Roxy Music | Siren [1975] Vinyl Review | States & Kingdoms

8 months ago
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Roxy Music | Siren [1975]

We love Roxy Music, they've been a favorite band for ages, and we're slowly working our way through the records we have - here is Siren!

Siren is the fifth album by English rock band Roxy Music, released in 1975 by Island Records. It was released by Atco Records in the United States.

Siren produced the singles "Love Is the Drug" and "Both Ends Burning", which peaked at numbers two and 25 respectively on the UK Singles Chart. "Love Is the Drug" became Roxy Music's highest-charting single in the US, reaching number 30 on the Billboard Hot 100. In 2003, Siren was ranked number 371 on Rolling Stone magazine's list of the 500 Greatest Albums of All Time.

Siren remains one of Roxy Music's most critically acclaimed albums. Critic Dave Marsh described Siren in 1983 as "Roxy's masterpiece, calling the listener back by virtue of its finely honed instrumental attack and compelling lyrical attitude". In a retrospective review for AllMusic, Stephen Thomas Erlewine wrote that Roxy Music's unabashed embrace of dance and pop music on Siren, while resulting in their distinctive "artier tendencies" being toned down, produces "a thematic consistency that works in [the album's] favor" and elevates it "into the realm of classics". Rob Sheffield refers to Siren as "the first Roxy Music album without any failed moments" in 2004's The New Rolling Stone Album Guide. Simon Reynolds was less receptive in a 1999 article for Uncut. He acknowledged that Siren continued to be "universally" held in high regard, particularly by American critics, but considered it and its predecessor Country Life to be "conventional and tame" compared to the band's earlier output.

Rolling Stone ranked Siren at number 371 on its 2003 list of the 500 greatest albums of all time, and at number 374 on a 2012 version of the list. Vibe included it in its list of the 100 essential albums of the 20th century, describing it as a fusion of "the esoteric murk of early Roxy" and "the aching, ardently romantic tone that defines their later work".

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