Black Cultural TV

#BCTV #7 COOL BREEZE Sidney Lord Jones is a convicted felon who is granted an early release by the parole board in San Quentin. While imprisoned, he learns about the underworld diamond trade from reading and studying trade magazines. It motivates him to plan a heist to steal $3 million worth of diamonds from the largest diamond brokerage on the Pacific Coast.[3] After his release, Jones returns to Los Angeles and proposes the idea to ‘the Money Man’ Bill Mercer and "Stretch" Finian, in hopes that Mercer would provide the $50,000 seed money needed to set up the heist. Jones recommends using profits from the heist to start a community bank to support black-owned businesses,[3] in addition the bank could be used to launder illegal business activities. Unbeknownst to Jones, Mercer is having financial difficulty and has little money. However, he agrees to provide the funds, but secretly plans to keep all the loot for himself. To accomplish the heist, Mercer and Jones assemble a group of men consisting of Travis Battle (‘the Muscle Man’) a well-known career criminal, Roy Harris (‘the Box Man’) an expert safe-cracker transformed into a Christian minister, and John Battle (‘the Driver’) an honest business man and half-brother of Travis. Unfortunately, after the successful robbery, the group finds themselves caught up in a string of unhappy accidents and double crosses.

BCTV # 6 BLACK GODFATHER - RUDY RAY MOORE Commonly considered a blaxploitation film, the plot centers on Moore's character Tucker Williams, a retired cop who owns and operates a disco and tries to shut down the local angel dust (PCP) dealer after his nephew Bucky (Julius Carry) gets "whacked out" on the drug. Another PCP user's claim to have served her own baby as Easter dinner constitutes a version of the urban legend known as "The Baby-Roast." The Disco Godfather's trademark phrase is his encouragement of the disco patrons to "Put your weight on it, put your weight on it, put your weight on it!" The film also served as the debut of Keith David, who has an unbilled bit part as a patron in the nightclub.

BCTV #5 CORNBREAD , EARL & ME High school basketball star Nathaniel "Cornbread" Hamilton (Keith Wilkes) is the pride of his urban neighborhood, and he appears destined for big things on the court and in the classroom. But a dare leads to a fatal misunderstanding when Nathaniel is shot dead by police who take him for someone who's just committed a violent crime. As police officers try to protect one of their own, members of the oppressed African-American community do what they must in order to find justice.

BCT V # 4 HELL UP IN HARLEM FRED WILLIAMSON aka TOMMY GIBBS In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, DiAngelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with DiAngelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

BUCKTOWN After his brother's death, Duke Johnson (Fred Williamson) travels to a small Southern town to organize his brother's funeral. During his stay, he decides to revive his brother's nightclub business. However, this venture quickly uncovers the thinly veiled racism and corruption that run rampant in the town. Duke and his friend Aretha (Pam Grier) face demands for bribes and violence from the police. With the arrival of Duke's pal Roy (Thalmus Rasulala), the situation only escalates.

Trouble Man is a 1972 American blaxploitation crime thriller film directed by Ivan Dixon and produced and released by 20th Century Fox. The film stars Robert Hooks as "Mr. T.", a hard-edged private detective who tends to take justice into his own hands. It is still of note today for its soundtrack, written, produced and performed by Marvin Gaye.

African-American scientist Dr. Kenneth Kincade moves his family into an affluent neighborhood, only to be greeted with threats and vandalism by their new white neighbors. Enter John Abar, leader of the militant Black Front for Unity. Abar becomes the Kincade's bodyguard, allowing the good doctor to continue to his work on a serum that can make an ordinary man invincible.