Phantom Culture

SMOKE I am watching lazy smoke rise, with sleep-deprived eyes, as ethereal bodies dance, drawing one into a trance, abeyance is no surprise. — Wilder Venture Poetry is a spice that flavors each day. Without, all is droll and life takes its toll, becoming easy to lose one's way. © Wilder Venture 2018 to present. All Rights Reserved. In the care of: The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

Barefoot poet-bards strumming their way through tender Buffalo grass, a central campfire's flickering flames illuminate happy faces gathered around their covered wagons, enraptured. Fast-forward, say, 150 years but the authenticity, grass-roots appeal of this robust duo is as fresh as the prairie that time long ago. Hipbilly 1. One half Hippy, one half Hillbilly. High energy accoustic music performed at break-neck speed, with melodies and chord progressions that call to mind everything from bluegrass to Dixieland standards. 2. (adjective) Used in the description of a place where hipbillies live, frequent or have otherwise manifested as their own, like: coffeehouses, bars, folk festivals, college concerts... Hipbilly could be described as a synthesis of elements - half hippie/half country - and filtered through a state of originality, arriving at a melodic state that can be inspiring, fanciful, dramatic. Think: people dancing in the moonlight on a vast prairie - probably bare-footed if Michael had his way - that kind of open-air mentality. Michael E. "Dixie" Selter "Dixie" - 12-String Guitar/Baritone Ukelele/Lead Vocals/Songwriter Brian Phillips - Stand-Up Bass [Remember: even if you were there then, you weren't this there.] Note: shot in a very dark bar with a 720p Flip. Later revisiting with better technology made these possible. Phantom Culture realease: Hipbilly - Song No.01 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

Barefoot poet-bards strumming their way through tender Buffalo grass, a central campfire's flickering flames illuminate happy faces gathered around their covered wagons, enraptured. Fast-forward, say, 150 years but the authenticity, grass-roots appeal of this robust duo is as fresh as the prairie that time long ago. Hipbilly 1. One half Hippy, one half Hillbilly. High energy accoustic music performed at break-neck speed, with melodies and chord progressions that call to mind everything from bluegrass to Dixieland standards. 2. (adjective) Used in the description of a place where hipbillies live, frequent or have otherwise manifested as their own, like: coffeehouses, bars, folk festivals, college concerts... Hipbilly could be described as a synthesis of elements - half hippie/half country - and filtered through a state of originality, arriving at a melodic state that can be inspiring, fanciful, dramatic. Think: people dancing in the moonlight on a vast prairie - probably bare-footed if Michael had his way - that kind of open-air mentality. Michael E. "Dixie" Selter "Dixie" - 12-String Guitar/Baritone Ukelele/Lead Vocals/Songwriter Brian Phillips - Stand-Up Bass [Remember: even if you were there then, you weren't this there.] Phantom Culture realease: Hipbilly - Song No.02 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

Barefoot poet-bards strumming their way through tender Buffalo grass, a central campfire's flickering flames illuminate happy faces gathered around their covered wagons, enraptured. Fast-forward, say, 150 years but the authenticity, grass-roots appeal of this robust duo is as fresh as the prairie that time long ago. Hipbilly 1. One half Hippy, one half Hillbilly. High energy accoustic music performed at break-neck speed, with melodies and chord progressions that call to mind everything from bluegrass to Dixieland standards. 2. (adjective) Used in the description of a place where hipbillies live, frequent or have otherwise manifested as their own, like: coffeehouses, bars, folk festivals, college concerts... Hipbilly could be described as a synthesis of elements - half hippie/half country - and filtered through a state of originality, arriving at a melodic state that can be inspiring, fanciful, dramatic. Think: people dancing in the moonlight on a vast prairie - probably bare-footed if Michael had his way - that kind of open-air mentality. Michael E. "Dixie" Selter "Dixie" - 12-String Guitar/Baritone Ukelele/Lead Vocals/Songwriter Brian Phillips - Stand-Up Bass [Remember: even if you were there then, you weren't this there.] Phantom Culture realease: Hipbilly - Song No.03 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

Barefoot poet-bards strumming their way through tender Buffalo grass, a central campfire's flickering flames illuminate happy faces gathered around their covered wagons, enraptured. Fast-forward, say, 150 years but the authenticity, grass-roots appeal of this robust duo is as fresh as the prairie that time long ago. Hipbilly 1. One half Hippy, one half Hillbilly. High energy accoustic music performed at break-neck speed, with melodies and chord progressions that call to mind everything from bluegrass to Dixieland standards. 2. (adjective) Used in the description of a place where hipbillies live, frequent or have otherwise manifested as their own, like: coffeehouses, bars, folk festivals, college concerts... Hipbilly could be described as a synthesis of elements - half hippie/half country - and filtered through a state of originality, arriving at a melodic state that can be inspiring, fanciful, dramatic. Think: people dancing in the moonlight on a vast prairie - probably bare-footed if Michael had his way - that kind of open-air mentality. Michael E. "Dixie" Selter "Dixie" - 12-String Guitar/Baritone Ukelele/Lead Vocals/Songwriter Brian Phillips - Stand-Up Bass [Remember: even if you were there then, you weren't this there.] Phantom Culture realease: Hipbilly - Song No.04 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

Barefoot poet-bards strumming their way through tender Buffalo grass, a central campfire's flickering flames illuminate happy faces gathered around their covered wagons, enraptured. Fast-forward, say, 150 years but the authenticity, grass-roots appeal of this robust duo is as fresh as the prairie that time long ago. Hipbilly 1. One half Hippy, one half Hillbilly. High energy accoustic music performed at break-neck speed, with melodies and chord progressions that call to mind everything from bluegrass to Dixieland standards. 2. (adjective) Used in the description of a place where hipbillies live, frequent or have otherwise manifested as their own, like: coffeehouses, bars, folk festivals, college concerts... Hipbilly could be described as a synthesis of elements - half hippie/half country - and filtered through a state of originality, arriving at a melodic state that can be inspiring, fanciful, dramatic. Think: people dancing in the moonlight on a vast prairie - probably bare-footed if Michael had his way - that kind of open-air mentality. Michael E. "Dixie" Selter "Dixie" - 12-String Guitar/Baritone Ukelele/Lead Vocals/Songwriter Brian Phillips - Stand-Up Bass [Remember: even if you were there then, you weren't this there.] Phantom Culture realease: Hipbilly - Song No.05 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

Adam Goodwin, as Flower of Flesh and Blood, is an artist who paints environments with sound. Noise Mantras. His experimental mental laboratory manifests itself in waves of audible expressionism wherein space and time become another canvas in the listener's own mind. [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Flower of Flesh and Blood (Adam Goodwin) - Soundscape No.01 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

Adam Goodwin, as Flower of Flesh and Blood, is an artist who paints environments with sound. Noise Mantras. His experimental mental laboratory manifests itself in waves of audible expressionism wherein space and time become another canvas in the listener's own mind. [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Flower of Flesh and Blood (Adam Goodwin) - Soundscape No.02 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

geothermic urban decay haunts both the waking and the dead in ways of portentous capacities. hollow dreams afflict only those without any hope of resurrection. idle is as idle does, but a full throttle is... - FOLEO Foleo makes films that are suggestive, a form of visual poetry - with shelf-life and continuing relevance. A kind of voces magicae. An Urban Poem - Visual Poetry from Foleo Poetry: Foleo Art: Foleo Music: Foleo An internationally-recognized, award-winning ceative, Foleo has an extravagant imagination, apparently always has and always will, often imitated, never duplicated. But does he care? Not as long as he is willing and able. They will have to pry the brush from his cold, dead fingers (or perhaps, a camera, or computer mouse). Once said he generates entire art worlds as he casts about by a leading critic and art historian, it is quite apparent the erudite scholar was not prone to any form of exaggeration. Expecting an interview or in-depth coverage with Foleo? Not bloody likely. We were fortunate to get this and only on promises it would help to promote other creatives. We promise.

The Cups creed: We're punks because we don't have a choice, we blame society. We done a lot of wrong to ourselves, and a little to others, and now we'd rather just destroy the foundations of music, and rub all our grubby faces in the afterbirth of our excess. "Buck" the Cups. Sqvarenvts (Aaron Rivers) - yapping and screeching/Guitar Belligerant (Scottie Workman) - yapping and grooving/Bass ? - Drums [Remember: even if you were there, you weren't this there.] Phantom Culture realease: The Cups - special encore The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

It can be truly challenging to be teen heart-throb Pop-Punk icons, but such are the travails of this energetic band that makes the girls swoon with their catchy originals. Class A is first class. They are only allowed to sign autographs for fans after shows so as to not strain the wrists and fingers needed to play music. Tim Murrow - Lead Guitar/Vocals Trey Selph - Rythm Guitar/Vocals Kelton Birmingham - Bass/Vocals Anthony Patterson - Drums/Vocals [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Class A - Song No.01 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

It can be truly challenging to be teen heart-throb Pop-Punk icons, but such are the travails of this energetic band that makes the girls swoon with their catchy originals. Class A is first class. They are only allowed to sign autographs for fans after shows so as to not strain the wrists and fingers needed to play music. Tim Murrow - Lead Guitar/Vocals Trey Selph - Rythm Guitar/Vocals Kelton Birmingham - Bass/Vocals Anthony Patterson - Drums/Vocals [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Class A - Song No.02 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

It can be truly challenging to be teen heart-throb Pop-Punk icons, but such are the travails of this energetic band that makes the girls swoon with their catchy originals. Class A is first class. They are only allowed to sign autographs for fans after shows so as to not strain the wrists and fingers needed to play music. Tim Murrow - Lead Guitar/Vocals Trey Selph - Rythm Guitar/Vocals Kelton Birmingham - Bass/Vocals Anthony Patterson - Drums/Vocals [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Class A - Song No.03 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

It can be truly challenging to be teen heart-throb Pop-Punk icons, but such are the travails of this energetic band that makes the girls swoon with their catchy originals. Class A is first class. They are only allowed to sign autographs for fans after shows so as to not strain the wrists and fingers needed to play music. Tim Murrow - Lead Guitar/Vocals Trey Selph - Rythm Guitar/Vocals Kelton Birmingham - Bass/Vocals Anthony Patterson - Drums/Vocals [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Class A - Song No.04 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

It can be truly challenging to be teen heart-throb Pop-Punk icons, but such are the travails of this energetic band that makes the girls swoon with their catchy originals. Class A is first class. They are only allowed to sign autographs for fans after shows so as to not strain the wrists and fingers needed to play music. Tim Murrow - Lead Guitar/Vocals Trey Selph - Rythm Guitar/Vocals Kelton Birmingham - Bass/Vocals Anthony Patterson - Drums/Vocals [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Class A - Song No.05 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

It can be truly challenging to be teen heart-throb Pop-Punk icons, but such are the travails of this energetic band that makes the girls swoon with their catchy originals. Class A is first class. They are only allowed to sign autographs for fans after shows so as to not strain the wrists and fingers needed to play music. Tim Murrow - Lead Guitar/Vocals Trey Selph - Rythm Guitar/Vocals Kelton Birmingham - Bass/Vocals Anthony Patterson - Drums/Vocals [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Class A - Song No.06 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

It can be truly challenging to be teen heart-throb Pop-Punk icons, but such are the travails of this energetic band that makes the girls swoon with their catchy originals. Class A is first class. They are only allowed to sign autographs for fans after shows so as to not strain the wrists and fingers needed to play music. Tim Murrow - Lead Guitar/Vocals Trey Selph - Rythm Guitar/Vocals Kelton Birmingham - Bass/Vocals Anthony Patterson - Drums/Vocals [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Class A - Song No.07 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

It can be truly challenging to be teen heart-throb Pop-Punk icons, but such are the travails of this energetic band that makes the girls swoon with their catchy originals. Class A is first class. They are only allowed to sign autographs for fans after shows so as to not strain the wrists and fingers needed to play music. Tim Murrow - Lead Guitar/Vocals Trey Selph - Rythm Guitar/Vocals Kelton Birmingham - Bass/Vocals Anthony Patterson - Drums/Vocals [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Class A - Song No.08 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

It can be truly challenging to be teen heart-throb Pop-Punk icons, but such are the travails of this energetic band that makes the girls swoon with their catchy originals. They are only allowed to sign autographs for fans after shows so as to not strain the wrists and fingers needed to play music. Tim Murrow - Lead Guitar/Vocals Trey Selph - Rythm Guitar/Vocals Kelton Birmingham - Bass/Vocals Anthony Patterson - Drums/Vocals [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Class A - Song No.09 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

As celebrities showed off awkward prom pictures, back at the zoo, and some surrounding farms, onlookers are astounded by a new species of wild things. For those appreciative of poetics in music, this is sure to lift the hairs on your neck and raise goose-bumps on your skin, due to the diverse range multiplied by eclectic lyrical and musical sensibilities. Stephen Lawrence (Bishop) - Guitar/Vocals Evan Ogborn - Guitar Nathan Sizemore - Bass Taylor Harding - Drums [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Animal Parade - Song No.01 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

As celebrities showed off awkward prom pictures, back at the zoo, and some surrounding farms, onlookers are astounded by a new species of wild things. For those appreciative of poetics in music, this is sure to lift the hairs on your neck and raise goose-bumps on your skin, due to the diverse range multiplied by eclectic lyrical and musical sensibilities. Stephen Lawrence (Bishop) - Guitar/Vocals Evan Ogborn - Guitar Nathan Sizemore - Bass Taylor Harding - Drums [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Animal Parade - Song No.02 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

As celebrities showed off awkward prom pictures, back at the zoo, and some surrounding farms, onlookers are astounded by a new species of wild things. For those appreciative of poetics in music, this is sure to lift the hairs on your neck and raise goose-bumps on your skin, due to the diverse range multiplied by eclectic lyrical and musical sensibilities. Stephen Lawrence (Bishop) - Guitar/Vocals Evan Ogborn - Guitar Nathan Sizemore - Bass Taylor Harding - Drums [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Animal Parade - Song No.03 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

As celebrities showed off awkward prom pictures, back at the zoo, and some surrounding farms, onlookers are astounded by a new species of wild things. For those appreciative of poetics in music, this is sure to lift the hairs on your neck and raise goose-bumps on your skin, due to the diverse range multiplied by eclectic lyrical and musical sensibilities. Stephen Lawrence (Bishop) - Guitar/Vocals Evan Ogborn - Guitar Nathan Sizemore - Bass Taylor Harding - Drums [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Animal Parade - Song No.04 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

As celebrities showed off awkward prom pictures, back at the zoo, and some surrounding farms, onlookers are astounded by a new species of wild things. For those appreciative of poetics in music, this is sure to lift the hairs on your neck and raise goose-bumps on your skin, due to the diverse range multiplied by eclectic lyrical and musical sensibilities. Stephen Lawrence (Bishop) - Guitar/Vocals Evan Ogborn - Guitar Nathan Sizemore - Bass Taylor Harding - Drums [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Animal Parade - Song No.05 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.

As celebrities showed off awkward prom pictures, back at the zoo, and some surrounding farms, onlookers are astounded by a new species of wild things. For those appreciative of poetics in music, this is sure to lift the hairs on your neck and raise goose-bumps on your skin, due to the diverse range multiplied by eclectic lyrical and musical sensibilities. Stephen Lawrence (Bishop) - Guitar/Vocals Evan Ogborn - Guitar Nathan Sizemore - Bass Taylor Harding - Drums [Remember: even if you were there, you weren't this there.] Phantom Culture realease: Animal Parade - Song No.06 The International Phantom Gallery of Culture ©2012 to present - All rights reserved by respective parties.