2 years agoAristotle's Ethics for Painters: How an Impersonal Relation to the World Keeps you VigilantCave of Apelles
1 year agoGetting People Interested in Classical Architecture | Ruben Hanssen, Hoff-Andersen & Michael DiamantCave of Apelles
1 year agoHenrik Knightingale on his Debut Play "In His Own Shadow" and How to Write a Compelling StoryCave of Apelles
10 months agoBLACKHAWK (1952) --- colorizedSerials and Cliffhangers in Color, tint or SepiatoneVerified
10 months agoSeth Fite on Sincerity in Painting, Andrew Wyeth, and Human Suffering as the Superior Subject MatterCave of Apelles
3 months agoSherlock Holmes & The Voice of Terror- 1942 (Rathbone & Bruce)Dave's Classic Movie Collection
1 year agoHow to Bring Back Beauty to a Confused Modern World | Michael Diamant & Carl KorsnesCave of Apelles
1 year agoVitruvius, Vernacularity & Two Horses' Asses: How Exquisite Architecture is Always Based on NatureCave of Apelles
2 years agoNic Thurman on How Modernism Originates with Kant and Hegel and Why Kitsch is a Viable AlternativeCave of Apelles
1 year agoEmploying Symbols in Paintings - What to Do and Avoid to Make a Credible Story on the CanvasCave of Apelles
2 years ago"Art" or "Kitsch" as a Name for Classical Culture? | Jan-Ove Tuv & Martin RombergCave of Apelles
1 year agoHow to Paint a Rembrandt Eye from Sketch to Completion (1/2) | Demonstration by Jannik HöselSchool of Apelles
2 years agoA World Beyond Past and Future: Odd Nerdrum's Hopeful and Soothing Vision of HumanityCave of Apelles
2 years agoÖde Nerdrum Paints a Portrait of a Woman on a Red Ground Using the Extended Apelles Palette (Pt. 1)School of Apelles
1 year agoSingle or Whole Beat? | Wim Winters Uncovers how Beethoven has been Performed WRONG for CenturiesCave of Apelles
1 year agoRuben Hanssen on How Urban Planning can be Beautiful, Transforming Dystopic Future into BlissCave of Apelles
2 years agoGerman Color Theory of 19th Century Romantic Landscape Painting | Demonstration by Boris KollerSchool of Apelles
1 year agoHow to Paint a Rembrandt Eye from Sketch to Completion (2/2) | Demonstration by Jannik HöselSchool of Apelles