pseudomemory

spring demo for '24 ghostprotocol - no signal music: recorded and arranged in studio_one software; tools: waldorf blofeld, korg microX, studio_one impact XT (bassdrums / kicks) and Mai Tai (bassline); - - - - - - video: arranged and processed in videopad; All images / visuals / animated materials used not mine; the gifs from the giphy dot com site: (by charlos, altered states, brink, deathOrgone , kidmograph, Pi-slices, psyklon, raz, thenightsea, VHSpositive and xponentialDesign) + 2 giffs from Akira movie; + clips from pixabay: (by 104paul, ChristianBodhi, FractalSkii and tommyvideo).

spring demo for '24 ghostprotocol - out of place music: recorded and arranged in studio_one software; tools: waldorf blofeld, korg microX, studio_one impact XT (bassdrums / kicks) and Mai Tai (bassline); - - - - - - video: arranged and processed in videopad; All images / visuals / animated materials used not mine; the gifs from the giphy dot com site: (by charlos, altered states, brink, deathOrgone, dualvoid, jorgemarioZ, kenaim, kidmograph, osiris, psyklon, sinuendo, systaime, VHSpositive and xponentialDesign); + clips from pixabay: (by blackmarketmusic and ChristianBodhi).

channel afterglow - moss king stuff from may 2023, previously not exported here on rumble, after exodus from "censorYou Tube". music: recorded and arranged in studio_one software; tools: waldorf blofeld, korg microX, studio_one impact XT (bassdrum) and Mai Tai (bassline); one sound sample used is from Andrei Tarkovski's "Stalker" movie, soundtrack for which was composed by Eduard Artemyev; - - - - - - video: arranged and processed in videopad; All images / visuals / animated materials used not mine, backgrounds from deviantart: (by onodrim, alexandre deschaumes) one gif from the giphy dot com site: (by XponentialD) movie clip from Andrei Tarkovski's "Stalker".

stuff from may 2023, previously not exported here on rumble, after the exodus from "censorYou Tube". music: recorded and arranged in studio_one software; tools: waldorf blofeld, korg microX, studio_one impact XT (bassdrums / kicks) and Mai Tai (bassline); one sound sample used is from a clip from nyc subway station; - - - - - - video: arranged and processed in videopad; All images / visuals / animated materials used not mine; the gifs from the giphy dot com site: (by charlos, altered states, dualvoid, mfd, XponentialD, VHSpositive); also clips from the movie "Constantine" used.

ghost protocol - from ashes to inertia first demo batch for '24 (winter) music: recorded and arranged in studio_one software; tools: waldorf blofeld, korg microX, studio_one impact XT (kick) and Mai Tai (bassline); one sound sample used, from the "2010: The Year We Make Contact" movie (1984). - - - - - - video: arranged and processed in videopad; All images / visuals / animated materials used not mine: giffs from the giphy dot com site (by dualvoid, EricaAndersen, pi-slices and psyklon); clips from pixabay (by AiVreaSaStii, caelan, Mikkehouse, sharaed, u_c80mlab19k and victorsteep). movie samples are from the "2010: The Year We Make Contact" movie (1984).

channel afterglow - invincible first demo batch for '24 (winter) music: recorded and arranged in studio_one software, tools: waldorf blofeld, korg microX, studio_one impact XT (kick) and Mai Tai (bassline); - - - - - - video: arranged and processed in videopad; All images / visuals / animated materials used not mine: Images from the web; giffs from the giphy dot com site (by dualvoid, pi-slices, psyklon and symmetryInChaos); movie clips from the web, from AlJazeera, and from pixabay (by bellergy, Hermanokn, Huachuma, MarselBeijing, Ch.Bodhi and vjgalaxy).

demo/video dated: 11.2023 music tools: Korg microX, Waldorf Blofeld music software: Studio One video software: videopad video material source: giffs from giffy dot com; video clips from pixabay.

In memory of the notorious Prigo - - - - - - - - - - - - - - - - - - - - - - demo/video dated: 23.09.2023 music tools: Korg microX, Waldorf Blofeld music software: Studio One samples used: Prigo video software: videopad video material source: giffs from giffy dot com. other stuff: the net.

demo/video dated: 08.2023 music tools: Korg microX, Waldorf Blofeld music software: Studio One video software: videopad video material source: giffs from giffy dot com. three movie clips used: two from "Joker" movie and one from "Dark Knight".

demo/video dated: 05.2023 music tools: Korg microX, Waldorf Blofeld music software: Studio One video software: videopad video material source: giffs from giffy dot com, one from ef ninetyfive zone dot com; imgs from the net, including the Censorship Industrial Complex diagram from Racket News.

demo/video dated: 12.2022 music tools: Korg microX, Waldorf Blofeld music software: Studio One sound sample used: Alien Resurrection movie (1997) video software: videopad video material source: giffs from giffy dot com; and some horizon clip.

demo/video dated: 12.2022 music tools: Korg microX, Waldorf Blofeld music software: Studio One sound sample used: Jacob's Ladder movie (1990) video software: videopad video material source: giffs from giffy dot com; imgs: Jacob's Ladder movie (1990).

demo/video dated: 10.2022 music tools: Korg microX, Waldorf Blofeld music software: Studio One video software: videopad video material source: giffs from giffy dot com; imgs from the net.

demo/video dated: 11.2022 music tools: Korg microX, Waldorf Blofeld music software: Studio One video software: videopad video material source: giphy dot com site and the net.

demo/video dated: 10.2022 music tools: Korg microX, Waldorf Blofeld music software: Studio One sound sample used: Terminator 2 movie video software: videopad video material source: giffs from giffy dot com; clips: the Joker movie. Production made back in 10.2022. Influenced by writings of legendary journalist and film maker John Pilger, who passed away on 30th of December, 2023. an excerpt from consortiumnews.com: JOHN PILGER: Silencing the Lambs — How Propaganda Works September 7, 2022. In the 1970s, I met one of Hitler’s leading propagandists, Leni Riefenstahl, whose epic films glorified the Nazis. We happened to be staying at the same lodge in Kenya, where she was on a photography assignment, having escaped the fate of other friends of the Fuhrer. She told me that the “patriotic messages” of her films were dependent not on “orders from above” but on what she called the “submissive void” of the German public. Did that include the liberal, educated bourgeoisie? I asked. “Yes, especially them,” she said. I think of this as I look around at the propaganda now consuming Western societies. Of course, we are very different from Germany in the 1930s. We live in information societies. We are globalists. We have never been more aware, more in touch, better connected. Or do we in the West live in a Media Society where brainwashing is insidious and relentless, and perception is filtered according to the needs and lies of state and corporate power? The United States dominates the Western world’s media. All but one of the top 10 media companies are based in North America. The internet and social media – Google, Twitter, Facebook – are mostly American owned and controlled. In my lifetime, the United States has overthrown or attempted to overthrow more than 50 governments, mostly democracies. It has interfered in democratic elections in 30 countries. It has dropped bombs on the people of 30 countries, most of them poor and defenceless. It has attempted to murder the leaders of 50 countries. It has fought to suppress liberation movements in 20 countries. The extent and scale of this carnage is largely unreported, unrecognised, and those responsible continue to dominate Anglo-American political life. In the years before he died in 2008, the playwright Harold Pinter made two extraordinary speeches, which broke a silence. “U.S. foreign policy,” he said, is “best defined as follows: kiss my arse or I’ll kick your head in. It is as simple and as crude as that. What is interesting about it is that it’s so incredibly successful. It possesses the structures of disinformation, use of rhetoric, distortion of language, which are very persuasive, but are actually a pack of lies. It is very successful propaganda. They have the money, they have the technology, they have all the means to get away with it, and they do.” In accepting the Nobel Prize for Literature, Pinter said this: “The crimes of the United States have been systematic, constant, vicious, remorseless, but very few people have actually talked about them. You have to hand it to America. It has exercised a quite clinical manipulation of power worldwide while masquerading as a force for universal good. It’s a brilliant, even witty, highly successful act of hypnosis.” Pinter was a friend of mine and possibly the last great political sage – that is, before dissenting politics were gentrified. I asked him if the “hypnosis” he referred to was the “submissive void” described by Leni Riefenstahl. “It’s the same,” he replied. “It means the brainwashing is so thorough we are programmed to swallow a pack of lies. If we don’t recognise propaganda, we may accept it as normal and believe it. That’s the submissive void.”

demo/video dated: 05.2022 music tools: Korg microX, Waldorf Blofeld music software: Studio One video software: videopad video material source from: giphy dot com site and deviant art.

demo/video dated: 04.2022 music tools: Korg microX, Waldorf Blofeld music software: Studio One sound sample used: Matrix third movie video software: videopad video material source: giff from giffy dot com; background: the net.

demo/video dated: 02.2022 music tools: Korg microX, Waldorf Blofeld music software: Studio One sound sample used: Alien Resurrection movie video software: videopad video material source: giff from giffy dot com; background: one from deviant art, and one from Alien Resurrection movie.

demo/video dated 12.2021 music tools Korg microX, Waldorf Blofeld music software: Studio One samples: scum of the earth vs Julian Assange video software: videopad video material source: giffs from giffy dot com and a few quotes.

demo/video dated: 10.2021 music tools: Korg microX, Waldorf Blofeld music software: Studio One video software: videopad video material source: giffs from giffy dot com and one img from deviantart

demo/video dated: 07.2020 music tools: Korg microX, Waldorf Blofeld music software: Studio One video software: videopad video material source: old clips, old trip, the net, including material from A. Tarkovsky's movies.

demo/video dated: 05.2020 music tools: Korg microX, Waldorf Blofeld music software: Studio One video software: videopad video material source: the net.

demo/video dated: 06.2019 music tools: Korg microX, Waldorf Blofeld music software: Studio One samples used: Alien Resurrection movie video software: videopad video material source: old clips, old trip.

demo/video dated: 06.2019 music tools: Korg microX, Waldorf Blofeld music software: Studio One samples used: Dark Knight movie video software: videopad video material source: old clips, geometry and imgs from the net.

demo/video dated: 08.2021 music tools: Korg microX, Waldorf Blofeld music software: Studio One video software: videopad video material source: horizon photo with a giff from giffy dot com