Monti "Csárdás." Euphonium Solo - Matonizz. DO NOT PLAY ALONG! :D

Happy Monday BrassNation! We have a Solo with Piano Version of the famous and flashy "Csárdás (Czardas)" by Vittorio Monti arranged for you by Drew Fennell today. This awesome piece comes in two version: Solo with Piano and Solo with Brass Septet with transposing parts in every practical key and clef (Full List Below). Hope you enjoy this Euphonium Solo version! DOWNLOAD SHEET MUSIC & BACKING TRACKS at https://www.matonizz.com/product/csardas/

MATONIZZ JP274s EUPHONIUM BUNDLE: https://www.matonizz.com/product/jp274s-matonizz/#configuration

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Musicians:

Matonizz (Principal Euphonium at RCB)
Online Lessons: [email protected]
Instrument Used:
https://www.dfmusicinc.com/John-Packer-Euphonium-4-valve-compensating-p/jp274smkii.htm
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Birute Stundziaite (Piano)

Dmitry Babkin (Sound Engineer)
[email protected]

Below is the instrumentation of the piece (with optional substitute parts):

Solo in Bb (T.C. or in C (B.C.)
Cornet 1 in Bb (optional Trumpet/Flugelhorn)
Cornet 2 in Bb (optional Trumpet/Flugelhorn)
Horn 1 in F (optional Horn in Eb/Flugelhorn/Trombone/Baritone/Euphonium) Horn 2 in F (optional Horn in Eb/Trombone/Baritone/Euphonium)
Trombone 1 (optional Euphonium/Baritone)
Trombone 2 (optional Euphonium/Baritone)
Tuba (optional Bass Trombone)

Performance notes:

Composed in 1904, Vittorio Monti’s “Csárdás” has been widely performed over the years, both by the originally intended violin and by many other instruments. This arrangement is written primarily for solo cornet (trumpet/flugelhorn) or solo euphonium/baritone. It might also be performable on trombone, but it is most probable the tempo would need to be moderated to some extent.
Metronome marks are not given to allow flexibility to the performer, but the last section should be played as fast as possible. The slow section which begins the piece allows for quite a lot of rubato. The performer need not feel too constrained by the specific affectations called for on the page. The player may additionally choose to add additional rubato in the faster sections. Most important is that the playful, dancing quality of the music be maintained.
The running 16th-note passages may be articulated just as shown on the page, or if the performance is too heavy or perhaps uneven with so much double-tonguing, some slurring may be added to facilitate a bit more melodic sound from the player.

#monti #csardas #euphonium

EUPHONIUM, TUBA, TRUMPET, FRENCH HORN, TROMBONE, CORNET, BARITONE, TENOR HORN, FLUGELHORN, PERCUSSION

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0:00 - Csárdás (Euphonium Solo with Piano)
3:44 - JP274s Euphonium Bundle Deal