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Sacred Secret Of Warangal Gates - Ancient Mystery of India |Hindu Temple |
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0:00 - Warangal Gates
0:26 - Keyholes & Laser Cut Slots
2:11 - Complex Slot Positions
3:11 - Hard to Understand
3:40 - Changing the View Point
4:54 - Passing Laser Beam
5:43 - 4 Quadrants
6:15 - Jantar Mantar
6:45 - Advanced Instruments?
7:23 - Magnetic Birds
8:13 - Sacred Geometry
9:04 - Sacred Ratio
9:32 - Conclusion
Hey guys, today let us take a look at the so-called "Warangal Gates" aka "Kakatiya KalaThoranam". In my last video, we saw that these ancient structures are not entrances or gates, so let's try to understand why these were built. Most experts haven't really examined these structures, but we are going to look at them carefully. On the very top of this gate, there is a straight slot, almost a laser cut slot right in the middle, and you can see the Sun shining through it. Initially, I thought this was a sculptor's mistake, but this slot has been created intentionally on all 4 gates and we do see them on East, West, North and South gates. But these are not identical. On top of these gates, you can see these Key hole like openings. The position of these slots are made on different keyholes on different gates.
Let's start from the East Side gate, and here you can see that this slot is made on the 4th hole from the left. The position of the slot is at three and a half Keyholes or 3.5. Now, if you go to the exact opposite structure on the other end, the west side gate has a slot on the 3rd hole from the left, not the 4th hole as in the East gate. So, the position of the slot at the west gate is 2.5.Now, remember I am observing everything from the center of this site, and if you see the east and west gates side by sides, this is how they look, they are not identical. The position of the slots are different.
Of course, experts will argue that these are simple mistakes made by primitive sculptors and have no meaning at all. But I will show you why experts are wrong. Now, let's go to the gate on the North Side, and again the straight slot is at the 4th keyhole or at 3.5. If you look at the opposite gate at the South side, the slot appears on the 3rd keyhole or 2.5. So you can see the pattern like this: The East and West are 3.5 and 2.5 and the North and South are again 3.5 and 2.5. What is the meaning of this complex pattern? This proves that there is something fundamentally wrong about our history books, we have not evolved from a primitive civilization into a much more advanced civilization over many centuries. Instead, the more we look at ancient sites, the more we realize that our generation does not have the capability to understand what they were doing.
But we are looking at these gates from the human point of view and we are observing these gates from the center of this site. If you pretend that you are a giant and these gates were small lego blocks, you would stand outside the site, and look at them from one direction. If you go outside this site and look at the East gate, you suddenly realize that the slot is at the 2.5 and not 3.5. Now, if we look at both east and west gates from the outside standing at any one point, these slots are actually identical. Again, if you go outside on the north side for example, and look at both North and South gates, the position of the slots will be the same. The entire confusion of these slots at the third or 4th keyhole occurs because we are looking at it from the human point of view, standing in the centre of this massive site.
These gates are all designed to be exactly 33 feet tall, and are positioned at the exact cardinal directions. Now, if I go outside the eastern gate and shine a laser beam parallel to the ground, through this slot, the beam would pass exactly through the slot on the western gate. Of course, there would be a particular day in the year, when the sun rises and a beam of light would pass through this slot on the east and exit through the slot on the western gate. We would have to have astronomers calculate this particular day and its importance.
#India #Ancienttechnology #Disclosure
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