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Praia, sol, verão, carnaval, festas, isso tudo e muitas outras coisas você só encontra no canal Ready2Go!

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Bem-vindo ao canal Ready2Go, o melhor destino virtual para mergulhar na vibração do verão! Prepare-se para ser transportado para um mundo de praias ensolaradas, festividades vibrantes e alegria contagiante. No nosso canal, você encontrará os vídeos mais incríveis que capturam a essência do carnaval de rua, as deslumbrantes praias de Copacabana, Leblon e Ipanema, além das caminhadas revigorantes pelos calçadões dos bairros mais elegantes do Rio de Janeiro. Nossas imagens em 4K-UHD e o som de alta qualidade irão transportá-lo diretamente para a cultura carioca, apresentando-lhe as tradições e costumes locais nas melhores praias do Rio de Janeiro. Explore também a vida noturna pulsante de uma das cidades mais badaladas do Brasil. No canal Ready2Go, a diversão está garantida! Junte-se a nós para experimentar tudo o que o verão tem a oferecer, diretamente do conforto da sua tela. Seja você um amante da praia, um entusiasta do carnaval ou alguém em busca de energia positiva, você encontrará tudo isso e muito mais aqui.

CARNAVIAL BRAZILIAN

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ABOUT BRAZILIAN CARNIVAL "Carnival was brought to Brazil by the Portuguese colonizers between the 16th and 17th centuries, initially manifesting itself through entrudo, a popular game. As time went by, Carnaval acquired other forms of expression, such as the masked ball. The emergence of carnival societies contributed to the popularization of the party among the poor. From the 20th century on, the popularization of the carnaval party contributed to the emergence of samba, a musical style heavily influenced by African culture, and of the samba school parade, an event that ended up being made official with government support. In this period, Carnival took its position as the biggest popular party in Brazil. Carnival's Entrudo Carnival came to Brazil through the practice of Entrudo, a very popular game in Portugal. This practice was established in Brazil at the turn of the 16th to the 17th century, and was very popular until the 19th century, disappearing from the country in the mid-20th century, Carnival through the repression that was established against this game. A 19th century painting depicting the entrudo in Rio de Janeiro. CARNAVAL'S entrudo could be performed in several ways, as public mocking demonstrations. The best known was the game of molhadelas, which took place a few days before Lent and consisted of a game of getting people wet or dirty when they passed by on the street. It could be played publicly, but it could also be played privately. In the game of molhadelas, containers were produced that were filled with a certain liquid. This liquid could be flavored, but it could also be smelly, and in this case the container was filled with water soiled with flour or coffee, for example, and even urine. In the public sphere, the entrudo of carnival was used as a tool of mockery, as people turned against those who crossed the streets of towns or cities. As it was a very popular practice, especially in the 18th and 19th centuries, this game was seen as an opportunity for extra income for some families. These families were dedicated to the production of the containers, which were filled with any kind of liquid, and then sold. The game was so popular that even the Brazilian royal family was a fan of entrudo. Even though it was popular, most of Brazil's elites did not like it, so much so that, throughout our history, several decrees against entrudo were issued. In the 19th century, there was an intense campaign against entrudo. As a result of the passage from the monarchy to the republic, the more consistent action of the State in gentrification actions (expulsion of the popular layers from the city centers) and the repression of popular manifestations, the practice lost strength in the beginning of the 20th century. The press was one of the main responsible for the development of the campaign against entrudo in Brazil. While entrudo was repressed in the streets, the Empire's elite created the carnaval balls in clubs and theaters. In entrudo, there was no music, unlike the balls in the imperial capital, where mainly polkas were played. Rio de Janeiro's elite would also create societies, the first of which was the Congresso das Sumidades Carnavalescas, to parade in the city streets. While entrudo was repressed, the imperial high society tried to take over the streets."