Movies From the Past

Baby Laugh-a-Lot Commercial

Cursed Kleenex Commercial - 1986

Family that kills together seeks to stay together in style, by icing the heir of one of their victims, before she comes into her inheritance. If the heiress audits the books, she'll discover that the family has already blown her share of the estate. Her newlywed sister was backed off a cliff while having her photo snapped, so the younger sister is understandably leery of heights, but not of her very understanding new in-laws.

A documentary examining the early days of horror films, particularly those crafted at Universal Studios during the 1930s.

Batgirl is a rich woman that fights crime disguised with a mask in order to hide her secret identity. OK, you know that story, it's the same as Batman's. Indeed, her mask, cloak and car are very similar to the ones that Adam West wears and uses in the classic TV series. Though, this Batgirl is neither Barbara Gordon, commissioner Gordon's daughter, nor any other heroine created by DC Comics. This one is a Mexican pro wrestler! You can call her "Mujer Murciélago", "Bat Woman" in Spanish. Few people knows the true identity of this marvelous crime fighter who lives in Mexico City and works as a special agent for the police. As many luchadores are being mysteriously murdered in Acapulco, local police calls a special agent who contacts her as a partner to solve the case. Off course this is not a great film and does not have an innovative plot, but it is certainly not bad either. As a matter of fact, it is not very different from the stories of Batman's adventures from the 60's, as it is intended to get a ride in its success, although it is much less campy than Batman & Robin series or feature movie from that decade. In Mexican "La Mujer Murciélago", there is an archvillain who is a mad scientist with a dire laugh who lives in a yacht called Reptilicus - very cartoonish, isn't it? Guess what is the name of his assistant: Igor, the same used in many Frankenstein films! During the movie, the mad scientist, Dr. Williams, acquires a Two-Face appearance while fighting Batgirl, but not the coin-flipping craziness. While analyzing this movie, it is unavoidable to mention that Maura Monti, the Italian actress who portrays the heroine with big breasts and long eyelashes, is extremely beautiful. Unsurprisingly, there is some exploitation in the movie, showing her in bikini very often - yes, a masked Batgirl in bikini! -, but at least there are no nude or sex scenes, which are common in sexploitation B movies. The masked heroine, besides her wrestling skills, is also a super athlete and a diver. She also has gadgets and is very clever, like Adam West's Batman, being able to find solutions unrelated to her fighting and athletic abilities. Among the movie's flaws, I may mention that soundtrack is very bad and acting is not the most inspired. Piscis, the amphibious monster created by Dr. Williams, is quite ridiculous (though, not more than the monsters from Japanese "tokusatsu" and "super sentai" TV shows), basically a red version of the Sleestak from "Land of the Lost". The stuntwoman in the wrestling scenes has a very different body from Maura Monti, not convincing that she is the same person, in spite of the face being hidden by the mask. And the last but not least: come on, it is nonsense that a super heroine screams and faints in panic when she sees the monster (who she had already known!)! The final scene is also silly and sexist, but the film is overall amusing, much better than one may initially expect.

Orgy of the Dead is a 1965 American erotic horror film directed by Stephen C. Apostolof (under the alias A. C. Stephen) and written by cult film director Ed Wood, who also adapted the screenplay into a novel. The film belongs to the genre of "nudie-cuties", defined as narrative-based films featuring female nudity that originated from earlier films featuring striptease performances and burlesque shows.[1] Orgy of the Dead stars Criswell, Fawn Silver, and Pat Barringer. It was distributed by Crown International Pictures.

The Man Who Changed His Mind is a 1936 British science fiction horror film starring Boris Karloff and Anna Lee. It was directed by Robert Stevenson and was produced by Gainsborough Pictures. The film was also known as The Brainsnatcher or The Man Who Lived Again.

The Time of Your Life is a 1948 American comedy drama film directed by H. C. Potter and starring James Cagney, William Bendix, Wayne Morris and Jeanne Cagney. A Cagney Production, The Time of Your Life was produced by Cagney's brother William and adapted by Nathaniel Curtis from the 1939 William Saroyan play of the same name. Cinematography was by James Wong Howe.

A Night Out is a 1915 Charlie Chaplin comedy short. It was Chaplin's first film with Edna Purviance, who would continue as his leading lady for the following eight years. It was also Chaplin's first film with Essanay Film Company in Niles, California. Chaplin's first Essanay film, His New Job, was made in the Chicago studio, after which he moved to Niles Studios. He found Purviance in San Francisco when he was searching for a leading lady for his films. A Night Out also stars Ben Turpin, Leo White and Bud Jamison.

Maniac (also known as Sex Maniac) is a 1934 American black-and-white exploitation horror film directed by Dwain Esper[1] and written by Hildagarde Stadie, Esper's wife, as a loose adaptation of the 1843 Edgar Allan Poe story "The Black Cat", with references to his "Murders in the Rue Morgue".[2] Esper and Stadie also made the 1936 exploitation film Marihuana. The film, which was advertised with the tagline "He menaced women with his weird desires!", is in the public domain. A restored version was made available in 1999, as part of a double feature with another Esper film, Narcotic! (1933). John Wilson, the founder of the Golden Raspberry Award, named Maniac one of the "100 Most Amusingly Bad Movies Ever Made" in his book The Official Razzie Movie Guide. Maniac has received negative reception since its release, being the first film considered the worst ever made and is an oft-cited example of pornographic films.