FIBRE OPTIC JUNKIE

Alien 4 is the twentieth studio album by the English space rock group Hawkwind, released in 1995. Track - KAPAL.

The filming occurred during the summer of 1973, during three nights of concerts at Madison Square Garden in New York City, with additional footage shot at Shepperton Studios. The film premiered three years later on 20 October 1976 at Cinema I in New York, on 22 October 1976 at Fox Wilshire in Los Angeles, and at Warner West End Cinema in London two weeks later. A soundtrack album of the same name accompanied it. The DVD of the film was released on 31 December 1999. 01. Mob Rubout 02. Mob Town Credits 03. Country Life ("Autumn Lake") 04. Bron-Yr-Aur - 11:32 05. Rock and Roll - 12:40 06. Black Dog - 16:58 07. Since I've Been Loving You - 21:48 08. No Quarter - 30:48 09. Who's Responsible? 10. The Song Remains the Same - 43:24 11. The Rain Song - 49:08 12. Fire and Sword 13. Capturing the Castle 14. Not Quite Backstage Pass 15. Dazed and Confused - 58:27 16. Strung Out 17. Magic in the Night 18. Gate Crasher 19. No Comment 20. Stairway to Heaven - 1:28:22 21. Moby Dick - 1:39:38 22. Country Squire Bonham 23. Heartbreaker - 1:51:06 24. Grand Theft 25. Whole Lotta Love - 1:55:02 26. End Credits (w/ "Stairway to Heaven") - 2:09:40 Cast : • John Bonham • Richard Cole • Peter Grant • John Paul Jones • Jimmy Page • Robert Plant • Colin Rigdon • Derek Skilton Led Zeppelin • Robert Plant – Vocals • Jimmy Page – Guitars, Backing Vocals, Production, Sound Editing, Mixing • John Paul Jones – Bass Guitar, Keyboards • John Bonham – Drums, Percussion Additional Personnel : • Peter Clifton – director • Brian Condliffe – technician • Cameron Crowe – liner notes • Ernie Day – camera operator • Robert Freeman – camera operator • David Gladwell – editor • Peter Grant – executive producer • Mick Hinton – technician • Eddie Kramer – sound engineer • Ian Knight – visual effects and lighting • Benji Le Fevre – technician • Joe Massot – director • Shelly – special effects • Ray Thomas – technician • Steven Weiss – shoot trouble • Kirby Wyatt – visual effects and lighting Directed by Peter Clifton & Joe Massot Starring: John Bonham, John Paul Jones, Jimmy Page & Robert Plant Music by Led Zeppelin Camera Operator: Ernest Day Edited by Humphrey Dixon Distributed by Warner Bros. Release Date: 20 October 1976 (US) Running Time: 137 minutes

Did you know that Tommy is a classic rock musical released in 1975? Tommy tells the story of a young boy who is deaf, dumb, and blind and becomes a pinball champion and a spiritual leader. The movie was based on the rock opera album "Tommy" by The Who. The album was released in 1969 and was a huge success, leading to the creation of the film adaptation. Tommy was directed by Ken Russell, known for his visually extravagant filmmaking style. Russell brought his unique vision to the movie, creating a visually stunning and theatrical experience. Roger Daltrey, the lead vocalist of The Who played Tommy's lead role. Daltrey's portrayal of Tommy received critical acclaim and solidified his acting career. Elton John, Tina Turner, and Eric Clapton appeared in the film. These legendary musicians added star power to the movie and delighted fans with their performances. Tommy was awarded the Golden Globe for Best Motion Picture – Musical or Comedy. The film was recognized for its unique storytelling and innovative blending of music and visuals. Several scenes in Tommy were shot on location at the famous Pinball Hall of Fame in Las Vegas. These scenes added an authentic touch to the movie and showcased the mesmerizing world of pinball. The movie features iconic songs from The Who, including "Pinball Wizard" and "See Me, Feel Me". These songs became synonymous with the film and further enhanced its popularity. The role of Tommy's mother was played by Ann-Margret, who received an Academy Award nomination for her performance. Ann-Margret's portrayal of a troubled and devoted mother added depth to the movie's emotional core.

Pink Floyd： Live In Pompeii 1972 by RM PRODUCTIONS / UNIVERSAL PICTURES Publication date 1972 Topics Pink Floyd, Live In Pompeii 1972, Roger Waters, David Gilmour, Richard Wright, Nick Mason, Adrian Maben Language English Pink Floyd： Live In Pompeii 1972 Pink Floyd: Live at Pompeii is a 1972 concert documentary film directed by Adrian Maben and featuring the English rock group Pink Floyd performing at the ancient Roman amphitheatre in Pompeii, Italy. Although the band performed a typical live set from the era, there was no audience beyond the essential film crew. The main footage in and around the amphitheatre was filmed over four days in October 1971, using the band's regular touring equipment, including a mobile 8-track recorder from Paris (before being bumped up to 16-track in post-production). Additional footage filmed in a Paris television studio the following December was added for the original 1972 release. The film was then re-released in 1974 with additional studio material of the band working on The Dark Side of the Moon and interviews at Abbey Road Studios. Pink Floyd had already experimented with filming outside the context of a standard rock concert, including an hour-long performance in KQED TV studios in April 1970. Adrian Maben had become interested in combining art with Pink Floyd's music. In 1971, he attempted to contact the band's manager, Steve O'Rourke, to discuss the possibility of making a film to achieve this aim. After his original plan of mixing the band with assorted paintings had been rejected, Maben went on holiday to Naples in the early summer. During a visit to Pompeii, he lost his passport and went back to the amphitheatre he had visited earlier in the day to find it. Walking around the deserted ruins, he thought the silence and natural ambient sounds present would make a good backdrop for the music. He also felt that filming the band without an audience would react well to earlier films such as Woodstock and Gimme Shelter, where the films paid equal attention to performers and spectators. One of Maben's contacts at the University of Naples, Professor Carputi, a Pink Floyd fan, managed to persuade the local authorities to close the amphitheatre for six days that October for filming. Access was secured after payment of a "fairly steep" entrance fee. The performances of "Echoes", "A Saucerful of Secrets", and "One of These Days" were filmed from 4 to 7 October 1971. O'Rourke delivered a demo to Maben in order for him to prepare for the various shots required, which he finally managed to do the night before filming started. The choice of material was primarily the band's, but while Maben realised it was essential to include material from the band's new album Meddle, he was also keen to include "Careful with That Axe, Eugene" and "A Saucerful of Secrets", as he felt they would be good numbers to film. The band insisted on playing live and brought their regular touring gear with them. Their roadie, Peter Watts, suggested that the 8-track recorder would produce a sound comparable to a studio recording. In addition, the natural echo of the amphitheatre provided good acoustics for the recording. The equipment was carried by truck from London and took three days to reach Pompeii. When it arrived, it was discovered there was insufficient power to drive the equipment correctly. This problem plagued filming for several days and was finally resolved by running a lengthy cable from the local town hall. The first section of footage to be filmed were montage shots of the band walking around Boscoreale, mixed with shots of volcanic mud, which can be seen at various points in "Echoes" and "Careful with That Axe, Eugene". For the live performances, the band recorded portions of the songs in sections, which were later spliced together. After each take, they listened to the playback on headphones. Maben closed all the entrances to the amphitheatre, but a few children managed to sneak in and were allowed to watch the filming quietly from a distance. Richard Wright's Farfisa Compact Duo is featured prominently on several songs in the film, particularly "Set the Controls for the Heart of the Sun" and "Echoes Part 2". The remaining songs were filmed in Studio Europasonor, Paris, from 13–20 December and can be distinguished by the absence of Richard Wright's beard. To fit in with the theme of the earlier work in Pompeii, the filming around Boscoreale, along with stock footage of waterfalls and lava and various shots of Roman mosaics and drawings from the Naples National Archaeological Museum, were added to the Paris footage. Maben also filmed additional transflex footage for insertion into the Pompeii performances. While both the director and the band were disappointed with this footage, due to a lack of time and money, there was no alternative left but to use it. During the filming in Paris, the band spontaneously suggested they would like to film a short blues with a howling dog in the style of "Seamus" from Meddle. Maben knew Madonna Bouglione, daughter of circus director Joseph Bouglione, who was known to walk about Paris with a dog called Nobs. Accordingly, Nobs was invited into the studio, where the footage was filmed. Maben subsequently did some of the editing of the final cut at home due to financial constraints. He regretted doing this, as he felt it was important to separate his work and home life, but, at the time, he had no choice. 1972 ORIGINAL FILM 01 "Pompeii" 02 "Echoes, Part 1" 03 "Careful with That Axe, Eugene" 04 "A Saucerful of Secrets" 05 "One of These Days" 06 "Set the Controls for the Heart of the Sun" 07 "Mademoiselle Nobs" 08 "Echoes, Part 2" CAST Pink Floyd Roger Waters – bass guitar, rhythm guitar on "Mademoiselle Nobs", gong, cymbals, screams and spoken words on "Careful with That Axe, Eugene", lead vocals on "Set the Controls for the Heart of the Sun", additional piano on "Echoes." David Gilmour – lead guitar, slide guitar, harmonica on "Mademoiselle Nobs", lead vocals on "Echoes", vocals on "Careful with That Axe, Eugene" and "A Saucerful of Secrets", additional vocals on "Set the Controls for the Heart of the Sun." Richard Wright – Hammond organ, Farfisa organ, grand piano, lead vocals on "Echoes", VCS 3 on "Pompeii" (intro) Nick Mason – drums, percussion, vocal phrase on "One of These Days" Production Based on an idea and directed by Adrian Maben Cinematography: Willy Kurant, Gabor Pogany Camera: Claude Agostini, Jacques Boumendil [fr], Henri Czap, Gérard Hameline Sound: Charles Rauchet, Peter Watts Script: Marie-Noel Zurstrassen Road managers: Chris Adamson, Robert Richardson, Brian Scott Production directors: Marc Laurore, Leonardo Pescarolo, Hans Thorner Editor: José Pinheiro Assistant editor: Marie-Claire Perret Mixer: Paul Berthault Special effects: Michel Francois, Michel Y Gouf Post-production: Auditel, Eclair, Europasonor Special thanks to Professor Carputi (University of Naples), Haroun Tazieff, Soprintendenza alle Antichità della Provincia di Napoli Associate producers: Michèle Arnaud, Reiner E. Moritz Executive producer: Steve O'Rourke

EXPRESSO 2 is The eighth studio album by the band Gong. Great track.

The video creator is D4rkResistance. The video was made as a companion to the Reshade mod I made for Cyberpunk 2077. The title of the Reshade mod is CyberNoir. What is Reshade? ReShade is a generic post-processing injector for games and video software developed by crosire. Imagine your favourite game with ambient occlusion, real depth-of-field effects, colour correction and more ... https://reshade.me You will find the CyberNoir mod hosted here, URL below. https://www.nexusmods.com/cyberpunk2077/mods/11627 NEXUS MODS. Host tons of mods. 535,708 mods for 2,663 games from 127,680 authors, serving 46,577,124 members with 9,863,950,428 downloads to date. We've donated $6,709,499 to our mod authors through Donation Points. If you can mod it, we'll host it.