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OUTSTANDING TONE & CONTROL! Schubert "Ave Maria" Tuba Solo - Brian Kelley. Play Along!
Happy Monday BrassNation! We have a beautiful Solo with Piano Version of Franz Schubert's (Op. 52, No. 6) "Ave Maria" (originally “Ellen's Song No. 3” from “The Lady of the Lake”) arranged for you by Drew Fennell and recorded by Brian Kelley on a Bb Tuba today. This gorgeous arrangement comes in four versions: B flat, C, E flat and F Major with transposing parts in every practical key and clef (Full List Below) for flexible solo instrument choice. Hope you enjoy. DOWNLOAD SHEET MUSIC & PIANO BACKING TRACKS at: https://www.matonizz.com/product/ave-maria-schubert/
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Musicians:
Brian Kelley (Tuba at RCB)
Online Lessons: briankelleytuba@gmail.com
Instrument Used:
https://www.dfmusicinc.com/John-Packer-BBb-Tuba-p/jp278.htm
https://www.dfmusicinc.com/John-Packer-EEb-Tuba-4-valve-comp-p/jp277.htm
Birute Stundziaite (Piano)
Dmitry Babkin (Sound Engineer)
dbrave.bob@gmail.com
Suggested Instrumental Combinations:
The arrangement may be played by many every brass instrument, in one key or another.
B-flat Major Version:
Solo in Eb (Trumpet/Cornet in Eb, Horn in Eb, Tuba in Eb)
Solo in C (Trumpet/Cornet in C)
Solo in Bb (Trumpet/Cornet/Flugelhorn in Bb, Euphonium/Baritone T.C., Tuba in Bb) Solo in F (Horn in F)
Solo in Tenor Clef (Trombone)
Solo in B.C. (high) (Trombone, Euphonium/Baritone B.C.)
Solo in B.C. (low) Bass Trombone, Tuba (B.C.))
C Major Version:
Solo in Eb (Trumpet/Cornet in Eb, Horn in Eb, Tuba in Eb)
Solo in C (Trumpet/Cornet in C)
Solo in Bb (Trumpet/Cornet/Flugelhorn in Bb, Euphonium/Baritone T.C., Tuba in Bb) Solo in F (Horn in F)
Solo in Tenor Clef (Trombone)
Solo in B.C. (high) (Trombone, Euphonium/Baritone B.C.)
Solo in B.C. (low) Bass Trombone, Tuba (B.C.))
E-flat Major Version:
Solo in Eb (Trumpet/Cornet in Eb, Horn in Eb, Tuba in Eb)
Solo in C (high) (Trumpet/Cornet in C)
Solo in C (low) (Trumpet/Cornet in C)
Solo in Bb (high) (Trumpet/Cornet/Flugelhorn in Bb, Euphonium/Baritone T.C., Tuba in Bb) Solo in Bb (low) (Trumpet/Cornet/Flugelhorn in Bb, Euphonium/Baritone T.C.)
Solo in F (Horn in F)
Solo in Tenor Clef (Trombone)
Solo in B.C. (high) (Trombone, Euphonium/Baritone B.C.)
Solo in B.C. (low) Bass Trombone, Tuba (B.C.))
F Major Version:
Solo in Eb (Trumpet/Cornet in Eb, Horn in Eb, Tuba in Eb)
Solo in C (high) (Trumpet/Cornet in C)
Solo in C (low) (Trumpet/Cornet in C)
Solo in Bb (high) (Trumpet/Cornet in Bb, Euphonium/Baritone T.C., Tuba in Bb)
Solo in Bb (low) (Trumpet/Cornet/Flugelhorn in Bb, Euphonium/Baritone T.C.)
Solo in F (Horn in F)
Solo in Tenor Clef (Trombone)
Solo in B.C. (high) (Trombone, Euphonium/Baritone B.C.)
Solo in B.C. (low) Bass Trombone, Tuba (B.C.))
Performance Notes:
Franz Schubert’s piece, while originally written for a setting of a secular poem, “The Lady of the Lake,” is likely better known for a later adaptation of the melody to the text of the Catholic prayer, “Hail Mary.” This came about probably because the poem begins with the phrase, “Ave Maria.” Since that time, this setting of the Latin prayer has been and remains perhaps the most popular among the dozens of musical settings of the text.
The tempo is quite slow, and may be felt at the level of the eighth-note, rather than the quarter-note. While the accompaniment is a series of arpeggiated sextuplets, the melody is subdivided largely in duplet rhythms. Care should be taken to discern between the two and to execute those duple rhythms precisely.
#avemaria #euphonium #schubert
EUPHONIUM, TUBA, TRUMPET, FRENCH HORN, TROMBONE, CORNET, BARITONE, TENOR HORN, FLUGELHORN, PERCUSSION
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