(6 of 12) Self goal memorize 12 Chopin Etudes 25-1, 25-2,25-2,10-12,10-9,10-5,25-6

(6 of 12) Self goal memorize 12 Chopin Etudes 25-2, 25-2,25-2,10-12,10-9,10-5,25-6

An étude or study is an instrumental musical composition, usually short, designed to provide practice material for perfecting a particular musical skill.

Will work on form and speed after memorization. Playing of the pieces will improve as I work toward memorization of 12. It's my own way of trying to improve.

Étude Op. 25, No. 1 in A-flat major is a solo piano work composed by Frédéric Chopin in 1836, and published in 1837. The work consists entirely of rapid arpeggios and harmonic modulations based on A-flat major.

Robert Schumann praised this work in a dissertation on the Études; calling it "a poem rather than a study", he coined for it the alternate name "Aeolian Harp".[1] It is also sometimes known as "The Shepherd Boy," following an unsupported tale by Kleczyński that Chopin advised a pupil to picture a shepherd boy taking refuge in a grotto to avoid a storm playing the melody on his flute

Etude 25-2 The étude is sometimes known as "The Bees"

Étude Op. 10, No. 12 in C minor, known as the "Revolutionary Étude" or the "Étude on the Bombardment of Warsaw", is a solo piano work by Frédéric Chopin written circa 1831, and the last in his first set, Etudes, Op. 10, dedicated "à son ami Franz Liszt" ("to his friend Franz Liszt").

The 12th Étude appeared around the same time as the November Uprising in 1831. Upon the conclusion of Poland's failed revolution against Russia, he cried, "All this has caused me much pain. Who could have foreseen it?"

Étude Op. 10, No. 9, in F minor, is a technical study composed by Frédéric Chopin in 1829. This étude is part of the twelve studies which belong to Op. 10. It is widely regarded as a good left hand étude because it promotes flexibility in the wrists and fingers

The so-called "Black Key Étude" is one of the composer's most popular. It has been a repertoire piece of pianists since Chopin's time.

Chopin himself did not believe the study to be his most interesting one, and in a letter to his pianist friend and musical executor Julian Fontana he comments on Clara Wieck’s performance:

Did Wieck play my Étude well? How could she have chosen precisely this Étude, the least interesting for those who do not know that it is intended for the black keys, instead of something better! It would have been better to remain silent.

— Chopin to Julian Fontana in Paris, Marseille, 25 April 1839
Hans von Bülow (1830–1894) spoke rather disdainfully of Op. 10, No. 5 as a "Damen-Salon Etüde" ("ladies' salon étude")

Étude Op. 25, No. 6, in G-sharp minor, is a technical study composed by Frédéric Chopin focusing on thirds