(3 of 6) Self Goal Refresh 6 Beethoven Sonatas: No. 26, 14 and 8

(3 of 6) Self Goal Refresh 6 Beethoven Sonatas: No. 26, 14 and 8

(3 of 6) Self Goal Refresh 6 Beethoven Sonatas: No. 26, 14 and 8

Missed my favorite composer so refreshing old pieces after a long time away.

Piano Sonata No. 26 in E♭ major, Op. 81a, known as Les Adieux ("The Farewell"), was written during the years 1809 and 1810.

The title Les Adieux implies a programmatic nature. The French attack on Vienna, led by Napoléon Bonaparte in 1809, forced Beethoven's patron, Archduke Rudolph, to leave the city. Yet, there is some uncertainty about this nature of the piece — or at least, about the degree to which Beethoven wished this programmatic nature should be known. He titled the three movements "Lebewohl", "Abwesenheit", and "Wiedersehen" ('farewell', 'absence', and 'reunion'), and reportedly regarded the French "Adieux" (said to whole assemblies or cities) as a poor translation of the feeling of the German "Lebewohl" (said heartfully to a single person). Indeed, Beethoven wrote the syllables "Le-be-wohl" over the first three chords.

On the first 1811 publication, a dedication was added reading "On the departure of his Imperial Highness, for the Archduke Rudolph in admiration".

Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonata by Ludwig van Beethoven. It was completed in 1801 and dedicated in 1802 to his pupil Countess Giulietta Guicciardi. The popular name Moonlight Sonata goes back to a critic's remark after Beethoven's death.

The piece is one of Beethoven's most popular compositions for the piano, and it was a popular favorite even in his own day. Beethoven wrote the Moonlight Sonata in his early thirties, after he had finished with some commissioned work; there is no evidence that he was commissioned to write this sonata

The Italian title as "sonata in the manner of a fantasy". "The subtitle reminds listeners that the piece, although technically a sonata, is suggestive of a free-flowing, improvised fantasia."

The name Moonlight Sonata comes from remarks made by the German music critic and poet Ludwig Rellstab. In 1832, five years after Beethoven's death, Rellstab likened the effect of the first movement to that of moonlight shining upon Lake Lucerne. Within ten years, the name "Moonlight Sonata" ("Mondscheinsonate" in German) was being used in German and English publications. Later in the nineteenth century, the sonata was universally known by that name.

Many critics have objected to the subjective, romantic nature of the title "Moonlight", which has at times been called "a misleading approach to a movement with almost the character of a funeral march" and "absurd". Other critics have approved of the sobriquet, finding it evocative or in line with their own interpretation of the work. Gramophone founder Compton Mackenzie found the title "harmless", remarking that "it is silly for austere critics to work themselves up into a state of almost hysterical rage with poor Rellstab"

Piano Sonata No. 8 in C minor, Op. 13, The sonata Pathétique was an important success for Beethoven, selling well and helping create his reputation as a composer, not just as an extraordinary pianist. Not only was it instantly popular, it also exposed the world to the characteristics that Beethoven would continue to develop in the coming year.