Italian Movies

Pane, amore e...(English title: Scandal in Sorrento) is a 1955 Italian comedy film directed by Dino Risi. Audio in Italian with subtitles in; Italian, English, German, Russian, Frenach and Spanish (Click on CC for subtitles). This is the third film of the trilogy, formed by Bread, Love and Dreams in 1953, Bread, Love and Jealousy in 1954. Innovations include the use of color rather than black and white, as well the location of Sorrento instead of the small village of the previous films of the series. At the 6th Berlin International Film Festival it won the Honorable Mention (Best Humorous Film) award. Cast & Characters: Vittorio De Sica as Maresciallo Carotenuto Sophia Loren as Donna Sofia, a Smargiassa Lea Padovani as Donna Violante Ruotolo Antonio Cifariello as Nicola Pascazio, Nicolino Tina Pica as Caramella Mario Carotenuto as Don Matteo Carotenuto Virgilio Riento as Don Emidio

Pane, amore e gelosia known as Frisky in the US, is a 1954 Italian romantic comedy film directed by Luigi Comencini. Audio in Italian with subtitles in; Italian, English, Russian and French (click on CC for subtitles). It is the second part of the Italian trilogy, preceded by Bread, Love and Dreams and followed by Scandal in Sorrento. Cast & Characters: Vittorio De Sica as Antonio Carotenuto Gina Lollobrigida as Maria De Ritis Marisa Merlini as Annarella Mirziano Maria-Pia Casilio as Paoletta Virgilio Riento as Don Emidio Tina Pica as Caramella Tecla Scarano as Teresinella Saro Urzì as Don Nicola, il capocomico Roberto Risso as Pietro Stelluti Memmo Carotenuto as Sirio Baiocchi Vittoria Crispo as Maria Antonia De Ritis

Pane, amore e fantasia (English Title: Bread, Love and Dreams) is a 1953 Italian romantic comedy film directed by Luigi Comencini. Audio in Italian with subtitles in; English, Russian and Italian (click on CC for subtitles). At the 4th Berlin International Film Festival it won the Silver Bear award. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978". The film is set in Sagliena, an imaginary small town in central Italy; Marshal Antonio Carotenuto, an elderly womanizer who will have to adapt to the monotonous and quiet life of the village, is transferred here immediately after the war. Supported by the maid Caramella, the marshal runs the local Carabinieri station. Here he meets "Pizzicarella la Bersagliera", a young local girl secretly in love with the carabiniere Stelluti.

Audace colpo dei soliti ignoti (also known as Fiasco in Milan or Hold-up à la milanaise) is a 1959 Italian comedy crime film directed by Nanni Loy. Audio in Italian with English and Italian subtitles (click on CC for subtitles). The film stars Vittorio Gassman, Renato Salvatori and Claudia Cardinale. It is the sequel to Mario Monicelli's I soliti ignoti (1958) and is followed by Big Deal After 20 Years (1985).

I soliti ignoti (released as Big Deal on Madonna Street in US and as Persons Unknown in the UK) is a 1958 Italian comedy caper film directed by Mario Monicelli. Audio in Italian with English subtitles (click on CC for subtitles). Regarded as one of the masterpieces of Italian cinema, the film received an Academy Award nomination for Best Foreign Language Film. The plot revolves around the comedic mishaps of a group of small-time thieves attempting to burgle a pawn shop in Rome. The main characters are portrayed by Vittorio Gassman, Renato Salvatori, Carlo Pisacane, Tiberio Murgia, and Marcello Mastroianni. The film contributed significantly to the careers of Gassman and Mastroianni, with the former breaking into comedic roles previously considered unsuitable for him. Claudia Cardinale makes a minor appearance as a chaste Sicilian girl constrained by her overprotective brother, portrayed by Murgia. Cardinale achieved fame for her subsequent work. The film's breezy jazz score by composer Piero Umiliani contributed to the development of the jazz soundtracks characteristic of European films in the 1960s and 1970s. Initially doubtful about the film's potential success, the producers strategically featured the comedian Totò on the original poster to generate audience attention. Totò's character serves as a consultant to the heist gang instead of directly joining them. In 2008, it was included in the Italian Ministry of Cultural Heritage's list of 100 Italian films to be saved, acknowledging its impact on the collective memory of the country between 1942 and 1978. The film's original Italian title literally translates as "the usual unknown ones," which is roughly equivalent to the English phrase "the usual suspects." The name of the Roman street in the English title is a slight mistranslation, as the Italian name of the fictional Roman street where the burglary takes place is the Via delle Madonne ("The Street of the Madonnas") rather than "Madonna Street." Compounding the confusion is the fact that the real Roman street on which the scene was filmed is the Via delle tre cannelle ("The Street of the Three Spouts"), rather than the Via delle tre Madonne ("The Street of the Three Madonnas"). According to director Mario Monicelli, while the film was intended as a parody of neorealism, "by then neorealism was already a thing of the past, something that was surpassed. It was more a parody that was aligned with a certain realism around us, with the poverty, and with people who had to do the best they could with whatever means possible to survive, with petty crimes." Asked if it was also a parody of Jules Dassin's film Rififi, Monicelli said: "Yes because we saw this as a film shot in a very harsh, realist style. Very scientific, as the Peppe character continually says. So we wanted to do the same thing, but the characters didn't have the means. The way they worked was quite the contrary actually." Monicelli and cinematographer Gianni Di Venanzo agreed on a photographic tone that was not comedic or brightly lit. "On the contrary," Monicelli said, "harsh and dramatic, because the film has a dramatic side in that it is about poor people. But Di Venanzo understood the tone. To make people laugh with a story that was dramatic rather than comic. But seen with a comic eye." The film was shot in ten weeks on locations throughout Rome. Monicelli said: "The only interior that was shot in a studio was the wall that gets broken into at the end, because I couldn't break a wall in an actual apartment! But all the other interiors were shot on location. Which of course was a particular trait of Italian cinema, to shoot on location." According to Monicelli, the film adhered to the script, without improvisations. The film was a hit in Italy when it was released and won two Italian Nastro d'Argento awards: Best Leading Actor (Gassman) and Best Screenplay. It also garnered the prestigious Silver Shell for Best Director at the San Sebastián Film Festival in Spain. The film won Best Comedy at the 12th annual Locarno Film Festival in Switzerland. The film was also Italy's Oscar nominee for Best Foreign Language Film at the 31st Academy Awards. It lost to Jacques Tati's Mon Oncle. Two remakes of the film were shot in the United States: the 1984 film Crackers by Louis Malle (set in San Francisco) and the 2002 film Welcome to Collinwood by Anthony Russo and Joe Russo (set in Cleveland). Bob Fosse created a Broadway musical titled Big Deal based on the film. Set in 1930s Chicago with an African-American cast and using popular songs of the era, the show opened at the Broadway Theatre on April 10, 1986, and closed on June 8, 1986, after 69 performances. It received five Tony Award nominations, with Fosse winning for his choreography.

Arrivederci amore, ciao (English Title: The Goodbye Kiss, also known as Goodbye My Love, Goodbye) s a 2006 Italian neo-noir film directed by Michele Soavi. It is based on the pulp novel Arrivederci amore, ciao by Massimo Carlotto. Audio in Italian with English & French subtitles. After fifteen years spent as a terrorist in the Central American jungle, former left-wing activist Giorgio Pellegrini decides to return to Italy. The film won the David di Donatello for best original song ("Insieme a te non ci sto più", performed by Caterina Caselli and written by Paolo Conte and others). Cast & Characters: Alessio Boni as Giorgio Pellegrini Michele Placido as Ferruccio Anedda Isabella Ferrari as Flora Alina Nedelea as Roberta Carlo Cecchi as Sante Brianese Antonello Fassari as Sergio Cosimato Max Mazzotta as Ciccio Formaggio

Il General Della Rovere (English title: General Della Rovere) is a 1959 Italian–French drama film directed by Roberto Rossellini. Audio in Italian with subtitles in; English, French and Russian (click on CC for subtitles). The film is based on a story by Indro Montanelli which was in turn based on a true story. The film on the Golden Lion at the 1959 Venice International Film Festival. Genoa, 1944, during the era of the Italian Social Republic. Petty thief Emanuele Bardone is hired by the German occupation forces to impersonate an Italian Resistance leader, General Della Rovere, and infiltrate a group of resistance prisoners in a Milan prison. Gradually, Bardone loses himself in his role and not merely pretends to be a hero of the resistance but actually becomes one. Cast & Characters: Vittorio De Sica: Vittorio Emanuele Bardone/Grimaldi Hannes Messemer: SS Colonel Müller Vittorio Caprioli: Aristide Banchelli Sandra Milo: Olga Giovanna Ralli: Valeria Maria Greco: Madama Vera Herbert Fischer: German sergeant Anne Vernon: Clara Fassio Franco Interlenghi: Antonio Pasquali Ivo Garrani: Partisan Chief Linda Veras: German Attendant The film is based on a story by Indro Montanelli which was in turn based on a true story.

Il trovatore è un film del 1949 diretto da Carmine Gallone. Trasposizione cinematografica dell'omonima opera lirica di Giuseppe Verdi. Interpreti & Personaggi Vittorina Colonnello: Leonora Gino Sinimberghi: Manrico Gianna Pederzini: Azucena Enzo Mascherini: conte di Luna Enrico Formichi: Ruiz Cesare Polacco: Ferrando Leonora Amaya: zingarella Giuseppe Varni: vecchio conte di Luna Raimondo van Riel: vecchio zingaro Mario Besesti: narratore Interpreti Lirici: Franca Sacchi: Leonora Gianna Pederzini: Azucena Antonio Salvarezza: Manrico Enzo Mascherini: conte di Luna Enrico Formichi: Ruiz Maestro Concertatore & Direttore d'Orchestra: Gabriele Santini Orchestra & Coro: Teatro dell'Opera di Roma Adattamento & Sceneggiatura: Mario Corsi, Tullio Covaz, Ottavio Poggi, Carmine Gallone Fotografia: Aldo Giordani Scenografia: Gastone Medin Costumi: Dario Cecchi

The Best of Youth (Italian: La meglio gioventù) is a 2003 Italian historical drama film directed by Marco Tullio Giordana and written by Sandro Petraglia and Stefano Rulli. Audio in Italian with English subtitles. Act II: https://rumble.com/v2gh4w2-la-meglio-giovent-the-best-of-youth-act-ii.html A family saga set in Italy from 1966 through 2003, it chronicles the life of the middle-class Carati family, focusing primarily on brothers Nicola (Luigi Lo Cascio) and Matteo (Alessio Boni) as their life paths separate during youth, encompassing major political and social events of Italian history from 60s to early 2000. Originally conceived as a Rai television miniseries, it premiered at the 2003 Cannes Film Festival, where it won the Prize Un Certain Regard. It was then given a theatrical release in Italy as two 3-hour films (titled Act I and Act II), before being aired with broader success on Rai 1 in a slightly longer four-episode television version later that year. In the U.S., the film was released by Miramax in its theatrical version. The title of the film, an ungrammatical rendition of La miglior gioventù ("the best youth/young people"), comes from the title of a 1954 Friulian language poetry collection by Pier Paolo Pasolini, who in turn borrowed it from a line of Alpini World War II song Sul ponte di Perati; here, Giordana uses it to refer to his generation, which is also the main characters' one, made up of those young people who participated in the Sessantotto (1968 movement in Italy.)