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Air Supply: The One That You Love - On Solid Gold - May 21, 1983 (My "Stereo Studio Sound" Re-Edit) "The One That You Love" is a song by British-Australian soft rock duo Air Supply, released as a single from their sixth studio album of the same name. It was written by member Graham Russell. The song reached No. 1 in the United States, topping the Billboard Hot 100 chart on 25 July 1981 and remaining there for one week; it is the duo's only No. 1 hit. The song's lead vocals are sung by Russell Hitchcock. "The One That You Love" also peaked at No. 2 for five weeks on the Adult Contemporary chart, behind "I Don't Need You" by Kenny Rogers. Cash Box said "Australia's Air Supply leaps back onto the charts with the title track from its forthcoming follow-up LP. A grandiose, string-laden number, with Graham Russell's unmistakable vocals, this recaptures the urgent romanticism of 'Lost in Love' and 'All Out Of Love' with plaintive backup vocals." Record World described it as a "loving ballad that can't miss."

Hall & Oates: You’ve Lost That Loving Feeling - May 21, 1983 (My 'Stereo Studio Sound' Re-Edit) In 1980, the American musical duo Hall & Oates recorded a cover version of "You've Lost That Lovin' Feelin'" for their ninth studio album Voices. Their version of the song was produced by the duo and included a sparse arrangement contrasting with the lavish Righteous Brothers original version. It was the second non-original song Hall & Oates had ever recorded. According to Oates, this was the last song recorded for the album, as it had been deemed complete with the other ten tracks. However, Hall and Oates felt that there was "something missing" from the album. Then they came across the Righteous Brothers' version of the song on a jukebox machine while going out to get food and they decided to cover it. They went back to the studio, cut it in a period of four hours, and placed on the album. The track was issued on RCA Records as the album's second single after the original "How Does It Feel to Be Back" peaked at No. 30 on the Billboard Hot 100. The November peak of No. 12 on the Hot 100 chart made "You've Lost That Lovin' Feelin'" the first Hall & Oates single to ascend higher than No. 18 since the number one hit "Rich Girl" in the spring of 1977. "You've Lost That Lovin' Feelin'" also reached No. 15 on the Billboard Adult Contemporary chart, on the Radio & Records Airplay chart the song debuted at No. 30 on the September 26, 1980, issue, after seven weeks it reached and peaked at No. 4 staying there for one week, the song stayed on the top 10 of the chart for six weeks and remained on it for thirteen. It also reached No. 55 in the UK Singles Chart.

Sheena Easton: For Your Eyes Only - On Solid Gold - May 21, 1983 (My "Stereo Studio Sound" Re-Edit) "For Your Eyes Only" is the theme to the 12th James Bond movie of the same name, written by Bill Conti and Mick Leeson, and performed by Scottish singer Sheena Easton. The song reached number four on the US Billboard Hot 100, and number eight on the UK Singles Chart. It was nominated for Best Original Song at the Academy Awards in 1982. Conti – who was also responsible for the film's score – had originally written the song thinking about Donna Summer or Dusty Springfield, singers he thought "fit the Bond style". Film studio United Artists suggested Sheena Easton, an up-and-coming singer who had recently scored a No.1 hit in America with "Morning Train". Conti heard Easton's debut album Take My Time and felt unimpressed but decided to work with her in the song after meeting Easton in person. Leeson's lyrics originally used "for your eyes only" only as the final line, as the lyricist felt he could only use the phrase as a conclusion. After credit sequence artist Maurice Binder complained about having to synchronize the unveiling of the title with it being said in the theme song, Conti decided to work with Leeson to write lyrics that opened with "for your eyes only". The US band Blondie had previously been asked to write the title song but it was rejected in favor of Conti's by the Bond producers. (Blondie's recording of a completely different song, also called "For Your Eyes Only", appeared on their 1982 album The Hunter). Easton is the only artist (to date) to be seen singing the theme song to a Bond movie during its opening titles, as Maurice Binder liked Easton's appearance and decided to add her to the credits. Her seductive appearance in these clips was, according to Roger Moore, more sexy than any of the Bond girls, although Easton herself states that the filming process was very un-glamorous. In particular, Binder had to attach Easton to a chair so she would be immobile during a take where the camera zooms on the singer's lips. This was one of the few Bond themes not to have a contribution by John Barry. The song was produced by Christopher Neil, who was Easton's regular producer at the time. The song was released as a single in June 1981, at the same time as the film's launch. It became a worldwide hit, reaching the top ten in the UK, number 1 in the Netherlands and top five in the US. It remains one of Easton's biggest hits and is included on compilation soundtrack albums. Record World said that Easton's vocal shows "overwhelming vocal range and power."

Jefferson Starship: Jane - On American Bandstand - March 19, 1983 (My "Stereo Studio Sound" Re-Edit) "Jane" is a song by American rock band Jefferson Starship, released on their 1979 album Freedom at Point Zero. The song peaked on the US Billboard Hot 100 at No. 14 and spent three weeks at No. 6 on the Cash Box Top 100. In Canada, the song peaked at No. 13. Billboard Magazine described "Jane" as "a fiery track paced by stinging guitars and some burning rhythm work." Cash Box described it as "an explosive rocker, with slashing guitars." Record World called it a "driving rocker" and praised Mickey Thomas' vocals. GQ in 2015 said it was a "perfect, complex, trash-gem work of art."

Michael Martin Murphey: What's Forever For - 1982 (My "Stereo Studio Sound" Re-Edit) From Wikipedia, the free encyclopedia "What's Forever For" Song by England Dan & John Ford Coley from the album Dr. Heckle and Mr. Jive Released March 1979 Recorded October 1978 Genre Power pop Length 3:25 Label Big Tree Songwriter(s) Rafe Van Hoy Producer(s) Kyle Lehning "What's Forever For" Single by Michael Martin Murphey from the album Michael Martin Murphey B-side "Crystal" Released June 14, 1982 Recorded August 31, 1981 Genre Country, soft rock Length 2:52 Label Liberty 1466 Songwriter(s) Rafe Van Hoy Producer(s) Jim Ed Norman Michael Martin Murphey singles chronology "The Two-Step Is Easy" (1982) "What's Forever For" (1982) "Still Taking Chances" (1983) "What's Forever For" is a song written by Rafe Van Hoy and first recorded by England Dan & John Ford Coley on their 1979 album Dr. Heckle and Mr. Jive. The song saw its biggest success when it was recorded by American country music artist Michael Martin Murphey. It was released in June 1982 as the second single from his album, Michael Martin Murphey. The song was Murphey's first of two number ones on the country chart. The single went to number one for one week and spent 16 weeks in the country top 40. On the Hot 100, "What's Forever For" was his final top 40 hit, peaking at number 19.

John Waite: Missing You - On Solid Gold - September 1984 (My "Stereo Studio Sound" Re-Edit) "Missing You" is a song co-written and recorded by English musician John Waite. It was released in June 1984 as the lead single from his second album, No Brakes (1984). It reached number one on Billboard's Album Rock Tracks and on the Hot 100, as well as number 9 on the UK Singles Chart. "Missing You" was the only record in 1984 to spend only a single week at the top of the Hot 100. The song was nominated for the 1985 Best Pop Vocal Performance Male Grammy Award. Waite re-recorded the song with country/bluegrass artist Alison Krauss which appeared on her album A Hundred Miles or More: A Collection, and released it to country music radio in 2007. The re-recording peaked at number 34 on Hot Country Songs. The original recording has been featured in the films, Selena (1997) and Warm Bodies (2013), the video game Grand Theft Auto: Vice City, and the TV series Miami Vice (episode, "Heart of Darkness", originally aired September 28, 1984), as well as in the comedy sitcom Rules of Engagement, in a scene at the diner where there is a flashback of Timmy's and Russell's best moments together (season 7, episode "A Wee Problem", originally aired on May 6, 2013). It also appears in the film 22 Jump Street (2014) during the montage where main characters Schmidt and Jenko begin to miss each other after going their separate ways following a fight. Waite's record label was convinced they had enough songs for the No Brakes album, but he felt it lacked a hit single. He went to a songwriter's house in LA, who showed him a guitar melody on a cassette tape. Waite listened to the melody once through, and the second time, improvised the entire first verse, 'B' section, and "missing you" section without stopping. Waite said the song was about three women in his life: he was getting divorced, and he was thinking of an old love interest from when he first moved to New York City as well as a current love interest. He said, "I was singing about New York, and distance, the caving in of my marriage, and the options that I had. It was bittersweet – it was about the end of my marriage and the beginning of something new. Although, when I was singing 'I ain't missing you', it was denial too." He had to convince the record label to spend $5,000 to record one last single—this one—for the album.

Stevie Wonder: I Just Called To Say I Love You - Solid Gold – 1985 (My "Stereo Studio Sound" Re-Edit) "I Just Called to Say I Love You" is a ballad written, produced, and performed by American R&B singer and songwriter Stevie Wonder. It was a major international hit, and remains Wonder's best-selling single to date, having topped a record 19 charts. The song was the lead single from the 1984 soundtrack album The Woman in Red, along with two other songs by Wonder, and scored number one on the Billboard Hot 100 for three weeks from October 13 to October 27, 1984. It also became his tenth number-one on the R&B chart, and his fourth on the adult contemporary chart; it spent three weeks at the top of both charts, and for the same weeks as on the Hot 100. The song also became Wonder's only solo UK number-one success, staying at the top for six weeks, in the process also becoming Motown Records' biggest-selling single in the UK, a distinction it still held as of 2018. In addition, the song won both a Golden Globe and an Academy Award for Best Original Song. The song also received three nominations at the 27th Grammy Awards for Best Male Pop Vocal Performance, Song of the Year, and Best Pop Instrumental Performance. The song's lyrics have Wonder surprising his love interest with an unexpected telephone call. Throughout the song, Wonder lists events in a yearly calendar that might prompt someone to call a loved one. Yet he explains no special annual event such as New Year's Day or Halloween spurred the call. He simply wants to tell her he loves her from the bottom of his heart. Cash Box described the song as "a tender and romantic love letter which captures the ever-present and Wondrous feeling of love and optimism." There was a dispute among Wonder, his former writing partner Lee Garrett, and Lloyd Chiate as to who actually wrote the song. Chiate claimed in a lawsuit that he and Garrett wrote the song years before its 1984 release. However, a jury ultimately sided with Wonder.

Kajagoogoo: Too Shy - On Top Of The POPS – 1983 (My "Stereo Studio Sound" Re-Edit) "Too Shy" is a song written and recorded by English band Kajagoogoo, released in January 1983. The first single from their debut album White Feathers, the song was an immediate hit and reached number one on the UK Singles Chart for two weeks. It was also very successful in other European countries and Japan, spending five weeks at number one in Germany, also reaching number one in Belgium and Ireland, as well as reaching number two in France and Switzerland, and number four in Sweden, Austria and the Netherlands. Assisted by heavy rotation on MTV, the song later became a success in the United States, peaking at number 5 on the Billboard Hot 100. "Too Shy" is Kajagoogoo's only significant hit in the US, where the band is widely regarded as a one-hit wonder. In the UK, however, Kajagoogoo had further hits, including two more top 10 singles: "Ooh to Be Ah" and "Big Apple", both in 1983. "Too Shy" was written by Kajagoogoo and produced by Duran Duran keyboardist Nick Rhodes and Colin Thurston, the latter of whom had produced Duran Duran's first two albums. In 2006, "Too Shy" was ranked number 27 on VH1's 100 Greatest Songs of the 80's and number 9 on VH1's 100 Greatest One Hit Wonders of the 80s. The music video directed by Simon Milne, cast model Carolyn Espley (later wife of Dennis Miller) as a waitress cleaning up a nightclub at the end of the night. As the band performs the song on the club stage, she has visions of dancers from different eras populating the dance floor. The song was an immediate hit, topping the UK Singles Chart for two weeks. It was also very successful in other European countries, spending five weeks at number one in Germany, and reaching number two in Switzerland, and number four in Sweden, Austria and the Netherlands. The song was also a top 10 hit in the United States during the summer of 1983. The 12" maxi single's B-side, "Take Another View", a non-album track, often performed live, was included on the 2004 re-issue of White Feathers, which contained several bonus tracks, including the instrumental version of "Too Shy", originally featured on the B-sides of both the 7" and 12" singles.

Cyndi Lauper: All Through the Night - On Solid Gold – 1985 (My "Stereo Studio Sound" Re-Edit) All Through the Night" is a song by American singer Cyndi Lauper. It is off her first album, She's So Unusual. It is a synthpop song written by Jules Shear and produced by Rick Chertoff. This was the only single by Lauper released worldwide which did not have a music video. It peaked at #5 on the Billboard Hot 100. It became her fourth top-five song in the United States.The song received mostly positive reviews from critics. It was released in September 1984 in the United States.

Kool & The Gang: Cherish - On Solid Gold - 1985 (My "Stereo Studio Sound" Re-Edit) w/intro by: Dionne Warwick & Eddie Rabbit. "Cherish" is a song by American R&B band Kool & the Gang, released in May 1985. It was the third single released from the band's sixteenth studio album, Emergency. It was certified Gold by the RIAA and held the number 1 position on Billboard's Adult Contemporary chart for six weeks running. It would ultimately rank as the biggest Adult Contemporary chart hit of the 1980s. The song is a romantic ballad that proved to be extremely popular when it was released and has since been a wedding song staple of sorts. The song was composed in the key of B♭ minor, though the chorus shifts to D♭ major (the relative major of B♭ minor). There are several different mixes of "Cherish". The original album version (length: 4:47) begins with the sound of a wave crashing on the beach followed by a (solely) keyboard intro. The entire first verse is sung without drums and percussion, which do not begin until the first chorus. The single (and video) version of "Cherish" (length: 3:58) adds additional "beach" effects at the beginning and combines an acoustic guitar with the original keyboard introduction. Additional drumming, which this time starts immediately after J.T. Taylor begins singing the first verse, is also added throughout the song. Whereas the chorus is repeated (sung twice) after the first verse in the album version, it is only sung one time on the single; several bars of music are also cut from the outro. There is also an extended 12-inch version of "Cherish" (length: 5:43) which includes the same flourishes that were added to the single/video version of the tune, plus saxophone parts during various sections of the song (introduction, bridge, etc.), including a whole additional sax interlude after the first chorus. Furthermore, there is an edited mix of this 12-inch version (length: 4:22), where the bridge that appears in all of the other versions of the song is replaced by the same saxophone interlude that is included in the full 12-inch version. "Cherish" peaked at number two on the Billboard Hot 100 chart in September 1985, remaining in the runner-up position for three weeks, behind "Money for Nothing" by Dire Straits. It was a number-one hit on both the R&B and adult contemporary charts in the US, spending one week atop the R&B chart and six weeks atop the AC chart. In the UK, the song reached number four on the UK Singles Chart and remained there for three weeks.

Limahl w/Beth Andersen: The NeverEnding Story - On Solid Gold - February 3, 1985 (My "Stereo Studio Sound" Re-Edit) "Never Ending Story" is the title song from the English version of the 1984 film The NeverEnding Story. It was produced and composed by Italian musician Giorgio Moroder and performed by English pop singer Limahl. He released two versions of the song, one in English and one in French. The English version featured vocals by Beth Andersen, and the French version, titled L'Histoire Sans Fin, featured vocals by Ann Calvert. It was a success in many countries, reaching No. 1 in both Norway and Sweden, No. 2 in Austria, West Germany and Italy, No. 4 in the UK, No. 6 in Australia and No. 6 on the US Billboard Adult Contemporary chart. The song was composed by Giorgio Moroder with lyrics by Keith Forsey, though it (and other electronic pop elements of the soundtrack) is not present in the German version of the film, which features Klaus Doldinger's score exclusively. Beth Andersen recorded her words in the USA separately from Limahl's. Andersen does not appear in the music video; frequent Limahl back-up singer Mandy Newton lip-syncs Andersen's part. In the final episode of the third season of Stranger Things, set in 1985, "Never Ending Story" is sung by Dustin (Gaten Matarazzo) and his long-distance girlfriend Suzie (Gabriella Pizzolo) as a way to reconnect after not seeing each other for some time. Following the season's release on July 4, 2019, interest in "The NeverEnding Story" surged; viewership of the original music video had increased by 800% within a few days according to YouTube, while Spotify reported an 825% increase in stream requests for the song. Limahl expressed gratitude towards Netflix for this; while he had not watched the series, he was told of the song's inclusion by his nephews and watched clips of the duet. Limahl had previously found a similar increase in his past work when the network used his band Kajagoogoo's song "Too Shy" in Black Mirror: Bandersnatch

Starship: We Built This City - On Solid Gold – 1985 (My "Stereo Studio Sound" Re-Edit) "We Built This City" is a 1985 song by American rock band Starship, the debut single from the album Knee Deep in the Hoopla. It was written by English musicians Martin Page and Bernie Taupin, who were both living in Los Angeles at the time, and was originally intended as a lament against the closure of many of that city's live music clubs. The song peaked at number one on the Billboard Hot 100. Outside the United States, "We Built This City" topped the charts in Australia and Canada, peaked inside the top 10 of the charts in Germany, the Republic of Ireland, Sweden and Switzerland, the top 20 on the charts in Belgium, New Zealand and the United Kingdom and the top 30 of the charts in Austria and the Netherlands. The song has gained significant scorn, both for the inscrutability of its lyrics (notably the line "Marconi plays the mamba"), and for the contrast between the song's anti-corporate message and its polished, "corporate rock" sound. It topped a 2011 Rolling Stone poll of worst songs of the 1980s by a wide margin, and the magazines Blender and GQ both called it the worst song of all time. Song cowriters Martin Page and Bernie Taupin have stated that the song is about the decline of live-performance clubs in Los Angeles during the 1980s. The lyrics are structured as a plea to corporate interests who are shutting down rock music clubs ("We just want to dance here/ Someone stole the stage") because the corporations are concerned only with profits and respectability ("Too many runaways"), and have forgotten that rock music was what first brought people to the city ("Don't you remember? We built this city on rock and roll!"). Though the song was originally written about Los Angeles, the Starship rendition references San Francisco (the hometown of both Starship and its predecessors, Jefferson Airplane and Jefferson Starship) with a spoken-word interlude in which a radio DJ states, "I'm looking out over that Golden Gate Bridge". However, the DJ then says, "Here's your favorite radio station in your favorite radio city, the city by the bay, the city that rocks, the city that never sleeps", stressing the universality of the message: while "the city by the bay" is a nickname for San Francisco, the other two phrases are not, and "The City That Never Sleeps" is a well-known nickname for New York City. Capitalizing on the ambiguity, several radio stations added descriptions of their own local areas when they broadcast the song or added their own ident in its place. The album's title, Knee Deep in the Hoopla, is taken from a lyric in the first verse of this song. The song was engineered by producer Bill Bottrell, written by Bernie Taupin, Martin Page, Dennis Lambert and Peter Wolf and arranged by Bottrell and Jasun Martz. The song was based on a demo by Page and Taupin with a darker feel and based on how clubs were dying in Los Angeles, leaving live performers without work. Wolf reworked the song's arrangement with a more upbeat tone. The song features Mickey Thomas and Grace Slick sharing lead vocals. MTV executive and former DJ Les Garland provided the DJ voice-over during the song's bridge. Additionally, some radio stations, with the help of jingle company JAM Creative Productions, inserted their own opening lines to promote their stations.

Michael Sembello: Maniac - On American Bandstand - 9/10/1983 (My "Stereo Studio Sound" Re-Edit) w/Dick Clark Interview.

Crowded House: Don't Dream It's Over - On Solid Gold – 1987 (My "Stereo Studio Sound" Re-Edit) "Don't Dream It's Over" is a song by Australian rock band Crowded House, recorded for their 1986 self-titled debut studio album. The song was composed and written by New Zealand front man Neil Finn and released in October 1986 as the fourth single from the album. "Don't Dream It's Over" became the band's biggest international hit, reaching No. 2 on the US Billboard Hot 100 in April 1987. The song reached No. 1 in Canada and in Finn's native New Zealand, while in Australia, it peaked at No. 8. In continental Europe, it reached No. 6 in Norway, No. 27 in the Netherlands, No. 13 in Germany, and No. 25 in the United Kingdom. At the 1986 Countdown Australian Music Awards the song was nominated for three awards, winning Best Video.

The Romantics: Talking in Your Sleep - On Solid Gold - 1984 (My "Stereo Studio Sound" Re-Edit) "Talking in Your Sleep" is a song by American rock band the Romantics. Released in September 1983, It became the band's most successful single in the US, reaching No. 3 on the Billboard Hot 100 in early 1984. The song would have a release two months later in Australia and New Zealand, a release later that year in Japan, and in January 1984 in the UK. It failed to chart in both countries. It became a UK hit in August that year for British group Bucks Fizz. The song is in natural minor. It appeared on the Romantics' 1983 album In Heat and was the Romantics' biggest chart hit, garnering substantial radio airplay and a million in US 45 RPM single sales.[citation needed] Nemperor Records also released an extended 12" dance mix, which was timed at 5:56. The song reached No. 3 – where it held for three weeks – on the Billboard Hot 100 in early 1984. It also went to No. 1 on the Dance/Disco Top 80 chart, as well as hitting No. 2 on Billboard's Album Rock Tracks chart. The song's music video, directed by Bob Dyke, was widely aired at the time on MTV and elsewhere. It featured the band performing while surrounded by standing, but seemingly sleeping, women who were dressed in lingerie, pajamas, and other sleepwear.

Culture Club: Church Of The Poison Mind - On Solid Gold – 1983 (My "Stereo Studio Sound" Re-Edit) "Church of the Poison Mind" is a 1983 hit single by the British new wave band Culture Club. It was released as the lead single from their second, and most successful, album Color by Numbers. The song reached #2 in the United Kingdom, being kept out of the top spot by David Bowie's "Let's Dance". It was also the band's fourth Top 10 hit in Canada and the United States. In America, it was still climbing the charts when "Karma Chameleon" was released as a single. This prompted Epic Records to release "Karma" ahead of schedule. "Church of the Poison Mind" actually reached its peak position the same week "Karma Chameleon" debuted on the US charts. In many countries its B-side was the heavily percussive street song "Man Shake" and in some others, such as the United States, it was the song "Mystery Boy". Both songs were on the 12-inch single in many countries, except Canada, where it was issued with an extended version of previous hit "I'll Tumble 4 Ya". Helen Terry sang backing vocals on the song. AllMusic critic Stewart Mason stated that her "fiery performance of the chorus is a pop-song masterstroke."[3] Fellow Allmusic critic Jose J. Promis agreed that her performance "really brought the house down." Mason regarded the song as a tribute to the songs written by Holland–Dozier–Holland for Motown in the 1960s. It was ranked at number 8 among the top ten "Tracks of the Year" for 1983 by NME. In 2017, it was ranked as the number one Culture Club song by Billboard. In an interview with Rolling Stone in June 1984, Bob Dylan, when asked if he belonged to any church, joked that he adhered to the "Church of the Poison Mind".

Bette Midler: Beast Of Burden - On Solid Gold – 1983 (My "Stereo Studio Sound" Re-Edit) In 1984, the song was covered by Bette Midler. Her version, which reached No. 71 on the Billboard Hot 100, modified several lines of lyric (for example, changing "Pretty, pretty, girls" to "my little sister is a pretty, pretty girl"). The track appeared on Midler's No Frills album. Cash Box said that "Midler appropriately switches from sensitive to sassy vocal delivery" and that "the production is faithful to the original." A music video was made for this version that started out with Midler and Mick Jagger talking in her dressing room before she comes out and performs the song with him on stage. As the song ends someone throws a pie at Jagger, and Midler laughs at it until she gets hit with a pie herself. The video ends with a picture of both of them covered in pie in a newspaper with the headline "Just desserts".

Culture Club: Karma Chameleon - On Solid Gold - 1983 (My "Stereo Studio Sound" Re-Edit)

Whitney Houston: How Will I Know - On Solid Gold Countdown '86 (My "Stereo Studio Sound" Re-Edit) "How Will I Know" is a song recorded by American singer Whitney Houston for her self-titled debut studio album. The song was released on November 22, 1985, by Arista Records as the album's third single. Originally written and composed by George Merrill and Shannon Rubicam, the song was originally intended for R&B singer Janet Jackson, but she passed on it. Houston then recorded the song with altered lyrics and production from Narada Michael Walden. The lyrics speak about the protagonist trying to discern if a boy she likes will ever like her back. "How Will I Know" received mostly positive reviews from music critics. It became Houston's second number-one single on the US Billboard Hot 100 in February 1986, spending two weeks atop the chart and also became her first chart topper on the Canadian RPM Top 100 Singles chart. It also reached top 10 positions in Australia, Sweden, Ireland, Norway and the United Kingdom, and top 20 positions in the Netherlands, New Zealand and Switzerland. The accompanying music video for "How Will I Know" features scenes of Houston dancing in a setting of video screens and colored partitions. The music video gave Houston exposure to the teenagers and MTV. It received two nominations at the 1986 MTV Video Music Awards; Best Female Video and Best New Artist, winning the former category. The song was performed on many of her tours including Greatest Love Tour (1986) and her Nothing but Love World Tour (2009–10). "How Will I Know" is also featured as a remix on Houston's compilation album Whitney: The Greatest Hits (2000), whereas the original single version is featured on The Ultimate Collection (2007) and I Will Always Love You: The Best of Whitney Houston (2012).

DeBarge: Rhythm Of The Night - On Solid Gold Countdown '86 (My "Stereo Studio Sound" Re-Edit) "Rhythm of the Night" is a song by American musical recording group DeBarge, written by Diane Warren and released on February 23, 1985, on the Motown label as the first single from their fourth studio album of the same name (1985). The song jump-started the career of the prolific songwriter Warren, and was the biggest hit recorded by the Motown family singing group, peaking at number three on the Billboard Hot 100. By 1985, DeBarge had become pop/R&B sensations, with ballads mostly making up the repertoire of their hit catalog, though they were as impressive as live performers, with a mixture of their trademark soft ballads and a collection of dance material. Motown Records sought to produce DeBarge with a dance single, hoping to give them a bigger crossover success, mirroring label-mate Lionel Richie, who like DeBarge, had created his initial fan base on soft songs before the release of "All Night Long", which included a catchy dance beat influenced by calypso. A similar influence would come in the production of "Rhythm of the Night", which featured more of El DeBarge's modal tenor voice with flashes of his trademark falsetto. Richard Perry, the hit producer behind hit recordings for the Pointer Sisters, Harry Nilsson, and Carly Simon, among others, was appointed to produce the single with Diane Warren as its writer. The release of "Rhythm of the Night" coincided with the release of the Motown film The Last Dragon, which featured the song as part of its soundtrack. The free publicity from the song's association with the movie helped boost its popularity. Eventually released as a single, the song produced DeBarge's biggest success yet, with the single reaching number three on the Billboard Hot 100, number one on Hot R&B/Hip-Hop Songs, number one on the US adult contemporary chart, and number four in the UK - their only major hit single in the UK - going gold and boosting similar success for its parent album of the same name. The music video gained the group heavy rotation on MTV and BET and was actually the group's first (and last) real music video, starting a brief period where DeBarge became pop superstars. The song featured in the 2016 film Ghostbusters: Answer the Call. The song also features heavily in the twelfth season of RuPaul's Drag Race as a running gag, due to contestant Crystal Methyd's out-of-drag resemblance to El DeBarge. Lyrics and sample from the chorus of "Rhythm of the Night" were adopted in CNCO's song "Pretend".

The Commodores: Easy - On Solid Gold Classics - November 15, 1982 (My "Stereo Studio Sound" Re-Edit) "Easy" is a song by American band Commodores from their fifth studio album, Commodores, released on the Motown label. Group member Lionel Richie wrote "Easy" with the intention of it becoming another crossover hit for the group given the success of a previous single, "Just to Be Close to You", which spent two weeks at number one on the US Billboard Hot Soul Singles chart (now known as the Hot R&B/Hip-Hop Songs chart) and peaked at number seven on the Billboard Hot 100 in 1977. Released in March 1977, "Easy" reached number one on the Billboard Hot Soul Singles chart (for a single week, on July 16) and number four on the Billboard Hot 100. The success of "Easy" paved the way for similar Richie-composed hit ballads such as "Three Times a Lady" and "Still", and also for Richie's later solo hits. American rock band Faith No More covered the song in 1992 and released it as a single in December of that year. This version became a worldwide hit, reaching number one in Australia and becoming a top-ten hit in eight other countries. On the Billboard Hot 100, it peaked at number 58. Written by Commodores lead singer Lionel Richie, the song is a slow ballad expressing a man's feelings as a relationship ends. Rather than being depressed about the break-up, he states that he is instead "easy like Sunday morning"—something that Richie described as evocative of "small Southern towns that die at 11:30pm" on a Saturday night, such as his hometown Tuskegee, Alabama. The song is written in the key of A♭ major and modulates up a semitone to A major. In the bridge section, following the opening line: "I wanna be high, so high", there is a distinctive electric guitar glide. An electric guitar solo is heard in the instrumental section of the song.

Frankie Valli And The Four Seasons - My Eyes Adored You - On Solid Gold - November 15, 1982 (My "Stereo Studio Sound" Re-Edit)

Daryl Hall & John Oates: Kiss Is On My List - On Solid Gold - November 15,1982 (My "Stereo Studio Sound" Re-Edit) "Kiss on My List" is a song by American duo Hall & Oates. It was written by Daryl Hall and Janna Allen, and produced by Hall and John Oates. It was the third single release from their ninth studio album, Voices (1980), and became their second US Billboard Hot 100 number-one single (after "Rich Girl" in 1977). It spent three weeks at the top spot. The song was written with the intention of Janna Allen, sister of Hall's longtime girlfriend Sara Allen, singing it, as she was interested in starting a music career. Hall cut a demo version as a guide for her, but later when his manager found the tape lying around the studio, he insisted that Hall and Oates cut the song themselves. In fact, the production team liked the demo so much that they did not do a second take, instead adding background vocals and instrumentation to the demo and mixing them together. Hall recalled that is why the drums sounded so "dinky" - the "drums" in fact being the early Roland CR-78 drum machine mixed in with a live drumming overdub. Hall calls it an anti-love song, with the song title being tongue-in-cheek sarcasm in that the kiss is not that important, in that it is on a list of other things that are just as important. In an interview with Mix magazine, Daryl Hall said: "Eddie Van Halen told me that he copied the synth part from 'Kiss on My List' and used it in 'Jump.' I don't have a problem with that at all."

Night Ranger: Sister Christian - On Solid Gold – 1984 (My "Stereo Studio Sound" Re-Edit) "Sister Christian" is a power ballad by the American hard rock band Night Ranger. It was released in March 1984 as the second single from their album Midnight Madness. It was ranked No. 32 on VH1's 100 Greatest Songs of the 1980s. It was written and sung by the band's drummer, Kelly Keagy, for his sister. It was the band's biggest hit, peaking at number five on the Billboard Hot 100, and staying on the charts for 24 weeks. It also reached No. 1 in Canada. The song is used in several films, including Boogie Nights (1997), Superstar (1999), Friday the 13th (2009) and Ben Affleck's 2023 film Air (2023). The song is about Keagy's little sister, Christy. Keagy wrote the song at his apartment, near Divisadero and California Streets in San Francisco, after he had just returned from a visit to his hometown of Eugene, Oregon. He had been struck by how fast his teen-aged sister, 10 years younger than he was, was growing up. "After we started playing it a lot, Jack turned to me and said, 'What exactly are you saying?'" Keagy recalled. "He thought the words were Sister Christian, instead of Sister Christy, so it just stuck." The lyric, "You're motoring. What's your price for flight? In finding Mr. Right?" is the subject of much debate. The band stated in a VH-1 Behind the Music interview that the term "motoring" was synonymous with the term "cruising". On the single version, part of the second chorus is omitted. More specifically, the words "You've got him in your sight. And driving through the night," are omitted from the single version. The third chorus is repeated once on the album version, but never on the single.

Phil Collins - I Don't Care Anymore – On Solid Gold - April 9, 1983 (My "Stereo Studio Sound" Re-Edit) "I Don't Care Anymore" is a song written, performed, and produced by English drummer Phil Collins (with co-production by Hugh Padgham). It was the second US single from Collins' second solo album, Hello, I Must Be Going! (1982). It became a moderate US hit, peaking inside the Top 40 (#39), on the Hot 100. It did not see a UK release; however, it was released as the third single in various other countries such as Germany and Australia. This song is considered 'dark' in tone, and is comparable to Collins' earlier hit single "In the Air Tonight", as both contain powerful drum kit along with simplistic synthesizers and guitar riffs, coupled with angry lyrics directed at Collins' failed first marriage. The drums also illustrate the gated reverb recording technique that defined Collins' sound throughout the 1980s. During "I Don't Care Anymore", the drum track switches several times between "standard" studio sound and a gated reverb overlay. Cash Box noted that with the song's "sparse synthesizer and guitar arrangements" the drumming provides most of the emotional expression. Billboard said that "Collins combines R&B inclinations with his Genesis for a moody, brooding cry of rebellion." The song earned Collins his first Grammy Award nomination for Best Male Rock Vocal Performance in 1984, which was won by Michael Jackson for "Beat It".