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The Illuminati Demystified: How Secret Societies are Used for Espionage
Banned NewsJay Dyer of https://jaysanalysis.com/ guest hosts The Alex Jones Show to expose the secret societies and how they were used for espionage.52 views -
THE ENTITY: Men, Beasts, Ancient Ai, the Old World Order... and the Timeline Wars
XtremeRealityCheckThe New World Order is the Old World Order... the Phenomenon... the Entity. #Revolution4Christ #XtremeRealityCheck #GreatAwakening #WeDoNotConsent #RiseandShine #Jesus DO YOU WANT TO GET SAVED? Here is a link to a prayer and intro on my website if you need help: http://www.xtremerealitycheck.com/getsaved.html On BitChute https://www.bitchute.com/channel/GgJZyiE9kST0 On Rumble https://rumble.com/c/XtremeRealityCheck On Gab https://gab.com/xtremerealitycheck On Odysee https://odysee.com/@XtremeRealityCheck:d On Patreon https://www.patreon.com/XtremeRealityCheck On DLive.tv https://dlive.tv/XtremeRealityCheck On Twitch.tv https://www.twitch.tv/xtremerealitycheck On Twitter https://twitter.com/xtremereality On facebook https://www.facebook.com/XtremeRealityCheck Our Blog http://xtremerealitycheck.blogspot.com #Jesus Channel https://www.youtube.com/channel/UC_62YPYIiIQb5DTrxwf1Mfg Our Website http://www.xtremerealitycheck.com Please consider supporting this work: https://www.paypal.me/XtremeRealityCheck Venmo support: venmo.com/u/XtremeRealityCheck CRYPTO: http://www.xtremerealitycheck.com/Crypto-Donations.html BTC address: 3ChD4JoQHGPe5n8FrdrXvjYdCStz3TZTKq ETH address: 0x0A72E965551F96b29958f9d2548ca6dD935037c1 XLM address: GC5PFAXPL3BYIRHLMUFD3E353DINA6A52DXJIXLKQEVO2GA7WFWGWCFS SHIB address: 0xD09b5F27Ab357b808381f9Fe32E16492bd4C0800 XRP address: rMdG3ju8pgyVh29ELPWaDuA74CpWW6Fxns Give-Send-Go Fundraiser for Refugee/Truth Library Project: https://www.givesendgo.com/xtremerealitycheck Or support us through our Merch Store https://teespring.com/stores/xtremerealitycheck LINKS: Cathy O’Brien Testimony https://youtu.be/SeilPYh4zzc?si=1Rieo3KtbnrHuy1v 75 years of Orphan Trains https://youtu.be/WDJx8m5DCL4?si=IKE1Xo45zYQ5309b Bryce Taylor Testimony https://youtu.be/o9j0ZOxOBcQ?si=srTV5j9QoV7q16Xc Lebensborn: The Secret Aryan Breeding Program of the Nazi https://youtu.be/jLK1XTsLBKw?si=mH5nhFNyEViI9Shz Nazi Breeding Farms https://youtu.be/ALEENKmQidc?si=_Ghd5BCzf9akzJio Illuminati clip https://youtu.be/y-yzL5zJVno?si=0ODESXynNHK7ygYh 117th congress prays to fallen angel Brahma https://youtu.be/mAyLorS4fXc?si=TShnP9mmNR_q7ldl Nancy Pelosi and Joint Chiefs of Staff Coup d’etat https://youtu.be/T5KyKxphDIU?si=-4XMMKZtjz0qe3RN Blood tests show EVERYON is infected from Vax shedding nanotech now - Maria Zeee https://www.bitchute.com/video/XnO0YtRnwYO8 Jerusalem Temple Mount in wrong place (1948 Israel is a FAKE stage for the script) https://youtu.be/yTSCQgZirts?si=sRgfbXphDeLgOybV Old World Order Documentary https://stewpeters.com/old-world-order-documentary/#gf_12 The Forgotten Legacy of the Nephilim, HoIlow Earth, Island of Giants & the Hunt for the Holy Relics https://www.bitchute.com/video/VfJ2LXQ3pQnP Bryan Melvin Virtual Reality Prisons in Hell https://youtu.be/KCe4miV7v34?si=CvO7-G9Nopa2Zq_d Arizona Wilder MK Ultra Lecture https://youtu.be/oII8FZUj9is?si=XEmGWsgvmw_87KRo @2:14:00 Manchurian Chinese woman taken to INNER EARTH https://www.youtube.com/live/uKevhGbjzEs?si=RoIikRVa1s8l0ohU Casey: Neurodevelopmental Teacher’s Spiritual Awakening to Autists & Their Secret Astral Army https://youtu.be/HE2d-tsQLnM?si=5iZsv5SjYqwm1eTX Autism, Hybridization, Bloodlines, and the Secret Space Program w/ Benjamin Brodie and Dan Duval https://youtu.be/OFuOTU-Klp0?si=07gFPsvCNEuyznYd HUMAN BRAIN TISSUE: AI’S NEW HARDWARE Dell Bigtree Clip https://www.bitchute.com/video/XosibcoZ8SDj Crowder song “Crushing Snakes” https://youtu.be/cdcjcFBKwd4?si=pXoSqrHaDuwKl8wW USA is Ancient? - History Different Than We’re Told (My Lunch Break) https://youtu.be/_fU9CHW6QyU?si=siL3FhEODhohr6WF Jason Burmas Transhumanist Transgender presentation https://www.bitchute.com/video/eB9C7kUccZ91 Immortality: The Real Wealth gap https://youtu.be/D2tcqi-TfwI?si=CRoQQab9vP9UDC8t Human 2.0 https://youtu.be/FsTYOqu3Tl0?si=hwGkxNtxQcMI0RyH Ai is writing video games https://youtu.be/3i5JyN4A3fA?si=8XlLsnZzotZBa3EO BioPython – human as infrastructure (Kundalini serpent) https://rumble.com/v5e9bbx-biocybersecurity-and-your-skin-surveillance-under-the-skin.html Demonologist Interview – What Lurks Beneath https://youtu.be/RfQBFLh5HJU?si=W29otx0Q4uFxECU8 Face Like the Son Elon Musk Presentation https://www.bitchute.com/video/eIji7JUTc3IZ Nightmare supercomputer 2024 https://www.bitchute.com/video/uKViu3DOS9I5 KJ Ozborne – Our world is being X’d out https://www.bitchute.com/video/m4cVDVrA2utQ Elon Musk gives Communist China Military the US tech maps (Karen Kingston, Stew Peters) https://www.bitchute.com/video/G0wVB3QpVVOh Bolshevik vs Menshevik https://youtu.be/qat-k6tL6dU?si=Y8uiftXI4Do-lzlA Elon Musk’s IVF Children https://www.msn.com/en-us/lifestyle/family/elon-musk-s-kids-meet-his-10-children-including-his-surprise-twins-with-shivon-zilis/ar-AAYsC0J?ocid=socialshare The Cult of the Eclipse - ROBERT SEPEHR https://youtu.be/Xw4Ez4PSC50?si=-ltdt-U3WTvcdwsl THE WEATHER UNDERGROUND, LARRY GRATHWOHL 1982 https://www.bitchute.com/video/5keTmdmfC0KL Maria Zeee: Nanobots Inside People Programming Humanity https://www.bitchute.com/video/XnO0YtRnwYO8 Fluoride and ions and nanotech quantum computing https://link.springer.com/article/10.1007/s40828-020-00115-w https://www.degruyter.com/document/doi/10.1515/ntrev-2019-0051/html https://en.wikipedia.org/wiki/Trapped-ion_quantum_computer https://www.sciencedirect.com/science/article/abs/pii/S002211391730150141.2K views 380 comments -
💥 Jul 16 2024 - Trey Smith > Kim Clement Prophecy 'Strange July, Hypnotic November, Oh Christmas'
Juan O Savin SITREP* Kim Clement's Trump Prophecies Continue To Line Up * Trey Explains How Leviticus 8 Also Lines Up With Trump's Assassination Attempt * Strange July, Strange July, Hypnotic November And Oh Christmas > My Will Shall Be Done * Trey Smith www.GodInANutshell.com www.x.com/TreySmithReal www.facebook.com/GodInANutshellProject71.3K views 146 comments -
💥 Apr 15 2023 - Derek Johnson w/ TruthStream > Tribunals Start This Summer Derek Will Be At GITMO
Juan O Savin SITREP* MIL Tribunals Expected To Begin This Summer * Derek Contracted With Radio Station To Report Live From GITMO During Trials * Federal Continuity Of Government https://whitehouse.gov1.info/continuity-plan/ Federal COG Directives 1 & 2 https://www.gpo.gov/docs/default-source/accessibility-privacy-coop-files/January2017FCD1-2.pdf https://www.fema.gov/sites/default/files/2020-07/Federal_Continuity_Directive-2_June132017.pdf Executive Order 13919 https://www.federalregister.gov/documents/2020/05/04/2020-09645/ordering-the-selected-reserve-of-the-armed-forces-to-active-duty Executive Order 13963 https://www.federalregister.gov/documents/2020/12/15/2020-27739/providing-an-order-of-succession-within-the-department-of-defense Executive Order 13848 https://www.federalregister.gov/documents/2018/09/14/2018-20203/imposing-certain-sanctions-in-the-event-of-foreign-interference-in-a-united-states-election FEMA Continuity Of Government https://www.fema.gov/sites/default/files/documents/fema_sltt-cog-guidance_070921.pdf Department Of Defense Law Of War Manual > Updated December 2016 https://tinyurl.com/2p94xahe Key Chapters - Chapter 11 > Military Occupation - Chapter 4.3 > Unprivileged Belligerents - Chapter 18 > Implementation And Enforcement Of The Law Of War -------------------------------------------------- Juan O Savin & Jennifer Mac https://107daily.com https://www.worldaccordingtojuan.com www.TheJenniferMac.com Derek Johnson https://thedocuments.info https://t.me/rattletrap1776 https://www.facebook.com/The1776Nation TruthStream https://rumble.com/c/TruthStream32.2K views 97 comments -
Tribunals of the US Military - Covers all of the Tribunals held at GITMO
50 USC 1550Tribunals of the US Military - Covers all of the Tribunals held at GITMO8.96K views 25 comments -
Conspiracy of Silence - Full Banned Documentary (1994)
EXPOSE the PEDOS end of the CABALConspiracy of Silence is a 56-minute is a powerful and disturbing documentary film produced by Yorkshire Television in 1994. - According to John DeCamp’s book, in Part 2, the paedophile/ SRA/ snuff movie/ child hunting network was run out of Omaha, Nebraska using private jets to fly children all over the states and the world, including Bohemian Grove, Dallas, California, Los Vegas, NY, Washington, the Netherlands and Germany and was part of an MK Ultra programme and drug running operation set up at the Offutt Air Force base outside Omaha, run by Col. Michael Aquino, the military and CIA. - ALSO WATCH 🔥PEDO WARS PART 1 --->> https://rumble.com/v1kwohh-pedo-wars-part-1.html - 🔥 PEDO WARS 2 - THE WORLD IS ON FIRE -->> https://rumble.com/v1kwjxv--pedo-wars-2-the-world-is-on-fire.html - 🔥PEDO WARS 3 - ORIGINS - FULL FEATURE ->> https://rumble.com/v1kwgcp-pedo-wars-3-origins-full-feature.html - 🔥Q+ Trump’s War On Crimes Against Humanity! The Worldwide Covert Military Intelligence Sting Operation! --->>> https://t.me/GitmoTV/17384 - 🔥 Sharing is highly recommended! 🔥 ———————————————— 🔥 MISSION STATEMENT: EVEN ATTACKS BY MEANS OF NEGATIVE REVIEWS CANNOT STOP THE TRUTH TO BE EXPOSED - EVERY EXPOSED PEDO is ONE LES WHO CAN HURT OUR CHILDREN - To increase AWARNESS to SaveOurChildren is OUR MAIN MISSION ———————————————— CHANNEL DISCLAIMER ©️ COPYRIGHT / LICENSING ———————————————— we invite every content owner and video producer to contact us by email (EXPOSEthePEDOSendOfTheCABAL@proton.me) #StongerTogether - WWG1WGA ———————————————— Copyright Disclaimer under Section 107 of the Copyright Act of 1976, allowance is made for "fair use" for purpose such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use. IF YOU HAVE ANY LICENSE ISSUES, PLEASE CONTACT US BY EMAIL(DUMBSandUNDERGROUND@proton.me) to RESOLVE THE PROBLEM and discuss a COOPERATION ———————————————— JOIN US and our Partners ON TELEGRAM and RUMBLE https://t.me/EXPOSEthePEDOSendOfTheCABAL https://rumble.com/c/EXPOSEthePEDOSendOfTheCABAL TOPIC CONNECTED https://t.me/DUMBSandUNDERGROUND https://t.me/DUMBSandCLONING topic connected with CLONING https://rumble.com/c/CLONING ReptoTV https://rumble.com/c/ReptoTV ———————————————— ☕️🔥 if our work is useful for you, we appreciate your support by buying us a coffee ☕️ Big Thank you for your support - WWG1WGA --->>> ☕️🔥 https://www.buymeacoffee.com/FCKtheNWO ———————————————— > SECURE SURFING in the INTERNET > YOU CANT ACCESS RUMBLE? e.g in FRANCE or somewhere else? - >>>> WE RECOMMEND OUR 🔥 VPN PARTNER >>> http://tiny.cc/VPN 🔥 PRIVATE INTERNET ACCESS >>> http://tiny.cc/privateinternetaccess ———————————————— 🔥 if our work is useful for you, we appreciate your support in from of a donation - this helps us as a NON-PROFIT to CONTINUING OUR WORK to bring LIGHT INTO THE DARK 🔥 >>> http://tiny.cc/YourDonationIsSupport4Us22.1K views 29 comments -
WORLD PREMIERE: These Little Ones
Stew Peters NetworkToday on the Stew Peters Show, we proudly present the worldwide premiere of "These Little Ones". Millions of children vanish each year. 83,000 each month. 2,700 a day. 115 per hour. 1 every 30 seconds. It makes you wonder…where do they all go? From the producers of “Watch the Water”, directors Matthew Miller Skow and Nicholas Stumphauzer tackle the dark underworld of CPS sex trafficking, elite pedophilia, and the shady death of truth seeking icon Isaac Kappy. Get notified when the documentary drops, text STEW to tell:(833) 495-3348 Please consider supporting Warrior Bride Ministries, as they heal the wounds of victims from Satanic Ritual Abuse https://warriorbrideministries.com/ Prepare your family for famine and shortages by purchasing food through: https://heavensharvest.com/ Check out http://nootopia.com/StewPeters for help increasing your mental & physical strength to battle the deep-state's KRYPTONITE plot against Americans! Get Dr. Zelenko's Anti-Shedding Treatment, NOW AVAILABLE FOR KIDS: http://zStackProtocol.com CACOA is super good, it's a super food, and it's super based! Buy it now: https://shop.earthechofoods.com/stew2.26M views 964 comments -
THE FALL OF THE CABAL FOR CHILDREN - PART 1
Start The StormTHE FALL OF THE CABAL FOR CHILDREN - PART 1 🔔 Thank you for your comments that have helped us have a wonderful result !!! All show will upload 🌿 EVERY HOUR 🌿 ❌⭕️⛔️ Please search "TRUMP NEWS" on Rumble for new video!! ⏩ TRUMP NEWS: https://rumble.com/c/c-1648085199 views -
Antiquitech Tartarian Empire Old World 2,100 Photographs Ultimate Compilation 2024
What If Everything You Were Taught Was A Lie?Antiquitech Tartarian Empire Old World 2,100 Photographs. Today will be the End of Year Jarid Boosters Extravaganza. I’m not sure anyone else is doing this. I’ve assembled for you a compilation of over 2,100 unique and seldom seen Old World photographs, the combination of the highlights from my last roughly 14 months of research. Not many people actually add value to human existence today, and you're one of the rare ones who do it, by what you do with your research and videos. We will dive into all aspects of the Old World, across all continents except for Antarctica, into all realms of photography, including Stereoscopic and Photochrome, and we will view all topics I have discussed this year. From numerous World’s Fairs, to the very first photographs of over two dozen historically significant sites, across a multitude of museums and private collections, I have assembled for you my greatest collection of photographs to date. These images can be traced to circa 1838 through roughly 1958, with a few more modern interpretations sprinkled in. Your presentation and format is brilliant. Your face takes a backseat and the information is presented clearly for everyone to behold. If you have never watched my videos before, this is a true delight, and a great way for you to enter into the Old World research atmosphere. If you’re a regular here, you will also enjoy the collection, as I have never seen a collection so vast ever posted on YouTube before. This is well over one year of research in the making, and I’m so grateful and appreciative of you all being here to share this moment with me. I get the feeling that these photos are of the first earth age no one knows what the buildings looked like what if they look like these stone buildings turn black after being submerged under water and after dried out mold takes over and turn buildings black there was a flood in the first earth age as well as in Noah's flood a lot of these building are black with mold. The photographs will be presented in hopes you will save the images which stand out most to you. I’d love to hear your thoughts and ideas about the Old World down below. Please share this video everywhere you can! Happy Holidays, God Bless you all, and I can’t wait to see what 2024 holds for us… but for now, please enjoy this immaculate collection: Welcome To "Exploring Tartaria", where we will explore the Old World photos through the lens that we are looking back on the Millennial Kingdom of Jesus Christ! This is not and I'am not a Hollywood Studio. I explain that "Tartaria" was the Millennial Kingdom of Jesus Christ, and that we live at the end of the post-Millennial "Little Season". Thank you to everyone who has researched Tartaria, from lot's forums, and other info. Now let's gain even more knowledge and wisdom by understanding that we are looking back at the Millennial Kingdom! There are so many incredible things to discover. I believe you will enjoy looking at the relics of our past even more with this understanding! I got over what I refer to as the "dual timelines" and go into a little detail about how they relate to each other. I try not to bore you with too many examples and technical details, but hopefully you get the idea! I also go over a few of the more major questions that you may have from Part I. There are some other more pertinent questions that I did not include, such as what is the "Rapture", and what was the Mudflood. I will throw out my theory on the Mudflood down the line. As far as the "Rapture" goes, please re-read 1 Thessolonians 4:17, and you tell me! Could the mortals at the end of the Kingdom be the ones who "meet the Lord in the air"? I'm not sure as I still can't quite make out what the Apostle Paul was trying to tell us. As far as a more detailed explanation of the Tribulation being in our past, I may not be able to get to making that video in the near future. I know many of you have a lot of questions about all the various prophecies from the Old Testament as well as the New Testament. That is a very big subject and one that a person could devote a whole channel to. If you look into "preterism", you will find that many people have already answered a lot of those questions. They may not have understood the Kingdom of God was a physical kingdom in our past, so sometimes their timelines and interpretation of scripture can go off into a weird place (though you can't blame them because we were all deceived, and God has revealed this to us now). Still, there are valuable resources out there from preterist websites who go very in-depth about all of the various parts of scripture from both the OT and NT. It is a very big subject and one that will take a lot of time to get to, so please explore the resources out there that are already available in the meantime! Again, thank you to all of those who have researched in this field. I'm not going to list names because I don't want to leave anyone out. But I'm familiar with the majority of the characters in the Alternative History scene, and I appreciate all of your work very much :) And a special shoutout to my dear friend Nicholas, who has been a great researcher in this field, and has helped me to arrive at some of these conclusions as we hashed out ideas over the past 2 years through TTT (Tartaria Text Time). Thanks so much! Hope you enjoy I ask the simple question: If Jesus Christ was a literal king on earth for a continuous 1,000 years, then is there any evidence that shows him in this role? we look at the past with the understanding that the First Resurrection already occurred approximately 1200 years ago. The people who took part in this event received new bodies, and are now referred to as "Saints", meaning "Holy Ones". This group of people lived and reigned with Christ for 1,000 years, and still live to this present day, as they are now immortal. We take a look at relics, or the physical remains of Saints, and ponder the true importance of these objects, as it seems that relics truly act as a conduit between mortals and God. I hope this information will give you a better foundation as you re-read the Bible, or read for the first time. I feel you will also gain a higher understanding of the Millennial Kingdom, or Kingdom of God, as the New Testament characters not only played major roles in establishing the early Christian communities, but continued their roles in the subsequent Kingdom. Not all of the information can be found in the Bible. Some bits and pieces come from the early church historians, that are then corroborated by repetitive themes throughout the artwork of the Kingdom period. I have done my absolute best to be as accurate as possible. Of course there is so, so much more to learn about with each saint featured in this video. But I feel that this is a solid core that you can build upon as you explore Tartaria ;) Maybe the History we've been told is a lie! Were some ancient buildings built by a different race and their true history was covered up? Did ancient peoples have advanced forms of technology that have now been forgotten ? Was the massive kingdom of Tartaria visible on ancient maps much more advanced than we realize? This sub is an open forum for collaborative discussion of all topics "Tartaria" related, including Mud Flood, Tesla, AntiquiTech, Free Energy, Conspiracies, Hidden History, etc. I wonder if this video has been posted here before? If yes, then i am not sorry for posting it again, because its just one helluva epic video. If not, I highly recommend watching it if you are interested in perhaps how Tartarian technology worked. Its made by a guy who calls himself Ewaranon. Its put well together with a lot of great evidence, theories and findings of multiple topics. Its a long watch, I agree.....but its divided into several chapters. I recommend watching the first 20 or 30 min and see if it interests/sparks you. It sure got my attention as Ewaranon points out a lot of strange stuff in our world....and the narrative we know from history books. I am still thinking about all the stuff he said and points out to us. As its a lot to deal with and can shake one up. I find it fascinating though. But the tip of the iceberg is that this video also perhaps has the only real video footage of Tartarian technology. At one point he explains how Cathedrals and other old buildings really work, as in that they are energy generators. And after his explanation he shows footage of them and some other buildings in action. Fully electrified and radiating with a lot of light. https://rumble.com/v36zig8-antiquitech-tartarian-empire-greatest-story-ever-un-told-video-very-old-900.html Greatest Story Ever Un-Told 10 Parts Set and This 1893 World Columbian Exposition In Chicago Is Really A 1,000 Years Old City From Past Antiquitech Tartarian Empire and the True Believers in the “Tartaria” conspiracy theory that 100s of old world fairs 1801 thru 1940 era are convinced that the elaborate temporary fairgrounds built for events like the Panama-Pacific International Exposition in San Francisco in 1915 and 100s of other city were really the ancient capital cities of a fictional empire ! "Expositions are the timekeepers of progress. They record the world's advancement. They stimulate the energy, enterprise, and intellect of the people; and quicken human genius. They go into the home. They broaden and brighten the daily life of the people. They open mighty storehouses of information to the student. Every exposition, great or small, has helped to some onward step." President William McKinley, speaking at the 1901 Pan-American Exposition in Buffalo, NY. The 1893 World Columbian Exposition in Chicago inaugurated an age of great fairs and expositions in the United States whose influence is felt to this day. The Chicago Exposition and the similar events that followed in Buffalo, NY; St. Louis, MO; Seattle, WA, San Francisco, CA and New York, NY dramatized technology and the fine arts, and illuminated the era ahead, as industrialism took hold, immigration peaked, science moved ever forward, and a vibrant, multi-faceted American music culture grew throughout the country. Though the 1876 Philadelphia Centennial Exposition in Philadelphia had been a great success, the Chicago Exposition took its immediate inspiration from the Exposition Universelle held in Paris in 1889. Like all previous world's fairs, the Paris exposition hosted music and other entertainment among its exhibits, but in greater variety and on a much larger scale. A major work, Esclarmonde, was commissioned from French composer Jules Massenet and was performed nightly. Music from all over the world was heard, including Javanese gamelan, which was to have a profound effect on composer Claude Debussy. Fairgoers could also hear indigenous music at the village nègre, where some 400 Africans from European colonies spent the duration of the fair demonstrating their culture and crafts. A similarly conceived Algerian Village was also an attraction. The organizers of the Chicago Exposition would try to match or outdo the 1889 Exposition in every way. For awhile, they even thought of creating a structure taller than the Eiffel Tower built for the 1889 fair, and the tallest building in the world at the time. In the end, they settled for a spectacular city-within-a-city that sprawled over 600 acres and featured 65,000 exhibits. "The White City," so named for its many white buidlings that were made even brighter by the night-time illumination supplied by General Electric, captured the imagination of the country, and drew over 27 million paying customers during its run from May 1st to October 30th, 1893. Within its walls, fairgoers could marvel at the ever-multiplying technological wonders of the age, enjoy art exhibits, concerts and sports; listen to lectures on various topics, view short films in the world's first dedicated movie theater, or ride the original Ferris Wheel. The Ferris Wheel loomed over the portion of the grounds billed as the "Midway Plaisance," or simply "the Midway," a sort of outdoor arcade 220 yards across that stretched for a mile outside the main fairgrounds in Jackson Park, where rides, music, food, amusements and sideshows of every description were on offer. The "Street in Cairo" exhibit was the most popular of all, drawing more than two million customers to see the first American display of Middle Eastern belly-dancing. Inside the ‘Tartarian Empire,’ the QAnon of Architecture On YouTube videos and Reddit boards, adherents of a bizarre conspiracy theory argue that everything you know about the history of architecture is wrong. In 1908, architect Ernest Flagg completed the Singer Building in Lower Manhattan, a Beaux-Arts showstopper made for the Singer sewing machine company. From a wide base, a slender 27-story tower rose, topped by a mansard roof and a delicate lantern spire. Every inch dripped with sumptuous detail inside and out; vaulted roofs, marble columns with bronze trim, window mullions with spiral fluting. The lobby was said to have a “celestial radiance.” A book was written just about its construction. For a year, it was the tallest building in the world at 612 feet, and a celebrated landmark for decades after that. But not for too much longer. Despite its great height, the pencil-thin tower lacked office space. In the 1960s the company sold its ornate headquarters; demolition proceeded in 1967. It’s the tallest building to ever be peacefully demolished. By any account, it’s a fantastical tale: Once the tallest building in the world and a New York icon, knocked down in just a handful of decades. For some, it’s too fantastical to believe … or perhaps not fantastical enough. A dedicated group of YouTubers and Reddit posters see the Singer Building and countless other discarded pre-modern beauties and extant Beaux-Arts landmarks as artifacts of a globe-spanning civilization called the Tartarian Empire, which was somehow erased from the history books. Adherents of this theory believe these buildings to be the keys to a hidden past, clandestinely obscured by malevolent actors. Who? Why? To what possible end? As in many other, more high-profile conspiracy theories, this baroque fantasy doesn’t offer much in the way of practical considerations, logic or evidence. But it’s grounded in some real anxieties, pointing toward the changes wrought by the modern world in general and modern architecture specifically — and rejecting both. Tartaria rises Tartarian-themed content is produced for YouTube videos that get picked over on Reddit. The r/Tartarianarchitecture sub, which began in December 2018, has 3,300 members, though not everyone who posts and comments appears to be a true believer. A larger and more general sub that appeared around the same time, r/Tartaria, has 8,700 members. As conspiracy theories go, Tartaria remains obscure; Twitter user cinemashoebox brought it to many people’s attention last year with this thread, and pseudoscience-debunking writer Brian Dunning recently devoted an episode of his podcast, Skeptoid, to the Tartaria theory, which appears to have first emerged in 2016 and 2017. The Tartaria storyline is not directly related to the adrenochrome-harvesting Satanic-pedophile cabal that lies at the heart of QAnon, the unfounded conspiracy theory that crashed into the real world in 2020. But it shares some of what Peter Ditto, a social psychologist at the University of California-Irvine who specializes in conspiracy theories, calls QAnon’s “cafeteria quality:” There’s no overarching narrative or single authorial voice interpreting events. It’s just a gusher of outlandish speculation; adherents can pick and choose which elements they want to sign on to. The overall premise is an alternative history. A vast, technologically advanced “Tartarian” empire, emanating from north-central Asia or thereabouts, either influenced or built vast cities and infrastructure all over the world. (Tartaria, or Tartary, though never a coherent empire, was indeed a general term for north-central Asia.) Either via a sudden cataclysm or a steady antagonistic decline — and perhaps as recently as 100 years ago — Tartaria fell. Its great buildings were buried, and its history was erased. After this “great reset,” the few surviving examples of Tartarian architecture were falsely recast as the work of contemporary builders who could never have executed buildings of such grace and beauty, and subjected them to clumsy alterations. “I think that it was one worldwide civilization,” says Joachim Skaar, a 26-year-old Norwegian who runs The Tartarian Meltdown YouTube channel. “It was all based on unity, oneness, peace, love, and harmony, which we don’t see in today’s society.” There’s an arch-traditionalism present in the theory, too. The pre-modern buildings that we venerate are sometimes said to be more than 1,000 years old. “The same people that built the Capitol in Washington built the pyramids in Egypt,” Skaar says. Reached at his recording studio, Skaar, who works as a plumber, is not an architect or historian, but he has strong opinions on both disciplines. “We have two very different types of architecture,” he says. There’s modern architecture “with the name Brutalism,” which he describes as “square concrete boxes which are designed to be produced very fast, very cheap and very effective.” And then there’s Tartarian architecture, a label that gets applied to anything that’s particularly ornate and pre-modern, encompassing many Western styles: Classical, Beaux-Arts, Second Empire. The term is also sometimes used for some non-Western structures, like the Taj Mahal. Structures that seem geographically or culturally dislocated, like the Beaux-Arts commercial buildings in Shanghai’s Bund district, are particularly attractive to this theory, as are those that are impressively massive, like the pyramids of Egypt or the Great Wall of China (built, the theory goes, by Tartarians to keep the Chinese out). Anywhere there’s a perceived gap between the refined craftwork of an old building and the “primitive” technology of the horse-and-buggy-era people building it, space for Tartarian speculation pops up. American cities of the 19th century are often rich with Tartarian appropriation, especially the young settlements of the West, when grand public structures seemed to emerge from the wilderness, surrounded by wood hovels and muddy streets. State capitol buildings and city halls are frequently fingered as palaces of ancient Tartaria rather than Gilded Age municipal buildings. (These photos of the Iowa State Capitol in Des Moines highlight the contrast Tartarian theorists point out.) The Tartarian milieu is an intensely visual medium, occupied with riffing on photos and maps, picking out apparent inconsistencies and making one-off conjectures instead of weaving together comprehensive timelines. The theory is notably light on reasoning as to why and how the greatest cover-up in history was undertaken, but it does offer a few options for how Tartaria was erased and the great reset propagated. Many say that an apocalyptic mud flood buried its great buildings; some suggest the use of high-tech weaponry to tactically remove Tartarian infrastructure. A consistent theme is that warfare is an often-used pretext to wipe away surviving traces of Tartarian civilization, with the two world wars of the 20th century finishing work that may have begun with Napoleon’s invasion of Russia. Despite their interest in architecture, most Tartaria theorists do not appear to have backgrounds in the building trades: Many of the more easily refuted arguments spring from very basic misunderstandings of how the built environment works, as well as broader confusion about how buildings function in the economy and culture. An abundance of posters appear convinced that below-grade basement windows in older buildings, for example, are evidence that the building had been “mud flooded,” and the rest of the structure is actually buried deep underground. Sometimes this will get some skeptical pushback (“I think they didn't have lights in the cellar so they build in windows for them?” was how one poster responded), but that’s more of an exception than the rule. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere.” Similarly, their grasp of historic labor and material costs is shaky. Before the Industrial Revolution, labor was cheap, so paying artisans to sculpt elaborate masonry — even for relatively humble structures — wasn’t the great expense it seems today, when labor prices are higher and factory-made steel, concrete and glass is cheap; that’s why we see so much of these materials in buildings today, and so much less filigreed terra cotta. One of the most adamant denials in Tartarian circles is that public buildings like schools and post offices were ever built with monumental proportions and elegant aesthetics. They sneer at the wedding-cake-topper Second Empire buildings designed by Alfred Mullett after the Civil War, for example. “How many stamps did you sell to build yourself a post office like this?,” says popular Tartarian YouTuber JonLevi in one of his videos. “Absolutely ridiculous. The post office has always struggled.” (He has more than 100,000 subscribers.) Some of this confusion is unfamiliarity: Mullett’s U.S. Customs House and Post Office in St. Louis, for example, was a huge federal project, built to process the mail of 10 states and four U.S. territories, not a neighborhood letter depot. But beyond that, there’s a broader refusal to believe that public architecture could ever have been built in an atmosphere of generosity and abundance. This is echoed by their astonishment at the double-height grand lobbies and arched doorways of old buildings, which they see as artifacts not meant for us. (Some theorists surmise that ancient Tartarians were giants.) The Tartarian community seems to have internalized the current era’s predilection for public sector austerity and the resulting aesthetics, which they abhor, more than they realize. At its core, the theory reflects a fear of how quickly things change. As they look at today’s cityscapes, Tartaria believers see an eerie and alienating place, filled with abstract monoliths that emerged out of nowhere in a brief period of time. They’re skeptical of the rapid rise and development of the U.S., and even more suspicious of how quickly Modernism came to dominate the landscape. One favorite case study, useful for illustrating this aesthetic whiplash, is the grand domed Henry Ives Cobb Chicago Federal Building, built in 1905. Like the Singer Building, it was razed after just 60 years in favor of an icy black Mies van Der Rohe tower. In one sense, the Tartaria theory is right: With modern architecture, a revolutionary new consensus on how the built environment should look and work did take hold in a very short period of time, conveniently overlapping with the world wars that these theorists see as the tail end of Tartaria’s influence. The world of 1960 indeed looked radically different from the world of 1920. Led by obscure and poorly understood forces (architects), architecture schools truly did throw out the history books to build a new world. But instead of making this excision the work of a colossal global mega-conspiracy worthy of a pulpy airport mystery novel, they wouldn’t shut up about it. In the Tartarian worldview, we’re a society that doesn’t properly understand or value the built environment, because we’ve been misled about who really built it. When he’s decrying the lack of regard for the cultural legacy of old buildings, Skaar sounds less like a conspiracy theorist than a board member of a preservation nonprofit. “The problem is that people don’t recognize these buildings,” he says. “They walk past them all the time, and they’re fascinated, but they don’t think any more deeply about it. They don’t know what they’re looking at because they have been told something else.” In search of a fabricated empire This disregard for architecture’s “true” history moves into a wider rejection of how disposably cheap and commodified the culture at large seems to be. As such, one canonical belief of Tartarian aficionados is that the elaborate temporary pavilions built for late 19th century and early 20th century World’s Fairs were in fact Tartarian capital cities. It strikes them as improbably wasteful that anyone would erect these magnificent complexes, full of fluted columns, domes and pediments, out of plaster of Paris, hemp fiber, and straw, as was done for the 1893 World’s Fair in Chicago. In Tartarian lore, these sites were ancient monuments that were co-opted to teach a falsified history of the world and make a few bucks selling popcorn and Ferris Wheel rides. Then they were demolished, to erase the handiwork of the real builders. In pointing out the eradication of an ancient culture by an expanding imperial power, Tartarian believers again stumble on something real, but they scramble the protagonists. In the European colonial era, Western nations fanned out over the globe, subjugating and destabilizing numerous non-white civilizations — and building many examples of what’s now considered Tartarian architecture as celebration of these victories. But when YouTuber JonLevi marvels at the Hong Kong Shanghai Bank and the rest of the 1920s banking infrastructure built along Shanghai’s Huangpu River, he doesn’t see the wealth-extracting handiwork of a rapacious 20th century empire: In the Tartaria-verse, these are the stately remnants of a far older and more benevolent one. The theory posits that only Tartarians, not British bankers or Belgian rubber barons, could move culture like architecture across geography. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere,” says Skaar. Bastion star forts are another building type that Tartarians are obsessed with: They often point out that these cannon-resistant military fortifications, popular in the 16th and 17th centuries, are found all over Western Europe, like Portugal and the Netherlands, but also quite mysteriously, far away in Asia, in Sri Lanka. But since Sri Lanka was a Portuguese and Dutch colony, it’s not really very mysterious. Military historian Jeremy Black, author of two books on the history of fortifications, says that the geographic reoccurrence of the style reflects how effective Europeans were in spreading this technology across the globe. This ahistoricism can make the Tartarian architecture community occasionally receptive to reactionaries, racists and anti-Semites. A survey of videos and discussions will turn up all manner of other conspiratorial threads. Along with flat-Earth advocacy, anti-vaccination sentiments and 5G scaremongering, there’s talk of anti-Semitic banking cartel conspiracies and Holocaust denial. Some Tartarian histories recast populations of Central Asia, like Genghis Kahn’s Mongol Empire, as red-haired, blue-eyed, white people — “Silk Road Aryans.” The persistence of anti-Jewish tropes within current conspiracy theories is likely the result of cultural inertia, says UC-Irvine scholar Ditto. As successive generations of the conspiracy-minded seek evidence to back up their diverging worldview, they find it in texts that may go back centuries, which are riddled with anti-Semitism. But the face of the villains in the Tartarian narrative is not clearly defined. Skaar blames quasi-mystical “parasites” who thrive off pain and strife, and laments that contemporary life has become a place where “everything is based on tyranny, greed, and slavery.” The Tartaria commentariat is laced with economic discontent; they often decry the evaluation and disregard of buildings purely as salable commodities, untethered from broader notions of cultural legacy and achievement. There’s a reoccurring and implicit understanding that buildings, like the Singer Building, get torn down when they stop making money — the only thing that really matters — and that the world is a vast field of predation, where the rich and powerful consume the poor and weak. In fact, the governing ideology of the modern architecture that Tartarians despise was a critique of this system. Modernism argued for an egalitarian architecture that would help break the shackles of the past, rejecting backbreaking representational craftsmanship to honor omnipotent kings and divine beings in favor of simple, universal forms that would leverage restraint and efficacy into a broad uplift for the masses. Minus the weirdest stuff — the global mud flood, the ancient energy weapons, the vanished race of giants — the Tartaria theory is just an extreme form of aesthetic moralism, the idea that traditional architecture styles are inherently good and modern architecture is the product of a degenerate culture. The tastes of the community generally align with traditional architectural revival proponents (some of whom also embrace reactionary and white nationalist politics). This sort of aesthetic nativism flourished during the Trump era, and it appears to have fresh converts in Congress: Recently, representatives Marjorie Taylor Greene and Paul Gosar formed a new caucus dedicated to “uniquely Anglo-Saxon political traditions” and infrastructure that “befits the progeny of European architecture.” The language is different, but the sentiment wouldn’t appear out of place in r/Tartaria. Holding back a flood of conspiracies Though the Tartarian Empire seemed to wink into existence in the past few years, the themes its believers explore are familiar ones. Conspiracy theories are a way to channel restive populism in the face of rapid social and demographic change, Ditto says, and there’s plenty of that going around. They are also a way to gather up amorphous fears and put them in a specific place, to make them more manageable. Ditto calls this “over-intentionalization. “If your fate is controlled by impersonal, systemic forces, it doesn’t offer you much control over your own destiny,” he says. “But if you can localize it to a small group of people whose motives you understand — they are out to get you — then it at least offers some hope that you can overcome their malevolent intentions.” Belief in conspiracy theories can also be driven by loneliness, isolation and economic hardship, which made a pandemic a fertile Petri dish, and helped QAnon’s believers storm the Capitol by force and through the ballot box. The social atomization forced on us by Covid-19 is a hyperbolic retelling of the Tower of Babel (which has a special place in Tartarian lore) and its attendant anxiety at fracturing and divided cultures. The great reset that erased that tower — and the fabulous, fictional empire that built it — continues to reverberate, splintering us into ever-stranger factions. And Ditto says it does seem like reality is getting harder to decipher. The internet has made it easier to disseminate misinformation while eroding faith in the media hierarchies that once filtered it out. Polarization and a lack of trust in government and institutions creates a feedback loop, where leaders can’t solve problems because their political bases are too narrow, and the resulting failures engender more distrust. It’s not a new cycle — despite a spike in media attention, there’s not much evidence that conspiratorial thinking is more common now than in years past — but technology can make these currents of collective delusion more powerful, and harder to ignore. The basic human desires for community, stories (the more outrageous the better) and the need to feel like a protagonist in a wider struggle are what pulls us from moments of real social, economic and cultural dislocation into fabricated histories. Buildings and cities are made to grow old, to outlast people, and to be a testament to these cultural histories. They’re a yardstick for a culture’s ability to endure. When they’re not given the chance to do this, the contradiction can break something loose, and send people scavenging for cultural memory that feels ancient enough to anchor them in an uncertain now. This is a chronological list of international or colonial world's fairs. https://en.wikipedia.org/wiki/List_of_world's_fairs All elaborate temporary fairgrounds built are removed after the fair is over. 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AGE of DECEIT - Fallen Angels, The New World Order, UFO's & Transhumanism
Jozef772010 Documentary by Gonzo Shimura from Face Like The Sun, Doug Hemp, Chuck Missler etc.304 views