The Black Cat (1934)
The Black Cat is a 1934 American pre-Code horror film directed by Edgar G. Ulmer and starring Boris Karloff and Béla Lugosi. It was Universal Pictures' biggest box office hit of the year, and was the first of eight films (six of which were produced by Universal) to feature both Karloff and Lugosi. In 1941, Lugosi appeared in a comedy horror mystery film with the same title, which was also named after and ostensibly "suggested by" Edgar Allan Poe's short story.
The film was among the earlier movies with an almost continuous music score, and it helped to create and popularize the psychological horror subgenre by emphasizing atmosphere, eerie sounds, the darker side of the human psyche, and emotions like fear and guilt to deliver its scares.
Plot
On their honeymoon in Hungary, American mystery novelist Peter Alison and his new wife Joan are told that, due to a mix-up, they must share a train compartment with Dr. Vitus Werdegast, a Hungarian psychiatrist, who says he is traveling to see an old friend. As the night wears on, the couple learn that Werdegast left home 18 years earlier to fight in World War I and has not seen his wife since, as he spent the last 15 years in an infamous prison camp in Siberia.
In the dark and rain, Peter, Joan, Werdegast, and Thamal, Werdegast's servant, transfer to a small bus. When they are near Werdegast's destination, the remote home that Austrian architect Hjalmar Poelzig built upon the ruins of Fort Marmorus, the driver of the bus loses control and drives off the road. He is killed in the crash and Joan is injured, but Peter, Werdegast, and Thamal are well enough to take her to Poelzig's house.
After treating Joan's injury, Werdegast and Poelzig go to speak privately. Werdegast says he has come for revenge, as he knows Poelzig betrayed Fort Marmorus, which Poelzig commanded, to the Russians, resulting in the deaths of thousands of Austro-Hungarian soldiers and Werdegast's imprisonment, and stole his wife and daughter, both named Karen, after telling them he was dead. As Peter enters and attempts to intervene, Poelzig's black cat walks by and Werdegast, who suffers from severe ailurophobia, kills it with a thrown knife. Just then, Joan enters, behaving erratically because of an injection of the tranquilizing drug hyoscine that Werdegast had given her.
The guests go to their rooms, and Poelzig, carrying a black cat, surveys a "collection" of preserved dead women on display in glass cases in his basement. He brings Werdegast to see one of the women, who Werdegast recognizes as his wife, and says she died of pneumonia two years after the war, also revealing that the younger Karen is also dead. Heartbroken, Werdegast almost shoots Poelzig, but he is spooked by the cat, and Poelzig says they should wait to have their confrontation until after the Alisons leave. The men part, and Poelzig joins Werdegast's daughter Karen, who is alive and is his wife, in bed. Instructing her to not leave the room the next day, he opens a book titled The Rites of Lucifer.
In the morning, Joan awakens feeling well, and she and Peter hope to leave that day. Werdegast confronts Poelzig about how he is looking at Joan, and Poelzig mentions a ceremony scheduled for that night and admits he intends for her to stay. He and Werdegast play a game of chess to decide the fate of the Alisons, and, after losing, Werdegast has Thamal help place Peter in a cell in the basement and lock Joan in her room. Karen later stumbles upon Joan, who tells Karen that Werdegast is still alive, but the women are caught by Poelzig. He and Karen exit and Joan hears Karen scream.
That night, Poelzig's cult gathers at his house. Joan is brought in and, as Poelzig approaches her, a female acolyte sees something which causes her to scream and faint. Taking advantage of the distraction, Werdegast and Thamal grab Joan and carry her away. Thamal is shot by Poelzig's servant before dispatching him, and Werdegast urges Joan to forget about Peter and escape. She tells him that his daughter is alive and married to Poelzig, and he rushes off, finding Karen dead on a slab. Poelzig enters and the adversaries fight. A dying Thamal helps Werdegast overpowers Poelzig and shackles him to his embalming rack, and Werdegast begins to skin Poelzig alive.
Peter escapes from his cell and looks for Joan. He finds Werdegast crouching next to her to help tear a key from Thamal's dead hand, but thinks Werdegast is attacking her, so he shoots the psychiatrist. Fatally wounded, Werdegast tells the couple to leave and ignites demolition charges left over from when the house was a military installation, destroying the building and eradicating Poelzig's cult.
Having just experienced an unbelievable adventure, on the trip home, Peter and Joan read a review of his latest novel, which complains that the plot is too far-fetched.
Cast
Boris Karloff (credited as Karloff) as Hjalmar Poelzig, an architect and former friend of Werdegast who is secretly keeping Karen and her daughter with in his house.
Béla Lugosi as Dr. Vitus Werdegast, a doctor and WWI veteran who returns to find his wife and faces off against Poelzig.
David Manners as Peter Alison, a writer and Joan's Husband
Jacqueline Wells (later known as Julie Bishop) as Joan Alison, Peter's wife who is captured by Poelzig.
Lucille Lund as Karen Poelzig (née Werdegast), Poelzig's wife and Werdegast's daughter (Lund also plays the corpse of Karen's mother, who was also named Karen)
Egon Brecher as The Majordomo, Poelzig's servant
Harry Cording as Thamal, Werdegast's servant
Henry Armetta as The Sergeant who investigates the bus crash
Albert Conti as The Lieutenant who investigates the bus crash
George Davis as the bus driver for Hotel Hungaria—Gömbös (uncredited)
Anna Duncan as Poelzig's maid (uncredited)
John Carradine as the cult member who plays the organ (uncredited)[5]
Production
Although Edgar Allan Poe is given a "suggested by" credit, the film has little to do with his 1843 short story "The Black Cat". Instead, director Edgar G. Ulmer and writer Peter Ruric (better known as pulp writer "Paul Cain") came up with the story, which exploits what was a sudden public interest in psychiatry,[6] and Ruric wrote the screenplay.[7] The 1941 film of the same name starring Basil Rathbone, which purports to be "suggested by" the same Poe story, bears little relation to this film, other than the presence of Lugosi.
The character of Hjalmar Poelzig drew inspiration from the life of occultist Aleister Crowley,[8] while the name "Poelzig" was borrowed from architect Hans Poelzig,[9] whom Ulmer claimed to have worked with on the sets for Paul Wegener's silent film The Golem (1920).[10]
A score consisting of excerpts from classical pieces composed by Liszt,[11] Tchaikovsky,[12] Chopin,[13] and others runs through nearly 80% of the film.[14] The soundtrack was compiled by Heinz Roemheld.
Release
As part of the boom in horror sound films following the release of Dracula and Frankenstein in 1931, The Black Cat was the biggest box-office hit of 1934 for Universal Pictures,[4] and it was the first of eight films (six of which were produced by Universal) to feature both Béla Lugosi and Boris Karloff. The film was released in UK cinemas under the title House of Doom.
Home media
In 2005, the film was released on DVD as part of the Bela Lugosi Collection, along with Murders in the Rue Morgue (1932), The Raven (1935), The Invisible Ray (1936), and Black Friday (1940).[15] Eureka Entertainment released the film on Blu-ray in July 2020 as part of their Masters of Cinema collection in the "Three Edgar Allan Poe Adaptations Starring Bela Lugosi" set, which also included Murders in the Rue Morgue and The Raven.[16]
Critical reception
Upon the film's original release, The New York Times reviewer wrote: "The Black Cat is more foolish than horrible. The story and dialogue pile the agony on too thick to give the audience a reasonable scare".[17]
The film's critical reputation has grown over time, however, and on review aggregator website Rotten Tomatoes, it has an 88% approval rating based on 34 reviews, with an average score of 7.7/10; the site's "critics consensus" reads: "Making the most of its Karloff-Lugosi star pairing and loads of creepy atmosphere, The Black Cat is an early classic in the Universal monster movie library".[18] In 2007, the British critic Philip French called the film "the first (and best) of seven Karloff/Lugosi joint appearances. The movie unfolds like a nightmare that involves necrophilia, ailurophobia, drugs, a deadly game of chess, torture, flaying, and a black mass with a human sacrifice. This bizarre, utterly irrational masterpiece, lasting little more than an hour, has images that bury themselves in the mind".[19]
In the 2010s, Time Out polled a group of authors, directors, actors, and critics who had worked in the horror genre, and The Black Cat was voted the 89th best horror film of all time.[20] The film was also ranked #68 on Bravo's "100 Scariest Movie Moments" for the "skinning" scene.[21] Cramps-guitarist and noted horror aficionado Poison Ivy has said of this scene: "Karloff gets skinned alive at the end, but they show the shadow of it and somehow that's more gruesome".[22]
In popular culture
An excerpt from the scene in which Werdegast utters the line, "Supernatural, perhaps. Baloney, perhaps not", appears in the Monkees' 1968 feature film Head and on that film's subsequent soundtrack album. The line also appears in comedian Sinbad's 1990 comedy special Brain Damaged, as well as Deee-Lite's song "E.S.P." from their 1990 album World Clique.[23]
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Moses and Aron (1975)
Moses und Aron, known in English as Moses and Aaron, is a 1975 film by the French filmmaking duo of Jean-Marie Straub and Danièle Huillet based on the unfinished opera of the same title by Arnold Schoenberg. During its 1975 run at US festivals, it was also known as Aaron and Moses, and was frequently reviewed as such.
It is one of three films based on Schoenberg works Straub and Huillet directed, the other two being Einleitung zu Arnold Schoenbergs Begleitmusik zu einer Lichtspielscene, a short film made directly before Moses und Aron, and, over two decades later, an adaptation of the one-act comic opera Von heute auf morgen. The film retains the unfinished nature of the original opera, with the third act consisting of a single shot with no music as Moses delivers a monologue based on Schoenberg's notes.
The film was shot on location in Italy and Egypt, specifically the amphitheater within the ruins of Alba Fucens.[1] The film utilized the same team of cinematographers as Straub and Huillet's Chronicle of Anna Magdalena Bach. The soundtrack and cast of the film is the same as the 1974 recording conducted by Michael Gielen (Philips 6700 084).
The original German version of the film was dedicated to Holger Meins, a former cinematography student who joined the Red Army Faction in the early 1970s and died on hunger strike in prison. This dedication was censored by German broadcasters for the film's first transmission in 1975. The English subtitles of Schoenberg's dense German libretto were prepared by assistant Gregory Woods, who is credited on the DVD.
The film was shown at the 1975 Cannes Film Festival, but was not entered into the main competition.[2]
In a review of the film, composer Allen Shaw[1] commented on how the camera work and directorship mirrored the film's central premise:
While mirroring the technical rigor underlying the music, the Straubs also established a directorial method that brilliantly underscored the work’s themes: Moses and Aron’s dichotomous relationship is presented with an extraordinary visual economy—yet they are never framed in exactly the same way.
— Allen Shaw, Holy Ghosts Schoenberg’s Moses und Aron meets Straub and Huillet
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16x9 Documentary - Inside Bountiful: Polygamy Investigation
Winston Blackmore the Prophet of Bountiful BC opens his doors to what life is really like in his Canadian FLDS Community.
15
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Keep Sweet: Pray & Obey - Part 2
The 2nd part of a 4-part documentary examining the rise of Warren Jeffs in the Fundamentalist Church of Jesus Christ of Latter-Day Saints and his shocking criminal case.
22
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Joseph Smith: The Prophet of the Restoration (2005)
Joseph Smith: The Prophet of the Restoration is a 2005 film that focuses on some of the events during the life of Joseph Smith, founder of the Latter Day Saint movement, which was both filmed and distributed by the Church of Jesus Christ of Latter-day Saints (LDS Church). The film was shown in the Legacy Theater of the Joseph Smith Memorial Building from its opening on December 17, 2005 until early 2015, and opened in several LDS Church visitors' centers on December 24, 2005.
The film used the digital intermediate process. In March 2011, the church released a revised cut of the film, which is available to watch in select visitors' centers and online. Additionally, the church has released the film in several languages including ASL, Spanish, French, German, and Japanese.
77
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Modern Polygamy - Our America with Lisa Ling
In a journey to Centennial Park, Arizona, Lisa Ling visits one of America's most closed-off communities and is granted unprecedented access to a group of modern-day men and women who are living in plural marriages -- and professing to love it. Original Air Date: October 23, 2011
15
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Lifting the Veil of Polygamy (2016)
The documentary explores polygamy as a whole interviewing polygamists from different sects. The show also made the point to pull from different age groups and from different experiences (some were born into polygamist families, some converted in it.
16
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The Third Reich - Part 1: The Dictator
In this episode:
From 1937 color films document everyday life in Hitler's Germany. Eva Braun and Hans Baur, Adolf Hitler’s personal pilot, are among the first amateur filmmakers to expose the new celluloid. This creates unique images of the dictator's public appearances and his private life on Obersalzberg. Scanned in high-resolution HD, the footage of Hitler and his entourage tells a particularly realistic tale.
The first half of the 20th century, the two world wars, the parades in Nuremberg and Moscow, and the appearances of Roosevelt and Churchill: are handed down and remembered by generations in classic black and white. But little known, hidden in film archives and private collections, other images have also survived. Hitler's lover, Eva Braun, and the Führer's pilot Hans Baur, Marlene Dietrich, and Roosevelt's Minister of Finance, soldiers of the Wehrmacht and the cameramen of the OSS had a common passion: they filmed history in color, for private pleasure or to document historical events.
23
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Polygamy and Priesthood
Abraham had two wives. Sarai and Hagar. The mother of the Jews and the Mother of the Muslims.
All credit goes to the original uploader of the Channel:
On_the_Other_Hand
https://rumble.com/user/On_the_Other_Hand
19
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Mission In Ireland: A Documentary
A look into the lives of missionaries who come to Ireland for their mission.
17
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Ervil Lebaron Documentary
A look at the the Prophet and Leader of Lebaron Group, Ervil Lebaron.
25
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Winston Blackmore & Polygamy: The Bishop of Bountiful B.C. - The Fifth Estate Documentary
From 2003 Fifth Estate host Hana Gartner with a rare glimpse inside the Fundamentalist Church of Jesus Christ of Latter Day Saints, and an exclusive interview with one of its most prominent citizens Winston Blackmore.
Over the years there have been occasional news reports about a mysterious and secretive religious community in Bountiful, B.C. The Fundamentalist Church of Jesus Christ of Latter Day Saints - no relation to the mainstream Mormons believe that not only does God condone polygamy, but the Canadian Charter of Rights does, too.
17
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Brigham (1977)
The life of Brigham Young, the President of The Church of Jesus Christ of Latter-day Saints during the better part of the 1800s, founder of Salt Lake City and the first governor of the Utah Territory.
25
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The God Makers 1 & 2
The God Makers is a book and film highlighting the inner workings and perceived negative aspects of the Church of Jesus Christ of Latter-day Saints (LDS Church). Ed Decker and Dave Hunt co-authored the book and film.
Jeremiah Films produced the film in 1982, expressing a highly critical view of the LDS Church, its practices, and its teachings. The film purports to be an exposé of the church's secrets, and has occasioned controversy among church members and non-members since its release, provoking passionate debates about its veracity and message. Two years after the release of the film, the book was published in 1984.
The God Makers II is a documentary-styled film produced by Ed Decker and Jeremiah Films in 1993. The film, a sequel to Decker’s earlier film The God Makers, is intended to be an exposé of the Church of Jesus Christ of Latter-day Saints (LDS Church).
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1
comment
Mormon Cartoon
A cartoon from the anti-mormon film, The God Makers, explaining some of the possible theology of Mormon Fundamentalist.
36
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Prophet of Evil: The Ervil LeBaron Story (1993)
The Biased Hollywood Film About The FLDS LeBaron Group.
The take-down of an infamous leader of a small polygamous Mormon fundamentalist group, who ordered assassinations of his opponents which included family members.
23
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Joseph Smith: An American Prophet (2017)
A PBS docudrama of the life of Mormon leader (some believe prophet) Joseph Smith (1805-44). Narrated by the late Gregory Peck. Includes interviews with historians (some of them Mormon) and LDS officers and elders.
15
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Dick Tracy - Serial 7 - The Ghost Town Mystery (1937)
Dick Tracy (1937) is a 15-chapter Republic movie serial starring Ralph Byrd based on the Dick Tracy comic strip by Chester Gould. It was directed by Alan James and Ray Taylor.
Dick Tracy's foe for this serial is the crime boss and masked mystery villain The Spider/The Lame One (both names are used) and his Spider Ring.
Plot
Dick Tracy's foe for this serial is the crime boss and masked mystery villain the Spider/the Lame One (both names are used) and his Spider Ring.[3] In the process of various crimes, including using his flying wing and sound weapon to destroy the Bay Bridge in San Francisco and stealing an experimental "speed plane", The Spider captures Dick Tracy's brother, Gordon. The Spider's minion, Dr. Moloch, performs a brain operation on Gordon Tracy to turn him evil, making him secretly part of the Spider Ring and so turning brother against brother.
Directed by: Alan James, Ray Taylor
Produced by: Nat Levine, J. Laurence Wickland (Associate)
Written by: Morgan B. Cox, George Morgan, Barry Shipman, Winston Miller, Chester Gould (comic strip)
Music by: Harry Grey
Cinematography: William Nobles, Edgar Lyons
Edited by: Helene Turner, Edward Todd, William Witney
Distributed by: Republic Pictures
Release date: February 20, 1937 (U.S. serial)
Running time: 15 chapters / 290 minutes (serial)
Country: United States
Language: English
Starring cast
Ralph Byrd as Dick Tracy
Kay Hughes as Gwen Andrews
Smiley Burnette as Mike McGurk
Lee Van Atta as Junior
John Picorri as Dr Moloch
Richard Beach as Gordon Tracy (pre-operation in Chapter 1)
Carleton Young as Gordon Tracy (post-operation in Chapter 1)
Fred Hamilton as Steve Lockwood
Francis X. Bushman as Clive Anderson
Supporting cast
John Dilson as Ellery Brewster
Wedgwood Nowell as H. T. Clayton
Theodore Lorch as Paterno
Edwin Stanley as Walter Odette (The Spider/ The Lame One)
Harrison Greene as Cloggerstein
Herbert Weber as Tony Martino
Buddy Roosevelt as Burke
George DeNormand as Flynn
Byron K. Foulger as Kovitch
- In this serial, Dick Tracy is a G-Man (FBI) in San Francisco rather than a Midwestern city police detective as in the comic strip.
- Most of the Dick Tracy supporting cast and rogues gallery were also dropped and new, original characters used instead
- There were three sequels to this serial: Dick Tracy Returns (1938), Dick Tracy's G-Men (1939), and Dick Tracy vs. Crime, Inc. (1941)
https://en.wikipedia.org/wiki/Dick_Tr...)
https://en.wikipedia.org/wiki/Dick_Tracy
https://en.wikipedia.org/wiki/Ralph_Byrd
https://en.wikipedia.org/wiki/Republi...
363
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Dick Tracy - Serial 6 - Dangerous Waters (1937)
Dick Tracy (1937) is a 15-chapter Republic movie serial starring Ralph Byrd based on the Dick Tracy comic strip by Chester Gould. It was directed by Alan James and Ray Taylor.
Dick Tracy's foe for this serial is the crime boss and masked mystery villain The Spider/The Lame One (both names are used) and his Spider Ring.
Plot
Dick Tracy's foe for this serial is the crime boss and masked mystery villain the Spider/the Lame One (both names are used) and his Spider Ring.[3] In the process of various crimes, including using his flying wing and sound weapon to destroy the Bay Bridge in San Francisco and stealing an experimental "speed plane", The Spider captures Dick Tracy's brother, Gordon. The Spider's minion, Dr. Moloch, performs a brain operation on Gordon Tracy to turn him evil, making him secretly part of the Spider Ring and so turning brother against brother.
Directed by: Alan James, Ray Taylor
Produced by: Nat Levine, J. Laurence Wickland (Associate)
Written by: Morgan B. Cox, George Morgan, Barry Shipman, Winston Miller, Chester Gould (comic strip)
Music by: Harry Grey
Cinematography: William Nobles, Edgar Lyons
Edited by: Helene Turner, Edward Todd, William Witney
Distributed by: Republic Pictures
Release date: February 20, 1937 (U.S. serial)
Running time: 15 chapters / 290 minutes (serial)
Country: United States
Language: English
Starring cast
Ralph Byrd as Dick Tracy
Kay Hughes as Gwen Andrews
Smiley Burnette as Mike McGurk
Lee Van Atta as Junior
John Picorri as Dr Moloch
Richard Beach as Gordon Tracy (pre-operation in Chapter 1)
Carleton Young as Gordon Tracy (post-operation in Chapter 1)
Fred Hamilton as Steve Lockwood
Francis X. Bushman as Clive Anderson
Supporting cast
John Dilson as Ellery Brewster
Wedgwood Nowell as H. T. Clayton
Theodore Lorch as Paterno
Edwin Stanley as Walter Odette (The Spider/ The Lame One)
Harrison Greene as Cloggerstein
Herbert Weber as Tony Martino
Buddy Roosevelt as Burke
George DeNormand as Flynn
Byron K. Foulger as Kovitch
- In this serial, Dick Tracy is a G-Man (FBI) in San Francisco rather than a Midwestern city police detective as in the comic strip.
- Most of the Dick Tracy supporting cast and rogues gallery were also dropped and new, original characters used instead
- There were three sequels to this serial: Dick Tracy Returns (1938), Dick Tracy's G-Men (1939), and Dick Tracy vs. Crime, Inc. (1941)
https://en.wikipedia.org/wiki/Dick_Tr...)
https://en.wikipedia.org/wiki/Dick_Tracy
https://en.wikipedia.org/wiki/Ralph_Byrd
https://en.wikipedia.org/wiki/Republi...
371
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Is the world facing a resurgence of ISIS?- Full Documentary
Nov 17, 2023 #documentary #dwdocumentary #syria
Is the world facing a resurgence of the so-called Islamic State (IS)? In northern Syria, many former IS fighters are imprisoned in hard-to-secure prisons. Among their children, the next generation of jihadists is growing up.
A severe earthquake in February 2023 brought northern Syria back into the international spotlight. It’s a region that has long gone unnoticed, despite the fact that the so-called Islamic State (IS), a terrorist organization, had its stronghold here. Though it was defeated militarily, IS could regain strength from here. This would have international repercussions.
Filmmaker Kawa Akrawi visited northeastern Syria’s autonomous, democratically governed area in 2022. In this region inhabited predominantly by Kurds, the filmmaker experienced the difficulties faced by the local population up close.
Here in "Rojava," as the region is known by the Kurds, the Kurdish militia YPG, backed by U.S. forces, fought against IS until 2019; thousands of fighters have been killed or wounded. Following victory over the IS caliphate, the region has been home to the world’s largest prison for IS fighters. The area also has the world’s largest camps for the jihadists’ women and children. Many of the wives are from western countries, which have refused to take them back.
In these immense camps and prisons, it is feared, the next generation of jihadists is now growing up. "We have defeated IS territorially, but its ideology and organization have not disappeared. They are still active," says Newroz Ehmed, of the military alliance's SDF General Command. Their security forces can guard the camps and prisons from the outside, but they cannot control them inside. It is an explosive situation.
The problem is further exacerbated by the fact that Turkish President Erdogan has been fighting the Kurds in northeastern Syria for years. He calls their militia, the YPG, a terrorist organization and repeatedly flies drone attacks on the "Rojava" region; tens of thousands of Kurds have lost their homes and now live in refugee camps.
Under these conditions, how can Kurdish leaders in northeastern Syria protect themselves, neighboring countries and the West from a return of IS? What are the plans for dealing with Islamist fighters and their children, who are being raised in camps to become fanatical and ruthless fighters?
#documentary #dwdocumentary #syria
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143
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People shocked by Bin Laden's "Letter To America" 21 years after publication
Nov 16, 2023 #redacted #claytonmorris #independentjournalists
A letter from Osama Bin Laden has been deleted after it caused an entire generation to have an existential crisis. The letter was published by The Guardian in 2002. They deleted in on Wednesday after it caused young people to question their own country's involvement in the war on terror. Are these budding peace activists in training?
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About Clayton and Natali Morris:
Clayton Morris is a former Fox News anchor. In Redacted, Clayton and his wife Natali take an in-depth look at the legal, social, financial, and personal issues that matter to you. They want to set the record straight and bring you the stories nobody else tells. Along with the facts and the complete picture, Redacted offers real-world analysis without an agency driven by corporate overloads. With Clayton’s extensive journalism experience, he isn’t afraid to demand the truth from authorities. Redacted is an independent platform, unencumbered by external factors or restrictive policies, on which Clayton and Natali Morris bring you quality information, balanced reporting, constructive debate, and thoughtful narratives.
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https://www.youtube.com/watch?v=DImAVrvEKsI
83
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Local People and Culture In Morocco - Full Documentary
Sep 8, 2020
Local people & culture in Morocco, Moroccan People, Customs and Traditions in Morocco, Morocco travel guide, Morocco tourism & vacations, Morocco travel vlog
Travel Videos (Subscribe Now) 🔔
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Moroccan People, Culture , Customs and Traditions
Morocco is a land with an expansive history of customs and traditions. The country is worldly renowned for its incredible hospitality and its impressive blend of cultures and religions. It is also a land of extraordinary contrasts and remarkable diversity. What could be more emblematic of Moroccan people, customs and cultural heritage than a traditional Moroccan wedding? Moroccan weddings are an elaborate affair that celebrates unity, love, happiness, and prosperity. It is a vibrant commemoration of sanctity and virtue that engages all five senses, through the colors, the music, the clothing, and the food.
Moroccan cuisine is worldly renowned for its intense and diverse flavors, colorful blends and artistic presentation, so naturally when it comes to weddings, the food is just that much more scrumptious and exceptional. Hosting an unforgettable feast entails opulent displays of splendor and sophisticated taste, and this translates to the clothing. People wear their most luxurious and extravagant frocks, with exquisite beaded caftans and fascinating sequined takshitas in vibrant colors.
Weddings aside, the variety in traditional Moroccan clothing is specific to each occasion, based on how casual or formal it is. Djellabas are the most relaxed form of traditional clothing, you can find people sporting while running for errands or while visiting family and friends. Whereas caftans and jabadors can be worn for religious holidays or engagement parties and takshitas are reserved for more formal settings.
Moroccan Cuisine
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With centuries of trade, conquest and immigration, Moroccan food preparation and consumption habits have been frequently shaped and reshaped. The region takes pride in its culinary scene with its exquisite flavors and tantalizing aromas. Geographic diversity and climate greatly allow for the cultivation of an impressive range of foods and ingredients.
Because of its strategic location, Morocco has been part of the spice trade route in the past. This marked a truly defining period in the history of North Africa and Morocco in particular. It also helped broaden the country’s culinary scope to incorporate new ingredients, herbs and spices that have now become a staple in Moroccan cuisine.
The rich history of Morocco, from the indigenous Berbers to the nomadic Arabs, the Phoenicians, and the Romans, is emulated in the gastronomy. Moroccan people may differ in terms of their ethnicity, religious beliefs, or political affiliation, but they do share an avid appreciation for food and cooking.
Understanding the food culture is a great way to see how people of different regions come together, share ideas and contribute to the creation of new dishes, meals, and cooking traditions. Tajine, Couscous, Pastilla, and Harira are testimony of regional influences combined with ancient cooking traditions.
A lot of Morocco’s staple dishes, lamb tajine with dried apricots or couscous with caramelized onions and raisins, for example, consist of blending sweet and savory flavors together, a tradition that goes back to Ancient Roman cuisine. When you try to dissect the history of any traditional Moroccan dish, you will find hints of Sicilian, Maltese, Greek, and Arab influences.
This makes it a bit challenging to pinpoint what belongs to whom. Nonetheless, whether it’s street food, a lavish restaurant or a homemade meal, you can expect unctuous dishes full of flavor and panache that will inevitably make you fall in love with the region and its cuisine.
Moroccan Music Scene
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The multi-ethnic background of Moroccan culture cannot be more evident than in the country’s musical landscape and dance forms. Despite the Western music scene’s heavy impact on contemporary Moroccan artists, there has been a recent yearning for more traditional and authentic Moroccan music.
This longing to revisit one’s history is encapsulated in the revival of Gnaoua, Berber, Rai, and Andalusian music through annual concerts and festivals dedicated to these ethnic genres. A lot of young musicians and artists have also contributed to this revival by performing covers of traditional songs using more modern-fitting rhythms and instruments to appeal to the youth.
Like a lot of customs and traditions, Moroccan music also varies depending on the geographic location of each region. Andalusian music, a mixture of Spanish and Arab influences, dates back to the 9th century. It’s considered to be Morocco’s classical music, and it’s generally played on special occasions and national celebrations like Eid.
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A Letter to America - Osama Bin Laden
https://informationclearinghouse.info/article6537.htm
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https://advocatetanmoy.com/2023/11/17/osama-bin-ladens-two-letters-letter-to-america/
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America Unearthed: Ancient Mayans Secrets in Georgia - S01E01
Jun 28, 2020 #AmericaUnearthed
Geologist and adventurer Scott Wolter explores a government-restricted site, and makes a startling discovery connecting the ancient Mayans with rural Georgia, in Season 1, Episode 1, "American Maya Secret". #AmericaUnearthed
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In "America Unearthed," host Scott Wolter uses hard science and intuitive theories to explain the most mysterious artifacts and sites in America.
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