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Bloodless Pharaohs Verified

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The Bloodless Pharaohs were a band known for their association with Brian Setzer before he gained widespread fame with the Stray Cats. Here's what we know from available information: Formation and Genre: The Bloodless Pharaohs played what has been described as "art rock." This was a venture for Brian Setzer into a different music style before he embraced rockabilly with the Stray Cats. Members: Brian Setzer, who later became famous for his guitar and vocal work with the Stray Cats and his own orchestra, was part of this band. Another member was Bob Beecher, who played bass. During this period, Brian's brother Gary Setzer was involved in drumming for the Tomcats, another band Brian was part of, but it's not explicitly stated if Gary was a formal member of the Bloodless Pharaohs. Context within Brian Setzer's Career: The Bloodless Pharaohs existed alongside Setzer's early rockabilly group, the Tomcats, which was his first notable band before transforming into the Stray Cats. While the Tomcats were focusing on developing a rockabilly sound on Long Island, the Bloodless Pharaohs were exploring a different musical avenue, indicative of Setzer's versatile musical interests. Activity: Information about their gigs or recorded music is scarce, but there was mention of them playing in and around New York. A rare live footage from 1979 of the band with Brian Setzer was uploaded to platforms like YouTube, indicating some level of activity during that era. Legacy: The band itself didn't achieve significant commercial success or leave behind a well-documented discography, but it's an interesting footnote in Brian Setzer's musical journey, showcasing his experimentation with different music styles before hitting mainstream success. Public Interest: Interest in the Bloodless Pharaohs often comes from fans of Brian Setzer looking to explore his pre-Stry Cats work or from those intrigued by the evolution of rock and its subgenres during that period. The Bloodless Pharaohs remain a relatively obscure part of rock history, primarily of interest for their connection to Brian Setzer rather than for their impact on the music scene at the time. Their existence highlights the diverse exploratory phases musicians often go through before finding the sound or genre that propels them to fame. Paul Tschinkel's relationship with the Bloodless Pharaohs primarily revolves around his role as a documentarian capturing the New York music scene in the late 1970s and early 1980s. Here's an overview based on available information: Documentary Work: Paul Tschinkel, known for his work in documenting art and music through his "Art/New York" series, captured performances and moments involving the Bloodless Pharaohs. His footage includes live performances of the band, notably with Brian Setzer, who was part of the Bloodless Pharaohs before gaining fame with the Stray Cats. This documentation is significant as it provides historical insight into the music scene of that era, particularly the transition from punk to new wave and other alternative music styles in New York City. Venue and Performance: One notable location where Tschinkel filmed the Bloodless Pharaohs was at Max's Kansas City, a famous New York club where many emerging bands of the time performed. The footage from this venue, including performances from 1979, showcases the band's unique sound, described as a blend of punk and art rock, which was distinct from the rockabilly style Brian Setzer would later become known for with the Stray Cats. Cultural Documentation: Tschinkel's work with the Bloodless Pharaohs is part of a broader effort to document the cultural and artistic movements of New York City during a transformative period. His documentation not only preserved the music but also the atmosphere and the personalities of the time, including how these bands influenced each other and the broader music scene. Legacy and Impact: Through Tschinkel's lens, the Bloodless Pharaohs' performances have been preserved, allowing later generations to appreciate their contribution to music history. His work highlights the band's role in the early career of Brian Setzer, offering a historical bridge to understanding Setzer's musical evolution. In summary, Paul Tschinkel's relationship with the Bloodless Pharaohs was that of a documentarian capturing a slice of New York's music history. His recordings have helped to immortalize the band's performances, contributing to the cultural archive of New York's vibrant music scene during the punk and new wave eras.

Pikkulammas - anatomia ja pharmakeia

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Tältä kanavalta löytyvät Pikkulampaan videot jotka käsittelevät formereiden harjoittamaa lääketieteellistä noituutta. Ilm.18:21 Ja yksi väkevä enkeli nosti ison kiven, niinkuin myllynkiven, ja heitti sen mereen ja sanoi: näin äkisti pitää suuri kaupunki Babylon heitettämän pois, ja ei häntä pidä enempi löydettämän. Ilm.18:23 Ja kynttilän valkeus ei pidä sinussa enää valistaman, ja yljän ja morsiamen ääni ei pidä enää sinussa kuuluman; sillä sinun kauppamiehes olivat maan päämiehet, ja sinun noitumises kautta ovat kaikki pakanat eksyneet.