Redo Pop Song 166 of 500 'Africa' Toto 1982

Redo Pop Song 166 of 500 'Africa' Toto 1982

My first version on Yamaha Digital Upright:
https://www.youtube.com/watch?v=8b-p1irFqQE&t=0s

The initial idea and lyrics for the song came from David Paich. Paich was playing around with a new keyboard, the CS-80, and found the brassy sound that became the opening riff. He completed the melody and lyrics for the chorus in about ten minutes, much to Paich's surprise. "I sang the chorus out as you hear it. It was like God channeling it. I thought, 'I'm talented, but I'm not that talented. Something just happened here!' Paich reckons that he refined the lyrics for six months before showing the song to the rest of the band.

In 2015, Paich explained that the song is about a man's love of a continent, Africa, rather than just a personal romance. He based the lyrics on a late night documentary with depictions of African plight and suffering. The viewing experience made a lasting impact on Paich: "It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about it if I was there and what I'd do." Jeff Porcaro elaborates further, explaining: "A white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past."

Some additional lyrics relate to a person flying in to meet a lonely missionary, as Paich described in 2018. As a child, Paich attended a Catholic school; several of his teachers had done missionary work in Africa. Their missionary work became the inspiration behind the line: "I bless the rains down in Africa." Paich, who at the time had never set foot in Africa, based the song's landscape descriptions from an article in National Geographic.

Jeff Porcaro also acknowledged that he was influenced by the sounds created by fellow Los Angeles session musicians Milt Holland and Emil Richards. He also described the significance of the African pavilion drummers at the 1964 New York World's Fair and a National Geographic Special. To recreate those sounds, he and his father Joe Porcaro made percussion loops on bottle caps and marimba respectively.

I was about 11 when the New York World's Fair took place, and I went to the African pavilion with my family. I saw the real thing ... It was the first time I witnessed somebody playing one beat and not straying from it, like a religious experience, where it gets loud, and everyone goes into a trance.

I hear the drums echoing tonight
But she hears only whispers of some quiet conversation
She's coming in, 12:30 flight
The moonlit wings reflect the stars that guide me towards salvation
I stopped an old man along the way
Hoping to find some long forgotten words or ancient melodies
He turned to me as if to say, "Hurry boy, it's waiting there for you"
It's gonna take a lot to take me away from you
There's nothing that a hundred men or more could ever do
I bless the rains down in Africa
Gonna take some time to do the things we never had
The wild dogs cry out in the night
As they grow restless, longing for some solitary company
I know that I must do what's right
As sure as Kilimanjaro rises like Olympus above the Serengeti
I seek to cure what's deep inside
Frightened of this thing that I've become
It's gonna take a lot to drag me away from you
There's nothing that a hundred men or more could ever do
I bless the rains down in Africa
Gonna take some time to do the things we never had
Hurry boy, she's waiting there for you
It's gonna take a lot to drag me away from you
There's nothing that a hundred men or more could ever do
I bless the rains down in Africa
I bless the rains down in Africa
(I bless the rain)
I bless the rains down in Africa
(I bless the rain)
I bless the rains down in Africa
I bless the rains down in Africa
(Ah, gonna take the time)
Gonna take some time to do the things we never had