1. The Hunt of Odd Nerdrum continues... | Jan-Ove Tuv, Öde & Bork Nerdrum

    The Hunt of Odd Nerdrum continues... | Jan-Ove Tuv, Öde & Bork Nerdrum

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  2. Shaun Roberts on Teaching Painting, Qualities of Remington & Brouwer and Studying with Odd Nerdrum

    Shaun Roberts on Teaching Painting, Qualities of Remington & Brouwer and Studying with Odd Nerdrum

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    801
  3. Odd Nerdrum's Exhibition "You see we are Blind" at Fineart Oslo Gallery | Guided by Jan-Ove Tuv

    Odd Nerdrum's Exhibition "You see we are Blind" at Fineart Oslo Gallery | Guided by Jan-Ove Tuv

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  4. In the Name of Melancholy | Odd Nerdrum & Jan-Ove Tuv

    In the Name of Melancholy | Odd Nerdrum & Jan-Ove Tuv

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  5. How to Prepare Toned Paper Drawings like Odd Nerdrum

    How to Prepare Toned Paper Drawings like Odd Nerdrum

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    238
  6. Hjalmar Hagelstam on Odd Nerdrum, Rembrandt, Florence Academy and the Failure of Finnish Painting

    Hjalmar Hagelstam on Odd Nerdrum, Rembrandt, Florence Academy and the Failure of Finnish Painting

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    217
  7. Three Stages of Painting, the Circular and the Linear | Odd Nerdrum & Jan-Ove Tuv

    Three Stages of Painting, the Circular and the Linear | Odd Nerdrum & Jan-Ove Tuv

    336
  8. The Painting "Memorosa" by Odd Nerdrum | Analysis by Jan-Ove Tuv

    The Painting "Memorosa" by Odd Nerdrum | Analysis by Jan-Ove Tuv

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  9. A World Beyond Past and Future: Odd Nerdrum's Hopeful and Soothing Vision of Humanity

    A World Beyond Past and Future: Odd Nerdrum's Hopeful and Soothing Vision of Humanity

    137
  10. Belief in Progress: Blessing or Curse to Classical Painters? | Nerdrum, Hicks and Tuv

    Belief in Progress: Blessing or Curse to Classical Painters? | Nerdrum, Hicks and Tuv

    512
  11. Studying with Odd Nerdrum | Jannik Hösel & Hjalmar Hagelstam

    Studying with Odd Nerdrum | Jannik Hösel & Hjalmar Hagelstam

    219
  12. Shaun Roberts Begins and "Destroys" a Rough, Adrian Brouwer-like Self-Portrait at Nerdrum's Studio

    Shaun Roberts Begins and "Destroys" a Rough, Adrian Brouwer-like Self-Portrait at Nerdrum's Studio

    204
  13. Melisa Calabria on Studying with Ricardo Celma, Odd Nerdrum and Painting Narrative Self-Portraits

    Melisa Calabria on Studying with Ricardo Celma, Odd Nerdrum and Painting Narrative Self-Portraits

    315
  14. The Lost Rembrandt Medium? | Jannik Hösel Shares His Painting Method

    The Lost Rembrandt Medium? | Jannik Hösel Shares His Painting Method

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  15. David Molesky on Apelles, Pliny and the Superiority of the Rough Painting Technique

    David Molesky on Apelles, Pliny and the Superiority of the Rough Painting Technique

    237
  16. Kaja Norum on Beauty, Sentimentality and the Pleasure of Imitation

    Kaja Norum on Beauty, Sentimentality and the Pleasure of Imitation

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    305
  17. Nic Thurman on How Modernism Originates with Kant and Hegel and Why Kitsch is a Viable Alternative

    Nic Thurman on How Modernism Originates with Kant and Hegel and Why Kitsch is a Viable Alternative

    344
  18. Jannik Hösel on How He Taught Himself to Paint and His Take on the Role of Symbols in Storytelling

    Jannik Hösel on How He Taught Himself to Paint and His Take on the Role of Symbols in Storytelling

    489
  19. Creation, Cows and Sacrifice | Jon White on the Motifs and Interpretation of Indo-European Mythology

    Creation, Cows and Sacrifice | Jon White on the Motifs and Interpretation of Indo-European Mythology

    390
  20. Painting a Portrait from Live Model in One Hour | Demonstration by Hjalmar Hagelstam

    Painting a Portrait from Live Model in One Hour | Demonstration by Hjalmar Hagelstam

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    672
  21. Alexander Blechinger on Foundational Rules of Music, his Atomblitz-Ouvertüre and Harmonia Classica

    Alexander Blechinger on Foundational Rules of Music, his Atomblitz-Ouvertüre and Harmonia Classica

    187
  22. Why Human Beings Primarily see the World through the Poetic Lens | Interview with William Heimdal

    Why Human Beings Primarily see the World through the Poetic Lens | Interview with William Heimdal

    137
  23. Seth Fite on Sincerity in Painting, Andrew Wyeth, and Human Suffering as the Superior Subject Matter

    Seth Fite on Sincerity in Painting, Andrew Wyeth, and Human Suffering as the Superior Subject Matter

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  24. Painting the Human Story | Guided Tour of Sebastian Salvo's Exhibition EXODOS

    Painting the Human Story | Guided Tour of Sebastian Salvo's Exhibition EXODOS

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