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The show was broadcast on CBS from October 31, 1948, to September 10, 1950, and then again from June 27, 1951, to August 22, 1951. The character of Rocky Jordan had been introduced to listeners in a similar show called A Man Named Jordan that was broadcast from 1945 to 1947 on the CBS West Coast network, but set in Istanbul, rather than Cairo. In February 1951, it was announced CBS was in discussions to make a TV series based on the show starring George Raft made by Raft's company. However this never happened. Cast The two lead roles were those of Rocky Jordan and Captain Sam Sabaaya of the Cairo Police. For most of the show's history Jordan was played by veteran radio actor Jack Moyles, but he was later replaced by a movie star, George Raft, for the brief 1951 run. Jay Novello played Sabaaya throughout the entire series. Other roles were played by members of Hollywood's Radio Row, and the announcer was Larry Thor. Characters Rocky Jordan Rocky Jordan (Jack Moyles/George Raft) is the proprietor of the Café Tambourine, which is located, according to the announcer, "not far from the Mosque Sultan Hassan," though he is originally from St. Louis. During the course of the series, it is revealed that Rocky previously ran a Café Tambourine not only in Istanbul (known from the previous series, "A Man Named Jordan") but also in San Francisco and other locales. As an American restaurateur in a North African country, Jordan is somewhat similar to the Rick Blaine character in the film Casablanca, though the Café Tambourine is apparently a much less salubrious venue than Rick's Bar. The announcer describes it as being "Crowded with forgotten men, and alive with the babble of many languages". Each episode sees Jordan confronted with a "crime, a mystery, a beautiful woman, or a combination of the three". Precisely why Jordan is now in Egypt rather than Istanbul (as in the previous series) is never mentioned and the reason for being unable to return home to the United States is deliberately left vague, though it is hinted at throughout the course of the series that some occurrence in St. Louis prevents him from doing so. Sam Sabaaya Sam Sabaaya (Jay Novello) is the police captain who apprehends the criminals at the end of each adventure.] Sabaaya is portrayed as a diligent and competent policeman, usually as Jordan's friend and ally but sometimes as his foil. He is an Egyptian Muslim, is married, and has four children. Other characters Two further characters appear in some but not all episodes, Chris (voiced in most episodes by Lawrence Dobkin) and Sergeant Greco (Lou Krugman). Chris is the bartender at the Café Tambourine, while Greco is one of Sabaaya's underlings. Greco has a particular dislike of Jordan, and invariably tries to make his life difficult, often by arresting him as the chief suspect in whatever crime Jordan is trying to solve. He's also ambitious and eager for promotion. Style A deliberately Eastern feel was created by careful use of music and sound effects, and the writers Larry Roman and Gomer Cool took care that the characters used the names of real streets in Cairo. Much of the information the writers used for this came from a book called the Pocket Guide to Egypt that the US Army had produced for servicemen sent there during the War. The Oriental-sounding music composed for the show by Richard Aurandt is considered to be of exceptional quality.

The show was broadcast on CBS from October 31, 1948, to September 10, 1950, and then again from June 27, 1951, to August 22, 1951. The character of Rocky Jordan had been introduced to listeners in a similar show called A Man Named Jordan that was broadcast from 1945 to 1947 on the CBS West Coast network, but set in Istanbul, rather than Cairo. In February 1951, it was announced CBS was in discussions to make a TV series based on the show starring George Raft made by Raft's company. However this never happened. Cast The two lead roles were those of Rocky Jordan and Captain Sam Sabaaya of the Cairo Police. For most of the show's history Jordan was played by veteran radio actor Jack Moyles, but he was later replaced by a movie star, George Raft, for the brief 1951 run. Jay Novello played Sabaaya throughout the entire series. Other roles were played by members of Hollywood's Radio Row, and the announcer was Larry Thor. Characters Rocky Jordan Rocky Jordan (Jack Moyles/George Raft) is the proprietor of the Café Tambourine, which is located, according to the announcer, "not far from the Mosque Sultan Hassan," though he is originally from St. Louis. During the course of the series, it is revealed that Rocky previously ran a Café Tambourine not only in Istanbul (known from the previous series, "A Man Named Jordan") but also in San Francisco and other locales. As an American restaurateur in a North African country, Jordan is somewhat similar to the Rick Blaine character in the film Casablanca, though the Café Tambourine is apparently a much less salubrious venue than Rick's Bar. The announcer describes it as being "Crowded with forgotten men, and alive with the babble of many languages". Each episode sees Jordan confronted with a "crime, a mystery, a beautiful woman, or a combination of the three". Precisely why Jordan is now in Egypt rather than Istanbul (as in the previous series) is never mentioned and the reason for being unable to return home to the United States is deliberately left vague, though it is hinted at throughout the course of the series that some occurrence in St. Louis prevents him from doing so. Sam Sabaaya Sam Sabaaya (Jay Novello) is the police captain who apprehends the criminals at the end of each adventure.] Sabaaya is portrayed as a diligent and competent policeman, usually as Jordan's friend and ally but sometimes as his foil. He is an Egyptian Muslim, is married, and has four children. Other characters Two further characters appear in some but not all episodes, Chris (voiced in most episodes by Lawrence Dobkin) and Sergeant Greco (Lou Krugman). Chris is the bartender at the Café Tambourine, while Greco is one of Sabaaya's underlings. Greco has a particular dislike of Jordan, and invariably tries to make his life difficult, often by arresting him as the chief suspect in whatever crime Jordan is trying to solve. He's also ambitious and eager for promotion. Style A deliberately Eastern feel was created by careful use of music and sound effects, and the writers Larry Roman and Gomer Cool took care that the characters used the names of real streets in Cairo. Much of the information the writers used for this came from a book called the Pocket Guide to Egypt that the US Army had produced for servicemen sent there during the War. The Oriental-sounding music composed for the show by Richard Aurandt is considered to be of exceptional quality.

The Whistler is an American radio mystery drama which ran from May 16, 1942, until September 22, 1955, on the west-coast regional CBS radio network. The show was also broadcast in Chicago and over Armed Forces Radio. On the west coast, it was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." There were also two short-lived attempts to form east-coast broadcast spurs: July 3 to September 25, 1946, sponsored by the Campbell Soup Company; and March 26, 1947, to September 29, 1948, sponsored by Household Finance. The program was also adapted into a film noir series by Columbia Pictures in 1944. Characters and story I...am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. Yes... I know the nameless terrors of which they dare not speak! Each episode of The Whistler began with the sound of footsteps and a person whistling. (The Saint radio series with Vincent Price used a similar opening.) The haunting signature theme tune was composed by Wilbur Hatch and featured Dorothy Roberts whistling with an orchestra. A character known only as the Whistler was the host and narrator of the tales, which focused on crime and fate. He often commented directly upon the action in the manner of a Greek chorus, taunting the characters, guilty or innocent, from an omniscient perspective. The stories followed a formula in which a person's criminal acts were typically revealed either by an overlooked but important detail or by the criminal's own stupidity. An ironic ending, often grim, was a key feature of each episode. But on rare occasions, such as "Christmas Bonus" broadcast on Christmas Day 1944, the plot's twist of fate caused the story to end happily for the protagonist. Bill Forman, a veteran radio announcer, had the title role of the Whistler for the longest period. Others who portrayed the Whistler at various times were Gale Gordon, Joseph Kearns, Marvin Miller (announcer for the show, who occasionally filled in for Forman and played supporting roles), and Bill Johnstone (who had the title role on radio's The Shadow from 1938 to 1943). Cast members included Betty Lou Gerson, Hans Conried, Joseph Kearns, Cathy Lewis, Elliott Lewis, Gerald Mohr, Lurene Tuttle and Jack Webb. Writer-producer J. Donald Wilson established the tone of the show during its first two years, and he was followed in 1944 by producer-director George Allen. Other directors included Sterling Tracy and Sherman Marks with final scripts by Joel Malone and Harold Swanton. Of the 692 episodes, over 200 no longer exist. In 1946, a local Chicago version of The Whistler with local actors (including Everett Clarke as the Whistler) aired Sundays on WBBM, sponsored by Meister Brau beer.

The Whistler is an American radio mystery drama which ran from May 16, 1942, until September 22, 1955, on the west-coast regional CBS radio network. The show was also broadcast in Chicago and over Armed Forces Radio. On the west coast, it was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." There were also two short-lived attempts to form east-coast broadcast spurs: July 3 to September 25, 1946, sponsored by the Campbell Soup Company; and March 26, 1947, to September 29, 1948, sponsored by Household Finance. The program was also adapted into a film noir series by Columbia Pictures in 1944. Characters and story I...am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. Yes... I know the nameless terrors of which they dare not speak! Each episode of The Whistler began with the sound of footsteps and a person whistling. (The Saint radio series with Vincent Price used a similar opening.) The haunting signature theme tune was composed by Wilbur Hatch and featured Dorothy Roberts whistling with an orchestra. A character known only as the Whistler was the host and narrator of the tales, which focused on crime and fate. He often commented directly upon the action in the manner of a Greek chorus, taunting the characters, guilty or innocent, from an omniscient perspective. The stories followed a formula in which a person's criminal acts were typically revealed either by an overlooked but important detail or by the criminal's own stupidity. An ironic ending, often grim, was a key feature of each episode. But on rare occasions, such as "Christmas Bonus" broadcast on Christmas Day 1944, the plot's twist of fate caused the story to end happily for the protagonist. Bill Forman, a veteran radio announcer, had the title role of the Whistler for the longest period. Others who portrayed the Whistler at various times were Gale Gordon, Joseph Kearns, Marvin Miller (announcer for the show, who occasionally filled in for Forman and played supporting roles), and Bill Johnstone (who had the title role on radio's The Shadow from 1938 to 1943). Cast members included Betty Lou Gerson, Hans Conried, Joseph Kearns, Cathy Lewis, Elliott Lewis, Gerald Mohr, Lurene Tuttle and Jack Webb. Writer-producer J. Donald Wilson established the tone of the show during its first two years, and he was followed in 1944 by producer-director George Allen. Other directors included Sterling Tracy and Sherman Marks with final scripts by Joel Malone and Harold Swanton. Of the 692 episodes, over 200 no longer exist. In 1946, a local Chicago version of The Whistler with local actors (including Everett Clarke as the Whistler) aired Sundays on WBBM, sponsored by Meister Brau beer.

The Whistler is an American radio mystery drama which ran from May 16, 1942, until September 22, 1955, on the west-coast regional CBS radio network. The show was also broadcast in Chicago and over Armed Forces Radio. On the west coast, it was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." There were also two short-lived attempts to form east-coast broadcast spurs: July 3 to September 25, 1946, sponsored by the Campbell Soup Company; and March 26, 1947, to September 29, 1948, sponsored by Household Finance. The program was also adapted into a film noir series by Columbia Pictures in 1944. Characters and story I...am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. Yes... I know the nameless terrors of which they dare not speak! Each episode of The Whistler began with the sound of footsteps and a person whistling. (The Saint radio series with Vincent Price used a similar opening.) The haunting signature theme tune was composed by Wilbur Hatch and featured Dorothy Roberts whistling with an orchestra. A character known only as the Whistler was the host and narrator of the tales, which focused on crime and fate. He often commented directly upon the action in the manner of a Greek chorus, taunting the characters, guilty or innocent, from an omniscient perspective. The stories followed a formula in which a person's criminal acts were typically revealed either by an overlooked but important detail or by the criminal's own stupidity. An ironic ending, often grim, was a key feature of each episode. But on rare occasions, such as "Christmas Bonus" broadcast on Christmas Day 1944, the plot's twist of fate caused the story to end happily for the protagonist. Bill Forman, a veteran radio announcer, had the title role of the Whistler for the longest period. Others who portrayed the Whistler at various times were Gale Gordon, Joseph Kearns, Marvin Miller (announcer for the show, who occasionally filled in for Forman and played supporting roles), and Bill Johnstone (who had the title role on radio's The Shadow from 1938 to 1943). Cast members included Betty Lou Gerson, Hans Conried, Joseph Kearns, Cathy Lewis, Elliott Lewis, Gerald Mohr, Lurene Tuttle and Jack Webb. Writer-producer J. Donald Wilson established the tone of the show during its first two years, and he was followed in 1944 by producer-director George Allen. Other directors included Sterling Tracy and Sherman Marks with final scripts by Joel Malone and Harold Swanton. Of the 692 episodes, over 200 no longer exist. In 1946, a local Chicago version of The Whistler with local actors (including Everett Clarke as the Whistler) aired Sundays on WBBM, sponsored by Meister Brau beer.

The Whistler is an American radio mystery drama which ran from May 16, 1942, until September 22, 1955, on the west-coast regional CBS radio network. The show was also broadcast in Chicago and over Armed Forces Radio. On the west coast, it was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." There were also two short-lived attempts to form east-coast broadcast spurs: July 3 to September 25, 1946, sponsored by the Campbell Soup Company; and March 26, 1947, to September 29, 1948, sponsored by Household Finance. The program was also adapted into a film noir series by Columbia Pictures in 1944. Characters and story I...am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. Yes... I know the nameless terrors of which they dare not speak! Each episode of The Whistler began with the sound of footsteps and a person whistling. (The Saint radio series with Vincent Price used a similar opening.) The haunting signature theme tune was composed by Wilbur Hatch and featured Dorothy Roberts whistling with an orchestra. A character known only as the Whistler was the host and narrator of the tales, which focused on crime and fate. He often commented directly upon the action in the manner of a Greek chorus, taunting the characters, guilty or innocent, from an omniscient perspective. The stories followed a formula in which a person's criminal acts were typically revealed either by an overlooked but important detail or by the criminal's own stupidity. An ironic ending, often grim, was a key feature of each episode. But on rare occasions, such as "Christmas Bonus" broadcast on Christmas Day 1944, the plot's twist of fate caused the story to end happily for the protagonist. Bill Forman, a veteran radio announcer, had the title role of the Whistler for the longest period. Others who portrayed the Whistler at various times were Gale Gordon, Joseph Kearns, Marvin Miller (announcer for the show, who occasionally filled in for Forman and played supporting roles), and Bill Johnstone (who had the title role on radio's The Shadow from 1938 to 1943). Cast members included Betty Lou Gerson, Hans Conried, Joseph Kearns, Cathy Lewis, Elliott Lewis, Gerald Mohr, Lurene Tuttle and Jack Webb. Writer-producer J. Donald Wilson established the tone of the show during its first two years, and he was followed in 1944 by producer-director George Allen. Other directors included Sterling Tracy and Sherman Marks with final scripts by Joel Malone and Harold Swanton. Of the 692 episodes, over 200 no longer exist. In 1946, a local Chicago version of The Whistler with local actors (including Everett Clarke as the Whistler) aired Sundays on WBBM, sponsored by Meister Brau beer.

Theater Five, ABC, 5pm, Five nights a week The age of radio was thought to be mostly over when ABC began broadcasting Theater Five. CBS had cancelled its last radio soap operas on Nov 25, 1960, and the last prime time radio dramas, Yours Truly, Johnny Dollar and Suspense went off the air on Sept 30, 1962. Television was gathering the big advertising money, and radio was on its way to becoming "background noise", providing popular music and occasional news reports. ABC was the youngest of the big Four radio networks. In fact, it was the product of NBCs domination, which was struck down by Federal Anti-trust regulation, forcing NBC to get rid of its Blue Network. So, there is no reason for Theater Five to have worked, except for two things, Talent, and Determination. Theater Five managed to capture all the technical and production expertise from radio’s golden age and put it together for a final great production. the daily half hour dramas came in many different genres; social commentary, Science Fiction, mystery, Horror and Suspense, comedies, fantasies, romance, crime dramas, and human interest stories were all presented. Although Theater Five was about 20 years too late to enjoy a spot as part of the Golden age of Radio Drama, it is a very well-done program, and should be appreciated by fans.

Theater Five, ABC, 5pm, Five nights a week The age of radio was thought to be mostly over when ABC began broadcasting Theater Five. CBS had cancelled its last radio soap operas on Nov 25, 1960, and the last prime time radio dramas, Yours Truly, Johnny Dollar and Suspense went off the air on Sept 30, 1962. Television was gathering the big advertising money, and radio was on its way to becoming "background noise", providing popular music and occasional news reports. ABC was the youngest of the big Four radio networks. In fact, it was the product of NBCs domination, which was struck down by Federal Anti-trust regulation, forcing NBC to get rid of its Blue Network. So, there is no reason for Theater Five to have worked, except for two things, Talent, and Determination. Theater Five managed to capture all the technical and production expertise from radio’s golden age and put it together for a final great production. the daily half hour dramas came in many different genres; social commentary, Science Fiction, mystery, Horror and Suspense, comedies, fantasies, romance, crime dramas, and human interest stories were all presented. Although Theater Five was about 20 years too late to enjoy a spot as part of the Golden age of Radio Drama, it is a very well-done program, and should be appreciated by fans.

Theater Five, ABC, 5pm, Five nights a week The age of radio was thought to be mostly over when ABC began broadcasting Theater Five. CBS had cancelled its last radio soap operas on Nov 25, 1960, and the last prime time radio dramas, Yours Truly, Johnny Dollar and Suspense went off the air on Sept 30, 1962. Television was gathering the big advertising money, and radio was on its way to becoming "background noise", providing popular music and occasional news reports. ABC was the youngest of the big Four radio networks. In fact, it was the product of NBCs domination, which was struck down by Federal Anti-trust regulation, forcing NBC to get rid of its Blue Network. So, there is no reason for Theater Five to have worked, except for two things, Talent, and Determination. Theater Five managed to capture all the technical and production expertise from radio’s golden age and put it together for a final great production. the daily half hour dramas came in many different genres; social commentary, Science Fiction, mystery, Horror and Suspense, comedies, fantasies, romance, crime dramas, and human interest stories were all presented. Although Theater Five was about 20 years too late to enjoy a spot as part of the Golden age of Radio Drama, it is a very well-done program, and should be appreciated by fans.

Theater Five, ABC, 5pm, Five nights a week The age of radio was thought to be mostly over when ABC began broadcasting Theater Five. CBS had cancelled its last radio soap operas on Nov 25, 1960, and the last prime time radio dramas, Yours Truly, Johnny Dollar and Suspense went off the air on Sept 30, 1962. Television was gathering the big advertising money, and radio was on its way to becoming "background noise", providing popular music and occasional news reports. ABC was the youngest of the big Four radio networks. In fact, it was the product of NBCs domination, which was struck down by Federal Anti-trust regulation, forcing NBC to get rid of its Blue Network. So, there is no reason for Theater Five to have worked, except for two things, Talent, and Determination. Theater Five managed to capture all the technical and production expertise from radio’s golden age and put it together for a final great production. the daily half hour dramas came in many different genres; social commentary, Science Fiction, mystery, Horror and Suspense, comedies, fantasies, romance, crime dramas, and human interest stories were all presented. Although Theater Five was about 20 years too late to enjoy a spot as part of the Golden age of Radio Drama, it is a very well-done program, and should be appreciated by fans.

Theater Five, ABC, 5pm, Five nights a week The age of radio was thought to be mostly over when ABC began broadcasting Theater Five. CBS had cancelled its last radio soap operas on Nov 25, 1960, and the last prime time radio dramas, Yours Truly, Johnny Dollar and Suspense went off the air on Sept 30, 1962. Television was gathering the big advertising money, and radio was on its way to becoming "background noise", providing popular music and occasional news reports. ABC was the youngest of the big Four radio networks. In fact, it was the product of NBCs domination, which was struck down by Federal Anti-trust regulation, forcing NBC to get rid of its Blue Network. So, there is no reason for Theater Five to have worked, except for two things, Talent, and Determination. Theater Five managed to capture all the technical and production expertise from radio’s golden age and put it together for a final great production. the daily half hour dramas came in many different genres; social commentary, Science Fiction, mystery, Horror and Suspense, comedies, fantasies, romance, crime dramas, and human interest stories were all presented. Although Theater Five was about 20 years too late to enjoy a spot as part of the Golden age of Radio Drama, it is a very well-done program, and should be appreciated by fans.

Theater Five, ABC, 5pm, Five nights a week The age of radio was thought to be mostly over when ABC began broadcasting Theater Five. CBS had cancelled its last radio soap operas on Nov 25, 1960, and the last prime time radio dramas, Yours Truly, Johnny Dollar and Suspense went off the air on Sept 30, 1962. Television was gathering the big advertising money, and radio was on its way to becoming "background noise", providing popular music and occasional news reports. ABC was the youngest of the big Four radio networks. In fact, it was the product of NBCs domination, which was struck down by Federal Anti-trust regulation, forcing NBC to get rid of its Blue Network. So, there is no reason for Theater Five to have worked, except for two things, Talent, and Determination. Theater Five managed to capture all the technical and production expertise from radio’s golden age and put it together for a final great production. the daily half hour dramas came in many different genres; social commentary, Science Fiction, mystery, Horror and Suspense, comedies, fantasies, romance, crime dramas, and human interest stories were all presented. Although Theater Five was about 20 years too late to enjoy a spot as part of the Golden age of Radio Drama, it is a very well-done program, and should be appreciated by fans.

Theater Five, ABC, 5pm, Five nights a week The age of radio was thought to be mostly over when ABC began broadcasting Theater Five. CBS had cancelled its last radio soap operas on Nov 25, 1960, and the last prime time radio dramas, Yours Truly, Johnny Dollar and Suspense went off the air on Sept 30, 1962. Television was gathering the big advertising money, and radio was on its way to becoming "background noise", providing popular music and occasional news reports. ABC was the youngest of the big Four radio networks. In fact, it was the product of NBCs domination, which was struck down by Federal Anti-trust regulation, forcing NBC to get rid of its Blue Network. So, there is no reason for Theater Five to have worked, except for two things, Talent, and Determination. Theater Five managed to capture all the technical and production expertise from radio’s golden age and put it together for a final great production. the daily half hour dramas came in many different genres; social commentary, Science Fiction, mystery, Horror and Suspense, comedies, fantasies, romance, crime dramas, and human interest stories were all presented. Although Theater Five was about 20 years too late to enjoy a spot as part of the Golden age of Radio Drama, it is a very well-done program, and should be appreciated by fans.

Theater Five, ABC, 5pm, Five nights a week The age of radio was thought to be mostly over when ABC began broadcasting Theater Five. CBS had cancelled its last radio soap operas on Nov 25, 1960, and the last prime time radio dramas, Yours Truly, Johnny Dollar and Suspense went off the air on Sept 30, 1962. Television was gathering the big advertising money, and radio was on its way to becoming "background noise", providing popular music and occasional news reports. ABC was the youngest of the big Four radio networks. In fact, it was the product of NBCs domination, which was struck down by Federal Anti-trust regulation, forcing NBC to get rid of its Blue Network. So, there is no reason for Theater Five to have worked, except for two things, Talent, and Determination. Theater Five managed to capture all the technical and production expertise from radio’s golden age and put it together for a final great production. the daily half hour dramas came in many different genres; social commentary, Science Fiction, mystery, Horror and Suspense, comedies, fantasies, romance, crime dramas, and human interest stories were all presented. Although Theater Five was about 20 years too late to enjoy a spot as part of the Golden age of Radio Drama, it is a very well-done program, and should be appreciated by fans.

Wild Bill Hickok aired from 1 April 1951 until 31 December 1954 over the Mutual Broadcasting System on radio and then made the move to television from 1955 to 1958. The show was sponsored by Kellogg Cereals and aimed at the younger generation. Guy Madison played Marshal Wild Bill Hickok and his sidekick Jingles B Jones was Andy Devine. Both stared in their roles for the television show. The Announcer was Charlie Lyon and the director was Paul Pierce. According to Dunning the plots were simple and along lines of other radio western shows of the time. Our hero and his comic sidekick get themselves in a predicament. Then there is some gun play, fighting and in the end our heroes win the day. They get on their trusty mounts and ride off looking for another adventure. Of the 274 episodes there are around 268 that appear to be available according to the Otter Database listings. So why not discover your inner child and listen to some old west adventures brought to you by Wild Bill Hickok.

Wild Bill Hickok aired from 1 April 1951 until 31 December 1954 over the Mutual Broadcasting System on radio and then made the move to television from 1955 to 1958. The show was sponsored by Kellogg Cereals and aimed at the younger generation. Guy Madison played Marshal Wild Bill Hickok and his sidekick Jingles B Jones was Andy Devine. Both stared in their roles for the television show. The Announcer was Charlie Lyon and the director was Paul Pierce. According to Dunning the plots were simple and along lines of other radio western shows of the time. Our hero and his comic sidekick get themselves in a predicament. Then there is some gun play, fighting and in the end our heroes win the day. They get on their trusty mounts and ride off looking for another adventure. Of the 274 episodes there are around 268 that appear to be available according to the Otter Database listings. So why not discover your inner child and listen to some old west adventures brought to you by Wild Bill Hickok.

Wild Bill Hickok aired from 1 April 1951 until 31 December 1954 over the Mutual Broadcasting System on radio and then made the move to television from 1955 to 1958. The show was sponsored by Kellogg Cereals and aimed at the younger generation. Guy Madison played Marshal Wild Bill Hickok and his sidekick Jingles B Jones was Andy Devine. Both stared in their roles for the television show. The Announcer was Charlie Lyon and the director was Paul Pierce. According to Dunning the plots were simple and along lines of other radio western shows of the time. Our hero and his comic sidekick get themselves in a predicament. Then there is some gun play, fighting and in the end our heroes win the day. They get on their trusty mounts and ride off looking for another adventure. Of the 274 episodes there are around 268 that appear to be available according to the Otter Database listings. So why not discover your inner child and listen to some old west adventures brought to you by Wild Bill Hickok.

Wild Bill Hickok aired from 1 April 1951 until 31 December 1954 over the Mutual Broadcasting System on radio and then made the move to television from 1955 to 1958. The show was sponsored by Kellogg Cereals and aimed at the younger generation. Guy Madison played Marshal Wild Bill Hickok and his sidekick Jingles B Jones was Andy Devine. Both stared in their roles for the television show. The Announcer was Charlie Lyon and the director was Paul Pierce. According to Dunning the plots were simple and along lines of other radio western shows of the time. Our hero and his comic sidekick get themselves in a predicament. Then there is some gun play, fighting and in the end our heroes win the day. They get on their trusty mounts and ride off looking for another adventure. Of the 274 episodes there are around 268 that appear to be available according to the Otter Database listings. So why not discover your inner child and listen to some old west adventures brought to you by Wild Bill Hickok.

Wild Bill Hickok aired from 1 April 1951 until 31 December 1954 over the Mutual Broadcasting System on radio and then made the move to television from 1955 to 1958. The show was sponsored by Kellogg Cereals and aimed at the younger generation. Guy Madison played Marshal Wild Bill Hickok and his sidekick Jingles B Jones was Andy Devine. Both stared in their roles for the television show. The Announcer was Charlie Lyon and the director was Paul Pierce. According to Dunning the plots were simple and along lines of other radio western shows of the time. Our hero and his comic sidekick get themselves in a predicament. Then there is some gun play, fighting and in the end our heroes win the day. They get on their trusty mounts and ride off looking for another adventure. Of the 274 episodes there are around 268 that appear to be available according to the Otter Database listings. So why not discover your inner child and listen to some old west adventures brought to you by Wild Bill Hickok.

Wild Bill Hickok aired from 1 April 1951 until 31 December 1954 over the Mutual Broadcasting System on radio and then made the move to television from 1955 to 1958. The show was sponsored by Kellogg Cereals and aimed at the younger generation. Guy Madison played Marshal Wild Bill Hickok and his sidekick Jingles B Jones was Andy Devine. Both stared in their roles for the television show. The Announcer was Charlie Lyon and the director was Paul Pierce. According to Dunning the plots were simple and along lines of other radio western shows of the time. Our hero and his comic sidekick get themselves in a predicament. Then there is some gun play, fighting and in the end our heroes win the day. They get on their trusty mounts and ride off looking for another adventure. Of the 274 episodes there are around 268 that appear to be available according to the Otter Database listings. So why not discover your inner child and listen to some old west adventures brought to you by Wild Bill Hickok.

Wild Bill Hickok aired from 1 April 1951 until 31 December 1954 over the Mutual Broadcasting System on radio and then made the move to television from 1955 to 1958. The show was sponsored by Kellogg Cereals and aimed at the younger generation. Guy Madison played Marshal Wild Bill Hickok and his sidekick Jingles B Jones was Andy Devine. Both stared in their roles for the television show. The Announcer was Charlie Lyon and the director was Paul Pierce. According to Dunning the plots were simple and along lines of other radio western shows of the time. Our hero and his comic sidekick get themselves in a predicament. Then there is some gun play, fighting and in the end our heroes win the day. They get on their trusty mounts and ride off looking for another adventure. Of the 274 episodes there are around 268 that appear to be available according to the Otter Database listings. So why not discover your inner child and listen to some old west adventures brought to you by Wild Bill Hickok.

Wild Bill Hickok aired from 1 April 1951 until 31 December 1954 over the Mutual Broadcasting System on radio and then made the move to television from 1955 to 1958. The show was sponsored by Kellogg Cereals and aimed at the younger generation. Guy Madison played Marshal Wild Bill Hickok and his sidekick Jingles B Jones was Andy Devine. Both stared in their roles for the television show. The Announcer was Charlie Lyon and the director was Paul Pierce. According to Dunning the plots were simple and along lines of other radio western shows of the time. Our hero and his comic sidekick get themselves in a predicament. Then there is some gun play, fighting and in the end our heroes win the day. They get on their trusty mounts and ride off looking for another adventure. Of the 274 episodes there are around 268 that appear to be available according to the Otter Database listings. So why not discover your inner child and listen to some old west adventures brought to you by Wild Bill Hickok.

Charlie Chan is a fictional Honolulu police detective created by author Earl Derr Biggers for a series of mystery novels. Biggers loosely based Chan on Hawaiian detective Chang Apana. The benevolent and heroic Chan was conceived of as an alternative to Yellow Peril stereotypes and villains like Fu Manchu. Many stories feature Chan traveling the world beyond Hawaii as he investigates mysteries and solves crimes. Chan first appeared in Biggers' novels and then was featured in a number of media. Over four dozen films featuring Charlie Chan were made, beginning in 1926. The character, featured only as a supporting character, was first portrayed by East Asian actors, and the films met with little success. In 1931, for the first film centering on Chan, Charlie Chan Carries On, the Fox Film Corporation cast Swedish actor Warner Oland; the film became popular, and Fox went on to produce 15 more Chan films with Oland in the title role. After Oland's death, American actor Sidney Toler was cast as Chan; Toler made 22 Chan films, first for Fox and then for Monogram Studios. After Toler's death, six films were made, starring Roland Winters. Readers and moviegoers of America greeted Chan warmly, seeing him as an attractive character who is portrayed as intelligent, heroic, benevolent, and honorable in contrast to the racist depictions of evil or conniving Asians which often dominated Hollywood and national media in the early 20th century. However, in later decades critics increasingly took a more ambivalent view of the character, finding that despite his good qualities, Chan also reinforces condescending Asian stereotypes such as an alleged incapacity to speak idiomatic English and a tradition-bound and subservient nature. Many also now find it objectionable that the role was played on screen by Caucasian actors in yellowface. Due in large part to this reappraisal of the character, no Charlie Chan film has been produced since 1981.

Charlie Chan is a fictional Honolulu police detective created by author Earl Derr Biggers for a series of mystery novels. Biggers loosely based Chan on Hawaiian detective Chang Apana. The benevolent and heroic Chan was conceived of as an alternative to Yellow Peril stereotypes and villains like Fu Manchu. Many stories feature Chan traveling the world beyond Hawaii as he investigates mysteries and solves crimes. Chan first appeared in Biggers' novels and then was featured in a number of media. Over four dozen films featuring Charlie Chan were made, beginning in 1926. The character, featured only as a supporting character, was first portrayed by East Asian actors, and the films met with little success. In 1931, for the first film centering on Chan, Charlie Chan Carries On, the Fox Film Corporation cast Swedish actor Warner Oland; the film became popular, and Fox went on to produce 15 more Chan films with Oland in the title role. After Oland's death, American actor Sidney Toler was cast as Chan; Toler made 22 Chan films, first for Fox and then for Monogram Studios. After Toler's death, six films were made, starring Roland Winters. Readers and moviegoers of America greeted Chan warmly, seeing him as an attractive character who is portrayed as intelligent, heroic, benevolent, and honorable in contrast to the racist depictions of evil or conniving Asians which often dominated Hollywood and national media in the early 20th century. However, in later decades critics increasingly took a more ambivalent view of the character, finding that despite his good qualities, Chan also reinforces condescending Asian stereotypes such as an alleged incapacity to speak idiomatic English and a tradition-bound and subservient nature. Many also now find it objectionable that the role was played on screen by Caucasian actors in yellowface. Due in large part to this reappraisal of the character, no Charlie Chan film has been produced since 1981.