sell well over 15 million copies, $100k is chump change compared to what he could have collected with even a mere 1% cut. Albini felt that it would be unethical to demand a percentage of royalties from the band, especially considering that Nirvana intended to produce a "minimalistic" album with very little input from anyone who wasn't named Kurt, David, or Krist. Even going so far as to say “I think paying a royalty to a producer or engineer is ethically indefensible” in a four page proposal he sent to the band when requesting to work on the album.

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