Depeche Mode

Depeche Mode - Blasphemous Rumours (Rumble Remix)

Depeche Mode - Stories of Old [Rumble RmX ]

Depeche Mode - Never Let Me Down Again [Rumble remix]

Depeche Mode - Between earth and sky NEW 2024

Depeche Mode - Suffer Well (Mode Remix 2024)

Depeche Mode - Newborn

Depeche Mode - Ghosts Again (RMX 2024)

Very good and quality work! Awesome remix of one of the best, if not the best DM song! Bravo! The composition shone with new colors. It's like a big city in the light of day has one view, and the same city, at night, in the light of the moon and city lights, has a completely different view, tantalizing and mesmerizing at the same time, unfamiliar and mysterious..... That's the analogy that immediately came to mind while listening to it. Thank you! Like and subscribe!

Depeche Mode - Enjoy The Silence [Mode Mix]

Depeche Mode - Nothing

1. «Love, in Itself» 2. «More Than a Party» 3. «Pipeline» 4. «Everything Counts» 5. «Two Minute Warning» 6. «Shame» 3 7. «The Landscape Is Changing» 8. «Told You So» 9. «And Then...» Construction Time Again is the third studio album by English electronic music band Depeche Mode, released on 22 August 1983 by Mute Records. It was the band's first album to feature Alan Wilder as a member, who wrote the songs "Two Minute Warning" and "The Landscape Is Changing". The album's title comes from the second line of the first verse of the track "Pipeline". It was recorded at John Foxx's The Garden studios in London, and was supported by the Construction Time Again Tour. The album was preceded by the single "Everything Counts", released on 11 July and reached No. 6 on the UK Charts and was also promoted by the single "Love, in Itself", which was released on 19 September and reached No. 21 on the UK Charts. In January 1983, shortly before the release of the "Get the Balance Right!" single, songwriter Martin Gore attended an Einstürzende Neubauten concert, giving him the idea to experiment with the sounds of industrial music in the context of pop. This album introduced a transition in lyrical content for the group. Construction Time Again would include a bevy of political themes, sparked by the poverty Gore had seen on a then-recent trip he had taken to Thailand. Producer Daniel Miller, has explained the recording process as "a massive leap forward". Due to the band, as well as Miller, having an urge to change up their processes they decided to change which studio they would work in, which was decided to be John Foxx's Garden Studios in London, and they also met Gareth Jones, who had worked with Foxx on his album Metamatic (1980). Initially, Jones was reluctant to work with the group as he felt they were too commercial and viewed them as 'pop' and 'lightweight', which he saw as an issue. However, Foxx had persuaded Jones to work with the band as he felt that due to his appreciation for Mute Records' musical output, such as Miller's "Warm Leatherette" the band would be worth while as Miller was their producer and they were a Mute label artist. Jones would provide contributions to further albums such as Some Great Reward (1984) and Black Celebration (1986). With regards to the heavy amount of sampling, the band would sample various 'found' sounds, such as toy instruments or other objects like stones and objects found in construction sites which they would manipulate using the Synclavier. Band member Alan Wilder said, "You can take the purest voice in the world, and fool around with it digitally until it's the most evil, monstrous sound. Or you can take a moose fart and make it beautiful." Miller recalled "Martin Gore would turn up with some toy or some other weird instrument and we just started recording it, sampling it, doing shit with it." He looked back on the recording process as one of the most enjoyable he has been through stating "I sit at home with my synthesizers making great noises, but when you can put those experiments into the pop form that's thrilling

Let me take you on a trip Around the world and back And you won't have to move You just sit still Now let your mind do the walking And let my body do the talking Let me show you the world in my eyes I'll take you to the highest mountain To the depths of the deepest sea And we won't need a map, believe me Now let my body do the moving And let my hands do the soothing Let me show you the world in my eyes That's all there is Nothing more than you can feel now That's all there is Let me put you on a ship On a long, long trip Your lips close to my lips All the islands in the ocean All the heaven's in the motion Let me show you the world in my eyes That's all there is Nothing more than you can touch now That's all there is Let me show you the world in my eyes Let me show you the world in my eyes Let me show you the world in my eyes Let me show you the world in my eyes Let me show you the world in my eyes Let me show you the world in my eyes Let me show you the world in my eyes Let me show you the world in my eyes

A Broken Frame is the second studio album by English electronic music band Depeche Mode, released on 27 September 1982 by Mute Records.The album was written entirely by Martin Gore and was recorded as a trio after the departure of Vince Clarke, who had left and formed Yazoo with singer Alison Moyet. Alan Wilder was part of a second band tour in the United Kingdom prior to the release of A Broken Frame, but had not officially joined yet and does not appear on the album. 1. «Leave in Silence» 2. «My Secret Garden» 3. «Monument» 4. «Nothing to Fear» 5. «See You» 6. «Satellite» 7. «The Meaning of Love» 8. «A Photograph of You» 9. «Shouldn’t Have Done That» 10. «The Sun & the Rainfall»

Speak & Spell is the debut studio album by English electronic music band Depeche Mode. It was released on 5 October 1981,[3] or possibly 29 October 1981,[4] by Mute Records. It was the band's only album to feature Vince Clarke, and is much lighter in tone than their subsequent releases. The album peaked at number 10 on the UK Albums Chart, and was ranked number 991 in the 2000 book All Time Top 1000 Albums.[5] This was the only Depeche Mode album with Vince Clarke as a member. Clarke wrote most of the songs for the band, before departing to form Yazoo and later Erasure. The album is significantly lighter in tone and melody than their later work, a direction which can largely be attributed to Clarke's writing. After he left, Martin Gore took over songwriting duties, writing almost all of the band's material. Later albums written by him would explore darker subjects and melodies. When interviewed by Simon Amstell for Channel 4's Popworld programme in 2005, Gore and Fletcher both stated that the track "What's Your Name?" was their least favourite Depeche Mode song of all time.