A. I. Artificial Intelligence, 2001, summary

A. I. Artificial Intelligence, 2001, summary

He just wanted to become a real boy

David has been programmed to love. Whenever he is enacted with a code, he fixes on the activator, for this situation his Mother (Frances O'Connor). He exists to adore her and be cherished by her. Since he is an exceptionally refined android to be sure, there's a characteristic inclination for us to trust him on that level. Truth be told he doesn't adore and doesn't feel love; he essentially mirrors his coding. The affection contained in the film is all moved by people, and I didn't as expected mirrored this in my unique survey of the film.

"We are pro at extending human feelings into non-human subjects, from creatures to mists to PC games," I wrote in 1991, "yet the feelings live just to us. 'A. I.' avoids its liability to manage this quality and goes for a completion that believes us should cry, yet made them pose inquiries when I ought to have been tracking down replies."
That is valid enough on the chief level of the film, which recounts David's story. Watching it again as of late, I became mindful of something else: "A. I." isn't about people by any means. It is about the predicament of man-made brainpower. A reasoning machine can't think. Everything it can do is run programs that might be modern enough for it to trick us by assuming. A PC that breezes through the Turing Assessment isn't thinking. All it is doing is breezing through the Turing Assessment.

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