Musicolored

A message from the Better Biden Bureau. (Better not).

An American request-song YouTuber takes on a request in Spanish. What wold Lola Beltran say?

By scholar Robert Edward Grant, Precise Temperament is a Well Tempering that is the first piano and keyboard tuning referenced against A432Hz Scientific Tuning. // This short film was banned by YouTube and had to be condensed for that forum. The video here is the complete film in it's entirely. // God Bless Rumble!

Swing and Lindy-hop world champions Nis Andren and Bianca Locatelli in competition. The audio was pretty bad. I think it was shot on a iPhone, and in mind I suddenly heard "Rock this Town." Matched perfectly, though I had to slow the tempo to match their dance. This video actually took over 10 hours to edit. This my second music video for a Nils and Bianca performance. Enjoy!

C is red = Love/Blood (The Eurythmics: "Love is a Stranger") C# is red-orange = Physical activity (Vangelis: "Chariots of Fire") D is orange = joy/hunger (Beethoven "Ode to Joy") E-flat is orange-yellow = Awareness (Bach French-Suite no. 4) E is yellow. = Consciousness. Christ. (Sia: "Footprints in the Sand") F is lime green = letting go, growth (Gospel music & hymns) F# is grass green = transition [hold on--Franks mind is blank] G is aquamarine/turquoise = communication/fluidity (Voices Carry) A-flat is blue = death/separation (Sting "Every Breath You Take") A is indigo-blue/blue-violet = epic concerns (Led Zeppelin: "Kashmir") B-flat is violet/purple = dream state, magic (Prince: "Purple Rain") B is magenta = spirits/the aethers (Ray Parker Jr. "Ghostbusters")

NOTE: As far as the Schumann Resonance goes, I had heard tell that the Earth's atmospheric frequency vibrates at a specific, and generally constant frequency. I forget what number that is, but I played the sound off of a YouTube video and to my amazement, it wouldn't match my synthesizer keyboards until a reached A-444 Hz! This is amazing because it finally explained why the sound healers reference A-444 Hz as on of the healing frequencies. (Incidentally, the Shumann Resonance is not related to the composer Robert Schuman, but rather the scientist who discovered the natural frequency.)

I'm a recording engineer and I do re-mixes and A432 conversions of select songs seeking a Sacred touch. I was listening to Shock the Monkey, and realized it was already in A-432 Hz Scientific Tuning. Not standardized A-440. I was quite stricken by this because it's rare to hear anything in the past decades of popular music. Especially since even synthesizers and piano-keyboards have also been set to A-440 Hz. I hope one day to ask Peter Gabriel personally, how this recording came to be.

Following a paper-trail of truth we go from conservative politicians forced into AI drag, a revealing "CoVFeFe Talk" with Micheal Myers, to the final definition of a woman with Rosanne Bar, all ending with a full disclosure of G5 tower intentions to microwave our souls, this video indeed seems to go full-circle. And A-432 Hz proves to even more healing than even the healers may have expected. Power to the people.

There are simply no words to express the depth of this choral take on Samuel Barber's "Agnus Dei" (Lamb of God)" performed here by Matthew Curtis, an American choral director. The Agnus Dei is actually a section from one of Barber's own 4-string quartets (hence the four voices), and was arranged by the same composer only after a friend's suggestion. The "Adagio for Stings" was popularized in the 1986 war-film, Platoon, by Oliver Stone. I converted this track to A-432hz tuning to enhance the spiritual element in this piece. (You 'bettah believe it!). The key is B-flat minor, which I see as purple. Matthew Curtis's vocal work can be found at matthewcurtis.com. The image (icon?) on the lower left is my Musicolor Matrix, a color-shape layout of music chords and their connective harmonic functions. At the risk of feeding a singer's ego, this is arguably DEFINITELY the greatest realization of this Barber piece ever (probably). The effects on this video took me at least ten hours to do on FInal-Cut Pro, but I enjoyed with every moment of bringing a visual story to this remarkable recording. I also must say, anytime I do a re-make video, I have to adjust and EQ the audio to help bring it out. Matthew's recording is the ONLY recording where I did not need even TOUCH the audio. So, someone out there knows what they are doing! God Bless You All! And God Bless you, Matthew. Thank you for your gift. - The Acoustic Rabbit Hole

This documentary began when I realized that the old 80's jazz ballad, "Holding Back the Years" was recorded not in standard A-440 Concert Pitch, but in A-432 Scientific Tuning. I discuss the strange avoidance of A-440 by sound healers who tune down from A-440, and Middle Eastern Music, which tunes up from A-440 Standardized Concert Pitch. The music video in this documentary uses my Geo-Chromatic Extenstion in which I show my claim that geometrical shapes also have a color, and how these shapes bend or "slide" spectrally, just as in music.

Swing Champion's iPhone footage becomes “Delirious" Masterpiece! I found a one-minute dance-competition footage of Nils & Bianca, of Sweden. They have won the world Swing Lindy Hop championships two or maybe three times. After some painstaking tempo adjustments and a little magic, I fused their one minute competition piece to Prince & the Revolution's "Delirious."

This is from the Shostakovich Symphony no. 11 in G-minor. I have always seen (or heard) the G note as a turquoise blueish color. Cool. Fluid. Aqueous. // But the more I think about it, it seems to me that G is also the key of communication. I noticed that people generally converse in G (in general, communicative conversation). The teachers say that blue is the color of the throat-chakra. And this would make perfect sense with speech and verbal communication rooted in around G major. G sounds fluid; smooth, yet open. It's also quite fascinating that Shostakovich chose the minor version of this for his symphony about the 1905 Russian Revolution. Union worker protests in St. Petersberg were met with violence by the Soviet government. Over 100 protestors were killed, sparking the "Bloody Sunday" that would start the Revolution. It's also brilliantly keen that the dancer here, Esposito, chose the dying-fish theme for his dance to this Symphony. Even his ballet slippers and hands were painted a salmon color, and under salmon-colored lighting with a blue background.The metaphor of water, and the fish being killed parallels the Symphony all the way: G major as speech. But inverted into the minor mode, G becomes a metaphor for silencing of speech. All praise to Dimitri Shostakovich and his musical messages. May he not be cancelled. May his spirit shine on. And all the more praise to biggest fish of all, Jesus Christ who was silenced long before that Bloody Sunday.

Trans-bot Vs. The Trumpinator.

Bent Ranch: Where mother becomes fodder.

A Visionary Gerbil-Quest

Como-Casi is character from my short film "See You in San Diego."

My Hoarder's Joke. (Though living with mi mum is NO JOKE.)

Gender fluids in MY vaccine? -- No way! // This video was banned from YouTube within minutes, and I was given my first "strike." It was removed during the onset of the Corona Pandemic. My uTube channel, The Acoustic Rabbit Hole continues to be partially banned on uTube, meaning that I am not allowed to post ANY comment to ANY uTube video, although I am still able to speak to others that subscribe to my channel. I am a music theorist working on the a note-to-color-shape music theroy, as well as approaches to indentifying the psycholoy of each musical key. That uTube channel is The Acoustic Rabbit Hole

Most of my comedy presented is my own. This one, however i heard from Vince Clarke (of Erasure) doing a music interview. Musical joke for the day!

Watch you who spread for; They don't call it Six VD's of "separation" for nuthin'.