1 year agoShaun Roberts on Teaching Painting, Qualities of Remington & Brouwer and Studying with Odd NerdrumCave of Apelles
2 years agoOdd Nerdrum's Exhibition "You see we are Blind" at Fineart Oslo Gallery | Guided by Jan-Ove TuvSchool of Apelles
1 year agoHjalmar Hagelstam on Odd Nerdrum, Rembrandt, Florence Academy and the Failure of Finnish PaintingCave of Apelles
2 years agoThree Stages of Painting, the Circular and the Linear | Odd Nerdrum & Jan-Ove TuvCave of Apelles
2 years agoA World Beyond Past and Future: Odd Nerdrum's Hopeful and Soothing Vision of HumanityCave of Apelles
1 year agoBelief in Progress: Blessing or Curse to Classical Painters? | Nerdrum, Hicks and TuvCave of Apelles
2 years agoShaun Roberts Begins and "Destroys" a Rough, Adrian Brouwer-like Self-Portrait at Nerdrum's StudioSchool of Apelles
2 years agoMelisa Calabria on Studying with Ricardo Celma, Odd Nerdrum and Painting Narrative Self-PortraitsCave of Apelles
2 years agoDavid Molesky on Apelles, Pliny and the Superiority of the Rough Painting TechniqueCave of Apelles
2 years agoNic Thurman on How Modernism Originates with Kant and Hegel and Why Kitsch is a Viable AlternativeCave of Apelles
1 year agoJannik Hösel on How He Taught Himself to Paint and His Take on the Role of Symbols in StorytellingCave of Apelles
6 months agoCreation, Cows and Sacrifice | Jon White on the Motifs and Interpretation of Indo-European MythologyCave of Apelles
2 years agoPainting a Portrait from Live Model in One Hour | Demonstration by Hjalmar HagelstamSchool of Apelles
2 years agoAlexander Blechinger on Foundational Rules of Music, his Atomblitz-Ouvertüre and Harmonia ClassicaCave of Apelles
2 years agoWhy Human Beings Primarily see the World through the Poetic Lens | Interview with William HeimdalCave of Apelles
8 months agoSeth Fite on Sincerity in Painting, Andrew Wyeth, and Human Suffering as the Superior Subject MatterCave of Apelles
1 year agoPainting the Human Story | Guided Tour of Sebastian Salvo's Exhibition EXODOSSchool of Apelles