Mama Loves Papa - Fibber McGee & Molly - Lux Radio Theater - Mother's Day

Mama Loves Papa is a 1945 American black-and-white comedy film directed by Frank R. Strayer, and written by Monte Brice, with a story by Keene Thompson and a screenplay by Charles E. Roberts, as a loose remake of the 1933 film of Mama Loves Papa written by Douglas MacLean. The film was produced by RKO Radio Pictures and stars Leon Errol and Elizabeth Risdon.Show more

Wilbur (Leon Errol) is a middle-class furniture store employee. His wife Jessie (Elisabeth Risdon) reads a book about how women can make their men more successful, and decides to remake her husband to give him a new image. Now dressed-for-success by his wife, Wilbur reports for work in fancy clothes. Thinking he is dressed for a funeral, his boss (Edwin Maxwell), sends Wilbur home for the day. When Wilbur is wandering perplexed in a nearby park, he is mistaken for the Park Commissioner. Seeing it as an opportunity, McIntosh (Paul Harvey), a crooked politician who wishes to land a lucrative deal with the city to sell them new playground equipment, has the mayor (Robert Middlemass) appoint Wilbur as "Playground Commissioner". Later, when Wilbur is about to denounce McIntosh as a crook, McIntosh has his wife (Charlotte Wynters) ply Wilbur with champagne. While Wilbur is tipsy, Jessie overhears a flirtatious and damning conversation between the two. Wilbur wakes up with a hangover, no pants, and learns that while intoxicated he brought disgrace to himself, the town, and his wife. Wilbur eventually exposes the political corruption, and when his wife finally agrees to let him leave politics, everything turns out okay

Fibber McGee and Molly was a 1935-1959 American radio comedy series. The situation comedy, a staple of the NBC Red Network for the show's entire run and one of the most popular and enduring radio series of its time, ran as a stand-alone series from 1935 to 1956, and then continued as a short-form series as part of the weekend Monitor from 1957 to 1959. The title characters were created and portrayed by Jim and Marian Jordan, a real-life husband and wife team that had been working in radio since the 1920s.

Fibber McGee and Molly, which followed up the Jordans' previous radio sitcom Smackout, followed the adventures of a working-class couple, the habitual storyteller Fibber McGee and his sometimes terse but always loving wife Molly, living among their numerous neighbors and acquaintances in the community of Wistful Vista. As with most radio comedies of the era, Fibber McGee and Molly featured an announcer, house band and vocal quartet for interludes. At the peak of the show's success in the 1940s, it was adapted into a string of feature films. A 1959 attempt to adapt the series to television with a different cast and new writers was both a critical and commercial failure, which, coupled with Marian Jordan's death shortly thereafter, brought the series to a finish