Movies From the Past

Dead Men Don't Make Shadows, aka Stranger That Kneels Beside the Shadow of a Corpse (in original Italian: Inginocchiati straniero... I cadaveri non fanno ombra!) is a 1970 Spaghetti Western directed by Demofilo Fidani.

Last Blood, also known as Tornado: The Last Blood is an Italian "macaroni combat" war film directed by Antonio Margheriti and starring Giancarlo Prete.

The Terror is a 1963 American independent horror film produced and directed by Roger Corman. The film stars Boris Karloff and Jack Nicholson, the latter of whom portrays a French officer who is seduced by a woman who is also a shapeshifting devil. The film is sometimes linked to Corman's Poe cycle, a series of movies based on the works of Edgar Allan Poe; however, The Terror is not based on any text written by Poe. The movie has become famous because of the circumstances of its production, including that all of Boris Karloff's scenes were shot in two days, the long time it took to complete, the number of people who worked on it that became famous, and the part the film played in the financing and production of Targets (1968), directed by Peter Bogdanovich and starring Karloff.[2] Corman wrote in his memoirs that The Terror "began as a challenge: to shoot most of a gothic film in two days using left-over sets from The Raven. It turned into the longest production of my career – an ordeal that required five directors and nine months to complete. But like Little Shop [of Horrors], it's a classic story of how to make a film out of nothing."

Cursed Kleenex Commercial - 1986

Baby Laugh-a-Lot Commercial

A documentary examining the early days of horror films, particularly those crafted at Universal Studios during the 1930s.

Family that kills together seeks to stay together in style, by icing the heir of one of their victims, before she comes into her inheritance. If the heiress audits the books, she'll discover that the family has already blown her share of the estate. Her newlywed sister was backed off a cliff while having her photo snapped, so the younger sister is understandably leery of heights, but not of her very understanding new in-laws.

Batgirl is a rich woman that fights crime disguised with a mask in order to hide her secret identity. OK, you know that story, it's the same as Batman's. Indeed, her mask, cloak and car are very similar to the ones that Adam West wears and uses in the classic TV series. Though, this Batgirl is neither Barbara Gordon, commissioner Gordon's daughter, nor any other heroine created by DC Comics. This one is a Mexican pro wrestler! You can call her "Mujer Murciélago", "Bat Woman" in Spanish. Few people knows the true identity of this marvelous crime fighter who lives in Mexico City and works as a special agent for the police. As many luchadores are being mysteriously murdered in Acapulco, local police calls a special agent who contacts her as a partner to solve the case. Off course this is not a great film and does not have an innovative plot, but it is certainly not bad either. As a matter of fact, it is not very different from the stories of Batman's adventures from the 60's, as it is intended to get a ride in its success, although it is much less campy than Batman & Robin series or feature movie from that decade. In Mexican "La Mujer Murciélago", there is an archvillain who is a mad scientist with a dire laugh who lives in a yacht called Reptilicus - very cartoonish, isn't it? Guess what is the name of his assistant: Igor, the same used in many Frankenstein films! During the movie, the mad scientist, Dr. Williams, acquires a Two-Face appearance while fighting Batgirl, but not the coin-flipping craziness. While analyzing this movie, it is unavoidable to mention that Maura Monti, the Italian actress who portrays the heroine with big breasts and long eyelashes, is extremely beautiful. Unsurprisingly, there is some exploitation in the movie, showing her in bikini very often - yes, a masked Batgirl in bikini! -, but at least there are no nude or sex scenes, which are common in sexploitation B movies. The masked heroine, besides her wrestling skills, is also a super athlete and a diver. She also has gadgets and is very clever, like Adam West's Batman, being able to find solutions unrelated to her fighting and athletic abilities. Among the movie's flaws, I may mention that soundtrack is very bad and acting is not the most inspired. Piscis, the amphibious monster created by Dr. Williams, is quite ridiculous (though, not more than the monsters from Japanese "tokusatsu" and "super sentai" TV shows), basically a red version of the Sleestak from "Land of the Lost". The stuntwoman in the wrestling scenes has a very different body from Maura Monti, not convincing that she is the same person, in spite of the face being hidden by the mask. And the last but not least: come on, it is nonsense that a super heroine screams and faints in panic when she sees the monster (who she had already known!)! The final scene is also silly and sexist, but the film is overall amusing, much better than one may initially expect.

The Man Who Changed His Mind is a 1936 British science fiction horror film starring Boris Karloff and Anna Lee. It was directed by Robert Stevenson and was produced by Gainsborough Pictures. The film was also known as The Brainsnatcher or The Man Who Lived Again.

Orgy of the Dead is a 1965 American erotic horror film directed by Stephen C. Apostolof (under the alias A. C. Stephen) and written by cult film director Ed Wood, who also adapted the screenplay into a novel. The film belongs to the genre of "nudie-cuties", defined as narrative-based films featuring female nudity that originated from earlier films featuring striptease performances and burlesque shows.[1] Orgy of the Dead stars Criswell, Fawn Silver, and Pat Barringer. It was distributed by Crown International Pictures.