The Sacred Flame - W. Somerset Maugham - Lux Radio Theatre South Africa
The Sacred Flame (1928) is William Somerset Maugham's 21st play, written at the age of 54. Maugham dedicated the publication to his friend Messmore Kendall.
The play, written as three acts, is unique within the total of Maugham's list of 24 plays, in that he changed from his previous methodology of using the naturalistic speech pattern he had been so well known for, to experiment with a more literary dialogue. Despite being a commercial success, Maugham did not repeat the experiment of literary dialogue again in any of his future plays.
The Sacred Flame is the story about the misfortune of Maurice Tabret, previously a soldier of World War I who had returned home unscathed to marry his sweetheart Stella. Unfortunately, after only a year of marriage, Maurice is involved in a plane crash and left crippled from the waist down. The play commences some years later in Gatley House near London, home of Maurice's mother, Mrs. Tabret.
Mrs. Tabret's home has been set up to care for her son and a young Nurse Wayland has been Maurice's constant aid throughout. She is extremely professional and devoted to her job. Maurice's wife Stella lives with them also and remains his cheerful companion and support. Maurice's brother Colin Tabret has returned from a time in Guatemala to spend the previous 11 months before the play's start with his brother and the family. The local practitioner Dr. Harvester visits frequently to check on Maurice's condition and to prescribe appropriate treatments. Mrs. Tabret's own husband has passed on some time ago and whilst she does not have a close relationship with anyone else, her old friend retired Major Liconda visits often.
All is as well as can be expected until Maurice is found dead in his bed one morning. Not altogether unexpected, Dr. Harvester is prepared to write the death certificate but then Nurse Wayland cries foul and indicates that she believes Maurice was murdered by being given an overdose of his sleeping draught. The play then works through a series of Agatha Christie-style "whodunnit" scenes as the audience attempt to figure out whether Maurice was killed, took his own life, or else if the whole thing is no more than an imagining and false accusation by the Nurse. (Wikipedia)
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