2 years agoThree Stages of Painting, the Circular and the Linear | Odd Nerdrum & Jan-Ove TuvCave of Apelles
2 years agoWhy Human Beings Primarily see the World through the Poetic Lens | Interview with William HeimdalCave of Apelles
2 years agoNic Thurman on How Modernism Originates with Kant and Hegel and Why Kitsch is a Viable AlternativeCave of Apelles
2 years agoThe Folk Tales of Brothers Grimm: Not for Children! | Boris Koller & Jan-Ove TuvCave of Apelles
2 years agoAristotle's Ethics for Painters: How an Impersonal Relation to the World Keeps you VigilantCave of Apelles
2 years agoHjalmar Hagelstam on Odd Nerdrum, Rembrandt, Florence Academy and the Failure of Finnish PaintingCave of Apelles
2 years agoVitruvius, Vernacularity & Two Horses' Asses: How Exquisite Architecture is Always Based on NatureCave of Apelles
2 years agoSingle or Whole Beat? | Wim Winters Uncovers how Beethoven has been Performed WRONG for CenturiesCave of Apelles
2 years agoWhy you should Stop Using Linseed Oil for Painting and Transition to Walnut Oil | David MoleskyCave of Apelles
2 years agoÖde Nerdrum Paints a Portrait of a Woman on a Red Ground Using the Extended Apelles Palette (Pt. 2)School of Apelles
2 years agoDavid Molesky on Apelles, Pliny and the Superiority of the Rough Painting TechniqueCave of Apelles
2 years agoÖde Nerdrum Paints a Portrait of a Woman on a Red Ground Using the Extended Apelles Palette (Pt. 1)School of Apelles
3 years agoFrederik Magle on his Education at Conservatory, his Music, and Loosing the Fear of Becoming KitschCave of Apelles
2 years agoAlexander Blechinger on Foundational Rules of Music, his Atomblitz-Ouvertüre and Harmonia ClassicaCave of Apelles
2 years agoJung’s Collective Unconscious, Participation in Eternity and Becoming a Whole ManCave of Apelles
2 years agoMelisa Calabria on Studying with Ricardo Celma, Odd Nerdrum and Painting Narrative Self-PortraitsCave of Apelles