99 Problems but Patton ain't won

Patton is a 1970 American epic biographical war film about U.S. General George S. Patton during World War II. It stars George C. Scott as Patton and Karl Malden as General Omar Bradley, and was directed by Franklin J. Schaffner from a script by Francis Ford Coppola and Edmund H. North, who based their screenplay on Patton: Ordeal and Triumph by Ladislas Farago and Bradley's memoir, A Soldier's Story.

Patton won seven Academy Awards, including Best Picture, Best Director and Best Original Screenplay. Scott also won the Academy Award for Best Actor for his portrayal of General Patton, but declined to accept the award. The opening monologue, delivered by Scott as General Patton with an enormous American flag behind him, remains an iconic and often quoted image in film. In 2003, Patton was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". The Academy Film Archive also preserved Patton in 2003.

General George S. Patton addresses an unseen audience of American troops, emphasizing the importance Americans place upon victorious role models as well as his own demands that his men defeat the enemy by working and fighting as a team.

Germany eventually capitulates, though Patton's outspokenness lands him in trouble once again when he compares American politics to Nazism. Though he loses his command once again, Patton is kept on to see the rebuilding of Germany in the post war period. In a final scene Patton is seen walking Willie, his bull terrier. Patton's voice is heard:

"For over a thousand years, Roman conquerors returning from the wars enjoyed the honor of a triumph - a tumultuous parade. In the procession came trumpeters and musicians and strange animals from the conquered territories, together with carts laden with treasure and captured armaments. The conqueror rode in a triumphal chariot, the dazed prisoners walking in chains before him. Sometimes his children, robed in white, stood with him in the chariot, or rode the trace horses. A slave stood behind the conqueror, holding a golden crown, and whispering in his ear a warning: that all glory ... is fleeting."

"99 Problems" is the third single released by American rapper Jay-Z in 2004 from The Black Album. It was released on April 27, 2004. The chorus hook "I got 99 problems, but a bitch ain't one" is taken from the Ice-T single "99 Problems" from the album Home Invasion (1993). The hook was coined during a conversation between Ice-T and Brother Marquis of Miami-based 2 Live Crew. Marquis used the phrase in the 1996 2 Live Crew song "Table Dance".

In the song, Jay-Z tells a story about dealing with rap critics, racial profiling from a police officer who wants to search his car, and an aggressor. The song reached number 30 on the Billboard Hot 100.

The track was produced by Rick Rubin, his first hip hop production in many years. Rubin provided Jay-Z with a guitar riff and stripped-down beat that were once his trademarks. In creating the track Rubin used some classic 1980s sample staples such as "The Big Beat" by Billy Squier, "Long Red" by Mountain, and "Get Me Back On Time" by Wilson Pickett. Featuring the same Billy Squier drum beat sample, Dizzee Rascal released "Fix Up, Look Sharp" in August 2003 prior to The Black Album's release.

The title and chorus are derived from Ice-T's "99 Problems" from his 1993 album Home Invasion. The song featured Brother Marquis of 2 Live Crew. The original song was more profane and describes a wide range of sexual conquests. Ice-T would re-record his version of the song with the Rubin/Jay-Z guitar riff for Body Count's 2014 album Manslaughter in order to "reclaim" the hook from being mis-attributed to Jay-Z. Portions of Ice-T's original lyrics were similarly quoted in a song by fellow rapper Trick Daddy on a track also titled "99 Problems" from his 2001 album Thugs Are Us. Jay-Z begins his third verse directly quoting lines from Bun B's opening verse off the track "Touched" from the UGK album Ridin' Dirty.

The second verse, describing Jay-Z's traffic stop, has received much more attention than the rest of the song.

The second verse was based on an actual experience of Jay-Z in the 1990s in New Jersey. He wrote that in 1994 he was pulled over by police while carrying cocaine in a secret compartment in his sunroof. He refused to let the police search the car and the police called for drug-sniffing dogs. However, the dogs never showed up and the police had to let him go. Moments after he drove away, he saw a police car with the dogs drive by. In a discussion at the Celeste Bartos Forum at the New York Public Library, Jay-Z described the second verse of the song as representing "a contest of wills" between the car's driver who is "all the way in the wrong" for carrying illegal drugs, and a racist police officer who pulls over the driver not for any infraction but for being African-American. "Both guys are used to getting their way" and thus reluctant to back down, Jay-Z notes, and the driver "knows a bit about the law because he's used to breaking it" and asserts his legal rights.

In 2011 Southwestern Law School Professor Caleb Mason wrote an article with a line-by-line analysis of the second verse of the song from a legal perspective referencing the Fourth Amendment to the United States Constitution, citing it as a useful tool for teaching law students search and seizure law involving search warrants, Terry stops, racial profiling, the exclusionary rule, and the motor vehicle exception. Mason writes that some of Jay-Z's lyrics are legally accurate and describe prudent behavior (e.g., identifying when police ask for consent to search, specifically asking if one is under arrest, and complying with the police order to stop rather than fleeing which would certainly result in a search of the car and might authorize police to use lethal force to stop a high speed chase). However, Mason also notes the song lyrics are legally incorrect in indicating that a driver can refuse an order to exit the car and that police would need a warrant to search a locked glove compartment or trunk—in fact, police would only need probable cause to search a car. In 2012, Professor Emir Crowne of the University of Windsor Faculty of Law wrote an article concluding that Jay-Z's lyrics may be legally correct under Canadian law.

While the song's meaning is widely debated, the chorus "If you're having girl problems, I feel bad for you son/I've got 99 problems but a bitch ain't one" was defined in Jay-Z's book, Decoded, as referring to something different in each verse. In verse two, it refers to a police dog.

99 Problems
Jay-Z
EXPLICIT
Written by: Felix Pappalardi, William Squier, Norman Landsberg, Alphonso Henderson, Tracy Lauren Marrow, Leslie Weinstein, John Elias Ventura
Album: The Black Album (UK Version)
Released: 2003

If you're havin' girl problems I feel bad for you son
I got 99 problems but a bitch ain't one

I got the rap patrol on the gat patrol
Foes that want to make sure my casket's closed
Rap critics that say he's "Money Cash Hoes"
I'm from the hood, stupid what type of facts are those?
If you grew up with holes in your zapatos
You'd celebrate the minute you was havin' dough
I'm like "Fuck critics, you can kiss my whole asshole
If you 'on't like my lyrics, you can press fast forward"

Got beef with radio if I 'on't play they show
They 'on't play my hits, well, I 'on't give a shit, so
Rap mags try and use my black ass
So advertisers can give 'em more cash for ads, fuckers
I 'on't know what you take me as
Or understand the intelligence that Jay-Z has
I'm from rags to riches, niggas I ain't dumb

I got 99 problems but a bitch ain't one, hit me
99 problems but a bitch ain't one
If you havin' girl problems I feel bad for you son
I got 99 problems but a bitch ain't one, hit me

Year's '94 and my trunk is raw
In my rear view mirror is the motherfuckin' law
I got two choices y'all, pull over the car or, hmm
Bounce on the devil, put the pedal to the floor
Now I ain't tryin' to see no highway chase with Jake
Plus I got a few dollars I could fight the case
So I, pull over to the side of the road
I heard "Son, do you know why I'm stoppin' you for?"

"'Cause I'm young and I'm black and my hat's real low?
Or do I look like a mind reader, sir? I don't know
Am I under arrest or should I guess some mo'?"
"Well you was doin' 55 in the 54" "Uh huh"
"License and registration and step out of the car
Are you carryin' a weapon on you? I know a lot of you are"
"I ain't steppin' out of shit, all my papers legit"
"Well do you mind if I look around the car a lil' bit?"

"Well my glove compartment is locked, so is the trunk and the back
And I know my rights so you gon' need a warrant for that"
"Aren't you sharp as a tack? You some type of lawyer or something?
Somebody important or something?"
"Child, I ain't passed the bar, but I know a lil' bit
Enough that you won't illegally search my shit"
"Well we'll see how smart you are when the K-9 come"

I got 99 problems but a bitch ain't one, hit me
99 problems but a bitch ain't one
If you havin' girl problems I feel bad for you son
I got 99 problems but a bitch ain't one, hit me
99 problems but a bitch ain't one
If you havin' girl problems I feel bad for you son
I got 99 problems but a bitch ain't one, hit me

Now once upon a time not too long ago
A nigga like myself had to strong arm a hoe
This is not a hoe in the sense of havin' a pussy
But a pussy havin' no goddamn sense try and push me
I tried to ignore 'em, talk to the Lord
Pray for 'em, cause some fools just love to perform
You know the type, loud as a motorbike
But wouldn't bust a grape in a fruit fight
The only thin' that's gon' happen is I'ma get to clappin' and
He and his boys gon' be yappin' to the captain

And there I go trapped in the Kit Kat again
Back through the system with the riff raff again
Fiends on the floor scratchin' again
Paparazzi's with they cameras, snappin' them
D.A. tried to give a nigga shaft again
Half a mil' for bail cause I'm African
All because this fool was harassin' 'em
Tryin' to play the boy like he's saccharine
But ain't nothin' sweet 'bout how I hold my gun

I got 99 problems, bein' a bitch ain't one, hit me
99 problems but a bitch ain't one
If you havin' girl problems I feel bad for you son
I got 99 problems but a bitch ain't one, hit me (gosh)
99 problems but a bitch ain't one
If you havin' girl problems I feel bad for you son
I got 99 problems but a bitch ain't one, hit me

Woo, woo, uh, uh
Havin' girl problems I feel bad for you son
I got 99 problems and a bitch ain't one
You're crazy for this one, Rick, it's your boy