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Ward "America the Beautiful". Tuba & Euphonium Sextet - Matonizz & Brian Kelley. Play Along!
Happy 4th of July to all my American Friends! We'd like to wish everyone celebrating an awesome Independence Day with this lovely Low Brass Sextet arrangement of Samuel Ward's "America the Beautiful" made for you by Maestro Drew Fennell and recorded by yours truly on Euphonium and Brian Kelley on Tuba. This work comes with transposing parts in every practical key and clef (Full List Below). Hope you enjoy! DOWNLOAD SHEET MUSIC & BACKING TRACKS at: https://www.matonizz.com/product/america-the-beautiful-low-brass/
Visit www.dfmusicinc.com for 10% discount with promo code "Matonizz"
Musicians:
Matonizz (Principal Euphonium at RCB)
Online Lessons: [email protected]
Instrument Used:
https://www.dfmusicinc.com/John-Packer-Euphonium-4-valve-compensating-p/jp274smkii.htm
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Brian Kelley (Tuba at RCB)
Online Lessons: [email protected]
Instrument Used:
https://www.dfmusicinc.com/John-Packer-EEb-Tuba-4-valve-comp-p/jp277.htm
Dmitry Babkin (Sound Engineer)
[email protected]
Below is the instrumentation for this arrangement, and options available:
Euphonium 1 T.C. or B.C. (opt. Horn in F or Eb, Trombone, or Baritone) Euphonium 2 T.C. or B.C. (opt. Horn in F or Eb, Trombone, or Baritone)
Euphonium 3 T.C. or B.C. (opt. Trombone or Baritone)
Euphonium 4 T.C. or B.C. (opt. Trombone or Baritone)
Euphonium 5 T.C. or B.C. (opt. Trombone or Baritone)
Tuba (B.C.) or in Eb or Bb (opt. Bass Trombone)
Performance notes:
In a well-known story, the words of “America the Beautiful” were authored by English professor, Katherine Lee Bates during a cross-country train trip in the summer of 1893. She had seen America’s “alabaster cities,” “amber fields of grain,” and “purple mountain majesty” and set to writing a poem. It was first published two years after and then matched to Samuel Ward’s music in 1910. This arrangement, originally for band, should be played slowly and with reverence. The opening should be rather marcato, but during the melodic sections later in the piece these accents should be played with care. They indicate force, but the attack should not become too brash, and every effort should be made to maintain the cantabile quality of the music.
#lowbrass #americathebeautiful #4thofjuly
EUPHONIUM, TUBA, TRUMPET, FRENCH HORN, TROMBONE, CORNET, BARITONE, TENOR HORN, FLUGELHORN, PERCUSSION
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