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If you enjoyed the movie, please Click the LIKE button and SUBSCRIBE to help me grow my channel - New High Quality movies uploaded every day. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been colorized upscaled, color and tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. Cell 2455, Death Row is a 1955 American crime film noir directed by Fred F. Sears and starring William Campbell and Robert Wright Campbell. It is based on the 1954 book of the same name. Plot A death row inmate uses his prison-law studies to fight for his life. Cast William Campbell as Whit Whittier R. Wright Campbell as Whit as a Boy (as Robert Campbell) Marian Carr as Doll Kathryn Grant as Jo-Anne Harvey Stephens as Prison Warden Vince Edwards as Hamiton Allen Nourse as Serl Whittier Diane DeLaire as Hallie Whittier Bart Braverman as Whit, as a Young Boy (as Bart Bradley) Paul Dubov as Al Tyler MacDuff as Nugent Buck Kartalian as Monk Eleanor Audley as Blanche Thom Carney as Hatcheck Charlie Joseph Forte as Lawyer (as Joe Forte) Howard Wright as Judge

If you enjoyed the movie, please Click the LIKE button and SUBSCRIBE to help me grow my channel - New High Quality movies uploaded every day. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been colorized, upscaled, tone and color graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The City of the Dead (U.S. title: Horror Hotel) is a 1960 horror film directed by John Llewellyn Moxey and starring Christopher Lee and Valentine Dyall. Produced in England but set in America, the British actors were required to speak with American accents throughout. Plot On the recommendation of her professor (Christopher Lee), a young female student (Venetia Stevenson) travels to the fictional Massachusetts town of Whitewood to do some research into witchcraft. She finds the town occupied by the reincarnation of an infamous witch (Patricia Jessel) burned at the stake in the 17th century; in order to sustain her immortality, virginity must be human sacrifice to her every year – and this year, the student has been the chosen victim. Cast Dennis Lotis as Richard Barlow Christopher Lee as Alan Driscoll Patricia Jessel as Elizabeth Selwyn / Mrs. Newless Tom Naylor as Bill Maitland Betta St. John as Patricia Russell Venetia Stevenson as Nan Barlow Valentine Dyall as Jethrow Keane Ann Beach as Lottie Norman Macowan as Reverend Russell Fred Johnson as The Elder James Dyrenforth as Garage Attendant Maxine Holden as Sue William Abney as Policeman

If you enjoyed the movie, please Click the LIKE button and FOLLOW to help me grow my channel - New High Quality movies uploaded every day. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been colorized, upscaled, color and tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The Bigamist is a 1953 American drama film noir directed by Ida Lupino starring Joan Fontaine, Ida Lupino, Edmund Gwenn and Edmond O'Brien. Producer/Screenwriter Collier Young was married to Fontaine at the time and had previously been married to Lupino. The Bigamist has been cited as the first American feature film made in the sound era in which the female star of a film directed herself. Plot Harry (Edmond O'Brien) and Eve Graham (Joan Fontaine) want to adopt a child, as Eve is infertile. Adoption agent Mr. Jordan (Edmund Gwenn) advises the couple that, as a matter of routine, he needs to investigate their backgrounds and current lifestyle thoroughly. Harry responds with a worried, pensive look, which concerns Jordan. Harry and Eve live in San Francisco and are co-owners of a business, with Harry traveling to Los Angeles frequently for work. Jordan arrives at Harry's Los Angeles office looking for information about Harry. The receptionist calls around to all the hotels, but none of them have a Harry Graham registered. One or two of the managers remember Harry, but he hasn't been checked into their hotels in months. Jordan is puzzled and even more determined to investigate Harry. He visits the address listed in the phone book for a "Harrison Graham" and there finds Harry, with a different wife—and a baby. When Jordan is about to call the police, Harry tells him, via a lengthy flashback, how he got into this situation. Upon learning of Eve's infertility, Harry suggested that she join him in his business as a means of coping with her disappointment. Though she'd done well at work, she soon began to focus solely on the business, leaving Harry feeling lonely. While staying in a hotel in L.A., Harry met an interesting woman named Phyllis (Ida Lupino), on a bus tour of Hollywood movie stars' homes. They spent time together but parted, with Harry not expecting to see her again. Talking on the phone with Eve that night, Harry tried to tell her about Phyllis and his loneliness, but Eve was interested only in talking about business. Back home, he tried again to explain how he believed they needed to work at becoming closer. He suggested planning a vacation together but she dismissed the idea, saying she was pleased with the state of their marriage. In L.A., Harry began seeing Phyllis again, platonically at first, but romantic feelings developed. Not wanting to fall in love, Phyllis had not allowed Harry to share with her anything about his background and thus remained ignorant of his marriage. On Harry's last night in town, they spent the night together. Back home, Harry resolved to rededicate himself to his marriage, and planned for someone else to handle the L.A. business. Eve was fully receptive, and she apologized for having been so emotionally distant. She embraced the idea of their adopting a child after having rejected it years before. However, at this point her father took ill and she had to spend time with her family in Florida. Harry stayed at home and began the adoption process. Three months later, with Eve still away, Harry had to return to L.A. to tend to business interests there. He discovered Phyllis was pregnant. She told Harry that she didn't wish to trap him and that he was free to leave. However, Harry would not turn his back on the responsibility he felt toward her and to their child. He planned to call Eve, confess his infidelity, and ask for a divorce, but then came news of her father's death. Hearing how distraught she was he couldn't go through with his plan, but also couldn't abandon Phyllis, and instead married her bigamously. With Eve pinning all of her hopes for happiness on becoming a mother, Harry had hoped to maintain his secret double life long enough for the adoption to be finalized and then divorce Eve, who would then at least still have her child. In the present, upon hearing the story, Jordan leaves without calling the police. Harry writes a farewell letter to the sleeping Phyllis and leaves the house. Eve returns to San Francisco as Harry is about to meet the police who are waiting for him there. Harry is tried for bigamy, and his two wives finally meet in court. The judge notes that once Harry has served his sentence, he'll be legally obliged to support both women. With regard to Harry's personal life, "it won't be a question of which woman he'll go back to, but rather which woman will take him back." The film ends with Harry awaiting his sentencing hearing. Cast Joan Fontaine as Eve Graham Ida Lupino as Phyllis Martin Edmund Gwenn as Mr. Jordan Edmond O'Brien as Harry Graham / Harrison Graham Kenneth Tobey as Tom Morgan, Defense Attorney Jane Darwell as Mrs. Connelley Peggy Maley as Phone Operator Lilian Fontaine as Miss Higgins, Landlady

If you enjoyed the movie, please Click the LIKE button and FOLLOW to help me grow my channel - New High Quality movies uploaded every day. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been upscaled, tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The Bigamist is a 1953 American drama film noir directed by Ida Lupino starring Joan Fontaine, Ida Lupino, Edmund Gwenn and Edmond O'Brien. Producer/Screenwriter Collier Young was married to Fontaine at the time and had previously been married to Lupino. The Bigamist has been cited as the first American feature film made in the sound era in which the female star of a film directed herself. Plot Harry (Edmond O'Brien) and Eve Graham (Joan Fontaine) want to adopt a child, as Eve is infertile. Adoption agent Mr. Jordan (Edmund Gwenn) advises the couple that, as a matter of routine, he needs to investigate their backgrounds and current lifestyle thoroughly. Harry responds with a worried, pensive look, which concerns Jordan. Harry and Eve live in San Francisco and are co-owners of a business, with Harry traveling to Los Angeles frequently for work. Jordan arrives at Harry's Los Angeles office looking for information about Harry. The receptionist calls around to all the hotels, but none of them have a Harry Graham registered. One or two of the managers remember Harry, but he hasn't been checked into their hotels in months. Jordan is puzzled and even more determined to investigate Harry. He visits the address listed in the phone book for a "Harrison Graham" and there finds Harry, with a different wife—and a baby. When Jordan is about to call the police, Harry tells him, via a lengthy flashback, how he got into this situation. Upon learning of Eve's infertility, Harry suggested that she join him in his business as a means of coping with her disappointment. Though she'd done well at work, she soon began to focus solely on the business, leaving Harry feeling lonely. While staying in a hotel in L.A., Harry met an interesting woman named Phyllis (Ida Lupino), on a bus tour of Hollywood movie stars' homes. They spent time together but parted, with Harry not expecting to see her again. Talking on the phone with Eve that night, Harry tried to tell her about Phyllis and his loneliness, but Eve was interested only in talking about business. Back home, he tried again to explain how he believed they needed to work at becoming closer. He suggested planning a vacation together but she dismissed the idea, saying she was pleased with the state of their marriage. In L.A., Harry began seeing Phyllis again, platonically at first, but romantic feelings developed. Not wanting to fall in love, Phyllis had not allowed Harry to share with her anything about his background and thus remained ignorant of his marriage. On Harry's last night in town, they spent the night together. Back home, Harry resolved to rededicate himself to his marriage, and planned for someone else to handle the L.A. business. Eve was fully receptive, and she apologized for having been so emotionally distant. She embraced the idea of their adopting a child after having rejected it years before. However, at this point her father took ill and she had to spend time with her family in Florida. Harry stayed at home and began the adoption process. Three months later, with Eve still away, Harry had to return to L.A. to tend to business interests there. He discovered Phyllis was pregnant. She told Harry that she didn't wish to trap him and that he was free to leave. However, Harry would not turn his back on the responsibility he felt toward her and to their child. He planned to call Eve, confess his infidelity, and ask for a divorce, but then came news of her father's death. Hearing how distraught she was he couldn't go through with his plan, but also couldn't abandon Phyllis, and instead married her bigamously. With Eve pinning all of her hopes for happiness on becoming a mother, Harry had hoped to maintain his secret double life long enough for the adoption to be finalized and then divorce Eve, who would then at least still have her child. In the present, upon hearing the story, Jordan leaves without calling the police. Harry writes a farewell letter to the sleeping Phyllis and leaves the house. Eve returns to San Francisco as Harry is about to meet the police who are waiting for him there. Harry is tried for bigamy, and his two wives finally meet in court. The judge notes that once Harry has served his sentence, he'll be legally obliged to support both women. With regard to Harry's personal life, "it won't be a question of which woman he'll go back to, but rather which woman will take him back." The film ends with Harry awaiting his sentencing hearing. Cast Joan Fontaine as Eve Graham Ida Lupino as Phyllis Martin Edmund Gwenn as Mr. Jordan Edmond O'Brien as Harry Graham / Harrison Graham Kenneth Tobey as Tom Morgan, Defense Attorney Jane Darwell as Mrs. Connelley Peggy Maley as Phone Operator Lilian Fontaine as Miss Higgins, Landlady

If you enjoyed the movie, please Click the LIKE button and SUBSCRIBE to help me grow my channel - New High Quality movies uploaded every day. This film is legally licensed, and I have the YouTube rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been colorized, upscaled, color and tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. Detour is a 1945 film noir Thriller that stars Tom Neal and Ann Savage. The film was adapted by Martin Goldsmith and Martin Mooney from Goldsmith's Detour and was directed by Edgar G. Ulmer. The 68-minute film was released by the Producers Releasing Corporation (PRC), one of the so-called "poverty row" film studios in mid-twentieth century Hollywood. Although made on a small budget with bare sets and straightforward camera work, Detour has gathered much praise through the years and is held in high regard. In 1992, Detour was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Plot Piano player Al (Tom Neal) is bitter about having to work in a New York nightclub. After his girlfriend Sue (Claudia Drake) leaves to seek fame in Hollywood, he decides to join her. With little money, he has to Hitchhiking his way across the country. In Arizona, Bookmaker Charles Haskell Jr. (Edmund MacDonald) gives him a ride in his Convertible (car). Haskell has Al pass him pills several times along the way. That night, Al is driving while Haskell sleeps, when a rainstorm forces Al to pull over to put up the top. Unable to rouse Haskell, Al opens the passenger-side door. Haskell falls out and strikes his head on the ground. Al then realizes the bookie is dead. Fearful that the police will believe he killed Haskell, Al dumps the body off the side of the road, takes Haskell's money, clothes and identification, then drives away. After spending the night in a motel, Al picks up another hitchhiker, Vera (Ann Savage), at a gas station. By sheer bad luck, it turns out that the femme fatale had also been picked up by Haskell earlier. She scratched him deeply in the arm and got out after he tried to become too friendly. When Al identifies himself as Haskell, she blackmails him by threatening to turn him in. In Hollywood, they rent an apartment, posing as Mr. and Mrs. Haskell to provide an address when they go to sell the car. However, Vera learns from a newspaper that Haskell's wealthy father is near death and looking for his son, who ran away as a youth after accidentally injuring his friend. Vera demands that Al impersonate Haskell, but Al balks at this notion, pointing out that he knows nothing about the dead man. Back in the apartment, Vera gets drunk, and they begin arguing. She threatens to call the police, running into the bedroom with the telephone and locking the door. She falls into a stupor on the bed, with the telephone cord tangled around her neck. Al tries to break the cord. Then, when he breaks down the door, he sees that he has accidentally strangled her. He goes hitchhiking again, but is picked up by the police. Cast Tom Neal as Al Roberts Ann Savage (actress) as Vera Claudia Drake as Sue Harvey Edmund MacDonald as Charles Haskell Jr Tim Ryan (actor) as Nevada Diner Proprietor Esther Howard as Holly, Diner Waitress Don Brodie as the Used Car Salesman Pat Gleason as Joe

If you enjoyed the movie, please Click the LIKE button and SUBSCRIBE to help me grow my channel - New High Quality movies uploaded every day. This film is legally licensed, and I have the YouTube rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been upscaled, tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. Detour is a 1945 film noir Thriller that stars Tom Neal and Ann Savage. The film was adapted by Martin Goldsmith and Martin Mooney from Goldsmith's Detour and was directed by Edgar G. Ulmer. The 68-minute film was released by the Producers Releasing Corporation (PRC), one of the so-called "poverty row" film studios in mid-twentieth century Hollywood. Although made on a small budget with bare sets and straightforward camera work, Detour has gathered much praise through the years and is held in high regard. In 1992, Detour was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Plot Piano player Al (Tom Neal) is bitter about having to work in a New York nightclub. After his girlfriend Sue (Claudia Drake) leaves to seek fame in Hollywood, he decides to join her. With little money, he has to Hitchhiking his way across the country. In Arizona, Bookmaker Charles Haskell Jr. (Edmund MacDonald) gives him a ride in his Convertible (car). Haskell has Al pass him pills several times along the way. That night, Al is driving while Haskell sleeps, when a rainstorm forces Al to pull over to put up the top. Unable to rouse Haskell, Al opens the passenger-side door. Haskell falls out and strikes his head on the ground. Al then realizes the bookie is dead. Fearful that the police will believe he killed Haskell, Al dumps the body off the side of the road, takes Haskell's money, clothes and identification, then drives away. After spending the night in a motel, Al picks up another hitchhiker, Vera (Ann Savage), at a gas station. By sheer bad luck, it turns out that the femme fatale had also been picked up by Haskell earlier. She scratched him deeply in the arm and got out after he tried to become too friendly. When Al identifies himself as Haskell, she blackmails him by threatening to turn him in. In Hollywood, they rent an apartment, posing as Mr. and Mrs. Haskell to provide an address when they go to sell the car. However, Vera learns from a newspaper that Haskell's wealthy father is near death and looking for his son, who ran away as a youth after accidentally injuring his friend. Vera demands that Al impersonate Haskell, but Al balks at this notion, pointing out that he knows nothing about the dead man. Back in the apartment, Vera gets drunk, and they begin arguing. She threatens to call the police, running into the bedroom with the telephone and locking the door. She falls into a stupor on the bed, with the telephone cord tangled around her neck. Al tries to break the cord. Then, when he breaks down the door, he sees that he has accidentally strangled her. He goes hitchhiking again, but is picked up by the police. Cast Tom Neal as Al Roberts Ann Savage (actress) as Vera Claudia Drake as Sue Harvey Edmund MacDonald as Charles Haskell Jr Tim Ryan (actor) as Nevada Diner Proprietor Esther Howard as Holly, Diner Waitress Don Brodie as the Used Car Salesman Pat Gleason as Joe

If you enjoyed the movie, please Click the LIKE button and SUBSCRIBE to help me grow my channel - New High Quality movies uploaded every day. This film is legally licensed, and I have the YouTube rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been upscaled, tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The Killer Shrews is a 1959 American independent science fiction film directed by Ray Kellogg, and produced by Ken Curtis and Gordon McLendon. The story follows a group of researchers who are trapped in their remote island compound overnight by a hurricane and find themselves under siege by their abnormally large and venomous mutant test subjects. Plot Captain Thorne Sherman and first mate Rook Griswold deliver supplies by ship to a research compound on a remote island. The station inhabitants (consisting of scientist Marlowe Craigis, his research assistant Radford Baines, Marlowe's daughter Ann, her fiancé Jerry Farrel, and a servant Mario) give them a cold welcome and direct them to unload the ship and leave immediately with Ann, even though a hurricane is approaching the island. Thorne insists that the storm will be too severe for them to leave that night and so instead goes to the compound, while Rook stays with the boat. Marlowe explains he has been trying to isolate the genes responsible for growth and metabolism in order to shrink humans to half their size so as to reduce the impact of human overpopulation. He uses shrews as test animals due to their short lifespan, allowing him to track results over multiple generations. As Thorne and Ann talk that evening, Jerry becomes jealous and confronts Ann. She tells him their engagement is off in light of his earlier cowardice. Thorne opts to return to his boat and avoid the uncomfortable atmosphere, but Ann pulls a gun on him and orders him to stay. She explains that Marlowe's experiments have created a batch of mutant wolf-sized shrews that escaped due to Jerry's drunken negligence and are now reproducing in the wild. The group barricade themselves inside their compound every evening before the sun sets due to the creatures' nocturnal feeding habits. They have not contacted the coast guard so that they can complete their research, predicting that the shrews will cannibalize each other once they have consumed all other food on the island. Rook comes ashore and is killed by shrews. The storm makes landfall and the shrews dig through the floor of the compound's barn and attack the livestock. Hearing the sound and mistaking it for Rook, Thorne nearly opens the door to let him in but is stopped by Jerry and Marlowe. Thorne points out that while the main building's floor is too hard for the shrews to dig through, the walls are adobe and the storm will turn it to soft mud. Recognizing the danger, the group plans to leave at daybreak. One of the shrews takes advantage of a broken window and makes its way into the basement. Mario and Thorne hear the noise and follow it downstairs. Mario discovers the shrew and shoots it fatally, but not before it bites him. Thorne treats Mario's wound, but he dies in seconds. Examining the dead shrew, Radford confirms there is a highly toxic venom in its saliva, the result of the shrews adapting to the poisoned bait the researchers placed in an attempt to kill them off. As day breaks and the storm fades, Thorne and Jerry scout the path off the island. Once away from the compound Jerry threatens Thorne with a gun to his back, ordering him to stay away from Ann. Thorne disarms Jerry. They call Rook to bring the ship ashore. When he does not respond, they follow the path and find the tatters of his clothing. Starving, the shrews break their nocturnal habits and attack. Thorne and Jerry race back to the compound. Jerry reaches it first and tries to leave Thorne locked outside, but Thorne scales the fence. Enraged by the multiple attempts to kill him, Thorne beats Jerry senseless and nearly throws him to the shrews in a fit of anger. Another shrew gets in and bites Radford, killing him. As more shrews chew through the walls, Thorne hits upon the idea to fashion impromptu armor by lashing together empty 50-gallon chemical drums and then duckwalking to the beach. Due to his claustrophobia, Jerry refuses to get into the drums, isolating himself on the roof and watching the shrews chase after the lashed-together drums. When the coast seems clear Jerry runs towards shore but is cut off and killed by shrews. Thorne, Ann, and Marlowe reach the shoreline, ditch the armor, and swim out to the boat. Safely aboard and confident that they will make it back to the mainland, Thorne and Ann share a kiss. Cast James Best as Captain Thorne Sherman Ingrid Goude as Ann Craigis Ken Curtis as Jerry Farrell Gordon McLendon as Dr. Radford Baines Baruch Lumet as Dr. Marlowe Craigis "Judge" Henry Dupree as Rook Griswold Alfred DeSoto as Mario

If you enjoyed the movie, please Click the LIKE button and SUBSCRIBE to help me grow my channel - New High Quality movies uploaded every day. This film is legally licensed, and I have the YouTube rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been upscaled, tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. he Big Combo is a 1955 American film noir crime film directed by Joseph H. Lewis, written by Philip Yordan and photographed by cinematographer John Alton, with music by David Raksin. The film stars Cornel Wilde, Richard Conte and Brian Donlevy, as well as Jean Wallace, who was Wilde's wife at the time. The supporting cast features Lee Van Cleef, Earl Holliman and the final screen appearance of actress Helen Walker. Plot Police Lt. Leonard Diamond is on a personal crusade to bring down the sadistic gangster Mr. Brown. He is also dangerously obsessed with Brown's girlfriend, the suicidal Susan Lowell. His main objective as a detective is to uncover what happened to a woman called "Alicia" from the crime boss's past. Mr. Brown, his second-in-command McClure, and thugs Fante and Mingo kidnap and torture the lieutenant, then pour a bottle of alcohol-based hair tonic down his throat before letting him go. Diamond eventually learns through one of Brown's past accomplices, Bettini, that Alicia was actually Brown's wife. Bettini suspects that Alicia was sent away to Sicily with former mob boss Grazzi, then murdered, tied to the boat's anchor, and permanently submerged. Diamond questions a Swede named Dreyer, who was the skipper of that boat but now operates an antiques store as a front, bankrolled by Brown. Dreyer denies involvement and does not want to disclose anything to Diamond, but is nonetheless murdered by McClure shortly after leaving his shop later that day. Diamond tries to persuade Susan to leave Brown and admits he might be in love with her. He shows her a photo of Brown, Alicia and Grazzi together on the boat. Susan finally confronts Brown about his wife and is told she is still alive in Sicily, living with Grazzi. Brown orders a hit on Diamond. However, when his gunmen Fante and Mingo go to Diamond's apartment, they mistakenly shoot and kill Diamond's burlesque dancer girlfriend Rita instead. Diamond sees an up-to-date photo of Alicia but realizes it wasn't taken in Sicily (since there's snow on the ground). This leads Diamond to suspect Brown did not kill Alicia but his boss Grazzi instead. Diamond is able to track Alicia to a sanitarium, where she is staying under another name. He asks for her help. Meanwhile, Brown's right-hand man, McClure, wants to take over. He plots with Fante and Mingo to ambush Mr. Brown, but they betray and murder him. McClure is dependent upon a hearing aid. Fante and Mingo dismantle it and machine gun McClure in pantomime silence, unable to hear his pleas for mercy. At police headquarters, Brown shows up with a writ of habeas corpus, effectively preventing Alicia testifying against her husband. Brown also takes a big stash of "money" to Fante and Mingo while they are hiding out from the police, but the box turns out to contain a bomb that apparently kills both of them. Brown shoots Diamond's partner, Sam, and kidnaps Susan, planning to fly away to safety. However, Mingo survived the assassination attempt by Brown, and he confesses to Diamond that Brown was behind all the murders while sobbing over the body of his cohort. Alicia is able to help Diamond figure out that Brown took Susan to a private airport where he intends to board his getaway plane. However, Brown's plane does not show up and the film climaxes in a foggy hangar shootout. Susan shines the fog lamp from Brown's car in his eyes, effectively blinding him, allowing Diamond to arrest him. The last scene shows the silhouetted figures of Diamond and Susan in the fog, considered to be one of the iconic images of film noir. While the film's title cards feature a copyright claim, a notice was not properly filed, and in 2007 the United States Copyright Office ultimately rejected the notice. Cast Cornel Wilde as Police Lt. Leonard Diamond Richard Conte as Mr. Brown Brian Donlevy as Joe McClure Jean Wallace as Susan Lowell Robert Middleton as Police Capt. Peterson Lee Van Cleef as Fante Earl Holliman as Mingo Helen Walker as Alicia Brown Jay Adler as Sam Hill John Hoyt as Nils Dreyer Ted de Corsia as Ralph Bettini Helene Stanton as Rita Roy Gordon as Audubon Whit Bissell as Doctor (scenes deleted) (as Whit Bissel) Steve Michaell as Bennie Smith – Boxer Baynes Barron as Young Detective James McCallion as Frank – Technician Tony Michaels as Photo Technician Brian O'Hara as Attorney Malloy Bruce Sharpe Detective Michael Mark as Fred – Hotel Clerk Philip Van Zandt as Mr. Jones (scenes deleted) Donna Drew as Miss Hartleby

If you enjoyed the movie, please Click the LIKE button and SUBSCRIBE to help me grow my channel - New High Quality movies uploaded every day. This film is legally licensed, and I have the YouTube rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been colorized, upscaled, color and tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The Big Combo is a 1955 American film noir crime film directed by Joseph H. Lewis, written by Philip Yordan and photographed by cinematographer John Alton, with music by David Raksin. The film stars Cornel Wilde, Richard Conte and Brian Donlevy, as well as Jean Wallace, who was Wilde's wife at the time. The supporting cast features Lee Van Cleef, Earl Holliman and the final screen appearance of actress Helen Walker. Plot Police Lt. Leonard Diamond is on a personal crusade to bring down the sadistic gangster Mr. Brown. He is also dangerously obsessed with Brown's girlfriend, the suicidal Susan Lowell. His main objective as a detective is to uncover what happened to a woman called "Alicia" from the crime boss's past. Mr. Brown, his second-in-command McClure, and thugs Fante and Mingo kidnap and torture the lieutenant, then pour a bottle of alcohol-based hair tonic down his throat before letting him go. Diamond eventually learns through one of Brown's past accomplices, Bettini, that Alicia was actually Brown's wife. Bettini suspects that Alicia was sent away to Sicily with former mob boss Grazzi, then murdered, tied to the boat's anchor, and permanently submerged. Diamond questions a Swede named Dreyer, who was the skipper of that boat but now operates an antiques store as a front, bankrolled by Brown. Dreyer denies involvement and does not want to disclose anything to Diamond, but is nonetheless murdered by McClure shortly after leaving his shop later that day. Diamond tries to persuade Susan to leave Brown and admits he might be in love with her. He shows her a photo of Brown, Alicia and Grazzi together on the boat. Susan finally confronts Brown about his wife and is told she is still alive in Sicily, living with Grazzi. Brown orders a hit on Diamond. However, when his gunmen Fante and Mingo go to Diamond's apartment, they mistakenly shoot and kill Diamond's burlesque dancer girlfriend Rita instead. Diamond sees an up-to-date photo of Alicia but realizes it wasn't taken in Sicily (since there's snow on the ground). This leads Diamond to suspect Brown did not kill Alicia but his boss Grazzi instead. Diamond is able to track Alicia to a sanitarium, where she is staying under another name. He asks for her help. Meanwhile, Brown's right-hand man, McClure, wants to take over. He plots with Fante and Mingo to ambush Mr. Brown, but they betray and murder him. McClure is dependent upon a hearing aid. Fante and Mingo dismantle it and machine gun McClure in pantomime silence, unable to hear his pleas for mercy. At police headquarters, Brown shows up with a writ of habeas corpus, effectively preventing Alicia testifying against her husband. Brown also takes a big stash of "money" to Fante and Mingo while they are hiding out from the police, but the box turns out to contain a bomb that apparently kills both of them. Brown shoots Diamond's partner, Sam, and kidnaps Susan, planning to fly away to safety. However, Mingo survived the assassination attempt by Brown, and he confesses to Diamond that Brown was behind all the murders while sobbing over the body of his cohort. Alicia is able to help Diamond figure out that Brown took Susan to a private airport where he intends to board his getaway plane. However, Brown's plane does not show up and the film climaxes in a foggy hangar shootout. Susan shines the fog lamp from Brown's car in his eyes, effectively blinding him, allowing Diamond to arrest him. The last scene shows the silhouetted figures of Diamond and Susan in the fog, considered to be one of the iconic images of film noir. While the film's title cards feature a copyright claim, a notice was not properly filed, and in 2007 the United States Copyright Office ultimately rejected the notice. Cast Cornel Wilde as Police Lt. Leonard Diamond Richard Conte as Mr. Brown Brian Donlevy as Joe McClure Jean Wallace as Susan Lowell Robert Middleton as Police Capt. Peterson Lee Van Cleef as Fante Earl Holliman as Mingo Helen Walker as Alicia Brown Jay Adler as Sam Hill John Hoyt as Nils Dreyer Ted de Corsia as Ralph Bettini Helene Stanton as Rita Roy Gordon as Audubon Whit Bissell as Doctor (scenes deleted) (as Whit Bissel) Steve Michaell as Bennie Smith – Boxer Baynes Barron as Young Detective James McCallion as Frank – Technician Tony Michaels as Photo Technician Brian O'Hara as Attorney Malloy Bruce Sharpe Detective Michael Mark as Fred – Hotel Clerk Philip Van Zandt as Mr. Jones (scenes deleted) Donna Drew as Miss Hartleby

If you enjoyed the movie, please Click the LIKE button and follow to help grow the channel - New High Quality movies uploaded every day. This film is legally licensed, and AFLIX has the rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been colorized, upscaled, color and tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The Man with the Golden Arm is a 1955 American drama film with elements of film noir directed by Otto Preminger, based on the novel of the same name by Nelson Algren. It recounts the story of a drug addict who gets clean while in prison, but struggles to stay that way in the outside world. Although the addictive drug is never identified in the film, according to the American Film Institute "most contemporary and modern sources assume that it is heroin", although in Algren's book it is morphine. The film's initial release was controversial for its treatment of the then-taboo subject of drug addiction. It was nominated for three Academy Awards: Sinatra for Best Actor in a Leading Role, Joseph C. Wright and Darrell Silvera for Best Art Direction-Set Decoration, Black-and-White and Elmer Bernstein for Best Music, Scoring of a Dramatic or Comedy Picture. Sinatra was also nominated for best actor awards by the BAFTAs and The New York Film Critics. The film is in the public domain, and in 2020 was added into the National Film Registry. Cast Frank Sinatra as Frankie "Dealer" Machine Eleanor Parker as Sophia "Zosh" Machine Kim Novak as Molly Novotny Arnold Stang as Sparrow Darren McGavin as "Nifty Louie" Fomorowski Robert Strauss as Zero Schwiefka John Conte as Drunkie John Doro Merande as Vi George E. Stone as Sam Markette George Mathews as Williams Leonid Kinskey as Dominowski Emile Meyer as Captain Bednar Shorty Rogers as himself (bandleader at audition) Ralph Peña as himself (bassist at audition) Shelly Manne as himself (drummer at audition)[3]

If you enjoyed the movie, please Click the LIKE button and follow to help grow the channel - New High Quality movies uploaded every day. This film is legally licensed, and AFLIX has the rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been upscaled, tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The Man with the Golden Arm is a 1955 American drama film with elements of film noir directed by Otto Preminger, based on the novel of the same name by Nelson Algren. It recounts the story of a drug addict who gets clean while in prison, but struggles to stay that way in the outside world. Although the addictive drug is never identified in the film, according to the American Film Institute "most contemporary and modern sources assume that it is heroin", although in Algren's book it is morphine. The film's initial release was controversial for its treatment of the then-taboo subject of drug addiction. It was nominated for three Academy Awards: Sinatra for Best Actor in a Leading Role, Joseph C. Wright and Darrell Silvera for Best Art Direction-Set Decoration, Black-and-White and Elmer Bernstein for Best Music, Scoring of a Dramatic or Comedy Picture. Sinatra was also nominated for best actor awards by the BAFTAs and The New York Film Critics. The film is in the public domain, and in 2020 was added into the National Film Registry. Cast Frank Sinatra as Frankie "Dealer" Machine Eleanor Parker as Sophia "Zosh" Machine Kim Novak as Molly Novotny Arnold Stang as Sparrow Darren McGavin as "Nifty Louie" Fomorowski Robert Strauss as Zero Schwiefka John Conte as Drunkie John Doro Merande as Vi George E. Stone as Sam Markette George Mathews as Williams Leonid Kinskey as Dominowski Emile Meyer as Captain Bednar Shorty Rogers as himself (bandleader at audition) Ralph Peña as himself (bassist at audition) Shelly Manne as himself (drummer at audition)[3]

If you enjoyed the movie, please Click the LIKE button and follow to help grow the channel - New High Quality movies uploaded every day. This film is legally licensed, and AFLIX has the rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been edited to a widescreen format, upscaled, tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The Outlaw is a 1943 American Western film, directed by Howard Hughes and starring Jack Buetel, Jane Russell, Thomas Mitchell, and Walter Huston. Hughes also produced the film, while Howard Hawks served as an uncredited co-director. The film is notable as Russell's breakthrough role, and she became regarded as a sex symbol and a Hollywood icon. Later advertising billed Russell as the sole star. The Outlaw and The Ox-Bow Incident (released later in 1943) are the earliest films in the All Movie list of psychological Westerns. Plot Sheriff Pat Garrett welcomes his old friend Doc Holliday to Lincoln, New Mexico. Doc is looking for his stolen horse and finds it held by Billy the Kid. Despite this, the two gunfighters take a liking to each other, much to Garrett's disgust. Doc still tries to steal his horse back late that night, but Billy is waiting for him outside the barn. After that, Billy decides to sleep in the barn, and shots are fired at him. He overpowers his ambusher, who turns out to be Rio McDonald, Doc's love-interest. She is out to avenge her dead brother. It is implied that the Kid rapes Rio after ripping off her dress.[4] The next day, a stranger offers to shoot Garrett in the back while the Kid distracts the lawman. But, he is only setting the Kid up. Billy, suspicious as always, guns down the stranger when he draws on him. There are no witnesses, and Garrett tries to arrest Billy. Garrett does not understand when Doc sides with the Kid. As the pair start to leave, Garrett shoots Billy. Doc in response shoots the gun out of his hand and also shoots and kills two of Garrett's men. Doc flees with Billy to the home of Rio and her aunt, Guadalupe. With a posse after them, Doc rides away. Instead of killing the unconscious Kid, Rio instead nurses him to health over the next month, and even sleeps with him to keep him warm. By the time Doc returns, Rio has fallen in love with her patient, and claims to have secretly married him. Doc is furious that Billy has stolen his girlfriend. After Doc's anger subsides a bit, the Kid gives him a choice: the horse or Rio. To Billy's annoyance, Doc picks the horse. Angered that both men value the animal more than her, Rio fills their canteens with sand. The two ride off without noticing. On the trail, they are pursued by Garrett and a posse. The pair surmise that Rio tipped the sheriff off. Doc kills a few men from long range, but leaves Garrett unharmed. When Doc wakes one morning, he finds Billy gone and Garrett waiting to handcuff him and take him back to town. Stopping at Rio's, the two men find that Billy has left Rio tied up in sight of water in revenge. Suspecting that Billy loves Rio and will return to free her, Garrett waits. Billy indeed returns, and he is captured. On the way back to town, they are surrounded by hostile Mescaleros. Garrett reluctantly frees his prisoners and returns their revolvers, after extracting a promise from Doc that he will give them back and make Billy do the same. They manage to elude the Indians, but Doc refuses to honor his word. As Doc tries to leave with his horse, Billy stops him. The two men decide to have a duel, which Garrett expects Billy to lose. However, as they await the signal (the end of a clock signalling eight o'clock), Billy moves his hands away from his guns. Doc tries to provoke him, inflicting minor wounds in one hand and both ears, but the Kid still will not fire. The two reconcile. Furious, Garrett calls Doc out, despite not having a chance. Doc makes no attempt to shoot his friend and is fatally wounded. Garrett is aghast. After Doc is buried, Garrett offers to give Billy their friend's revolvers. He also persuades Billy to give him his guns, saying that he can claim that it is Billy in the grave, and Billy can leave his past behind him and have a fresh start in life. But Garrett had removed the firing pins from Doc's revolvers. However, while comparing the guns, Billy had inadvertently switched one of Doc's for his, so neither of the men's guns fire. Billy pulls out a second, working gun. He handcuffs Garrett, judging that the lawman will say that Billy is dead rather than admit that Billy left him helpless. As he is riding away, Billy stops and looks back; Rio joins him on his horse. Cast Jack Buetel as Billy the Kid Jane Russell as Rio McDonald Thomas Mitchell as Pat Garrett Walter Huston as Doc Holliday Mimi Aguglia as Guadalupe Joe Sawyer as Charley Gene Rizzi as stranger who tries to trick Billy Dickie Jones as boy (uncredited) Edward Peil Sr. as Swanson (uncredited) Lee Shumway as card dealer (uncredited)

If you enjoyed the movie, please Click the LIKE button and follow to help grow the channel - New High Quality movies uploaded every day. This film is legally licensed, and AFLIX has the rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been edited to a widescreen format, colorized, upscaled, color and tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The Outlaw is a 1943 American Western film, directed by Howard Hughes and starring Jack Buetel, Jane Russell, Thomas Mitchell, and Walter Huston. Hughes also produced the film, while Howard Hawks served as an uncredited co-director. The film is notable as Russell's breakthrough role, and she became regarded as a sex symbol and a Hollywood icon. Later advertising billed Russell as the sole star. The Outlaw and The Ox-Bow Incident (released later in 1943) are the earliest films in the All Movie list of psychological Westerns. Plot Sheriff Pat Garrett welcomes his old friend Doc Holliday to Lincoln, New Mexico. Doc is looking for his stolen horse and finds it held by Billy the Kid. Despite this, the two gunfighters take a liking to each other, much to Garrett's disgust. Doc still tries to steal his horse back late that night, but Billy is waiting for him outside the barn. After that, Billy decides to sleep in the barn, and shots are fired at him. He overpowers his ambusher, who turns out to be Rio McDonald, Doc's love-interest. She is out to avenge her dead brother. It is implied that the Kid rapes Rio after ripping off her dress.[4] The next day, a stranger offers to shoot Garrett in the back while the Kid distracts the lawman. But, he is only setting the Kid up. Billy, suspicious as always, guns down the stranger when he draws on him. There are no witnesses, and Garrett tries to arrest Billy. Garrett does not understand when Doc sides with the Kid. As the pair start to leave, Garrett shoots Billy. Doc in response shoots the gun out of his hand and also shoots and kills two of Garrett's men. Doc flees with Billy to the home of Rio and her aunt, Guadalupe. With a posse after them, Doc rides away. Instead of killing the unconscious Kid, Rio instead nurses him to health over the next month, and even sleeps with him to keep him warm. By the time Doc returns, Rio has fallen in love with her patient, and claims to have secretly married him. Doc is furious that Billy has stolen his girlfriend. After Doc's anger subsides a bit, the Kid gives him a choice: the horse or Rio. To Billy's annoyance, Doc picks the horse. Angered that both men value the animal more than her, Rio fills their canteens with sand. The two ride off without noticing. On the trail, they are pursued by Garrett and a posse. The pair surmise that Rio tipped the sheriff off. Doc kills a few men from long range, but leaves Garrett unharmed. When Doc wakes one morning, he finds Billy gone and Garrett waiting to handcuff him and take him back to town. Stopping at Rio's, the two men find that Billy has left Rio tied up in sight of water in revenge. Suspecting that Billy loves Rio and will return to free her, Garrett waits. Billy indeed returns, and he is captured. On the way back to town, they are surrounded by hostile Mescaleros. Garrett reluctantly frees his prisoners and returns their revolvers, after extracting a promise from Doc that he will give them back and make Billy do the same. They manage to elude the Indians, but Doc refuses to honor his word. As Doc tries to leave with his horse, Billy stops him. The two men decide to have a duel, which Garrett expects Billy to lose. However, as they await the signal (the end of a clock signalling eight o'clock), Billy moves his hands away from his guns. Doc tries to provoke him, inflicting minor wounds in one hand and both ears, but the Kid still will not fire. The two reconcile. Furious, Garrett calls Doc out, despite not having a chance. Doc makes no attempt to shoot his friend and is fatally wounded. Garrett is aghast. After Doc is buried, Garrett offers to give Billy their friend's revolvers. He also persuades Billy to give him his guns, saying that he can claim that it is Billy in the grave, and Billy can leave his past behind him and have a fresh start in life. But Garrett had removed the firing pins from Doc's revolvers. However, while comparing the guns, Billy had inadvertently switched one of Doc's for his, so neither of the men's guns fire. Billy pulls out a second, working gun. He handcuffs Garrett, judging that the lawman will say that Billy is dead rather than admit that Billy left him helpless. As he is riding away, Billy stops and looks back; Rio joins him on his horse. Cast Jack Buetel as Billy the Kid Jane Russell as Rio McDonald Thomas Mitchell as Pat Garrett Walter Huston as Doc Holliday Mimi Aguglia as Guadalupe Joe Sawyer as Charley Gene Rizzi as stranger who tries to trick Billy Dickie Jones as boy (uncredited) Edward Peil Sr. as Swanson (uncredited) Lee Shumway as card dealer (uncredited)

If you enjoyed the movie, please Click the LIKE button and follow to help grow the channel - New High Quality movies uploaded every day. This film is legally licensed, and AFLIX has the rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been upscaled, tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. Hollow Triumph (working title The Man Who Murdered Himself, reissued in the United States as The Scar) is a 1948 American film noir crime film directed by Steve Sekely starring Paul Henreid, Joan Bennett and Leslie Brooks. It was released by Eagle-Lion Films, based on the 1946 novel of the same title written by Murray Forbes. The film's sets designed by the art director Edward L. Ilou. Plot Just released from prison, John Müller masterminds a holdup at an illegal casino run by Rocky Stansyck. The robbery goes bad, and the mobsters capture some of Müller's men and force them to identify the rest before killing them. Stansyck has a reputation for tracking down and killing his enemies, no matter how long it takes, so Müller decides to leave town and hide. He takes an office job recommended by his law-abiding brother, Frederick, but quickly decides that working for a living is not for him. A chance encounter with dentist Dr. Swangron reveals that Müller looks exactly like a psychoanalyst who works in the same building, Dr. Bartok, the only difference being a large scar on the left side of the doctor's face. Seizing the opportunity, he begins researching Bartok, even slipping into his office to examine his records. He is discovered by the doctor's secretary, Evelyn Hahn. She mistakes him for her employer and kisses him, but quickly realizes he is someone else. He persuades her to go out with him, though she has become embittered and claims to have given up any dreams of finding love. Müller sets out to impersonate Bartok, aided by the fact he studied psychoanalysis in medical school before dropping out. He takes a photograph of the doctor and uses it as a guide to cut an identical scar on his own face. Unfortunately, the developers of the photograph reversed the negative, so now Muller has the scar on the wrong side. He discovers the mistake only after he has already murdered Bartok and is preparing to dump the body in the river. He has no choice but to go through with the plan anyway. Luckily, no one (except the office cleaning lady, whose suspicions he manages to lull) notices the difference, not even Evelyn or Bartok's patients. Müller discovers "he" has a girlfriend, Virginia Taylor, and that they frequent Maxwell's, a high class casino. It also turns out Bartok has been losing heavily. When a worried Frederick Müller tries to contact his brother, the trail leads to Bartok. The scar convinces Frederick that the man he sees is merely a lookalike. Evelyn, previously unaware of the switch (but now very suspicious), reveals that John Müller said he was going to Paris. Frederick Müller tells "Bartok" that his brother no longer has to hide; Stansyck was convicted for "income tax problems" and is scheduled to be deported. Afterwards, Evelyn realizes that Müller is an imposter and that he must have killed the psychoanalyst. Though he admits to her he did, she does not turn him in to the police; instead she purchases a ticket to sail to Honolulu. Müller finds out and promises he will go with her, but she does not believe he would leave such an opportunity to enrich himself. Müller arranges for other doctors to take care of his patients and heads to the dock. There, however, he is intercepted by two men who want to discuss Bartok's $90,000 gambling debt. When Müller tries to break away, they fatally shoot him. Evelyn sails away, unaware that Müller lies dying on the dock. Cast Paul Henreid as John Müller / Dr. Victor Emil Bartok Joan Bennett as Evelyn Hahn Eduard Franz as Frederick Müller Leslie Brooks as Virginia Taylor John Qualen as Swangron Mabel Paige as Charwoman Herbert Rudley as Marcy Charles Arnt as Coblenz George Chandler as Artell, Assistant Sid Tomack as Aubrey, Manager Alvin Hammer as Jerry Ann Staunton as Blonde Paul E. Burns as Harold (as Paul Bruns) Charles Trowbridge as Deputy Morgan Farley as Howard Anderson Thomas Browne Henry as Rocky Stansyck Jack Webb as Bullseye (uncredited) Henry Brandon as Big Boy (uncredited)

If you enjoyed the movie, please Click the LIKE button and follow to help grow the channel - New High Quality movies uploaded every day. This film is legally licensed, and AFLIX has the rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been colorized, upscaled, color and tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. Hollow Triumph (working title The Man Who Murdered Himself, reissued in the United States as The Scar) is a 1948 American film noir crime film directed by Steve Sekely starring Paul Henreid, Joan Bennett and Leslie Brooks. It was released by Eagle-Lion Films, based on the 1946 novel of the same title written by Murray Forbes. The film's sets designed by the art director Edward L. Ilou. Plot Just released from prison, John Müller masterminds a holdup at an illegal casino run by Rocky Stansyck. The robbery goes bad, and the mobsters capture some of Müller's men and force them to identify the rest before killing them. Stansyck has a reputation for tracking down and killing his enemies, no matter how long it takes, so Müller decides to leave town and hide. He takes an office job recommended by his law-abiding brother, Frederick, but quickly decides that working for a living is not for him. A chance encounter with dentist Dr. Swangron reveals that Müller looks exactly like a psychoanalyst who works in the same building, Dr. Bartok, the only difference being a large scar on the left side of the doctor's face. Seizing the opportunity, he begins researching Bartok, even slipping into his office to examine his records. He is discovered by the doctor's secretary, Evelyn Hahn. She mistakes him for her employer and kisses him, but quickly realizes he is someone else. He persuades her to go out with him, though she has become embittered and claims to have given up any dreams of finding love. Müller sets out to impersonate Bartok, aided by the fact he studied psychoanalysis in medical school before dropping out. He takes a photograph of the doctor and uses it as a guide to cut an identical scar on his own face. Unfortunately, the developers of the photograph reversed the negative, so now Muller has the scar on the wrong side. He discovers the mistake only after he has already murdered Bartok and is preparing to dump the body in the river. He has no choice but to go through with the plan anyway. Luckily, no one (except the office cleaning lady, whose suspicions he manages to lull) notices the difference, not even Evelyn or Bartok's patients. Müller discovers "he" has a girlfriend, Virginia Taylor, and that they frequent Maxwell's, a high class casino. It also turns out Bartok has been losing heavily. When a worried Frederick Müller tries to contact his brother, the trail leads to Bartok. The scar convinces Frederick that the man he sees is merely a lookalike. Evelyn, previously unaware of the switch (but now very suspicious), reveals that John Müller said he was going to Paris. Frederick Müller tells "Bartok" that his brother no longer has to hide; Stansyck was convicted for "income tax problems" and is scheduled to be deported. Afterwards, Evelyn realizes that Müller is an imposter and that he must have killed the psychoanalyst. Though he admits to her he did, she does not turn him in to the police; instead she purchases a ticket to sail to Honolulu. Müller finds out and promises he will go with her, but she does not believe he would leave such an opportunity to enrich himself. Müller arranges for other doctors to take care of his patients and heads to the dock. There, however, he is intercepted by two men who want to discuss Bartok's $90,000 gambling debt. When Müller tries to break away, they fatally shoot him. Evelyn sails away, unaware that Müller lies dying on the dock. Cast Paul Henreid as John Müller / Dr. Victor Emil Bartok Joan Bennett as Evelyn Hahn Eduard Franz as Frederick Müller Leslie Brooks as Virginia Taylor John Qualen as Swangron Mabel Paige as Charwoman Herbert Rudley as Marcy Charles Arnt as Coblenz George Chandler as Artell, Assistant Sid Tomack as Aubrey, Manager Alvin Hammer as Jerry Ann Staunton as Blonde Paul E. Burns as Harold (as Paul Bruns) Charles Trowbridge as Deputy Morgan Farley as Howard Anderson Thomas Browne Henry as Rocky Stansyck Jack Webb as Bullseye (uncredited) Henry Brandon as Big Boy (uncredited)

If you enjoyed the movie, please Click the LIKE button and follow to help grow the channel - New High Quality movies uploaded every day. This film is legally licensed, and AFLIX has the rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been colorized, upscaled, color and tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The Screaming Skull is a 1958 independently made American horror film, produced by John Kneubuhl and directed by Alex Nicol, starring John Hudson, Peggy Webber, Russ Conway, Tony Johnson, and Nicol. The Screaming Skull marked Nicol's directorial debut; he decided to try it because he felt that he was not acting in the roles which he wanted. The film's storyline concerns a newlywed woman who believes she is being haunted by the ghost of her new husband's previous wife. Plot An opening prologue explains that The Screaming Skull is so frightening that it may kill its viewers. Over a scene of an opening coffin, a narrator explains that the film's climax is so terrifying that it may kill the viewer, while reassuring the audience that should they die of fright they will receive a free burial service. Inside the coffin is a card that reads "Reserved for You." Newlyweds Jenni and Eric arrive at Eric's palatial country home in a gull-wing Mercedes-Benz 300 SL. It is revealed that Jenni is Eric's second wife: his first wife Marion died when she accidentally slipped and hit her head on the edge of a decorative pond on the estate, drowning in the pond. At the home they meet Eric's friends, the Reverend Snow and his wife, as well as Mickey, the mentally disabled gardener. Eric privately mentions to the Snows that Jenni spent time in an asylum following the sudden death of both her parents, who were also drowned, and Mrs. Snow reveals that Jenni is very wealthy. Jenni is disturbed both by Mickey's belief that Marion's ghost wanders the estate and by Marion's self-portrait inside the house, which Jenni believes resembles her mother. When she begins to hear unexplained screaming noises and see skulls around the house, she believes that Marion is haunting her. Though Eric speculates to Jenni that Mickey, who was a childhood friend of Marion and thus dislikes Jenni, may be behind the trickery, Jenni worries that she is going insane. Eric suggests that they remove Marion's self-portrait from the home. Eric and Jenni take the painting outside and burn it, later uncovering a skull from the ashes. Jenni panics at the sight of the skull, but Eric denies that the skull is there. As Jenni faints, Eric withdraws the skull and hides it, revealing that he has been gaslighting her all along. Believing she has finally lost her sanity, Jenni resolves to be committed, and Eric says he has arranged for them to leave that night. Reverend Snow visits, and Eric tells him that Jenni is going back to the hospital. Later, Jenni tells Eric that Reverend Snow, when saying goodbye, had promised to bring people the next day so that the entire property can be meticulously searched for the skull as a last resort. Mickey secretly steals the skull and brings it to Snow before Eric can retrieve it. That night, Eric prepares to murder Jenni and stage it as a suicide. Jenni sees Marion's ghost in Mickey's greenhouse and flees back to the house, where Eric begins throttling her. The ghost appears and chases Eric outside, corners, and attacks him, drowning him in the decorative pond. After Jenni regains consciousness, the Snows arrive. Mrs. Snow comforts an hysterical Jenni and the Reverend discovers Eric's body in the pond. Some undisclosed time later, Jenni and the Snows depart from the house. Reverend Snow declares whether or not Marion's death was an accident will remain a mystery. The film ends with Mickey taking some water from the pond in his hand and placing it on his face before saying "They've left. Rest in peace." A vision of a woman's face appears in the pond. Cast Jon Hudson and Peggy Webber John Hudson as Eric Whitlock Peggy Webber as Jenni Whitlock Russ Conway as Rev. Edward Snow Tony Johnson as Mrs. Snow Alex Nicol as Mickey

If you enjoyed the movie, please Click the LIKE button and follow to help grow the channel - New High Quality movies uploaded every day. This film is legally licensed, and AFLIX has the rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been upscaled, tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The Screaming Skull is a 1958 independently made American horror film, produced by John Kneubuhl and directed by Alex Nicol, starring John Hudson, Peggy Webber, Russ Conway, Tony Johnson, and Nicol. The Screaming Skull marked Nicol's directorial debut; he decided to try it because he felt that he was not acting in the roles which he wanted. The film's storyline concerns a newlywed woman who believes she is being haunted by the ghost of her new husband's previous wife. Plot An opening prologue explains that The Screaming Skull is so frightening that it may kill its viewers. Over a scene of an opening coffin, a narrator explains that the film's climax is so terrifying that it may kill the viewer, while reassuring the audience that should they die of fright they will receive a free burial service. Inside the coffin is a card that reads "Reserved for You." Newlyweds Jenni and Eric arrive at Eric's palatial country home in a gull-wing Mercedes-Benz 300 SL. It is revealed that Jenni is Eric's second wife: his first wife Marion died when she accidentally slipped and hit her head on the edge of a decorative pond on the estate, drowning in the pond. At the home they meet Eric's friends, the Reverend Snow and his wife, as well as Mickey, the mentally disabled gardener. Eric privately mentions to the Snows that Jenni spent time in an asylum following the sudden death of both her parents, who were also drowned, and Mrs. Snow reveals that Jenni is very wealthy. Jenni is disturbed both by Mickey's belief that Marion's ghost wanders the estate and by Marion's self-portrait inside the house, which Jenni believes resembles her mother. When she begins to hear unexplained screaming noises and see skulls around the house, she believes that Marion is haunting her. Though Eric speculates to Jenni that Mickey, who was a childhood friend of Marion and thus dislikes Jenni, may be behind the trickery, Jenni worries that she is going insane. Eric suggests that they remove Marion's self-portrait from the home. Eric and Jenni take the painting outside and burn it, later uncovering a skull from the ashes. Jenni panics at the sight of the skull, but Eric denies that the skull is there. As Jenni faints, Eric withdraws the skull and hides it, revealing that he has been gaslighting her all along. Believing she has finally lost her sanity, Jenni resolves to be committed, and Eric says he has arranged for them to leave that night. Reverend Snow visits, and Eric tells him that Jenni is going back to the hospital. Later, Jenni tells Eric that Reverend Snow, when saying goodbye, had promised to bring people the next day so that the entire property can be meticulously searched for the skull as a last resort. Mickey secretly steals the skull and brings it to Snow before Eric can retrieve it. That night, Eric prepares to murder Jenni and stage it as a suicide. Jenni sees Marion's ghost in Mickey's greenhouse and flees back to the house, where Eric begins throttling her. The ghost appears and chases Eric outside, corners, and attacks him, drowning him in the decorative pond. After Jenni regains consciousness, the Snows arrive. Mrs. Snow comforts an hysterical Jenni and the Reverend discovers Eric's body in the pond. Some undisclosed time later, Jenni and the Snows depart from the house. Reverend Snow declares whether or not Marion's death was an accident will remain a mystery. The film ends with Mickey taking some water from the pond in his hand and placing it on his face before saying "They've left. Rest in peace." A vision of a woman's face appears in the pond. Cast Jon Hudson and Peggy Webber John Hudson as Eric Whitlock Peggy Webber as Jenni Whitlock Russ Conway as Rev. Edward Snow Tony Johnson as Mrs. Snow Alex Nicol as Mickey

If you enjoyed the movie, please Click the LIKE button and follow to help grow the channel - New High Quality movies uploaded every day. This film is legally licensed, and AFLIX has the rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been colorized, upscaled, color and tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The Vampire Bat is a 1933 American Pre-Code horror film directed by Frank R. Strayer and starring Lionel Atwill, Fay Wray, Melvyn Douglas, and Dwight Frye. Plot When the villagers of Kleinschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism, but police inspector Karl Brettschneider remains skeptical. Scientist Dr. Otto von Niemann, who cares for the victims, visits a patient who was attacked by a bat, Martha Mueller. Out of appreciation for her kindness, Martha is visited by a mentally challenged man named Hermann Gleib, who claims he likes bats because they are "soft like cat" and "nice". On the doctor's journey home, he meets Kringen, one of the townsfolk, who claims to have been attacked by the vampire in the form of a bat, but withheld his story from the town in order to not spread fear. Dr. von Niemann encourages Kringen to tell the townsfolk of his story. Kringen becomes suspicious that Gleib may be the vampire due to his obsession with bats. Gleib lives with bats and collects them off the street. Dr. von Niemann returns to his home, which also houses Brettschneider's love Ruth Bertin, Ruth's hypochondriac aunt Gussie Schnappmann, and servants Emil Borst and Georgiana. Fear of the vampire and suspicion of Gleib quickly spread around the town and people start fearing him. Ms. Mueller is killed that night. The analyses of Dr. von Niemann and another doctor, Dr. Haupt, conclude that the death is the same as all of the previous deaths – blood loss, with two punctures in the neck caused by needle-sharp teeth. Gleib enters the examination, and upon seeing the dead body, runs away screaming. Next morning, Gleib enters Dr. von Niemann's garden, where Dr. von Niemann, Brettschneider and Bertin are discussing vampires inside the house. The town fathers enter the house and announce that Kringen is dead and Gleib is missing. An angry mob hunts down Gleib and chases him through the countryside and into a cave, where he falls to his death. That night, Dr. von Niemann is seen telepathically controlling Emil Borst, as he picks up sleeping Georgiana and takes her down to Dr. von Niemann's laboratory, where a strange organism is seen. They then drain her blood from her neck. Schnappmann then discovers Georgiana's body in her bed. Dr. von Niemann and Brettschneider investigate and find Ms Mueller's crucifix, which Gleib handled the night Dr. von Niemann visited her. Brettschneider is becoming more convinced of the presence of vampires in the village as no other plausible explanations for the deaths can be found. As Gleib was seen in the garden that morning, the two conclude he is guilty. Upon hearing of Gleib's death, however, Brettschneider's conviction is erased. Dr. von Niemann tells Brettschneider to go home and take sleeping pills, but gives him poison instead, intent on draining his blood. Bertin discovers Dr. von Niemann telepathically controlling Borst, who is at Brettschneider's house. It is revealed that Dr. von Niemann has created an artificial lifeform and is using the blood to feed his organism. He ties Bertin up and gags her in his lab. Borst supposedly enters with Brettschneider's body on a trolley. Dr. von Niemann walks over to Borst, who is revealed to be Brettschneider (who did not take the pills) in costume, with the real Borst on the trolley. Brettschneider pulls a gun on Dr. von Niemann and walks over to untie Bertin. Dr. von Niemann then wrestles Brettschneider, who drops the gun. As the two fight, Borst picks up the gun and shoots Dr. von Niemann before shooting himself. Cast Lionel Atwill as Dr. Otto von Niemann Fay Wray as Ruth Bertin Melvyn Douglas as Karl Brettschneider Maude Eburne as Gussie Schnappmann George E. Stone as Kringen Dwight Frye as Hermann Gleib Robert Frazer as Emil Borst Rita Carlisle as Martha Mueller Lionel Belmore as Bürgermeister Gustave Schoen William V. Mong as Sauer Stella Adams as Georgiana Paul Weigel as Dr. Holdstadt Harrison Greene as Weingarten William Humphrey as Dr. Haupt Carl Stockdale as Schmidt Paul Panzer as Townsman

If you enjoyed the movie, please Click the LIKE button and follow to help grow the channel - New High Quality movies uploaded every day. This film is legally licensed, and AFLIX has the rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been colorized, upscaled, color and tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The Stranger is a 1946 American thriller film noir directed and co-written by Orson Welles, starring Edward G. Robinson, Loretta Young and Orson Welles. Welles's third completed feature film as director and his first film noir, it centers on a war crimes investigator tracking a high-ranking Nazi fugitive to a Connecticut town. It is the first Hollywood film to present documentary footage of the Holocaust. The film was nominated for the Golden Lion (then-called the ‘Grand International Prize’) at the 8th Venice International Film Festival. Screenwriter Victor Trivas received an Oscar nomination for Best Story. The film entered the public domain when its copyright was not renewed. Plot Mr. Wilson is an agent of the United Nations War Crimes Commission who is hunting for Nazi fugitive Franz Kindler, a war criminal who has erased all evidence which might identify him. He has left no clue to his identity except "a hobby that almost amounts to a mania—clocks." Wilson releases Kindler's former associate Konrad Meinike, hoping the man will lead him to Kindler. Wilson follows Meinike to a small town in Connecticut, but loses him before he meets with Kindler. Kindler has assumed a new identity as "Charles Rankin", and has become a teacher at a local prep school. He is about to marry Mary Longstreet, daughter of Supreme Court Justice Adam Longstreet, and is involved in repairing the town's 400-year-old Habrecht-style clock mechanism with religious automata that crowns the belfry of a church in the town square. Meinike attacks Wilson, leaving him for dead, and meets Kindler. Meinike is repentant and has become a Christian, and begs Kindler to confess his own crimes. Instead, Kindler strangles Meinike, who might expose him. Wilson begins investigating newcomers to the small town. Due to Rankin and Mary's marriage, he does not suspect Rankin—until Rankin says conversationally that since Karl Marx was a Jew, he could not be a German. Even so, not having witnessed the meeting with Meinike, he still has no proof. Only Mary knows that Meinike came to meet her husband. To get her to admit this, Wilson must convince her that her husband is a criminal—before Kindler decides to eliminate the threat to him by killing her. Kindler's facade begins to unravel when Red, the family dog, discovers Meinike's body. To further protect his secret, Kindler poisons Red. Meanwhile, Mary begins to suspect her husband is not being honest with her. He admits to killing Meinike and Red, but claims Meinike was in town to blackmail her and her father. Mary still loves him and wants to protect him in any way she can; she helps by lying about Meinike. Then Wilson shows her graphic footage of Nazi concentration camps and explains how Kindler developed the idea of genocide. She is torn between her love and her desire to learn the truth. Meanwhile, Kindler tries to arrange a fatal "accident" for Mary, but she discovers the plot. Finally accepting the truth, she dares her husband to kill her face to face. Kindler tries, but is prevented by the arrival of Wilson and Mary's brother, and escapes from the house. Kindler flees into the church belfry, followed by Mary and then Wilson. Meanwhile, most of the town, hearing the repaired clock bell, has arrived outside the building. At the top of the tower, Kindler pulls a gun and a struggle ensues. Mary ends up with the gun and fires. Kindler is shot. He staggers outside to the belfry's clock face, and is impaled by the sword of one of the moving clock figures. Weakened by his injuries, he falls to his death. Cast Orson Welles as Franz Kindler/Professor Charles Rankin Edward G. Robinson as Mr. Wilson Loretta Young as Mary Longstreet Rankin Philip Merivale as Judge Adam Longstreet Richard Long as Noah Longstreet Konstantin Shayne as Konrad Meinike Byron Keith as Dr. Jeffrey Lawrence Billy House as Mr. Potter Martha Wentworth as Sara Isabel O'Madigan as Mrs. Lawrence Pietro Sosso as Mr. Peabody Erskine Sanford as Party Guest

If you enjoyed the movie, please Click the LIKE button and follow to help grow the channel - New High Quality movies uploaded every day. This film is legally licensed, and AFLIX has the rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been upscaled, tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The Vampire Bat is a 1933 American Pre-Code horror film directed by Frank R. Strayer and starring Lionel Atwill, Fay Wray, Melvyn Douglas, and Dwight Frye. Plot When the villagers of Kleinschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism, but police inspector Karl Brettschneider remains skeptical. Scientist Dr. Otto von Niemann, who cares for the victims, visits a patient who was attacked by a bat, Martha Mueller. Out of appreciation for her kindness, Martha is visited by a mentally challenged man named Hermann Gleib, who claims he likes bats because they are "soft like cat" and "nice". On the doctor's journey home, he meets Kringen, one of the townsfolk, who claims to have been attacked by the vampire in the form of a bat, but withheld his story from the town in order to not spread fear. Dr. von Niemann encourages Kringen to tell the townsfolk of his story. Kringen becomes suspicious that Gleib may be the vampire due to his obsession with bats. Gleib lives with bats and collects them off the street. Dr. von Niemann returns to his home, which also houses Brettschneider's love Ruth Bertin, Ruth's hypochondriac aunt Gussie Schnappmann, and servants Emil Borst and Georgiana. Fear of the vampire and suspicion of Gleib quickly spread around the town and people start fearing him. Ms. Mueller is killed that night. The analyses of Dr. von Niemann and another doctor, Dr. Haupt, conclude that the death is the same as all of the previous deaths – blood loss, with two punctures in the neck caused by needle-sharp teeth. Gleib enters the examination, and upon seeing the dead body, runs away screaming. Next morning, Gleib enters Dr. von Niemann's garden, where Dr. von Niemann, Brettschneider and Bertin are discussing vampires inside the house. The town fathers enter the house and announce that Kringen is dead and Gleib is missing. An angry mob hunts down Gleib and chases him through the countryside and into a cave, where he falls to his death. That night, Dr. von Niemann is seen telepathically controlling Emil Borst, as he picks up sleeping Georgiana and takes her down to Dr. von Niemann's laboratory, where a strange organism is seen. They then drain her blood from her neck. Schnappmann then discovers Georgiana's body in her bed. Dr. von Niemann and Brettschneider investigate and find Ms Mueller's crucifix, which Gleib handled the night Dr. von Niemann visited her. Brettschneider is becoming more convinced of the presence of vampires in the village as no other plausible explanations for the deaths can be found. As Gleib was seen in the garden that morning, the two conclude he is guilty. Upon hearing of Gleib's death, however, Brettschneider's conviction is erased. Dr. von Niemann tells Brettschneider to go home and take sleeping pills, but gives him poison instead, intent on draining his blood. Bertin discovers Dr. von Niemann telepathically controlling Borst, who is at Brettschneider's house. It is revealed that Dr. von Niemann has created an artificial lifeform and is using the blood to feed his organism. He ties Bertin up and gags her in his lab. Borst supposedly enters with Brettschneider's body on a trolley. Dr. von Niemann walks over to Borst, who is revealed to be Brettschneider (who did not take the pills) in costume, with the real Borst on the trolley. Brettschneider pulls a gun on Dr. von Niemann and walks over to untie Bertin. Dr. von Niemann then wrestles Brettschneider, who drops the gun. As the two fight, Borst picks up the gun and shoots Dr. von Niemann before shooting himself. Cast Lionel Atwill as Dr. Otto von Niemann Fay Wray as Ruth Bertin Melvyn Douglas as Karl Brettschneider Maude Eburne as Gussie Schnappmann George E. Stone as Kringen Dwight Frye as Hermann Gleib Robert Frazer as Emil Borst Rita Carlisle as Martha Mueller Lionel Belmore as Bürgermeister Gustave Schoen William V. Mong as Sauer Stella Adams as Georgiana Paul Weigel as Dr. Holdstadt Harrison Greene as Weingarten William Humphrey as Dr. Haupt Carl Stockdale as Schmidt Paul Panzer as Townsman

If you enjoyed the movie, please Click the LIKE button and follow to help grow the channel - New High Quality movies uploaded every day. This film is legally licensed, and AFLIX has the rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been colorized, upscaled, color and tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. The Wasp Woman (also known as The Bee Girl and Insect Woman) is a 1959 American independent science-fiction horror film produced and directed by Roger Corman. Filmed in black-and-white, it stars Susan Cabot, Anthony Eisley, Michael Mark, and Barboura Morris. Plot In the prologue, scientist Dr. Eric Zinthrop (Michael Mark) is fired from his job at a honey farm for experimenting with wasps. The founder and owner of a large cosmetics company, Janice Starlin (Susan Cabot), is disturbed when her firm's sales begin to drop after it becomes apparent to her customer base that she is aging. Zinthrop has been able to extract enzymes from the royal jelly of the queen wasp that can reverse the aging process. Janice agrees to fund further research, at great cost, provided she can serve as his human subject. Displeased with the slowness of the results, she breaks into the scientist's laboratory after hours and injects herself with extra doses of the formula. Zinthrop becomes aware that some of the test creatures are becoming violent and goes to warn Janice, but before he can reach anyone, he gets into a car accident. He is thus temporarily missing and Janice goes through great trouble to find him, eventually taking over his care. Janice continues her clandestine use of the serum and sheds 20 years in a single weekend, but soon discovers that she is periodically transformed into a murderous, wasp-like creature. Eventually, Zinthrop throws a jar of carbolic acid at her face, and another character, using a chair, pushes her out of a high window, and falls to her death. Cast Susan Cabot as Janice Starlin Fred Eisley as Bill Lane Barboura Morris as Mary Dennison William Roerick as Arthur Cooper Michael Mark as Dr. Eric Zinthrop Frank Gerstle as Les Hellman Bruno VeSota as Night Watchman Roy Gordon as Paul Thompson Carolyn Hughes as Jean Carson Lynn Cartwright as Maureen Reardon Frank Wolff as Delivery Man Lani Mars as Secretary Philip Barry as Delivery Man Roger Corman as Hospital Doctor (uncredited)

If you enjoyed the movie, please Click the LIKE button and follow to help grow the channel - New High Quality movies uploaded every day. This film is legally licensed, and AFLIX has the rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been upscaled, color and tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. ill The Clouds Roll By is a 1946 American Technicolor musical film produced by Metro-Goldwyn-Mayer. A fictionalized biopic of composer Jerome Kern, portrayed by Robert Walker, Kern was originally involved with the production, but died before its completion. Featuring an ensemble cast of well-known musical stars, it was the first in a series of MGM biopics about Broadway composers. The film is one of the MGM musicals that entered the public domain when MGM failed to renew their copyrights. Plot Kern attends the opening night of Show Boat in 1927, the landmark musical that secured his popularity. Following several of the show's most notable songs, Kern departs to reminisce about his early days as a young songwriter. Kern recounts meeting Jim Hessler, a musical mentor, and Hessler's young daughter Sally. Kern and the Hesslers grow close, and he later visits them in London. Taking Sally to the fair, a swing ride inspires Kern to conceive a stage production for one of his songs. At the London Gaieties revue, Kern's song garners the attention of theatrical producer Charles Frohman. When Kern happens to meet Eva Leale, it's love at first sight, but the courtship is cut short. He must abruptly sail back to New York to adapt The Girl from Utah for its Broadway debut. Following the show's success, Kern narrowly misses sailing back to London on the RMS Lusitania. The 1917 opening night of Oh, Boy! includes the musical number "Till the Clouds Roll By". The composer proposes to Eva, and returns to New York to continue his string of theatrical successes, including Leave It to Jane. His 1920 musical Sally, starring Marilyn Miller, popularized the song "Look for the Silver Lining". Now grown up, Sally Hessler asks her "Uncle Jerry" to help her get a stage role. He writes the song "Who?" for her to have a part in the 1925 musical Sunny. After the show's producers give the song to star Marilyn Miller, Sally leaves in protest. At the opening night of Sunny, Kern learns that Sally has run off, leaving her father despondent. All attempts to locate Sally fail, and Jim Hessler dies, leaving a mourning Kern unable to work. Oscar Hammerstein visits the Kerns to share a copy of the 1926 novel Show Boat. The same night, Kern learns that Sally will be performing at a club in Memphis. He leaves to find her in Tennessee, where the two make amends, and he spends the night listening to the sounds of the mighty Mississippi River. Having recounted his life story so far, Kern feels his career has likely come to an end with Show Boat. On the contrary, he continued to write hit shows, including The Cat and the Fiddle (1931) and Roberta (1933). While visiting a sound stage at MGM, Kern is delighted to discover the studio has cast Sally to perform in a new film featuring his songs. Highlights of Kern's Hollywood career include songs from Swing Time (1936), Cover Girl (1944), and Broadway Rhythm (1944); the montage concludes with songs from Sweet Adeline and Show Boat. Cast Judy Garland Lena Horne Frank Sinatra Angela Lansbury Robert Walker as Jerome Kern June Allyson as herself/Jane in Leave It to Jane Lucille Bremer as Sally Hessler Judy Garland as Marilyn Miller Kathryn Grayson as Magnolia Hawks in Show Boat/Herself Van Heflin as James I. Hessler Lena Horne as Julie LaVerne in Show Boat/Herself Dorothy Patrick as Eva Kern Van Johnson as bandleader in Elite Club Tony Martin as Gaylord Ravenal in Show Boat/Himself Dinah Shore as Julia Sanderson Frank Sinatra as himself Gower Champion as Specialty dancer in Roberta Cyd Charisse as Specialty dancer in Roberta Angela Lansbury as London specialty Ray McDonald as Dance Specialty in Oh, Boy! and Leave It to Jane Virginia O'Brien as Ellie Mae in Show Boat/Herself Mary Nash as Mrs. Muller Joan Wells as Young Sally Hessler Harry Hayden as Charles Frohman Paul Langton as Oscar Hammerstein II Paul Maxey as Victor Herbert

If you enjoyed the movie, please Click the LIKE button and SUBSCRIBE to help me grow my channel - New High Quality movies uploaded every day. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been upscaled, tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. Snowbeast is a 1977 American made-for-television horror film starring Bo Svenson, Yvette Mimieux, Robert Logan and Clint Walker, and follows the story of a bloodthirsty Bigfoot-like monster terrorizing a ski resort in the Colorado Rockies. It was directed by Herb Wallerstein from a teleplay written by Joseph Stefano (The Outer Limits co-creator, who also wrote the screenplay for Alfred Hitchcock's 1960 thriller Psycho). Plot Gar Seberg (Svenson) and his wife Ellen (Mimieux), return to his home town, a ski resort in the Colorado Rockies. Gar is a former Olympic skiing champion, and is looking for work. As they arrive, the town's annual Snow Carnival is spoiled by the disappearance of some vacationers. Resort owner Carrie Rill (Sylvia Sidney), fears losing business and tries to keep the disappearances a secret, but there are witnesses, who say that the culprit is a Yeti or Bigfoot/Sasquatch. As it is revealed that the missing people were brutally killed, the local sheriff (Walker) spreads the story that there is a lone savage bear on the loose. Carrie's grandson Tony (Logan) gives Gar a job at the resort, but also tells him that he must stalk and kill the monster. Ellen was previously in television and had worked on a documentary about Sasquatch sightings, so Gar has an open mind and is reluctant to kill the beast—until he sees the remains of the first victim. Then the monster comes to town, killing the mother of the carnival queen and sending the town into a panic. Gar, Ellen, Tony and the sheriff go to the woods and track the monster. The creature attacks Gar, who shoots it, but the beast is still alive, so Gar picks up a ski pole and impales it, causing it to fall off the cliff and die. Cast Bo Svenson as Gar Seberg Yvette Mimieux as Ellen Seberg Robert Logan as Tony Rill Clint Walker as Sheriff Paraday Sylvia Sidney as Mrs. Carrie Rill Thomas Babson as Buster Smith Jacquie Botts as Betty Jo Blodgett Jamie Jamison as John Cochran Richard Jamison as Ben Cochran Liz Jury as Mrs. Blodgett Richard Jury as Charlie Braintree Annie McEnroe as Heidi Michael J. London as The Snowbeast

If you enjoyed the movie, please Click the LIKE button and FOLLOW to help me grow my channel - New High Quality movies uploaded every day. This film is legally licensed, and I have the rights to screen this movie. IMPORTANT NOTE: This is a creatively edited remaster of the original film, it has been upscaled, tone graded, denoised and image sharpened by AFLIX using proprietary technologies and software systems, therefore AFLIX holds all intellectual property over this version. Consequently, it cannot be shared, copied or distributed without ALFIX agreement and permission. Young and Innocent, released in the US as The Girl Was Young, is a 1937 British crime thriller film directed by Alfred Hitchcock and starring Nova Pilbeam and Derrick De Marney. Based on the 1936 novel A Shilling for Candles by Josephine Tey, the film is about a young man on the run from a murder charge who enlists the help of a woman who must put herself at risk for his cause. An elaborately staged crane shot Hitchcock devised, which appears towards the end of the film, identifies the real murderer. Plot On a stormy night, at a retreat on the English coast, Christine Clay (Pamela Carme), a successful actress, argues passionately with her jealous ex-husband Guy (George Curzon). He accuses her of having an affair. The next morning, Robert Tisdall (Derrick De Marney) happens to be walking along the seaside when Christine's dead body washes ashore. The police quickly decide that Tisdall is the only suspect. Scotland Yard detectives grill him all night. The next morning, he faints and is revived with the aid of Erica Burgoyne (Nova Pilbeam), daughter of the local police Chief Constable. Tisdall is assigned an incompetent solicitor, and is taken into court for his formal arraignment. Doubting if his innocence will ever be established, he takes advantage of overcrowding in the courthouse to escape, wearing the solicitor's eyeglasses as a disguise. He gets away by riding on the running board of Erica's Morris car, revealing himself to her after the car runs out of petrol. He helps push the car to a filling station, pays for petrol, and convinces her to give him a ride. Though she is initially fearful and unsure about her passenger, Erica eventually becomes convinced of his innocence and decides to help him in any way that she can. They are eventually spotted together, forcing both to stay on the run from the police. Tisdall tries to prove his innocence by tracking down the stolen coat: if it still has its belt, the one found next to Christine's body must not be his. The duo succeed in tracing Tisdall's coat to Old Will (Edward Rigby), a homeless, but sociable, china-mender. But Will was not the thief; he was given the coat by a man with "twitchy eyes", and with its belt already missing. After becoming separated from the others, Erica is taken in by the police. Upon realizing that his daughter has fully allied herself with a murder suspect, her father chooses to resign his position as Chief Constable rather than arrest her for assisting a felon. Though mutually undeclared, by this point she and Tisdall are in love, Tisdall sneaks into their house to see her, intending to surrender and assert he kidnapped her, to save her honour and her father's reputation. But she mentions that the coat had a box of matches from the Grand Hotel in a pocket. As Tisdall has never been there, he surmises perhaps the murderer has a connection to the hotel. The following evening, Erica and Will go to the hotel together, hoping to find him. In a memorably long, continuous sequence, the camera pans right from their entrance to the hotel and then moves forward from the very back of the hotel ballroom, finally focusing in extreme closeup on the drummer in a dance band performing in blackface. His eyes are twitching. He is Guy, the murderer. Recognizing Old Will in the audience, and seeing policemen nearby (who have actually followed Will hoping he'll lead them to Tisdall), Guy performs poorly due to fear. He is berated by the conductor and, during a break, takes medicine to try to control the twitching, but it makes him very sleepy. Eventually, in mid-performance, Guy passes out, drawing the attention of Erica and the police. Immediately after being revived and confronted, he confesses his crime and begins laughing hysterically. Reunited once again with Tisdall, Erica then tells her father that she thinks it is time they invited him to their home for dinner. Main cast Nova Pilbeam as Erica Burgoyne Derrick De Marney as Robert Tisdall Percy Marmont as Colonel Burgoyne Edward Rigby as Old Will Mary Clare as Erica's aunt Margaret John Longden as Inspector Kent George Curzon as Guy Basil Radford as Erica's uncle Basil Pamela Carme as Christine Clay George Merritt as Detective Sergeant Miller J. H. Roberts as the Solicitor, Henry Briggs Jerry Verno as Lorry Driver H. F. Maltby as Police Sergeant John Miller as Police Constable Syd Crossley as Policeman Torin Thatcher as the owner of Nobby's Lodging House Anna Konstam as Bathing Girl (uncredited) Bill Shine as Manager of Tom's Hat Cafe (uncredited) Beatrice Varley as Accused Man's Wife (uncredited) Peter Thompson as Erica Burgoyne's bespectacled brother (uncredited)