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However, without it, this work cannot be achieved, so it should be clear that. / / the equipment I use / / Digital SLR camera: * Canon 70D: but this concept-- one or two lines of description-- cannot capture the richness and depth of the finished film. Or in our case, architecture.

This inventory can also be used as the ancestor of the design concept. Moreover, these restrictions do not hinder creativity, but often stimulate the creative process. It's an experience you'll remember, not the concept itself.

Of course, this concept moves the film, and it is the starting point for everything that follows. But this concept-- one or two lines of description-- cannot capture the richness and depth of the finished film. Or in our case, architecture.

Conceptual inspiration for discussion:-venue-customer-narrative-material-structure-Mainifestos-formally like a good movie, scenes, characters, photography, plot all work together to make it a reality

This inventory can also be used as the ancestor of the design concept-our seed idea. Moreover, these restrictions do not hinder creativity, but often stimulate the creative process.

The third type of information I collect is related to the type of building-for example, it is a museum, a family. Or school? In order to understand architectural typology, we often analyze famous or related historical precedents.

Each client has a set of cultural beliefs and preconceptions, preferences and agendas. Of course, we need to determine their budget and understand the personality characteristics and organizational politics that may affect the design. The client and the type of building together determine what the architect calls the "procedure", which is essentially a detailed description of all the spaces that the building will contain.

There is information from the site-for example: local climate, prevailing winds, solar aspects, vegetation, adjacent structures, site history and any unique responsibilities or opportunities. Of course, the site also comes with a legal framework for development, describing where we can build and what we can't build. The second kind of information we will collect comes from the customer.

Design is a dialogue, and the concept ensures that you have something to say. In this video, I discuss the precise steps I took to start each project and how they led me to an architectural concept. Before we can develop this concept, we must first understand the actual constraints. My design process begins only after collecting and evaluating all the given parameters of the project. Now, this mainly includes three types of information.

All architectures start with a concept. If you are trying to find one, be curious about what one is, or want to know how architects started their project; this short course will guide you to understand the processes I use and some of the techniques I use to develop architectural concepts, all of which are illustrated by one of my residential projects