The cargo ship Tangmar departs Sydney, destination Jamaica, with a small party of passengers, strangers who are to share the fortune of an inheritance. Not all of them will survive the journey. Passage of the Tangmar is a riveting, adult mystery serial produced in Australia in 1960. Australian radio is on par with the British BBC productions – outstanding stories, impeccable acting and exceptional sound effects; Passage of the Tangmar is a superb example of that work. The 52-episode program about the Tangmar and its cargo of death is unusual, first that it’s in a 15-minute serial format that is typically reserved for children’s shows and old-time radio soap operas. Second, unlike many children’s serials or soap operas, Passage of the Tangmar has a conclusion with a solution, a story that caters to mystery connoisseurs.

The cargo ship Tangmar departs Sydney, destination Jamaica, with a small party of passengers, strangers who are to share the fortune of an inheritance. Not all of them will survive the journey. Passage of the Tangmar is a riveting, adult mystery serial produced in Australia in 1960. Australian radio is on par with the British BBC productions – outstanding stories, impeccable acting and exceptional sound effects; Passage of the Tangmar is a superb example of that work. The 52-episode program about the Tangmar and its cargo of death is unusual, first that it’s in a 15-minute serial format that is typically reserved for children’s shows and old-time radio soap operas. Second, unlike many children’s serials or soap operas, Passage of the Tangmar has a conclusion with a solution, a story that caters to mystery connoisseurs.

The cargo ship Tangmar departs Sydney, destination Jamaica, with a small party of passengers, strangers who are to share the fortune of an inheritance. Not all of them will survive the journey. Passage of the Tangmar is a riveting, adult mystery serial produced in Australia in 1960. Australian radio is on par with the British BBC productions – outstanding stories, impeccable acting and exceptional sound effects; Passage of the Tangmar is a superb example of that work. The 52-episode program about the Tangmar and its cargo of death is unusual, first that it’s in a 15-minute serial format that is typically reserved for children’s shows and old-time radio soap operas. Second, unlike many children’s serials or soap operas, Passage of the Tangmar has a conclusion with a solution, a story that caters to mystery connoisseurs.

The cargo ship Tangmar departs Sydney, destination Jamaica, with a small party of passengers, strangers who are to share the fortune of an inheritance. Not all of them will survive the journey. Passage of the Tangmar is a riveting, adult mystery serial produced in Australia in 1960. Australian radio is on par with the British BBC productions – outstanding stories, impeccable acting and exceptional sound effects; Passage of the Tangmar is a superb example of that work. The 52-episode program about the Tangmar and its cargo of death is unusual, first that it’s in a 15-minute serial format that is typically reserved for children’s shows and old-time radio soap operas. Second, unlike many children’s serials or soap operas, Passage of the Tangmar has a conclusion with a solution, a story that caters to mystery connoisseurs.

The cargo ship Tangmar departs Sydney, destination Jamaica, with a small party of passengers, strangers who are to share the fortune of an inheritance. Not all of them will survive the journey. Passage of the Tangmar is a riveting, adult mystery serial produced in Australia in 1960. Australian radio is on par with the British BBC productions – outstanding stories, impeccable acting and exceptional sound effects; Passage of the Tangmar is a superb example of that work. The 52-episode program about the Tangmar and its cargo of death is unusual, first that it’s in a 15-minute serial format that is typically reserved for children’s shows and old-time radio soap operas. Second, unlike many children’s serials or soap operas, Passage of the Tangmar has a conclusion with a solution, a story that caters to mystery connoisseurs.

'Take a deep sleep vacation in a tube. No work, no stress. Guaranteed sweet dreams.' And a cure for the climate crisis too? Climate events have set mass human migration in motion. Radical forms of governance and flawed hibernation technology strive to meet challenges. Nat, a newly qualified lawyer in stasis law, finds she must deal with some of the fallout. What did Riv mean when he says the people in the tubes are subliminally awake? Nat travels to Silo 605 to find out, but her client, Marvin, tries to stop her .... Anita Sullivan's new drama takes us to the island of Lanza, which could be anywhere - and everywhere. This drama is set in the distant future - or maybe not that far off... Nat - Anastasia Hille Riv - Paul Bazely Rozmay - Rakie Ayola Carol - Rebekah Staton Barry - Ben Crowe Honour - Raad Rawi Jodie - Anna Fenton-Garvey Infovert Voice - Teresa Gallagher Written by Anita Sullivan Directed by Karen Rose First broadcast on BBC Radio 4 in March 2024

The Kraken Wakes is an apocalyptic science fiction novel by John Wyndham, originally published by Michael Joseph in the United Kingdom in 1953, and first published in the United States in the same year by Ballantine Books under the title Out of the Deeps as a mass market paperback. The novel is structured as a book within a book. After a short scene-setting introduction, the novel is the book written by the protagonist, radio reporter Mike Watson, chronicling the events that took place when creatures from the deeps of the ocean attack humanity. Mike and his wife Phyllis work for the English Broadcasting Company (EBC) so are privy to decisions by government and scientific authorities who alternatively try to counter the alien's moves or stifle or massage news to prevent panic. The aliens are never seen, and their origin and level of intelligence, if any, are never discerned. They are only known by their acts of violence against humanity, and their weapons of choice are not of the sort envisioned by humanity. The title is a reference to Alfred Tennyson's sonnet The Kraken. Plot The novel describes the course of an attack on humanity by creatures from the ocean depths, as told through the eyes of Mike Watson, who works for the English Broadcasting Company (EBC) with his wife and co-reporter Phyllis. A major role is also played by Professor Alastair Bocker – more clear-minded and far-sighted about the developing crisis than everybody else but often alienating people by telling brutally unvarnished and unwanted truths. Mike and Phyllis are witness to several events of the invasion, which proceeds in drawn-out phases; it takes years before the bulk of humanity even realizes that the world has been invaded. In the first phase, objects from outer space land in the oceans. Mike and Phyllis happen to see five of the "fireballs" falling into the sea, from the ship where they are sailing on their honeymoon. Eventually the distribution of the objects' landing points – always at ocean depths, never on land – implies intelligence.

Rocky Starr, Lost in Space is a science fiction radio series that aired in Australia in 1955. The show follows the adventures of Rocky Starr and his friend Mitch as they join Professor Vernon’s expedition to the planet Venus. The series consists of 52 episodes, each of which is approximately 10-12 minutes long

Rocky Starr, Lost in Space is a science fiction radio series that aired in Australia in 1955. The show follows the adventures of Rocky Starr and his friend Mitch as they join Professor Vernon’s expedition to the planet Venus. The series consists of 52 episodes, each of which is approximately 10-12 minutes long

Rocky Starr, Lost in Space is a science fiction radio series that aired in Australia in 1955. The show follows the adventures of Rocky Starr and his friend Mitch as they join Professor Vernon’s expedition to the planet Venus. The series consists of 52 episodes, each of which is approximately 10-12 minutes long

Rocky Starr, Lost in Space is a science fiction radio series that aired in Australia in 1955. The show follows the adventures of Rocky Starr and his friend Mitch as they join Professor Vernon’s expedition to the planet Venus. The series consists of 52 episodes, each of which is approximately 10-12 minutes long

The Son Of Porthos Or, The Death Of Aramis Paul Mahalin (as Alexandre Dumas) Length 9 hrs. 28 minutes. Before editing: 11 hrs. 10 minutes All the intros and outros have been removed. I did this because the background music was copyrighted, (but allowed to be used on YT). By removing the music with the intros and outros I have (hopefully) prevented the serial from having lots of ads and shortened the listening time. Sequel to "The man in the iron mask." Son of Porthos is an Australian radio 52-episode serial from 1950, a George Edwards Production. The story has intrigue, romance and thrilling adventure set in France of 1678. Adapted from a story by Alexandre Dumas (a.k.a. The Death of Aramis), however, the real author was Paul Mahalin.) Who could possibly not be entertained by the work of Dumas? This is such a simple yet satisfying conclusion to the D'Artagnan Romances. It has plenty of references to our old friends - mostly through the reflection of an aged Aramis - to keep their spirit alive but it's clearly its own story, conveying the sense that our Musketeer heroes have truly departed to make way for a new generation of heroes. Joel, our new hero, is an admirable protagonist though somewhat lonely at times after the camaraderie of the original sagas. However, when he finds his own friends, we easily warm to them. I always feel the realness of Dumas's characters, as I found with this novel. The writing is eloquent and creates vivid images in the mind whilst indulging the imagination. The story itself was simple, and though I hoped for more references to the past I can see that this novel was stronger without them. It's certainly a tricky novel to track down but for fans of the previous installments I highly recommend getting your hands on this most fulfilling conclusion.

The Son Of Porthos Or, The Death Of Aramis Paul Mahalin (as Alexandre Dumas) Length 9 hrs. 28 minutes. Before editing: 11 hrs. 10 minutes All the intros and outros have been removed. I did this because the background music was copyrighted, (but allowed to be used on YT). By removing the music with the intros and outros I have (hopefully) prevented the serial from having lots of ads and shortened the listening time. Sequel to "The man in the iron mask." Son of Porthos is an Australian radio 52-episode serial from 1950, a George Edwards Production. The story has intrigue, romance and thrilling adventure set in France of 1678. Adapted from a story by Alexandre Dumas (a.k.a. The Death of Aramis), however, the real author was Paul Mahalin.) Who could possibly not be entertained by the work of Dumas? This is such a simple yet satisfying conclusion to the D'Artagnan Romances. It has plenty of references to our old friends - mostly through the reflection of an aged Aramis - to keep their spirit alive but it's clearly its own story, conveying the sense that our Musketeer heroes have truly departed to make way for a new generation of heroes. Joel, our new hero, is an admirable protagonist though somewhat lonely at times after the camaraderie of the original sagas. However, when he finds his own friends, we easily warm to them. I always feel the realness of Dumas's characters, as I found with this novel. The writing is eloquent and creates vivid images in the mind whilst indulging the imagination. The story itself was simple, and though I hoped for more references to the past I can see that this novel was stronger without them. It's certainly a tricky novel to track down but for fans of the previous installments I highly recommend getting your hands on this most fulfilling conclusion.

The Son Of Porthos Or, The Death Of Aramis Paul Mahalin (as Alexandre Dumas) Length 9 hrs. 28 minutes. Before editing: 11 hrs. 10 minutes All the intros and outros have been removed. I did this because the background music was copyrighted, (but allowed to be used on YT). By removing the music with the intros and outros I have (hopefully) prevented the serial from having lots of ads and shortened the listening time. Sequel to "The man in the iron mask." Son of Porthos is an Australian radio 52-episode serial from 1950, a George Edwards Production. The story has intrigue, romance and thrilling adventure set in France of 1678. Adapted from a story by Alexandre Dumas (a.k.a. The Death of Aramis), however, the real author was Paul Mahalin.) Who could possibly not be entertained by the work of Dumas? This is such a simple yet satisfying conclusion to the D'Artagnan Romances. It has plenty of references to our old friends - mostly through the reflection of an aged Aramis - to keep their spirit alive but it's clearly its own story, conveying the sense that our Musketeer heroes have truly departed to make way for a new generation of heroes. Joel, our new hero, is an admirable protagonist though somewhat lonely at times after the camaraderie of the original sagas. However, when he finds his own friends, we easily warm to them. I always feel the realness of Dumas's characters, as I found with this novel. The writing is eloquent and creates vivid images in the mind whilst indulging the imagination. The story itself was simple, and though I hoped for more references to the past I can see that this novel was stronger without them. It's certainly a tricky novel to track down but for fans of the previous installments I highly recommend getting your hands on this most fulfilling conclusion.

The Son Of Porthos Or, The Death Of Aramis Paul Mahalin (as Alexandre Dumas) Length 9 hrs. 28 minutes. Before editing: 11 hrs. 10 minutes All the intros and outros have been removed. I did this because the background music was copyrighted, (but allowed to be used on YT). By removing the music with the intros and outros I have (hopefully) prevented the serial from having lots of ads and shortened the listening time. Sequel to "The man in the iron mask." Son of Porthos is an Australian radio 52-episode serial from 1950, a George Edwards Production. The story has intrigue, romance and thrilling adventure set in France of 1678. Adapted from a story by Alexandre Dumas (a.k.a. The Death of Aramis), however, the real author was Paul Mahalin.) Who could possibly not be entertained by the work of Dumas? This is such a simple yet satisfying conclusion to the D'Artagnan Romances. It has plenty of references to our old friends - mostly through the reflection of an aged Aramis - to keep their spirit alive but it's clearly its own story, conveying the sense that our Musketeer heroes have truly departed to make way for a new generation of heroes. Joel, our new hero, is an admirable protagonist though somewhat lonely at times after the camaraderie of the original sagas. However, when he finds his own friends, we easily warm to them. I always feel the realness of Dumas's characters, as I found with this novel. The writing is eloquent and creates vivid images in the mind whilst indulging the imagination. The story itself was simple, and though I hoped for more references to the past I can see that this novel was stronger without them. It's certainly a tricky novel to track down but for fans of the previous installments I highly recommend getting your hands on this most fulfilling conclusion.

The Son Of Porthos Or, The Death Of Aramis Paul Mahalin (as Alexandre Dumas) Length 9 hrs. 28 minutes. Before editing: 11 hrs. 10 minutes All the intros and outros have been removed. I did this because the background music was copyrighted, (but allowed to be used on YT). By removing the music with the intros and outros I have (hopefully) prevented the serial from having lots of ads and shortened the listening time. Sequel to "The man in the iron mask." Son of Porthos is an Australian radio 52-episode serial from 1950, a George Edwards Production. The story has intrigue, romance and thrilling adventure set in France of 1678. Adapted from a story by Alexandre Dumas (a.k.a. The Death of Aramis), however, the real author was Paul Mahalin.) Who could possibly not be entertained by the work of Dumas? This is such a simple yet satisfying conclusion to the D'Artagnan Romances. It has plenty of references to our old friends - mostly through the reflection of an aged Aramis - to keep their spirit alive but it's clearly its own story, conveying the sense that our Musketeer heroes have truly departed to make way for a new generation of heroes. Joel, our new hero, is an admirable protagonist though somewhat lonely at times after the camaraderie of the original sagas. However, when he finds his own friends, we easily warm to them. I always feel the realness of Dumas's characters, as I found with this novel. The writing is eloquent and creates vivid images in the mind whilst indulging the imagination. The story itself was simple, and though I hoped for more references to the past I can see that this novel was stronger without them. It's certainly a tricky novel to track down but for fans of the previous installments I highly recommend getting your hands on this most fulfilling conclusion.

All intros and outros have been removed due to the piano music being copyrighted. By removing them, it eliminates all the ads. The Corsican Brothers: This is a dramatization of the Alexander Dumas novella Corsican Brothers. The story is told in 52 serialized chapters. The program is Australian and was produced by George Edwards. 1945 "This fictional tale by Alexandre Dumas sees him travel through old Corsica, 'land of the vendetta', and take up lodgings with the widowed Mme de Franchi. Drawn into the history of the family, he learns that her twin sons, now so different in aspiration and outlook, were in fact born conjoined, and have retained the strongest of psychological bonds - whenever one feels pain, the other suffers too, no matter the distance between them. Yet while the savage Lucien, still living at home and aspiring to be 'a good Corsican', brings harmony to bickering factions, it is the peace-loving Louis, far away in Paris, who becomes embroiled in an affair of tragedy and revenge."--Inside cover

All intros and outros have been removed due to the piano music being copyrighted. By removing them, it eliminates all the ads. The Corsican Brothers: This is a dramatization of the Alexander Dumas novella Corsican Brothers. The story is told in 52 serialized chapters. The program is Australian and was produced by George Edwards. 1945 "This fictional tale by Alexandre Dumas sees him travel through old Corsica, 'land of the vendetta', and take up lodgings with the widowed Mme de Franchi. Drawn into the history of the family, he learns that her twin sons, now so different in aspiration and outlook, were in fact born conjoined, and have retained the strongest of psychological bonds - whenever one feels pain, the other suffers too, no matter the distance between them. Yet while the savage Lucien, still living at home and aspiring to be 'a good Corsican', brings harmony to bickering factions, it is the peace-loving Louis, far away in Paris, who becomes embroiled in an affair of tragedy and revenge."--Inside cover

All intros and outros have been removed due to the piano music being copyrighted. By removing them, it eliminates all the ads. The Corsican Brothers: This is a dramatization of the Alexander Dumas novella Corsican Brothers. The story is told in 52 serialized chapters. The program is Australian and was produced by George Edwards. 1945 "This fictional tale by Alexandre Dumas sees him travel through old Corsica, 'land of the vendetta', and take up lodgings with the widowed Mme de Franchi. Drawn into the history of the family, he learns that her twin sons, now so different in aspiration and outlook, were in fact born conjoined, and have retained the strongest of psychological bonds - whenever one feels pain, the other suffers too, no matter the distance between them. Yet while the savage Lucien, still living at home and aspiring to be 'a good Corsican', brings harmony to bickering factions, it is the peace-loving Louis, far away in Paris, who becomes embroiled in an affair of tragedy and revenge."--Inside cover

All intros and outros have been removed due to the piano music being copyrighted. By removing them, it eliminates all the ads. The Corsican Brothers: This is a dramatization of the Alexander Dumas novella Corsican Brothers. The story is told in 52 serialized chapters. The program is Australian and was produced by George Edwards. 1945 "This fictional tale by Alexandre Dumas sees him travel through old Corsica, 'land of the vendetta', and take up lodgings with the widowed Mme de Franchi. Drawn into the history of the family, he learns that her twin sons, now so different in aspiration and outlook, were in fact born conjoined, and have retained the strongest of psychological bonds - whenever one feels pain, the other suffers too, no matter the distance between them. Yet while the savage Lucien, still living at home and aspiring to be 'a good Corsican', brings harmony to bickering factions, it is the peace-loving Louis, far away in Paris, who becomes embroiled in an affair of tragedy and revenge."--Inside cover

All intros and outros have been removed due to the piano music being copyrighted. By removing them, it eliminates all the ads. The Corsican Brothers: This is a dramatization of the Alexander Dumas novella Corsican Brothers. The story is told in 52 serialized chapters. The program is Australian and was produced by George Edwards. 1945 "This fictional tale by Alexandre Dumas sees him travel through old Corsica, 'land of the vendetta', and take up lodgings with the widowed Mme de Franchi. Drawn into the history of the family, he learns that her twin sons, now so different in aspiration and outlook, were in fact born conjoined, and have retained the strongest of psychological bonds - whenever one feels pain, the other suffers too, no matter the distance between them. Yet while the savage Lucien, still living at home and aspiring to be 'a good Corsican', brings harmony to bickering factions, it is the peace-loving Louis, far away in Paris, who becomes embroiled in an affair of tragedy and revenge."--Inside cover

Orbit One Zero by Peter Elliot Hayes “A glimpse across a weird threshold, on the rim of space where there should be nothing but eternal, frozen darkness. Yet where there was something more…” Newspaper reporter, Tom Lambert has decided to reinvestigate the strange events of ten years before, concerning the “cosmic noise”. Believing the inside story was never told, he’s tracked down the only man who knows, Dr Hayward Petrie. 6 parts. Told in flashbacks, the story unfolds from Dr Petrie’s own recordings of the time when the detection of a strange pattern of signals sparked a mysterious discovery… Cast: Dr Petrie ... Felix Felton Tom Lambert … David Spenser Clifford Brown … Graydon Gould Elizabeth Ryder … Elaine MacNamara Professor Campbell McLaren … Ian Sadler Peter Garrick … Harold Reese

Cold Blood by Simon Bovey BBC Radio Drama. Made for BBC Radio 7 in five parts and first broadcast in 2005. Set in 2015. Director: Marc Beeby A group of scientists are conducting research in the Antarctic, the most pristine environment on Earth - but there are black clouds on the horizon. Welcome to the dark, dark world of Cold Blood... Cast: Tim McMullan as Bowers Tom Mannion as Commander Taft Stuart McLoughlin as Max Bellingfield Ndidi Del Fatti as Anaya Helen Longworth as Deborah Marks.

The Adventures of Rocky Starr Episodes 51 & 52 are missing from this series. Due to these episodes being only 11 minutes long and having 104 episodes, I’ve combined all the episodes into five videos. This makes for easier listening. Radio producers, always on the lookout to do something new and fresh, decided to cash in on the current public interest and popularity of science fiction by producing a series to encapsulate space travel, rockets, alien beings, etc. In 1951 AWA devised an interplanetary series called the Rocky Starr Adventures. Although promoted as a children's program, it had many fans equally in the adult population as well. The first story in the series was titled “Destination Venus”, and it ran for 104 episodes. The starring role of Rocky was played by Howard Craven, and Joe McCormick played Mitch, his friend and pal. The series was produced in Sydney in the AWA studios... It was a children’s show about the interplanetary adventures of daredevil Rocky Starr and his intrepid team. It was considered topical and highly dramatic; the stories were of courage and daring so dear to the juvenile heart. There were eleven different stories in the series. Cast: Howard Craven (Rocky Starr), Joe McCormick, Barbara Brunton, Allan Trevor, Harry Howlett, John Tate, Ivan Vander, Ben Gabriel, Lloyd Berrell. Label: AWA. Episode duration: 15 mins. Broadcast details: 1950s-early 1960s A total of 624 episodes were produced with 11 stories over the next 3 years. The series was produced in Sydney in the AWA studios. The series debuted on 3DB Melbourne from May 1952, 2CH Sydney from November 1952, and 4BK Brisbane from January 1952. From Australian OTR

The Adventures of Rocky Starr Episodes 51 & 52 are missing from this series. Due to these episodes being only 11 minutes long and having 104 episodes, I’ve combined all the episodes into five videos. This makes for easier listening. Radio producers, always on the lookout to do something new and fresh, decided to cash in on the current public interest and popularity of science fiction by producing a series to encapsulate space travel, rockets, alien beings, etc. In 1951 AWA devised an interplanetary series called the Rocky Starr Adventures. Although promoted as a children's program, it had many fans equally in the adult population as well. The first story in the series was titled “Destination Venus”, and it ran for 104 episodes. The starring role of Rocky was played by Howard Craven, and Joe McCormick played Mitch, his friend and pal. The series was produced in Sydney in the AWA studios... It was a children’s show about the interplanetary adventures of daredevil Rocky Starr and his intrepid team. It was considered topical and highly dramatic; the stories were of courage and daring so dear to the juvenile heart. There were eleven different stories in the series. Cast: Howard Craven (Rocky Starr), Joe McCormick, Barbara Brunton, Allan Trevor, Harry Howlett, John Tate, Ivan Vander, Ben Gabriel, Lloyd Berrell. Label: AWA. Episode duration: 15 mins. Broadcast details: 1950s-early 1960s A total of 624 episodes were produced with 11 stories over the next 3 years. The series was produced in Sydney in the AWA studios. The series debuted on 3DB Melbourne from May 1952, 2CH Sydney from November 1952, and 4BK Brisbane from January 1952. From Australian OTR

The Adventures of Rocky Starr Episodes 51 & 52 are missing from this series. Due to these episodes being only 11 minutes long and having 104 episodes, I’ve combined all the episodes into five videos. This makes for easier listening. Radio producers, always on the lookout to do something new and fresh, decided to cash in on the current public interest and popularity of science fiction by producing a series to encapsulate space travel, rockets, alien beings, etc. In 1951 AWA devised an interplanetary series called the Rocky Starr Adventures. Although promoted as a children's program, it had many fans equally in the adult population as well. The first story in the series was titled “Destination Venus”, and it ran for 104 episodes. The starring role of Rocky was played by Howard Craven, and Joe McCormick played Mitch, his friend and pal. The series was produced in Sydney in the AWA studios... It was a children’s show about the interplanetary adventures of daredevil Rocky Starr and his intrepid team. It was considered topical and highly dramatic; the stories were of courage and daring so dear to the juvenile heart. There were eleven different stories in the series. Cast: Howard Craven (Rocky Starr), Joe McCormick, Barbara Brunton, Allan Trevor, Harry Howlett, John Tate, Ivan Vander, Ben Gabriel, Lloyd Berrell. Label: AWA. Episode duration: 15 mins. Broadcast details: 1950s-early 1960s A total of 624 episodes were produced with 11 stories over the next 3 years. The series was produced in Sydney in the AWA studios. The series debuted on 3DB Melbourne from May 1952, 2CH Sydney from November 1952, and 4BK Brisbane from January 1952. From Australian OTR

The Adventures of Rocky Starr Episodes 51 & 52 are missing from this series. Due to these episodes being only 11 minutes long and having 104 episodes, I’ve combined all the episodes into five videos. This makes for easier listening. Radio producers, always on the lookout to do something new and fresh, decided to cash in on the current public interest and popularity of science fiction by producing a series to encapsulate space travel, rockets, alien beings, etc. In 1951 AWA devised an interplanetary series called the Rocky Starr Adventures. Although promoted as a children's program, it had many fans equally in the adult population as well. The first story in the series was titled “Destination Venus”, and it ran for 104 episodes. The starring role of Rocky was played by Howard Craven, and Joe McCormick played Mitch, his friend and pal. The series was produced in Sydney in the AWA studios... It was a children’s show about the interplanetary adventures of daredevil Rocky Starr and his intrepid team. It was considered topical and highly dramatic; the stories were of courage and daring so dear to the juvenile heart. There were eleven different stories in the series. Cast: Howard Craven (Rocky Starr), Joe McCormick, Barbara Brunton, Allan Trevor, Harry Howlett, John Tate, Ivan Vander, Ben Gabriel, Lloyd Berrell. Label: AWA. Episode duration: 15 mins. Broadcast details: 1950s-early 1960s A total of 624 episodes were produced with 11 stories over the next 3 years. The series was produced in Sydney in the AWA studios. The series debuted on 3DB Melbourne from May 1952, 2CH Sydney from November 1952, and 4BK Brisbane from January 1952. From Australian OTR

The Adventures of Rocky Starr Episodes 51 & 52 are missing from this series. Due to these episodes being only 11 minutes long and having 104 episodes, I’ve combined all the episodes into five videos. This makes for easier listening. Radio producers, always on the lookout to do something new and fresh, decided to cash in on the current public interest and popularity of science fiction by producing a series to encapsulate space travel, rockets, alien beings, etc. In 1951 AWA devised an interplanetary series called the Rocky Starr Adventures. Although promoted as a children's program, it had many fans equally in the adult population as well. The first story in the series was titled “Destination Venus”, and it ran for 104 episodes. The starring role of Rocky was played by Howard Craven, and Joe McCormick played Mitch, his friend and pal. The series was produced in Sydney in the AWA studios... It was a children’s show about the interplanetary adventures of daredevil Rocky Starr and his intrepid team. It was considered topical and highly dramatic; the stories were of courage and daring so dear to the juvenile heart. There were eleven different stories in the series. Cast: Howard Craven (Rocky Starr), Joe McCormick, Barbara Brunton, Allan Trevor, Harry Howlett, John Tate, Ivan Vander, Ben Gabriel, Lloyd Berrell. Label: AWA. Episode duration: 15 mins. Broadcast details: 1950s-early 1960s A total of 624 episodes were produced with 11 stories over the next 3 years. The series was produced in Sydney in the AWA studios. The series debuted on 3DB Melbourne from May 1952, 2CH Sydney from November 1952, and 4BK Brisbane from January 1952. From Australian OTR

Starring James Mills, Irene Harpur, and Reginald Goldsworthy The thrilling adventures of the Grey Goose! This classic Australian radio serial from the 1950s captured the hearts of listeners with its tales of daring exploits and a charming Robin Hood-esque hero. The Premise: Rolland Fletcher, a modern-day swashbuckler with a heart of gold, donned the mantle of the Grey Goose to fight injustice and protect the downtrodden. His adventures took him across Australia, from the bustling city streets to the rugged outback, as he faced off against corrupt businessmen, ruthless criminals, and even the occasional foreign spy. What Made it Special: Exhilarating Stories: Each episode was packed with action, suspense, and cliffhangers that kept listeners glued to their radios. The writers masterfully crafted thrilling narratives that blended elements of adventure, mystery, and even humor. A Relatable Hero: Rolland Fletcher may have been a skilled fighter and cunning strategist, but he was also an ordinary man with a strong sense of right and wrong. His struggles and triumphs resonated with audiences, making him a relatable and endearing protagonist. Vivid Characters: The Grey Goose wasn't alone in his adventures. He was often joined by a cast of colorful characters, including his loyal sidekick, a resourceful young woman, and even a mischievous talking parrot. These companions added depth and humor to the show, making the world of the Grey Goose even more immersive. Iconic Theme Music: The show's signature theme song, a rousing orchestral piece, instantly transported listeners to the world of adventure. It became instantly recognizable and added to the overall excitement of the program. The Legacy of the Grey Goose: Even though it went off the air decades ago, The Adventures of the Grey Goose remains a cherished piece of Australian radio history. It's a testament to the power of storytelling and its ability to transport listeners to different worlds and times. The show's influence can still be seen in modern Australian pop culture, with references and homages appearing in various media.

Starring James Mills, Irene Harpur, and Reginald Goldsworthy The thrilling adventures of the Grey Goose! This classic Australian radio serial from the 1950s captured the hearts of listeners with its tales of daring exploits and a charming Robin Hood-esque hero. The Premise: Rolland Fletcher, a modern-day swashbuckler with a heart of gold, donned the mantle of the Grey Goose to fight injustice and protect the downtrodden. His adventures took him across Australia, from the bustling city streets to the rugged outback, as he faced off against corrupt businessmen, ruthless criminals, and even the occasional foreign spy. What Made it Special: Exhilarating Stories: Each episode was packed with action, suspense, and cliffhangers that kept listeners glued to their radios. The writers masterfully crafted thrilling narratives that blended elements of adventure, mystery, and even humor. A Relatable Hero: Rolland Fletcher may have been a skilled fighter and cunning strategist, but he was also an ordinary man with a strong sense of right and wrong. His struggles and triumphs resonated with audiences, making him a relatable and endearing protagonist. Vivid Characters: The Grey Goose wasn't alone in his adventures. He was often joined by a cast of colorful characters, including his loyal sidekick, a resourceful young woman, and even a mischievous talking parrot. These companions added depth and humor to the show, making the world of the Grey Goose even more immersive. Iconic Theme Music: The show's signature theme song, a rousing orchestral piece, instantly transported listeners to the world of adventure. It became instantly recognizable and added to the overall excitement of the program. The Legacy of the Grey Goose: Even though it went off the air decades ago, The Adventures of the Grey Goose remains a cherished piece of Australian radio history. It's a testament to the power of storytelling and its ability to transport listeners to different worlds and times. The show's influence can still be seen in modern Australian pop culture, with references and homages appearing in various media.

Starring James Mills, Irene Harpur, and Reginald Goldsworthy The thrilling adventures of the Grey Goose! This classic Australian radio serial from the 1950s captured the hearts of listeners with its tales of daring exploits and a charming Robin Hood-esque hero. The Premise: Rolland Fletcher, a modern-day swashbuckler with a heart of gold, donned the mantle of the Grey Goose to fight injustice and protect the downtrodden. His adventures took him across Australia, from the bustling city streets to the rugged outback, as he faced off against corrupt businessmen, ruthless criminals, and even the occasional foreign spy. What Made it Special: Exhilarating Stories: Each episode was packed with action, suspense, and cliffhangers that kept listeners glued to their radios. The writers masterfully crafted thrilling narratives that blended elements of adventure, mystery, and even humor. A Relatable Hero: Rolland Fletcher may have been a skilled fighter and cunning strategist, but he was also an ordinary man with a strong sense of right and wrong. His struggles and triumphs resonated with audiences, making him a relatable and endearing protagonist. Vivid Characters: The Grey Goose wasn't alone in his adventures. He was often joined by a cast of colorful characters, including his loyal sidekick, a resourceful young woman, and even a mischievous talking parrot. These companions added depth and humor to the show, making the world of the Grey Goose even more immersive. Iconic Theme Music: The show's signature theme song, a rousing orchestral piece, instantly transported listeners to the world of adventure. It became instantly recognizable and added to the overall excitement of the program. The Legacy of the Grey Goose: Even though it went off the air decades ago, The Adventures of the Grey Goose remains a cherished piece of Australian radio history. It's a testament to the power of storytelling and its ability to transport listeners to different worlds and times. The show's influence can still be seen in modern Australian pop culture, with references and homages appearing in various media.

Starring James Mills, Irene Harpur, and Reginald Goldsworthy The thrilling adventures of the Grey Goose! This classic Australian radio serial from the 1950s captured the hearts of listeners with its tales of daring exploits and a charming Robin Hood-esque hero. The Premise: Rolland Fletcher, a modern-day swashbuckler with a heart of gold, donned the mantle of the Grey Goose to fight injustice and protect the downtrodden. His adventures took him across Australia, from the bustling city streets to the rugged outback, as he faced off against corrupt businessmen, ruthless criminals, and even the occasional foreign spy. What Made it Special: Exhilarating Stories: Each episode was packed with action, suspense, and cliffhangers that kept listeners glued to their radios. The writers masterfully crafted thrilling narratives that blended elements of adventure, mystery, and even humor. A Relatable Hero: Rolland Fletcher may have been a skilled fighter and cunning strategist, but he was also an ordinary man with a strong sense of right and wrong. His struggles and triumphs resonated with audiences, making him a relatable and endearing protagonist. Vivid Characters: The Grey Goose wasn't alone in his adventures. He was often joined by a cast of colorful characters, including his loyal sidekick, a resourceful young woman, and even a mischievous talking parrot. These companions added depth and humor to the show, making the world of the Grey Goose even more immersive. Iconic Theme Music: The show's signature theme song, a rousing orchestral piece, instantly transported listeners to the world of adventure. It became instantly recognizable and added to the overall excitement of the program. The Legacy of the Grey Goose: Even though it went off the air decades ago, The Adventures of the Grey Goose remains a cherished piece of Australian radio history. It's a testament to the power of storytelling and its ability to transport listeners to different worlds and times. The show's influence can still be seen in modern Australian pop culture, with references and homages appearing in various media.

Starring James Mills, Irene Harpur, and Reginald Goldsworthy The thrilling adventures of the Grey Goose! This classic Australian radio serial from the 1950s captured the hearts of listeners with its tales of daring exploits and a charming Robin Hood-esque hero. The Premise: Rolland Fletcher, a modern-day swashbuckler with a heart of gold, donned the mantle of the Grey Goose to fight injustice and protect the downtrodden. His adventures took him across Australia, from the bustling city streets to the rugged outback, as he faced off against corrupt businessmen, ruthless criminals, and even the occasional foreign spy. What Made it Special: Exhilarating Stories: Each episode was packed with action, suspense, and cliffhangers that kept listeners glued to their radios. The writers masterfully crafted thrilling narratives that blended elements of adventure, mystery, and even humor. A Relatable Hero: Rolland Fletcher may have been a skilled fighter and cunning strategist, but he was also an ordinary man with a strong sense of right and wrong. His struggles and triumphs resonated with audiences, making him a relatable and endearing protagonist. Vivid Characters: The Grey Goose wasn't alone in his adventures. He was often joined by a cast of colorful characters, including his loyal sidekick, a resourceful young woman, and even a mischievous talking parrot. These companions added depth and humor to the show, making the world of the Grey Goose even more immersive. Iconic Theme Music: The show's signature theme song, a rousing orchestral piece, instantly transported listeners to the world of adventure. It became instantly recognizable and added to the overall excitement of the program. The Legacy of the Grey Goose: Even though it went off the air decades ago, The Adventures of the Grey Goose remains a cherished piece of Australian radio history. It's a testament to the power of storytelling and its ability to transport listeners to different worlds and times. The show's influence can still be seen in modern Australian pop culture, with references and homages appearing in various media.

Starring James Mills, Irene Harpur, and Reginald Goldsworthy The thrilling adventures of the Grey Goose! This classic Australian radio serial from the 1950s captured the hearts of listeners with its tales of daring exploits and a charming Robin Hood-esque hero. The Premise: Rolland Fletcher, a modern-day swashbuckler with a heart of gold, donned the mantle of the Grey Goose to fight injustice and protect the downtrodden. His adventures took him across Australia, from the bustling city streets to the rugged outback, as he faced off against corrupt businessmen, ruthless criminals, and even the occasional foreign spy. What Made it Special: Exhilarating Stories: Each episode was packed with action, suspense, and cliffhangers that kept listeners glued to their radios. The writers masterfully crafted thrilling narratives that blended elements of adventure, mystery, and even humor. A Relatable Hero: Rolland Fletcher may have been a skilled fighter and cunning strategist, but he was also an ordinary man with a strong sense of right and wrong. His struggles and triumphs resonated with audiences, making him a relatable and endearing protagonist. Vivid Characters: The Grey Goose wasn't alone in his adventures. He was often joined by a cast of colorful characters, including his loyal sidekick, a resourceful young woman, and even a mischievous talking parrot. These companions added depth and humor to the show, making the world of the Grey Goose even more immersive. Iconic Theme Music: The show's signature theme song, a rousing orchestral piece, instantly transported listeners to the world of adventure. It became instantly recognizable and added to the overall excitement of the program. The Legacy of the Grey Goose: Even though it went off the air decades ago, The Adventures of the Grey Goose remains a cherished piece of Australian radio history. It's a testament to the power of storytelling and its ability to transport listeners to different worlds and times. The show's influence can still be seen in modern Australian pop culture, with references and homages appearing in various media.

Starring James Mills, Irene Harpur, and Reginald Goldsworthy The thrilling adventures of the Grey Goose! This classic Australian radio serial from the 1950s captured the hearts of listeners with its tales of daring exploits and a charming Robin Hood-esque hero. The Premise: Rolland Fletcher, a modern-day swashbuckler with a heart of gold, donned the mantle of the Grey Goose to fight injustice and protect the downtrodden. His adventures took him across Australia, from the bustling city streets to the rugged outback, as he faced off against corrupt businessmen, ruthless criminals, and even the occasional foreign spy. What Made it Special: Exhilarating Stories: Each episode was packed with action, suspense, and cliffhangers that kept listeners glued to their radios. The writers masterfully crafted thrilling narratives that blended elements of adventure, mystery, and even humor. A Relatable Hero: Rolland Fletcher may have been a skilled fighter and cunning strategist, but he was also an ordinary man with a strong sense of right and wrong. His struggles and triumphs resonated with audiences, making him a relatable and endearing protagonist. Vivid Characters: The Grey Goose wasn't alone in his adventures. He was often joined by a cast of colorful characters, including his loyal sidekick, a resourceful young woman, and even a mischievous talking parrot. These companions added depth and humor to the show, making the world of the Grey Goose even more immersive. Iconic Theme Music: The show's signature theme song, a rousing orchestral piece, instantly transported listeners to the world of adventure. It became instantly recognizable and added to the overall excitement of the program. The Legacy of the Grey Goose: Even though it went off the air decades ago, The Adventures of the Grey Goose remains a cherished piece of Australian radio history. It's a testament to the power of storytelling and its ability to transport listeners to different worlds and times. The show's influence can still be seen in modern Australian pop culture, with references and homages appearing in various media.

Starring James Mills, Irene Harpur, and Reginald Goldsworthy The thrilling adventures of the Grey Goose! This classic Australian radio serial from the 1950s captured the hearts of listeners with its tales of daring exploits and a charming Robin Hood-esque hero. The Premise: Rolland Fletcher, a modern-day swashbuckler with a heart of gold, donned the mantle of the Grey Goose to fight injustice and protect the downtrodden. His adventures took him across Australia, from the bustling city streets to the rugged outback, as he faced off against corrupt businessmen, ruthless criminals, and even the occasional foreign spy. What Made it Special: Exhilarating Stories: Each episode was packed with action, suspense, and cliffhangers that kept listeners glued to their radios. The writers masterfully crafted thrilling narratives that blended elements of adventure, mystery, and even humor. A Relatable Hero: Rolland Fletcher may have been a skilled fighter and cunning strategist, but he was also an ordinary man with a strong sense of right and wrong. His struggles and triumphs resonated with audiences, making him a relatable and endearing protagonist. Vivid Characters: The Grey Goose wasn't alone in his adventures. He was often joined by a cast of colorful characters, including his loyal sidekick, a resourceful young woman, and even a mischievous talking parrot. These companions added depth and humor to the show, making the world of the Grey Goose even more immersive. Iconic Theme Music: The show's signature theme song, a rousing orchestral piece, instantly transported listeners to the world of adventure. It became instantly recognizable and added to the overall excitement of the program. The Legacy of the Grey Goose: Even though it went off the air decades ago, The Adventures of the Grey Goose remains a cherished piece of Australian radio history. It's a testament to the power of storytelling and its ability to transport listeners to different worlds and times. The show's influence can still be seen in modern Australian pop culture, with references and homages appearing in various media.

Starring James Mills, Irene Harpur, and Reginald Goldsworthy The thrilling adventures of the Grey Goose! This classic Australian radio serial from the 1950s captured the hearts of listeners with its tales of daring exploits and a charming Robin Hood-esque hero. The Premise: Rolland Fletcher, a modern-day swashbuckler with a heart of gold, donned the mantle of the Grey Goose to fight injustice and protect the downtrodden. His adventures took him across Australia, from the bustling city streets to the rugged outback, as he faced off against corrupt businessmen, ruthless criminals, and even the occasional foreign spy. What Made it Special: Exhilarating Stories: Each episode was packed with action, suspense, and cliffhangers that kept listeners glued to their radios. The writers masterfully crafted thrilling narratives that blended elements of adventure, mystery, and even humor. A Relatable Hero: Rolland Fletcher may have been a skilled fighter and cunning strategist, but he was also an ordinary man with a strong sense of right and wrong. His struggles and triumphs resonated with audiences, making him a relatable and endearing protagonist. Vivid Characters: The Grey Goose wasn't alone in his adventures. He was often joined by a cast of colorful characters, including his loyal sidekick, a resourceful young woman, and even a mischievous talking parrot. These companions added depth and humor to the show, making the world of the Grey Goose even more immersive. Iconic Theme Music: The show's signature theme song, a rousing orchestral piece, instantly transported listeners to the world of adventure. It became instantly recognizable and added to the overall excitement of the program. The Legacy of the Grey Goose: Even though it went off the air decades ago, The Adventures of the Grey Goose remains a cherished piece of Australian radio history. It's a testament to the power of storytelling and its ability to transport listeners to different worlds and times. The show's influence can still be seen in modern Australian pop culture, with references and homages appearing in various media.

Starring James Mills, Irene Harpur, and Reginald Goldsworthy The thrilling adventures of the Grey Goose! This classic Australian radio serial from the 1950s captured the hearts of listeners with its tales of daring exploits and a charming Robin Hood-esque hero. The Premise: Rolland Fletcher, a modern-day swashbuckler with a heart of gold, donned the mantle of the Grey Goose to fight injustice and protect the downtrodden. His adventures took him across Australia, from the bustling city streets to the rugged outback, as he faced off against corrupt businessmen, ruthless criminals, and even the occasional foreign spy. What Made it Special: Exhilarating Stories: Each episode was packed with action, suspense, and cliffhangers that kept listeners glued to their radios. The writers masterfully crafted thrilling narratives that blended elements of adventure, mystery, and even humor. A Relatable Hero: Rolland Fletcher may have been a skilled fighter and cunning strategist, but he was also an ordinary man with a strong sense of right and wrong. His struggles and triumphs resonated with audiences, making him a relatable and endearing protagonist. Vivid Characters: The Grey Goose wasn't alone in his adventures. He was often joined by a cast of colorful characters, including his loyal sidekick, a resourceful young woman, and even a mischievous talking parrot. These companions added depth and humor to the show, making the world of the Grey Goose even more immersive. Iconic Theme Music: The show's signature theme song, a rousing orchestral piece, instantly transported listeners to the world of adventure. It became instantly recognizable and added to the overall excitement of the program. The Legacy of the Grey Goose: Even though it went off the air decades ago, The Adventures of the Grey Goose remains a cherished piece of Australian radio history. It's a testament to the power of storytelling and its ability to transport listeners to different worlds and times. The show's influence can still be seen in modern Australian pop culture, with references and homages appearing in various media.

The Man in the Iron Mask (French: L'Homme au Masque de Fer; died 19 November 1703) was an unidentified prisoner of state during the reign of King Louis XIV of France (1643–1715). Warranted for arrest on 28 July 1669 under the pseudonym of "Eustache Dauger", he was incarcerated on 24 August and held for 34 years in the custody of the same jailer, Bénigne Dauvergne de Saint-Mars, in four successive French prisons, including the Bastille. When he died there on 19 November 1703, his inhumation certificate bore the pseudonym of "Marchioly", leading several 19th century historians to conclude the prisoner was Italian diplomat Ercole Antonio Mattioli. His true identity remains a mystery, even though it has been extensively debated by historians, and various theories have been expounded in numerous books, articles, poems, plays, and films. Among the oldest theories is one proposed by the French philosopher and writer Voltaire, who claimed in the second edition of his Questions sur l'Encyclopédie (1771) that the prisoner was an older, illegitimate brother of Louis XIV. This assertion of a royal connection was echoed later by authors who proposed variants of this aristocratic solution. What little is known about the prisoner is based on contemporary documents that surfaced during the 19th century, mainly some of the correspondence between Saint-Mars and his superiors, in which the prisoner had been labelled "only a valet" shortly after his arrest. What emerges from these documents is that he was jailed for "what he had seen", "what he knew", and "what he was employed to do" before his arrest. Legend has it that no one ever saw his face, as it was hidden by a mask of black velvet cloth, later misreported by Voltaire as an iron mask. Official documents reveal, however, that the prisoner was made to cover his face only when travelling between prisons after 1687, or when going to prayers within the Bastille in the final years of his incarceration; modern historians believe the latter measure was imposed by Saint-Mars solely to increase his own prestige at the end of his career, thus causing persistent rumours to circulate about this seemingly important prisoner. In 1932, French historian Maurice Duvivier proposed that the prisoner was Eustache Dauger de Cavoye, a nobleman associated with several political scandals of the late 17th century. This solution, however, was disproved in 1953 when previously unpublished family letters were discovered by another French historian, Georges Mongrédien, who concluded that the enigma remained unsolved owing to the lack of reliable historical documents about the prisoner's identity and the cause of his long incarceration.

The Man in the Iron Mask (French: L'Homme au Masque de Fer; died 19 November 1703) was an unidentified prisoner of state during the reign of King Louis XIV of France (1643–1715). Warranted for arrest on 28 July 1669 under the pseudonym of "Eustache Dauger", he was incarcerated on 24 August and held for 34 years in the custody of the same jailer, Bénigne Dauvergne de Saint-Mars, in four successive French prisons, including the Bastille. When he died there on 19 November 1703, his inhumation certificate bore the pseudonym of "Marchioly", leading several 19th century historians to conclude the prisoner was Italian diplomat Ercole Antonio Mattioli. His true identity remains a mystery, even though it has been extensively debated by historians, and various theories have been expounded in numerous books, articles, poems, plays, and films. Among the oldest theories is one proposed by the French philosopher and writer Voltaire, who claimed in the second edition of his Questions sur l'Encyclopédie (1771) that the prisoner was an older, illegitimate brother of Louis XIV. This assertion of a royal connection was echoed later by authors who proposed variants of this aristocratic solution. What little is known about the prisoner is based on contemporary documents that surfaced during the 19th century, mainly some of the correspondence between Saint-Mars and his superiors, in which the prisoner had been labelled "only a valet" shortly after his arrest. What emerges from these documents is that he was jailed for "what he had seen", "what he knew", and "what he was employed to do" before his arrest. Legend has it that no one ever saw his face, as it was hidden by a mask of black velvet cloth, later misreported by Voltaire as an iron mask. Official documents reveal, however, that the prisoner was made to cover his face only when travelling between prisons after 1687, or when going to prayers within the Bastille in the final years of his incarceration; modern historians believe the latter measure was imposed by Saint-Mars solely to increase his own prestige at the end of his career, thus causing persistent rumours to circulate about this seemingly important prisoner. In 1932, French historian Maurice Duvivier proposed that the prisoner was Eustache Dauger de Cavoye, a nobleman associated with several political scandals of the late 17th century. This solution, however, was disproved in 1953 when previously unpublished family letters were discovered by another French historian, Georges Mongrédien, who concluded that the enigma remained unsolved owing to the lack of reliable historical documents about the prisoner's identity and the cause of his long incarceration.

Earthsearch: A Ten-Part Adventure Serial in Time and Space is a science fiction radio series written by James Follett. It consists of ten half-hour episodes. It was first broadcast on BBC Radio 4 between January and March 1981. Three crew-generations previously, the starship Challenger - a vast ten-mile-long survey vessel – was launched from Earth on an interstellar mission to search the universe for an Earth-type planet to colonize. This has been unsuccessful, and the ship's once enormous crew-count has now been reduced to four. Telson (the ship's Commander), Sharna (Science officer), Darv and Astra are the third-generation crew- the only survivors of the disastrous Great Meteoroid Strike which seriously damaged the ship two decades previously, killing the entire second-generation crew and rendering large areas of the ship "uncontrolled" and inaccessible to its electronic systems. From infancy, the four third-generation crew members (now in their early twenties) have been raised by robots and by the Angels – mysterious unseen beings who run the ship and who only manifest as disembodied voices. Darv, the most skeptical and enquiring of the crew members, suspects that the Angels are merely computers; but the others consider them as "Guardian Angels" and work entirely under their guidance.

The Mystery of a Hansom Cab is a mystery fiction novel by the Australian writer Fergus Hume. The book was first published in Australia in 1886. Set in Melbourne, the story focuses on the investigation of a homicide involving a body discovered in a hansom cab, as well as an exploration into the social class divide in the city. The book was successful in Australia, selling 100,000 copies in the first two print runs. It was then published in Britain and the United States, and went on to sell over half a million copies worldwide, outselling the first of Arthur Conan Doyle's Sherlock Holmes novels, A Study in Scarlet (1887). The Mystery of a Hansom Cab received praise in works including A Companion to Crime Fiction, A History of the Book in Australia 1891–1945, and A History of Victoria, and was featured in the book Vintage Mystery and Detective Stories. A parody version was published in 1888, and film adaptations were produced in 1911, 1915 and 1925. The story was adapted into a BBC Radio serial in 1958, a stage play in 1990, a radio promotion in 1991 and a telemovie in 2012. Author Originally from Britain, Fergusson Wright Hume worked as a barrister's clerk in Melbourne, Australia, at the time of the book's first publication. He went on to become a prolific author, and wrote more than 130 novels in fiction subjects including adventure and science fiction. Plot The Mystery of a Hansom Cab takes place in Melbourne, Australia, and involves an investigation into a homicide, after a corpse is discovered in the early hours, in a hansom cab. Melbourne plays a significant role in the plot and, as the author describes, "Over all the great city hung a cloud of smoke like a pall. The killer's identity is not as significant a revelation in the story as are the roles of the influential and secretive Frettlby family, and their secret: they have a daughter living on the streets, and the woman everyone assumes is their daughter is illegitimate. The class divide between Melbourne's wealthy and less fortunate is addressed throughout the plot. The protagonist in the novel is a policeman named Detective Gorby, who is given the task of solving the murder. As Hume describes the character's investigative skills, "He looked keenly round the room, and his estimate of the dead man's character was formed at once." The author commented in a later introduction, "All of the scenes in the book, especially the slums, are described from personal observation; and I passed a great many nights in Little Bourke Street, gathering material". At this time, the street was notorious as a place frequented by prostitutes and criminals.

The Mystery of a Hansom Cab is a mystery fiction novel by the Australian writer Fergus Hume. The book was first published in Australia in 1886. Set in Melbourne, the story focuses on the investigation of a homicide involving a body discovered in a hansom cab, as well as an exploration into the social class divide in the city. The book was successful in Australia, selling 100,000 copies in the first two print runs. It was then published in Britain and the United States, and went on to sell over half a million copies worldwide, outselling the first of Arthur Conan Doyle's Sherlock Holmes novels, A Study in Scarlet (1887). The Mystery of a Hansom Cab received praise in works including A Companion to Crime Fiction, A History of the Book in Australia 1891–1945, and A History of Victoria, and was featured in the book Vintage Mystery and Detective Stories. A parody version was published in 1888, and film adaptations were produced in 1911, 1915 and 1925. The story was adapted into a BBC Radio serial in 1958, a stage play in 1990, a radio promotion in 1991 and a telemovie in 2012. Author Originally from Britain, Fergusson Wright Hume worked as a barrister's clerk in Melbourne, Australia, at the time of the book's first publication. He went on to become a prolific author, and wrote more than 130 novels in fiction subjects including adventure and science fiction. Plot The Mystery of a Hansom Cab takes place in Melbourne, Australia, and involves an investigation into a homicide, after a corpse is discovered in the early hours, in a hansom cab. Melbourne plays a significant role in the plot and, as the author describes, "Over all the great city hung a cloud of smoke like a pall. The killer's identity is not as significant a revelation in the story as are the roles of the influential and secretive Frettlby family, and their secret: they have a daughter living on the streets, and the woman everyone assumes is their daughter is illegitimate. The class divide between Melbourne's wealthy and less fortunate is addressed throughout the plot. The protagonist in the novel is a policeman named Detective Gorby, who is given the task of solving the murder. As Hume describes the character's investigative skills, "He looked keenly round the room, and his estimate of the dead man's character was formed at once." The author commented in a later introduction, "All of the scenes in the book, especially the slums, are described from personal observation; and I passed a great many nights in Little Bourke Street, gathering material". At this time, the street was notorious as a place frequented by prostitutes and criminals.

The Mystery of a Hansom Cab is a mystery fiction novel by the Australian writer Fergus Hume. The book was first published in Australia in 1886. Set in Melbourne, the story focuses on the investigation of a homicide involving a body discovered in a hansom cab, as well as an exploration into the social class divide in the city. The book was successful in Australia, selling 100,000 copies in the first two print runs. It was then published in Britain and the United States, and went on to sell over half a million copies worldwide, outselling the first of Arthur Conan Doyle's Sherlock Holmes novels, A Study in Scarlet (1887). The Mystery of a Hansom Cab received praise in works including A Companion to Crime Fiction, A History of the Book in Australia 1891–1945, and A History of Victoria, and was featured in the book Vintage Mystery and Detective Stories. A parody version was published in 1888, and film adaptations were produced in 1911, 1915 and 1925. The story was adapted into a BBC Radio serial in 1958, a stage play in 1990, a radio promotion in 1991 and a telemovie in 2012. Author Originally from Britain, Fergusson Wright Hume worked as a barrister's clerk in Melbourne, Australia, at the time of the book's first publication. He went on to become a prolific author, and wrote more than 130 novels in fiction subjects including adventure and science fiction. Plot The Mystery of a Hansom Cab takes place in Melbourne, Australia, and involves an investigation into a homicide, after a corpse is discovered in the early hours, in a hansom cab. Melbourne plays a significant role in the plot and, as the author describes, "Over all the great city hung a cloud of smoke like a pall. The killer's identity is not as significant a revelation in the story as are the roles of the influential and secretive Frettlby family, and their secret: they have a daughter living on the streets, and the woman everyone assumes is their daughter is illegitimate. The class divide between Melbourne's wealthy and less fortunate is addressed throughout the plot. The protagonist in the novel is a policeman named Detective Gorby, who is given the task of solving the murder. As Hume describes the character's investigative skills, "He looked keenly round the room, and his estimate of the dead man's character was formed at once." The author commented in a later introduction, "All of the scenes in the book, especially the slums, are described from personal observation; and I passed a great many nights in Little Bourke Street, gathering material". At this time, the street was notorious as a place frequented by prostitutes and criminals.

The Mystery of a Hansom Cab is a mystery fiction novel by the Australian writer Fergus Hume. The book was first published in Australia in 1886. Set in Melbourne, the story focuses on the investigation of a homicide involving a body discovered in a hansom cab, as well as an exploration into the social class divide in the city. The book was successful in Australia, selling 100,000 copies in the first two print runs. It was then published in Britain and the United States, and went on to sell over half a million copies worldwide, outselling the first of Arthur Conan Doyle's Sherlock Holmes novels, A Study in Scarlet (1887). The Mystery of a Hansom Cab received praise in works including A Companion to Crime Fiction, A History of the Book in Australia 1891–1945, and A History of Victoria, and was featured in the book Vintage Mystery and Detective Stories. A parody version was published in 1888, and film adaptations were produced in 1911, 1915 and 1925. The story was adapted into a BBC Radio serial in 1958, a stage play in 1990, a radio promotion in 1991 and a telemovie in 2012. Author Originally from Britain, Fergusson Wright Hume worked as a barrister's clerk in Melbourne, Australia, at the time of the book's first publication. He went on to become a prolific author, and wrote more than 130 novels in fiction subjects including adventure and science fiction. Plot The Mystery of a Hansom Cab takes place in Melbourne, Australia, and involves an investigation into a homicide, after a corpse is discovered in the early hours, in a hansom cab. Melbourne plays a significant role in the plot and, as the author describes, "Over all the great city hung a cloud of smoke like a pall. The killer's identity is not as significant a revelation in the story as are the roles of the influential and secretive Frettlby family, and their secret: they have a daughter living on the streets, and the woman everyone assumes is their daughter is illegitimate. The class divide between Melbourne's wealthy and less fortunate is addressed throughout the plot. The protagonist in the novel is a policeman named Detective Gorby, who is given the task of solving the murder. As Hume describes the character's investigative skills, "He looked keenly round the room, and his estimate of the dead man's character was formed at once." The author commented in a later introduction, "All of the scenes in the book, especially the slums, are described from personal observation; and I passed a great many nights in Little Bourke Street, gathering material". At this time, the street was notorious as a place frequented by prostitutes and criminals.

The Mystery of a Hansom Cab is a mystery fiction novel by the Australian writer Fergus Hume. The book was first published in Australia in 1886. Set in Melbourne, the story focuses on the investigation of a homicide involving a body discovered in a hansom cab, as well as an exploration into the social class divide in the city. The book was successful in Australia, selling 100,000 copies in the first two print runs. It was then published in Britain and the United States, and went on to sell over half a million copies worldwide, outselling the first of Arthur Conan Doyle's Sherlock Holmes novels, A Study in Scarlet (1887). The Mystery of a Hansom Cab received praise in works including A Companion to Crime Fiction, A History of the Book in Australia 1891–1945, and A History of Victoria, and was featured in the book Vintage Mystery and Detective Stories. A parody version was published in 1888, and film adaptations were produced in 1911, 1915 and 1925. The story was adapted into a BBC Radio serial in 1958, a stage play in 1990, a radio promotion in 1991 and a telemovie in 2012. Author Originally from Britain, Fergusson Wright Hume worked as a barrister's clerk in Melbourne, Australia, at the time of the book's first publication. He went on to become a prolific author, and wrote more than 130 novels in fiction subjects including adventure and science fiction. Plot The Mystery of a Hansom Cab takes place in Melbourne, Australia, and involves an investigation into a homicide, after a corpse is discovered in the early hours, in a hansom cab. Melbourne plays a significant role in the plot and, as the author describes, "Over all the great city hung a cloud of smoke like a pall. The killer's identity is not as significant a revelation in the story as are the roles of the influential and secretive Frettlby family, and their secret: they have a daughter living on the streets, and the woman everyone assumes is their daughter is illegitimate. The class divide between Melbourne's wealthy and less fortunate is addressed throughout the plot. The protagonist in the novel is a policeman named Detective Gorby, who is given the task of solving the murder. As Hume describes the character's investigative skills, "He looked keenly round the room, and his estimate of the dead man's character was formed at once." The author commented in a later introduction, "All of the scenes in the book, especially the slums, are described from personal observation; and I passed a great many nights in Little Bourke Street, gathering material". At this time, the street was notorious as a place frequented by prostitutes and criminals.

The Mystery of a Hansom Cab is a mystery fiction novel by the Australian writer Fergus Hume. The book was first published in Australia in 1886. Set in Melbourne, the story focuses on the investigation of a homicide involving a body discovered in a hansom cab, as well as an exploration into the social class divide in the city. The book was successful in Australia, selling 100,000 copies in the first two print runs. It was then published in Britain and the United States, and went on to sell over half a million copies worldwide, outselling the first of Arthur Conan Doyle's Sherlock Holmes novels, A Study in Scarlet (1887). The Mystery of a Hansom Cab received praise in works including A Companion to Crime Fiction, A History of the Book in Australia 1891–1945, and A History of Victoria, and was featured in the book Vintage Mystery and Detective Stories. A parody version was published in 1888, and film adaptations were produced in 1911, 1915 and 1925. The story was adapted into a BBC Radio serial in 1958, a stage play in 1990, a radio promotion in 1991 and a telemovie in 2012. Author Originally from Britain, Fergusson Wright Hume worked as a barrister's clerk in Melbourne, Australia, at the time of the book's first publication. He went on to become a prolific author, and wrote more than 130 novels in fiction subjects including adventure and science fiction. Plot The Mystery of a Hansom Cab takes place in Melbourne, Australia, and involves an investigation into a homicide, after a corpse is discovered in the early hours, in a hansom cab. Melbourne plays a significant role in the plot and, as the author describes, "Over all the great city hung a cloud of smoke like a pall. The killer's identity is not as significant a revelation in the story as are the roles of the influential and secretive Frettlby family, and their secret: they have a daughter living on the streets, and the woman everyone assumes is their daughter is illegitimate. The class divide between Melbourne's wealthy and less fortunate is addressed throughout the plot. The protagonist in the novel is a policeman named Detective Gorby, who is given the task of solving the murder. As Hume describes the character's investigative skills, "He looked keenly round the room, and his estimate of the dead man's character was formed at once." The author commented in a later introduction, "All of the scenes in the book, especially the slums, are described from personal observation; and I passed a great many nights in Little Bourke Street, gathering material". At this time, the street was notorious as a place frequented by prostitutes and criminals.

The Mystery of a Hansom Cab is a mystery fiction novel by the Australian writer Fergus Hume. The book was first published in Australia in 1886. Set in Melbourne, the story focuses on the investigation of a homicide involving a body discovered in a hansom cab, as well as an exploration into the social class divide in the city. The book was successful in Australia, selling 100,000 copies in the first two print runs. It was then published in Britain and the United States, and went on to sell over half a million copies worldwide, outselling the first of Arthur Conan Doyle's Sherlock Holmes novels, A Study in Scarlet (1887). The Mystery of a Hansom Cab received praise in works including A Companion to Crime Fiction, A History of the Book in Australia 1891–1945, and A History of Victoria, and was featured in the book Vintage Mystery and Detective Stories. A parody version was published in 1888, and film adaptations were produced in 1911, 1915 and 1925. The story was adapted into a BBC Radio serial in 1958, a stage play in 1990, a radio promotion in 1991 and a telemovie in 2012. Author Originally from Britain, Fergusson Wright Hume worked as a barrister's clerk in Melbourne, Australia, at the time of the book's first publication. He went on to become a prolific author, and wrote more than 130 novels in fiction subjects including adventure and science fiction. Plot The Mystery of a Hansom Cab takes place in Melbourne, Australia, and involves an investigation into a homicide, after a corpse is discovered in the early hours, in a hansom cab. Melbourne plays a significant role in the plot and, as the author describes, "Over all the great city hung a cloud of smoke like a pall. The killer's identity is not as significant a revelation in the story as are the roles of the influential and secretive Frettlby family, and their secret: they have a daughter living on the streets, and the woman everyone assumes is their daughter is illegitimate. The class divide between Melbourne's wealthy and less fortunate is addressed throughout the plot. The protagonist in the novel is a policeman named Detective Gorby, who is given the task of solving the murder. As Hume describes the character's investigative skills, "He looked keenly round the room, and his estimate of the dead man's character was formed at once." The author commented in a later introduction, "All of the scenes in the book, especially the slums, are described from personal observation; and I passed a great many nights in Little Bourke Street, gathering material". At this time, the street was notorious as a place frequented by prostitutes and criminals.

The Mystery of a Hansom Cab is a mystery fiction novel by the Australian writer Fergus Hume. The book was first published in Australia in 1886. Set in Melbourne, the story focuses on the investigation of a homicide involving a body discovered in a hansom cab, as well as an exploration into the social class divide in the city. The book was successful in Australia, selling 100,000 copies in the first two print runs. It was then published in Britain and the United States, and went on to sell over half a million copies worldwide, outselling the first of Arthur Conan Doyle's Sherlock Holmes novels, A Study in Scarlet (1887). The Mystery of a Hansom Cab received praise in works including A Companion to Crime Fiction, A History of the Book in Australia 1891–1945, and A History of Victoria, and was featured in the book Vintage Mystery and Detective Stories. A parody version was published in 1888, and film adaptations were produced in 1911, 1915 and 1925. The story was adapted into a BBC Radio serial in 1958, a stage play in 1990, a radio promotion in 1991 and a telemovie in 2012. Author Originally from Britain, Fergusson Wright Hume worked as a barrister's clerk in Melbourne, Australia, at the time of the book's first publication. He went on to become a prolific author, and wrote more than 130 novels in fiction subjects including adventure and science fiction. Plot The Mystery of a Hansom Cab takes place in Melbourne, Australia, and involves an investigation into a homicide, after a corpse is discovered in the early hours, in a hansom cab. Melbourne plays a significant role in the plot and, as the author describes, "Over all the great city hung a cloud of smoke like a pall. The killer's identity is not as significant a revelation in the story as are the roles of the influential and secretive Frettlby family, and their secret: they have a daughter living on the streets, and the woman everyone assumes is their daughter is illegitimate. The class divide between Melbourne's wealthy and less fortunate is addressed throughout the plot. The protagonist in the novel is a policeman named Detective Gorby, who is given the task of solving the murder. As Hume describes the character's investigative skills, "He looked keenly round the room, and his estimate of the dead man's character was formed at once." The author commented in a later introduction, "All of the scenes in the book, especially the slums, are described from personal observation; and I passed a great many nights in Little Bourke Street, gathering material". At this time, the street was notorious as a place frequented by prostitutes and criminals.

The Mystery of a Hansom Cab is a mystery fiction novel by the Australian writer Fergus Hume. The book was first published in Australia in 1886. Set in Melbourne, the story focuses on the investigation of a homicide involving a body discovered in a hansom cab, as well as an exploration into the social class divide in the city. The book was successful in Australia, selling 100,000 copies in the first two print runs. It was then published in Britain and the United States, and went on to sell over half a million copies worldwide, outselling the first of Arthur Conan Doyle's Sherlock Holmes novels, A Study in Scarlet (1887). The Mystery of a Hansom Cab received praise in works including A Companion to Crime Fiction, A History of the Book in Australia 1891–1945, and A History of Victoria, and was featured in the book Vintage Mystery and Detective Stories. A parody version was published in 1888, and film adaptations were produced in 1911, 1915 and 1925. The story was adapted into a BBC Radio serial in 1958, a stage play in 1990, a radio promotion in 1991 and a telemovie in 2012. Author Originally from Britain, Fergusson Wright Hume worked as a barrister's clerk in Melbourne, Australia, at the time of the book's first publication. He went on to become a prolific author, and wrote more than 130 novels in fiction subjects including adventure and science fiction. Plot The Mystery of a Hansom Cab takes place in Melbourne, Australia, and involves an investigation into a homicide, after a corpse is discovered in the early hours, in a hansom cab. Melbourne plays a significant role in the plot and, as the author describes, "Over all the great city hung a cloud of smoke like a pall. The killer's identity is not as significant a revelation in the story as are the roles of the influential and secretive Frettlby family, and their secret: they have a daughter living on the streets, and the woman everyone assumes is their daughter is illegitimate. The class divide between Melbourne's wealthy and less fortunate is addressed throughout the plot. The protagonist in the novel is a policeman named Detective Gorby, who is given the task of solving the murder. As Hume describes the character's investigative skills, "He looked keenly round the room, and his estimate of the dead man's character was formed at once." The author commented in a later introduction, "All of the scenes in the book, especially the slums, are described from personal observation; and I passed a great many nights in Little Bourke Street, gathering material". At this time, the street was notorious as a place frequented by prostitutes and criminals.

Some Mother's Son is a radio serial by John Fletcher. It was first broadcast on BBC Radio 4 starting on 4 January 1987. It comprised six 30-minute episodes. Cast Nick Chilvers Conrad Phillips Christian Rodsk Critical Reception "Last night saw the end of one of the more engaging thriller serials of recent months or even years. In John fletcher's Some Mother's Son Andy Smith, editor of a small-time ecological magazine, found himself sandwiched in a ruthless power struggle between two gargantuan business empires both run by scheming, sadistic megalomaniacs. Accordingly, it did him no good when he discovered evidence of uranium smuggling to an already sufficiently unstable African dictator. Mr. Fletcher (they called you things like that in the old days at t' Times) told a good story, laced it with bizarre incidents and couched it all in springy, stylish dialogue. The radio thriller has looked up." David Wade, The Times

Synopsis A wave of terror is spreading across Africa. A gang of bandits led by someone who calls himself "The Black Elephant" is attacking farmsteads, murdering the farmers, and pillaging them off their cattle. Biggles and the Air Police are called in to help. But the gang is well-organized and ranges over a vast area of more than half a million square miles across most of the eastern side of Africa. Bringing the gang to justice will take the entire staff of the Air Police, three aircraft, numerous allies on the ground, and some good luck. Characters The Special Air Police • Air Commodore Raymond • Biggles • Algy Lacey • Ginger Hebblethwaite • Bertie Lissie Friends and allies • Lulu • Mishu - Masai warrior, former gun-bearer of the murdered Major Harvey. Mishu is one of the few people who have seen "The Black Elephant" and process to be an invaluable ally to Biggles. • Major Harvey • Simmonds • Bruce Allan • Dr Allan F.R.H.S. • Lieutenant Haynes - of the King's African Rifles. Others • Cetezulu • Bronnou Aircraft • de Havilland Mosquito • Percival Proctor • Auster J1 Autocrat • de Havilland Puss Moth

Synopsis A wave of terror is spreading across Africa. A gang of bandits led by someone who calls himself "The Black Elephant" is attacking farmsteads, murdering the farmers, and pillaging them off their cattle. Biggles and the Air Police are called in to help. But the gang is well-organized and ranges over a vast area of more than half a million square miles across most of the eastern side of Africa. Bringing the gang to justice will take the entire staff of the Air Police, three aircraft, numerous allies on the ground, and some good luck. Characters The Special Air Police • Air Commodore Raymond • Biggles • Algy Lacey • Ginger Hebblethwaite • Bertie Lissie Friends and allies • Lulu • Mishu - Masai warrior, former gun-bearer of the murdered Major Harvey. Mishu is one of the few people who have seen "The Black Elephant" and process to be an invaluable ally to Biggles. • Major Harvey • Simmonds • Bruce Allan • Dr Allan F.R.H.S. • Lieutenant Haynes - of the King's African Rifles. Others • Cetezulu • Bronnou Aircraft • de Havilland Mosquito • Percival Proctor • Auster J1 Autocrat • de Havilland Puss Moth

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

Alien Worlds was a syndicated radio show created by radio personality Lee Hansen. It aired 26 half-hour episodes between 1979 and 1980, becoming well known for its realistic sound effects, high production values and documentary style of dialog. Background The science fiction show was first syndicated by Watermark Inc. after Lee Hansen was hired as their creative director. After advancing the concept of an action-adventure dramatic radio series, Lee began developing the concept in the fall of 1978. Watermark premiered the first episode, "The Sun Stealers", on January 7, 1979. The series gained popularity thanks to its relatable characters, full symphonic soundtrack, realistic sound effects, high production values and documentary style format. Eventually over 500 US FM radio stations, along with stations in New Zealand and Australia aired the series. Between 1979 and 1980, 26 half-hour programs were broadcast at various times on weekends, where they gained favorable worldwide press acclaim. Alien Worlds was soon heard on a weekly basis by millions of fans and was eventually carried by over 1500 top-rated FM radio stations worldwide. The series' sponsor was Peter Paul, Cadbury which advertised Cadbury Caramello chocolates touting their caramel centers. Four additional episodes were produced but never aired. The show was previously repeated on Sirius Satellite Radio, and on the Alien Worlds website (which since closed). The series is being developed for 3-D animation for television and DVD release. Plot summary The ISA, or International Space Authority, is a governing body of space development and exploration. Organized by all earth nations, it advances humans into deep space. Their base is officially named "The Arthur C. Clarke Astronomical Observatory" or "Starlab". Commissioner White commands the base, and under his command aboard Starlab are Research Director Dr. Maura Cassidy along with Starlab's Director of Operations, Jerry Lyden, and two ISA pilots affectionately known as "rocket jockies", Captains Jon Graydon and Buddy Griff. Cast Roger Dressler as Narrator & Commissioner Matthew White Linda Gary as Maura Cassidy Bruce Phillip Miller as SET Captain Jon Graydon Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim Chuck Olsen as SET Captain Buddy Griff Soundtrack The original music score and theme, entitled The Aliens World Suite, was composed by Jim Kirk and engineered by Dick Lewzey. It was performed by the London Symphony Orchestra, comprising a 57 piece Westminster Sinfonia in Wembley, England. Many of the realistic sound effects were recorded in four different sessions on an oil tanker in a San Pedro dry dock.

James Bigglesworth, nicknamed "Biggles", is a fictional pilot and adventurer, the title character and hero of the Biggles series of adventure books, written for young readers by W. E. Johns (1893–1968). Biggles made his first appearance in the story The White Fokker, published in the first issue of Popular Flying magazine and again as part of the first collection of Biggles stories, The Camels Are Coming (both 1932). Johns continued to write "Biggles books" until his death in 1968. The series eventually included nearly a hundred volumes – novels as well as short story collections – most of the latter with a common setting and time. The chronology of the canon, spanning both world wars, set up certain inconsistencies over the unavoidable ageing of Biggles and his friends. Also later editions had to be somewhat edited in line with changing norms of acceptability, especially regarding race, and in view of the pre-teenage readership who increasingly favoured both the books and the comics. Synopsis Biggles first appears as a teenaged "scout" (fighter) pilot in the Royal Flying Corps (RFC) during the First World War. He joined the RFC in 1916 at the age of 17, having conveniently "lost" his birth certificate. Biggles represents a particularly British hero, combining professionalism with a gentlemanly air. Under the stress of combat he develops from a slightly hysterical youth prone to practical jokes to a calm, confident, competent leader.[1] He is occasionally given "special" (secret) missions by the shadowy figure of Colonel (initially Major) Raymond (Air Commodore in later books, reflecting the creation of the Royal Air Force with its own ranks), who is already involved with the intelligence side of operations. Biggles is accompanied by his cousin Algernon ('Algy') Lacey and his mechanic Flight Sergeant Smyth, who accompany Biggles on his adventures after the war. Added to the team in 1935 is the teenager Ginger Hebblethwaite.

Les Misérables is a seven-part radio series broadcast July 23 – September 3, 1937 (Fridays at 10 p.m. ET), on the Mutual Network. Orson Welles adapted Victor Hugo's 1862 novel, directed the series, and starred as Jean Valjean. The 22-year-old Welles developed the idea of telling stories with first-person narration on the series, which was his first job as a writer-director for radio. Marking the radio debut of the Mercury Theatre, Welles's Les Misérables was described by biographer Simon Callow as "one of his earliest, finest and most serious achievements on radio. The production costarred Martin Gabel as Javert, Alice Frost as Fantine, and Virginia Nicolson, Welles's first wife, as the adult Cosette. The supporting cast included Ray Collins, Agnes Moorehead, Everett Sloane, Betty Garde, Hiram Sherman, Frank Readick, Richard Widmark, Richard Wilson and William Alland

Les Misérables is a seven-part radio series broadcast July 23 – September 3, 1937 (Fridays at 10 p.m. ET), on the Mutual Network. Orson Welles adapted Victor Hugo's 1862 novel, directed the series, and starred as Jean Valjean. The 22-year-old Welles developed the idea of telling stories with first-person narration on the series, which was his first job as a writer-director for radio. Marking the radio debut of the Mercury Theatre, Welles's Les Misérables was described by biographer Simon Callow as "one of his earliest, finest and most serious achievements on radio. The production costarred Martin Gabel as Javert, Alice Frost as Fantine, and Virginia Nicolson, Welles's first wife, as the adult Cosette. The supporting cast included Ray Collins, Agnes Moorehead, Everett Sloane, Betty Garde, Hiram Sherman, Frank Readick, Richard Widmark, Richard Wilson and William Alland

Les Misérables is a seven-part radio series broadcast July 23 – September 3, 1937 (Fridays at 10 p.m. ET), on the Mutual Network. Orson Welles adapted Victor Hugo's 1862 novel, directed the series, and starred as Jean Valjean. The 22-year-old Welles developed the idea of telling stories with first-person narration on the series, which was his first job as a writer-director for radio. Marking the radio debut of the Mercury Theatre, Welles's Les Misérables was described by biographer Simon Callow as "one of his earliest, finest and most serious achievements on radio. The production costarred Martin Gabel as Javert, Alice Frost as Fantine, and Virginia Nicolson, Welles's first wife, as the adult Cosette. The supporting cast included Ray Collins, Agnes Moorehead, Everett Sloane, Betty Garde, Hiram Sherman, Frank Readick, Richard Widmark, Richard Wilson and William Alland

Les Misérables is a seven-part radio series broadcast July 23 – September 3, 1937 (Fridays at 10 p.m. ET), on the Mutual Network. Orson Welles adapted Victor Hugo's 1862 novel, directed the series, and starred as Jean Valjean. The 22-year-old Welles developed the idea of telling stories with first-person narration on the series, which was his first job as a writer-director for radio. Marking the radio debut of the Mercury Theatre, Welles's Les Misérables was described by biographer Simon Callow as "one of his earliest, finest and most serious achievements on radio. The production costarred Martin Gabel as Javert, Alice Frost as Fantine, and Virginia Nicolson, Welles's first wife, as the adult Cosette. The supporting cast included Ray Collins, Agnes Moorehead, Everett Sloane, Betty Garde, Hiram Sherman, Frank Readick, Richard Widmark, Richard Wilson and William Alland

Les Misérables is a seven-part radio series broadcast July 23 – September 3, 1937 (Fridays at 10 p.m. ET), on the Mutual Network. Orson Welles adapted Victor Hugo's 1862 novel, directed the series, and starred as Jean Valjean. The 22-year-old Welles developed the idea of telling stories with first-person narration on the series, which was his first job as a writer-director for radio. Marking the radio debut of the Mercury Theatre, Welles's Les Misérables was described by biographer Simon Callow as "one of his earliest, finest and most serious achievements on radio. The production costarred Martin Gabel as Javert, Alice Frost as Fantine, and Virginia Nicolson, Welles's first wife, as the adult Cosette. The supporting cast included Ray Collins, Agnes Moorehead, Everett Sloane, Betty Garde, Hiram Sherman, Frank Readick, Richard Widmark, Richard Wilson and William Alland

Les Misérables is a seven-part radio series broadcast July 23 – September 3, 1937 (Fridays at 10 p.m. ET), on the Mutual Network. Orson Welles adapted Victor Hugo's 1862 novel, directed the series, and starred as Jean Valjean. The 22-year-old Welles developed the idea of telling stories with first-person narration on the series, which was his first job as a writer-director for radio. Marking the radio debut of the Mercury Theatre, Welles's Les Misérables was described by biographer Simon Callow as "one of his earliest, finest and most serious achievements on radio. The production costarred Martin Gabel as Javert, Alice Frost as Fantine, and Virginia Nicolson, Welles's first wife, as the adult Cosette. The supporting cast included Ray Collins, Agnes Moorehead, Everett Sloane, Betty Garde, Hiram Sherman, Frank Readick, Richard Widmark, Richard Wilson and William Alland

Les Misérables is a seven-part radio series broadcast July 23 – September 3, 1937 (Fridays at 10 p.m. ET), on the Mutual Network. Orson Welles adapted Victor Hugo's 1862 novel, directed the series, and starred as Jean Valjean. The 22-year-old Welles developed the idea of telling stories with first-person narration on the series, which was his first job as a writer-director for radio. Marking the radio debut of the Mercury Theatre, Welles's Les Misérables was described by biographer Simon Callow as "one of his earliest, finest and most serious achievements on radio. The production costarred Martin Gabel as Javert, Alice Frost as Fantine, and Virginia Nicolson, Welles's first wife, as the adult Cosette. The supporting cast included Ray Collins, Agnes Moorehead, Everett Sloane, Betty Garde, Hiram Sherman, Frank Readick, Richard Widmark, Richard Wilson and William Alland

I Love a Mystery is an American radio drama series that aired 1939–44, about three friends who ran a detective agency and traveled the world in search of adventure. Written by Carlton E. Morse, the program was the polar opposite of Morse's other success, the long-running One Man's Family. The central characters, Jack Packard, Doc Long, and Reggie York, met as mercenary soldiers fighting the Japanese in China. Later, they met again in San Francisco, where they decided to form the A-1 Detective Agency. Their motto was "No job too tough, no adventure too baffling". The agency served as a plot device to involve the trio in a wide variety of stories. These straddled the genres of mystery, adventure, and supernatural horror, and the plot lines often took them to exotic locales. Over the years, Jack was played by Michael Raffetto, Russell Thorson, Jay Novello, Jim Bannon, and John McIntire. Doc was played by Barton Yarborough and Jim Boles. Reggie was portrayed by Walter Paterson and Tony Randall. The agency's secretary, Jerry Booker, was played by Gloria Blondell. After Paterson committed suicide in 1942, his friend Morse could not bear to recast the role and Reggie was written out of the series. In later shows, Jerry's role was increased, and she replaced Reggie. Broadcast history Sponsored by Fleischmann's Yeast, I Love a Mystery first aired on the NBC West Coast network from January 16 to September 29, 1939, weekdays at 3:15 p.m. Pacific time, and then moved to the full NBC network from October 2, 1939, to March 29, 1940, airing weeknights at 7:15 p.m. In 1940, it expanded to 30-minute episodes from April 4 to June 27 on NBC Thursdays at 8:30 p.m. Continuing on the Blue Network from September 30, 1940, to June 29, 1942, it was heard Mondays and Wednesdays at 8 p.m. Procter & Gamble (for Oxydol and Ivory Soap) replaced Fleishmann's Yeast as the sponsor in the series broadcast by CBS from March 22, 1943, to December 29, 1944, with 15-minute episodes heard weeknights at 7 p.m. Revivals After a four-year lapse, Jack, Reggie, and Doc returned in 1948 with a title change to I Love Adventure, broadcast on ABC from April 25 to July 18, 1948. It followed the post-war adventures of the trio who worked for the Twenty-One Old Men of 10 Gramercy Park in London, an extra-governmental organization of some power. I Love Adventure ran for 13 episodes. A year later, I Love a Mystery was revived on the Mutual Broadcasting System, and the production relocated from Hollywood to New York. This series, which was sustaining, began October 3, 1949, and continued until December 26, 1952, with 15-minute episodes heard weeknights at 7 p.m. during 1949-1950 and then 10:15 p.m. from 1950 to 1952. The Mutual series recreated the original scripts written by Morse for the earlier NBC series. Cast The primary characters of I Love a Mystery and I Love Adventure were played by the following actors: • Jack Packard: o Michael Raffetto (1939–1942; 1948) o John McIntire (1943–1944) o Jay Novello (1943–1944) o Russell Thorsen (1949–1952) o Robert Dryden (1952) • Doc Long: o Barton Yarborough (1939–1944; 1948) o Jim Boles (1949–1952) • Reggie York: o Walter Paterson (1939–1942) o Tom Collins (1948) o Tony Randall (1949–1952) • Jerry Booker: Gloria Blondell (1942–1944) • Story situations and characters Tough, charismatic group leader Jack is usually the first to figure solutions to the mysteries. Jack has more of an edge than the typical radio hero of the period. He distrusts the attractive women who always seem to show up, and he professes to dislike women in general. The series' writer claimed that Jack's problems with women had to do with his youth. He had gotten a girl pregnant and had to leave his home town in shame. This was only a back story detail and was never made explicit on the show. Doc and Reggie are slightly less edgy characters. The Texas-born Doc is a hard-fighting, boastful, high-spirited character who provides comic relief. Reggie, an Englishman noted for his great strength, however, usually shied away from the fairer sex. Morse, regarded as one of the best writers in radio, took delight in creating vividly imagined settings for the show and elaborate, often bizarre and at times over-the-top plots. In a medium whose heroes tended to be serious and strait-laced, he created three who were wonderfully reckless and exuberant. Jack, Doc, and Reggie were more interested in the thrill of adventure than in righting wrongs. When they collected a fee, their only goal was to spend it as quickly as possible.

I Love a Mystery is an American radio drama series that aired 1939–44, about three friends who ran a detective agency and traveled the world in search of adventure. Written by Carlton E. Morse, the program was the polar opposite of Morse's other success, the long-running One Man's Family. The central characters, Jack Packard, Doc Long, and Reggie York, met as mercenary soldiers fighting the Japanese in China. Later, they met again in San Francisco, where they decided to form the A-1 Detective Agency. Their motto was "No job too tough, no adventure too baffling". The agency served as a plot device to involve the trio in a wide variety of stories. These straddled the genres of mystery, adventure, and supernatural horror, and the plot lines often took them to exotic locales. Over the years, Jack was played by Michael Raffetto, Russell Thorson, Jay Novello, Jim Bannon, and John McIntire. Doc was played by Barton Yarborough and Jim Boles. Reggie was portrayed by Walter Paterson and Tony Randall. The agency's secretary, Jerry Booker, was played by Gloria Blondell. After Paterson committed suicide in 1942, his friend Morse could not bear to recast the role and Reggie was written out of the series. In later shows, Jerry's role was increased, and she replaced Reggie. Broadcast history Sponsored by Fleischmann's Yeast, I Love a Mystery first aired on the NBC West Coast network from January 16 to September 29, 1939, weekdays at 3:15 p.m. Pacific time, and then moved to the full NBC network from October 2, 1939, to March 29, 1940, airing weeknights at 7:15 p.m. In 1940, it expanded to 30-minute episodes from April 4 to June 27 on NBC Thursdays at 8:30 p.m. Continuing on the Blue Network from September 30, 1940, to June 29, 1942, it was heard Mondays and Wednesdays at 8 p.m. Procter & Gamble (for Oxydol and Ivory Soap) replaced Fleishmann's Yeast as the sponsor in the series broadcast by CBS from March 22, 1943, to December 29, 1944, with 15-minute episodes heard weeknights at 7 p.m. Revivals After a four-year lapse, Jack, Reggie, and Doc returned in 1948 with a title change to I Love Adventure, broadcast on ABC from April 25 to July 18, 1948. It followed the post-war adventures of the trio who worked for the Twenty-One Old Men of 10 Gramercy Park in London, an extra-governmental organization of some power. I Love Adventure ran for 13 episodes. A year later, I Love a Mystery was revived on the Mutual Broadcasting System, and the production relocated from Hollywood to New York. This series, which was sustaining, began October 3, 1949, and continued until December 26, 1952, with 15-minute episodes heard weeknights at 7 p.m. during 1949-1950 and then 10:15 p.m. from 1950 to 1952. The Mutual series recreated the original scripts written by Morse for the earlier NBC series. Cast The primary characters of I Love a Mystery and I Love Adventure were played by the following actors: • Jack Packard: o Michael Raffetto (1939–1942; 1948) o John McIntire (1943–1944) o Jay Novello (1943–1944) o Russell Thorsen (1949–1952) o Robert Dryden (1952) • Doc Long: o Barton Yarborough (1939–1944; 1948) o Jim Boles (1949–1952) • Reggie York: o Walter Paterson (1939–1942) o Tom Collins (1948) o Tony Randall (1949–1952) • Jerry Booker: Gloria Blondell (1942–1944) • Story situations and characters Tough, charismatic group leader Jack is usually the first to figure solutions to the mysteries. Jack has more of an edge than the typical radio hero of the period. He distrusts the attractive women who always seem to show up, and he professes to dislike women in general. The series' writer claimed that Jack's problems with women had to do with his youth. He had gotten a girl pregnant and had to leave his home town in shame. This was only a back story detail and was never made explicit on the show. Doc and Reggie are slightly less edgy characters. The Texas-born Doc is a hard-fighting, boastful, high-spirited character who provides comic relief. Reggie, an Englishman noted for his great strength, however, usually shied away from the fairer sex. Morse, regarded as one of the best writers in radio, took delight in creating vividly imagined settings for the show and elaborate, often bizarre and at times over-the-top plots. In a medium whose heroes tended to be serious and strait-laced, he created three who were wonderfully reckless and exuberant. Jack, Doc, and Reggie were more interested in the thrill of adventure than in righting wrongs. When they collected a fee, their only goal was to spend it as quickly as possible.

I Love a Mystery is an American radio drama series that aired 1939–44, about three friends who ran a detective agency and traveled the world in search of adventure. Written by Carlton E. Morse, the program was the polar opposite of Morse's other success, the long-running One Man's Family. The central characters, Jack Packard, Doc Long, and Reggie York, met as mercenary soldiers fighting the Japanese in China. Later, they met again in San Francisco, where they decided to form the A-1 Detective Agency. Their motto was "No job too tough, no adventure too baffling". The agency served as a plot device to involve the trio in a wide variety of stories. These straddled the genres of mystery, adventure, and supernatural horror, and the plot lines often took them to exotic locales. Over the years, Jack was played by Michael Raffetto, Russell Thorson, Jay Novello, Jim Bannon, and John McIntire. Doc was played by Barton Yarborough and Jim Boles. Reggie was portrayed by Walter Paterson and Tony Randall. The agency's secretary, Jerry Booker, was played by Gloria Blondell. After Paterson committed suicide in 1942, his friend Morse could not bear to recast the role and Reggie was written out of the series. In later shows, Jerry's role was increased, and she replaced Reggie. Broadcast history Sponsored by Fleischmann's Yeast, I Love a Mystery first aired on the NBC West Coast network from January 16 to September 29, 1939, weekdays at 3:15 p.m. Pacific time, and then moved to the full NBC network from October 2, 1939, to March 29, 1940, airing weeknights at 7:15 p.m. In 1940, it expanded to 30-minute episodes from April 4 to June 27 on NBC Thursdays at 8:30 p.m. Continuing on the Blue Network from September 30, 1940, to June 29, 1942, it was heard Mondays and Wednesdays at 8 p.m. Procter & Gamble (for Oxydol and Ivory Soap) replaced Fleishmann's Yeast as the sponsor in the series broadcast by CBS from March 22, 1943, to December 29, 1944, with 15-minute episodes heard weeknights at 7 p.m. Revivals After a four-year lapse, Jack, Reggie, and Doc returned in 1948 with a title change to I Love Adventure, broadcast on ABC from April 25 to July 18, 1948. It followed the post-war adventures of the trio who worked for the Twenty-One Old Men of 10 Gramercy Park in London, an extra-governmental organization of some power. I Love Adventure ran for 13 episodes. A year later, I Love a Mystery was revived on the Mutual Broadcasting System, and the production relocated from Hollywood to New York. This series, which was sustaining, began October 3, 1949, and continued until December 26, 1952, with 15-minute episodes heard weeknights at 7 p.m. during 1949-1950 and then 10:15 p.m. from 1950 to 1952. The Mutual series recreated the original scripts written by Morse for the earlier NBC series. Cast The primary characters of I Love a Mystery and I Love Adventure were played by the following actors: • Jack Packard: o Michael Raffetto (1939–1942; 1948) o John McIntire (1943–1944) o Jay Novello (1943–1944) o Russell Thorsen (1949–1952) o Robert Dryden (1952) • Doc Long: o Barton Yarborough (1939–1944; 1948) o Jim Boles (1949–1952) • Reggie York: o Walter Paterson (1939–1942) o Tom Collins (1948) o Tony Randall (1949–1952) • Jerry Booker: Gloria Blondell (1942–1944) • Story situations and characters Tough, charismatic group leader Jack is usually the first to figure solutions to the mysteries. Jack has more of an edge than the typical radio hero of the period. He distrusts the attractive women who always seem to show up, and he professes to dislike women in general. The series' writer claimed that Jack's problems with women had to do with his youth. He had gotten a girl pregnant and had to leave his home town in shame. This was only a back story detail and was never made explicit on the show. Doc and Reggie are slightly less edgy characters. The Texas-born Doc is a hard-fighting, boastful, high-spirited character who provides comic relief. Reggie, an Englishman noted for his great strength, however, usually shied away from the fairer sex. Morse, regarded as one of the best writers in radio, took delight in creating vividly imagined settings for the show and elaborate, often bizarre and at times over-the-top plots. In a medium whose heroes tended to be serious and strait-laced, he created three who were wonderfully reckless and exuberant. Jack, Doc, and Reggie were more interested in the thrill of adventure than in righting wrongs. When they collected a fee, their only goal was to spend it as quickly as possible.

I Love a Mystery is an American radio drama series that aired 1939–44, about three friends who ran a detective agency and traveled the world in search of adventure. Written by Carlton E. Morse, the program was the polar opposite of Morse's other success, the long-running One Man's Family. The central characters, Jack Packard, Doc Long, and Reggie York, met as mercenary soldiers fighting the Japanese in China. Later, they met again in San Francisco, where they decided to form the A-1 Detective Agency. Their motto was "No job too tough, no adventure too baffling". The agency served as a plot device to involve the trio in a wide variety of stories. These straddled the genres of mystery, adventure, and supernatural horror, and the plot lines often took them to exotic locales. Over the years, Jack was played by Michael Raffetto, Russell Thorson, Jay Novello, Jim Bannon, and John McIntire. Doc was played by Barton Yarborough and Jim Boles. Reggie was portrayed by Walter Paterson and Tony Randall. The agency's secretary, Jerry Booker, was played by Gloria Blondell. After Paterson committed suicide in 1942, his friend Morse could not bear to recast the role and Reggie was written out of the series. In later shows, Jerry's role was increased, and she replaced Reggie. Broadcast history Sponsored by Fleischmann's Yeast, I Love a Mystery first aired on the NBC West Coast network from January 16 to September 29, 1939, weekdays at 3:15 p.m. Pacific time, and then moved to the full NBC network from October 2, 1939, to March 29, 1940, airing weeknights at 7:15 p.m. In 1940, it expanded to 30-minute episodes from April 4 to June 27 on NBC Thursdays at 8:30 p.m. Continuing on the Blue Network from September 30, 1940, to June 29, 1942, it was heard Mondays and Wednesdays at 8 p.m. Procter & Gamble (for Oxydol and Ivory Soap) replaced Fleishmann's Yeast as the sponsor in the series broadcast by CBS from March 22, 1943, to December 29, 1944, with 15-minute episodes heard weeknights at 7 p.m. Revivals After a four-year lapse, Jack, Reggie, and Doc returned in 1948 with a title change to I Love Adventure, broadcast on ABC from April 25 to July 18, 1948. It followed the post-war adventures of the trio who worked for the Twenty-One Old Men of 10 Gramercy Park in London, an extra-governmental organization of some power. I Love Adventure ran for 13 episodes. A year later, I Love a Mystery was revived on the Mutual Broadcasting System, and the production relocated from Hollywood to New York. This series, which was sustaining, began October 3, 1949, and continued until December 26, 1952, with 15-minute episodes heard weeknights at 7 p.m. during 1949-1950 and then 10:15 p.m. from 1950 to 1952. The Mutual series recreated the original scripts written by Morse for the earlier NBC series. Cast The primary characters of I Love a Mystery and I Love Adventure were played by the following actors: • Jack Packard: o Michael Raffetto (1939–1942; 1948) o John McIntire (1943–1944) o Jay Novello (1943–1944) o Russell Thorsen (1949–1952) o Robert Dryden (1952) • Doc Long: o Barton Yarborough (1939–1944; 1948) o Jim Boles (1949–1952) • Reggie York: o Walter Paterson (1939–1942) o Tom Collins (1948) o Tony Randall (1949–1952) • Jerry Booker: Gloria Blondell (1942–1944) • Story situations and characters Tough, charismatic group leader Jack is usually the first to figure solutions to the mysteries. Jack has more of an edge than the typical radio hero of the period. He distrusts the attractive women who always seem to show up, and he professes to dislike women in general. The series' writer claimed that Jack's problems with women had to do with his youth. He had gotten a girl pregnant and had to leave his home town in shame. This was only a back story detail and was never made explicit on the show. Doc and Reggie are slightly less edgy characters. The Texas-born Doc is a hard-fighting, boastful, high-spirited character who provides comic relief. Reggie, an Englishman noted for his great strength, however, usually shied away from the fairer sex. Morse, regarded as one of the best writers in radio, took delight in creating vividly imagined settings for the show and elaborate, often bizarre and at times over-the-top plots. In a medium whose heroes tended to be serious and strait-laced, he created three who were wonderfully reckless and exuberant. Jack, Doc, and Reggie were more interested in the thrill of adventure than in righting wrongs. When they collected a fee, their only goal was to spend it as quickly as possible.

I Love a Mystery is an American radio drama series that aired 1939–44, about three friends who ran a detective agency and traveled the world in search of adventure. Written by Carlton E. Morse, the program was the polar opposite of Morse's other success, the long-running One Man's Family. The central characters, Jack Packard, Doc Long, and Reggie York, met as mercenary soldiers fighting the Japanese in China. Later, they met again in San Francisco, where they decided to form the A-1 Detective Agency. Their motto was "No job too tough, no adventure too baffling". The agency served as a plot device to involve the trio in a wide variety of stories. These straddled the genres of mystery, adventure, and supernatural horror, and the plot lines often took them to exotic locales. Over the years, Jack was played by Michael Raffetto, Russell Thorson, Jay Novello, Jim Bannon, and John McIntire. Doc was played by Barton Yarborough and Jim Boles. Reggie was portrayed by Walter Paterson and Tony Randall. The agency's secretary, Jerry Booker, was played by Gloria Blondell. After Paterson committed suicide in 1942, his friend Morse could not bear to recast the role and Reggie was written out of the series. In later shows, Jerry's role was increased, and she replaced Reggie. Broadcast history Sponsored by Fleischmann's Yeast, I Love a Mystery first aired on the NBC West Coast network from January 16 to September 29, 1939, weekdays at 3:15 p.m. Pacific time, and then moved to the full NBC network from October 2, 1939, to March 29, 1940, airing weeknights at 7:15 p.m. In 1940, it expanded to 30-minute episodes from April 4 to June 27 on NBC Thursdays at 8:30 p.m. Continuing on the Blue Network from September 30, 1940, to June 29, 1942, it was heard Mondays and Wednesdays at 8 p.m. Procter & Gamble (for Oxydol and Ivory Soap) replaced Fleishmann's Yeast as the sponsor in the series broadcast by CBS from March 22, 1943, to December 29, 1944, with 15-minute episodes heard weeknights at 7 p.m. Revivals After a four-year lapse, Jack, Reggie, and Doc returned in 1948 with a title change to I Love Adventure, broadcast on ABC from April 25 to July 18, 1948. It followed the post-war adventures of the trio who worked for the Twenty-One Old Men of 10 Gramercy Park in London, an extra-governmental organization of some power. I Love Adventure ran for 13 episodes. A year later, I Love a Mystery was revived on the Mutual Broadcasting System, and the production relocated from Hollywood to New York. This series, which was sustaining, began October 3, 1949, and continued until December 26, 1952, with 15-minute episodes heard weeknights at 7 p.m. during 1949-1950 and then 10:15 p.m. from 1950 to 1952. The Mutual series recreated the original scripts written by Morse for the earlier NBC series. Cast The primary characters of I Love a Mystery and I Love Adventure were played by the following actors: • Jack Packard: o Michael Raffetto (1939–1942; 1948) o John McIntire (1943–1944) o Jay Novello (1943–1944) o Russell Thorsen (1949–1952) o Robert Dryden (1952) • Doc Long: o Barton Yarborough (1939–1944; 1948) o Jim Boles (1949–1952) • Reggie York: o Walter Paterson (1939–1942) o Tom Collins (1948) o Tony Randall (1949–1952) • Jerry Booker: Gloria Blondell (1942–1944) • Story situations and characters Tough, charismatic group leader Jack is usually the first to figure solutions to the mysteries. Jack has more of an edge than the typical radio hero of the period. He distrusts the attractive women who always seem to show up, and he professes to dislike women in general. The series' writer claimed that Jack's problems with women had to do with his youth. He had gotten a girl pregnant and had to leave his home town in shame. This was only a back story detail and was never made explicit on the show. Doc and Reggie are slightly less edgy characters. The Texas-born Doc is a hard-fighting, boastful, high-spirited character who provides comic relief. Reggie, an Englishman noted for his great strength, however, usually shied away from the fairer sex. Morse, regarded as one of the best writers in radio, took delight in creating vividly imagined settings for the show and elaborate, often bizarre and at times over-the-top plots. In a medium whose heroes tended to be serious and strait-laced, he created three who were wonderfully reckless and exuberant. Jack, Doc, and Reggie were more interested in the thrill of adventure than in righting wrongs. When they collected a fee, their only goal was to spend it as quickly as possible.

I Love a Mystery is an American radio drama series that aired 1939–44, about three friends who ran a detective agency and traveled the world in search of adventure. Written by Carlton E. Morse, the program was the polar opposite of Morse's other success, the long-running One Man's Family. The central characters, Jack Packard, Doc Long, and Reggie York, met as mercenary soldiers fighting the Japanese in China. Later, they met again in San Francisco, where they decided to form the A-1 Detective Agency. Their motto was "No job too tough, no adventure too baffling". The agency served as a plot device to involve the trio in a wide variety of stories. These straddled the genres of mystery, adventure, and supernatural horror, and the plot lines often took them to exotic locales. Over the years, Jack was played by Michael Raffetto, Russell Thorson, Jay Novello, Jim Bannon, and John McIntire. Doc was played by Barton Yarborough and Jim Boles. Reggie was portrayed by Walter Paterson and Tony Randall. The agency's secretary, Jerry Booker, was played by Gloria Blondell. After Paterson committed suicide in 1942, his friend Morse could not bear to recast the role and Reggie was written out of the series. In later shows, Jerry's role was increased, and she replaced Reggie. Broadcast history Sponsored by Fleischmann's Yeast, I Love a Mystery first aired on the NBC West Coast network from January 16 to September 29, 1939, weekdays at 3:15 p.m. Pacific time, and then moved to the full NBC network from October 2, 1939, to March 29, 1940, airing weeknights at 7:15 p.m. In 1940, it expanded to 30-minute episodes from April 4 to June 27 on NBC Thursdays at 8:30 p.m. Continuing on the Blue Network from September 30, 1940, to June 29, 1942, it was heard Mondays and Wednesdays at 8 p.m. Procter & Gamble (for Oxydol and Ivory Soap) replaced Fleishmann's Yeast as the sponsor in the series broadcast by CBS from March 22, 1943, to December 29, 1944, with 15-minute episodes heard weeknights at 7 p.m. Revivals After a four-year lapse, Jack, Reggie, and Doc returned in 1948 with a title change to I Love Adventure, broadcast on ABC from April 25 to July 18, 1948. It followed the post-war adventures of the trio who worked for the Twenty-One Old Men of 10 Gramercy Park in London, an extra-governmental organization of some power. I Love Adventure ran for 13 episodes. A year later, I Love a Mystery was revived on the Mutual Broadcasting System, and the production relocated from Hollywood to New York. This series, which was sustaining, began October 3, 1949, and continued until December 26, 1952, with 15-minute episodes heard weeknights at 7 p.m. during 1949-1950 and then 10:15 p.m. from 1950 to 1952. The Mutual series recreated the original scripts written by Morse for the earlier NBC series. Cast The primary characters of I Love a Mystery and I Love Adventure were played by the following actors: • Jack Packard: o Michael Raffetto (1939–1942; 1948) o John McIntire (1943–1944) o Jay Novello (1943–1944) o Russell Thorsen (1949–1952) o Robert Dryden (1952) • Doc Long: o Barton Yarborough (1939–1944; 1948) o Jim Boles (1949–1952) • Reggie York: o Walter Paterson (1939–1942) o Tom Collins (1948) o Tony Randall (1949–1952) • Jerry Booker: Gloria Blondell (1942–1944) • Story situations and characters Tough, charismatic group leader Jack is usually the first to figure solutions to the mysteries. Jack has more of an edge than the typical radio hero of the period. He distrusts the attractive women who always seem to show up, and he professes to dislike women in general. The series' writer claimed that Jack's problems with women had to do with his youth. He had gotten a girl pregnant and had to leave his home town in shame. This was only a back story detail and was never made explicit on the show. Doc and Reggie are slightly less edgy characters. The Texas-born Doc is a hard-fighting, boastful, high-spirited character who provides comic relief. Reggie, an Englishman noted for his great strength, however, usually shied away from the fairer sex. Morse, regarded as one of the best writers in radio, took delight in creating vividly imagined settings for the show and elaborate, often bizarre and at times over-the-top plots. In a medium whose heroes tended to be serious and strait-laced, he created three who were wonderfully reckless and exuberant. Jack, Doc, and Reggie were more interested in the thrill of adventure than in righting wrongs. When they collected a fee, their only goal was to spend it as quickly as possible.

We begin with Episode 13. Nick Carter, Master Detective was a Mutual radio crime drama based on tales of the fictional private detective Nick Carter from Street & Smith's dime novels and pulp magazines. Nick Carter first came to radio as The Return of Nick Carter, a reference to the character's pulp origins, but the title was soon changed to Nick Carter, Master Detective. A veteran radio dramatist, Ferrin Fraser, wrote many of the scripts. Program history With Lon Clark in the title role, the series commenced 11 April 1943, on Mutual, continuing in many different timeslots for well over a decade. Between October 1944 and April 1945, it was heard as a 30-minute program on Sunday afternoons at 3 pm, sponsored by Acme Paints and Lin-X, with a 15-minute serial airing four or five times a week in 1944 from April to September. In April 1945, the Sunday series moved to 6pm, continuing in that timeslot until June 1946, and it was also heard in 1946 on Tuesday from March to August. Sponsored by Cudahy Packing and Old Dutch Cleanser and later Acme Products (makers of such home-improvement chemicals as Kem-Tone paints and Lin-X floor-cleaning waxes, a near-rival to the more-popular Johnson's Wax products heard on numerous NBC Radio shows at the same time), the series finally settled in on Sundays at 6:30 pm for broadcasts from August 18, 1946 to September 21, 1952. Libby Packing was the sponsor when the drama aired on Sundays at 6pm (1952–53). In the last two years of the long run (1953–55), the show was heard Sundays at 4:30 pm. Jock MacGregor was the producer-director of scripts by Alfred Bester, Milton J. Kramer, David Kogan and others. Background music was supplied by organists Hank Sylvern, Lew White and George Wright. Walter B. Gibson, co-creator/writer of The Shadow pulp novels, was fired when he asked for a raise in 1946, and then became head writer for the Nick Carter radio series. Oddly enough, he never liked to write scripts for the radio version of The Shadow, though both characters were published by Street & Smith. Patsy Bowen, Nick's assistant, was portrayed by Helen Choate until mid-1946; then Charlotte Manson stepped into the role. Nick and Patsy's friend was reporter Scubby Wilson (John Kane). Sgt. Mathison (Ed Latimer) was Nick's contact at the police department. The supporting cast included Raymond Edward Johnson, Bill Johnstone and Bryna Raeburn. Michael Fitzmaurice was the program's announcer. The series ended on September 25, 1955. Chick Carter, Boy Detective Main article: Chick Carter, Boy Detective Chick Carter, Boy Detective was a serial adventure that aired weekday afternoons on Mutual. Chick Carter, the adopted son of Nick Carter, was played by Bill Lipton (1943–44) and Leon Janney (1944–45). The series aired from July 5, 1943, to July 6, 1945.

This is a radio serial that starts with Episode 1. Starting elsewhere will still be enjoyable, but you will be lost in the storyline. Based on info from one of the listeners, this was released in March of 1954 Undercover Carson follows the adventures of a British Secret Service Agent Bruce Carson posted to South America to track down escaped German Nazi Scientists who had developed a highly lethal & destructive death ray. The death ray was an extremely powerful laser, ahead of its time and capable of widespread devastation. Pipe smoker and collector of novelty pipes and exotic weapons, Carson combines his interests in such a way that the 5 or 6 pipes that he always carries with him are capable of extraordinary uses - not just for smoking - more likely firing arrows, storing knockout drops etc. Undercover Carson, Secret Agent - Operation Deathray: An Assignment in Rio was written by Michael Noonan and produced by Walter Pym for Artransa Productions. It starred Barry Cookson as Bruce Carson and James Mills as Sir Giles Daverport.

This is a radio serial that starts with Episode 1. Starting elsewhere will still be enjoyable, but you will be lost in the storyline. Released in March of 1954. Undercover Carson, Secret Agent - Operation Deathray: An Assignment in Rio was written by Michael Noonan and produced by Walter Pym for Artransa Productions. It starred Barry Cookson as Bruce Carson and James Mills as Sir Giles Daverport. Undercover Carson follows the adventures of a British Secret Service Agent Bruce Carson posted to South America to track down escaped German Nazi Scientists who had developed a highly lethal & destructive death ray. The death ray was an extremely powerful laser, ahead of its time and capable of widespread devastation. Pipe smoker and collector of novelty pipes and exotic weapons, Carson combines his interests in such a way that the 5 or 6 pipes that he always carries with him are capable of extraordinary uses - not just for smoking - more likely firing arrows, storing knockout drops etc.

This is a radio serial that starts with Episode 1. Starting elsewhere will still be enjoyable, but you will be lost in the storyline. Released in March of 1954. Undercover Carson, Secret Agent - Operation Deathray: An Assignment in Rio was written by Michael Noonan and produced by Walter Pym for Artransa Productions. It starred Barry Cookson as Bruce Carson and James Mills as Sir Giles Daverport. Undercover Carson follows the adventures of a British Secret Service Agent Bruce Carson posted to South America to track down escaped German Nazi Scientists who had developed a highly lethal & destructive death ray. The death ray was an extremely powerful laser, ahead of its time and capable of widespread devastation. Pipe smoker and collector of novelty pipes and exotic weapons, Carson combines his interests in such a way that the 5 or 6 pipes that he always carries with him are capable of extraordinary uses - not just for smoking - more likely firing arrows, storing knockout drops etc.

This is a radio serial that starts with Episode 1. Starting elsewhere will still be enjoyable, but you will be lost in the storyline. Released in March of 1954. Undercover Carson, Secret Agent - Operation Deathray: An Assignment in Rio was written by Michael Noonan and produced by Walter Pym for Artransa Productions. It starred Barry Cookson as Bruce Carson and James Mills as Sir Giles Daverport. Undercover Carson follows the adventures of a British Secret Service Agent Bruce Carson posted to South America to track down escaped German Nazi Scientists who had developed a highly lethal & destructive death ray. The death ray was an extremely powerful laser, ahead of its time and capable of widespread devastation. Pipe smoker and collector of novelty pipes and exotic weapons, Carson combines his interests in such a way that the 5 or 6 pipes that he always carries with him are capable of extraordinary uses - not just for smoking - more likely firing arrows, storing knockout drops etc.

This is a radio serial that starts with Episode 1. Starting elsewhere will still be enjoyable, but you will be lost in the storyline. Released in March of 1954. Undercover Carson, Secret Agent - Operation Deathray: An Assignment in Rio was written by Michael Noonan and produced by Walter Pym for Artransa Productions. It starred Barry Cookson as Bruce Carson and James Mills as Sir Giles Daverport. Undercover Carson follows the adventures of a British Secret Service Agent Bruce Carson posted to South America to track down escaped German Nazi Scientists who had developed a highly lethal & destructive death ray. The death ray was an extremely powerful laser, ahead of its time and capable of widespread devastation. Pipe smoker and collector of novelty pipes and exotic weapons, Carson combines his interests in such a way that the 5 or 6 pipes that he always carries with him are capable of extraordinary uses - not just for smoking - more likely firing arrows, storing knockout drops etc.

This is a radio serial that starts with Episode 1. Starting elsewhere will still be enjoyable, but you will be lost in the storyline. Released in March of 1954. Undercover Carson, Secret Agent - Operation Deathray: An Assignment in Rio was written by Michael Noonan and produced by Walter Pym for Artransa Productions. It starred Barry Cookson as Bruce Carson and James Mills as Sir Giles Daverport. Undercover Carson follows the adventures of a British Secret Service Agent Bruce Carson posted to South America to track down escaped German Nazi Scientists who had developed a highly lethal & destructive death ray. The death ray was an extremely powerful laser, ahead of its time and capable of widespread devastation. Pipe smoker and collector of novelty pipes and exotic weapons, Carson combines his interests in such a way that the 5 or 6 pipes that he always carries with him are capable of extraordinary uses - not just for smoking - more likely firing arrows, storing knockout drops etc.

This is a radio serial that starts with Episode 1. Starting elsewhere will still be enjoyable, but you will be lost in the storyline. Released in March of 1954. Undercover Carson, Secret Agent - Operation Deathray: An Assignment in Rio was written by Michael Noonan and produced by Walter Pym for Artransa Productions. It starred Barry Cookson as Bruce Carson and James Mills as Sir Giles Daverport. Undercover Carson follows the adventures of a British Secret Service Agent Bruce Carson posted to South America to track down escaped German Nazi Scientists who had developed a highly lethal & destructive death ray. The death ray was an extremely powerful laser, ahead of its time and capable of widespread devastation. Pipe smoker and collector of novelty pipes and exotic weapons, Carson combines his interests in such a way that the 5 or 6 pipes that he always carries with him are capable of extraordinary uses - not just for smoking - more likely firing arrows, storing knockout drops etc.

This is a radio serial that starts with Episode 1. Starting elsewhere will still be enjoyable, but you will be lost in the storyline. Released in March of 1954. Undercover Carson, Secret Agent - Operation Deathray: An Assignment in Rio was written by Michael Noonan and produced by Walter Pym for Artransa Productions. It starred Barry Cookson as Bruce Carson and James Mills as Sir Giles Daverport. Undercover Carson follows the adventures of a British Secret Service Agent Bruce Carson posted to South America to track down escaped German Nazi Scientists who had developed a highly lethal & destructive death ray. The death ray was an extremely powerful laser, ahead of its time and capable of widespread devastation. Pipe smoker and collector of novelty pipes and exotic weapons, Carson combines his interests in such a way that the 5 or 6 pipes that he always carries with him are capable of extraordinary uses - not just for smoking - more likely firing arrows, storing knockout drops etc.

This is a radio serial that starts with Episode 1. Starting elsewhere will still be enjoyable, but you will be lost in the storyline. Released in March of 1954. Undercover Carson, Secret Agent - Operation Deathray: An Assignment in Rio was written by Michael Noonan and produced by Walter Pym for Artransa Productions. It starred Barry Cookson as Bruce Carson and James Mills as Sir Giles Daverport. Undercover Carson follows the adventures of a British Secret Service Agent Bruce Carson posted to South America to track down escaped German Nazi Scientists who had developed a highly lethal & destructive death ray. The death ray was an extremely powerful laser, ahead of its time and capable of widespread devastation. Pipe smoker and collector of novelty pipes and exotic weapons, Carson combines his interests in such a way that the 5 or 6 pipes that he always carries with him are capable of extraordinary uses - not just for smoking - more likely firing arrows, storing knockout drops etc.

This is a radio serial that starts with Episode 1. Starting elsewhere will still be enjoyable, but you will be lost in the storyline. Released in March of 1954. Undercover Carson, Secret Agent - Operation Deathray: An Assignment in Rio was written by Michael Noonan and produced by Walter Pym for Artransa Productions. It starred Barry Cookson as Bruce Carson and James Mills as Sir Giles Daverport. Undercover Carson follows the adventures of a British Secret Service Agent Bruce Carson posted to South America to track down escaped German Nazi Scientists who had developed a highly lethal & destructive death ray. The death ray was an extremely powerful laser, ahead of its time and capable of widespread devastation. Pipe smoker and collector of novelty pipes and exotic weapons, Carson combines his interests in such a way that the 5 or 6 pipes that he always carries with him are capable of extraordinary uses - not just for smoking - more likely firing arrows, storing knockout drops etc.

In the United States, radio drama is virtually dead. But just after the internet blossomed, “radio” drama briefly revived itself. Between 1997 and 2001 dozens of Science Fiction and Fantasy stories were produced by a dedicated and talented crew of multimedia artists, writers, actors and musicians using the RealPlayer technology to delivery “radio” drama via streaming audio. And what a revival it was! Starting small and building bigger and better productions until its demise, the SEEING EAR THEATRE was arguably much better than the SCI-FI channel that spawned it. It managed to capture some of the top living SF writers of today, like Harlan Ellision, J. Michael Straczynski, and Kim Stanley Robinson. It also produced some classic stories, from the likes of Fredric Brown, Poul Anderson, and William Tenn.

Ex-policeman Bill Galbraith is caught up in mystery and murder in these two gripping, fast-paced detective dramas. After a long career in the Flying Squad, veteran copper Bill Galbraith is hanging up his truncheon and saying goodbye to the police force. He's looking forward to a quiet life on civvy street - but his best friend, private investigator Tommy Evans, has other ideas.... In The King of Diamonds, Galbraith is enjoying a peaceful retirement in the countryside when Tommy calls him up with a job offer. Adamant that he's done with detection, Bill refuses, but Evans persists - and soon, Galbraith is embroiled in murky goings-on involving a beautiful blonde, a missing diamond courier and a criminal mastermind. Created by the award-winning writer of Z Cars and Softly Softly, Robert Barr, these two suspenseful full-cast dramas star Bernard Hepton as the reluctant investigator, with Richard Davies as Tommy Evans. Production credits: Written by Robert Barr. Produced by John Browell. Cast: The King of Diamonds Galbraith - Bernard Hepton Tommy Evans/Paul - Richard Davies David Cater - Tom Watson Gelder - Peter Dyneley Anne-Marie - Eva Haddon Cornell/Commander - Hector Ross Mary Galbraith - Katharine Page Milne - Bruce Alexander Lindemanns - Cyril Shaps Dykers - Trader Faulkner Brent - Peter Williams Jacobus - Stephen Greif Betty van Druten - Frances Jeater Lander - Peter Hawkins Gunman - Robert Gillespie First broadcast BBC Radio 4, 15th August - 19th September 1975.

In the United States, radio drama is virtually dead. But just after the internet blossomed, “radio” drama briefly revived itself. Between 1997 and 2001 dozens of Science Fiction and Fantasy stories were produced by a dedicated and talented crew of multimedia artists, writers, actors and musicians using the RealPlayer technology to delivery “radio” drama via streaming audio. And what a revival it was! Starting small and building bigger and better productions until its demise, the SEEING EAR THEATRE was arguably much better than the SCI-FI channel that spawned it. It managed to capture some of the top living SF writers of today, like Harlan Ellision, J. Michael Straczynski, and Kim Stanley Robinson. It also produced some classic stories, from the likes of Fredric Brown, Poul Anderson, and William Tenn.

ADVENTURES BY MORSE This series takes its place alongside I Love a Mystery, One Man's Family and other works by prolific author Carlton E. Morse. Produced after I Love a Mystery, this transcribed and syndicated show continued the earlier program's preoccupation with the eerie and the exotic. Captain Bart Friday and his trusted companion Skip Turner ranged throughout the world in their quest for dangerous challenges to overcome. Undaunted by Nazis, murderers, vampires, deadly serpents, zombies and disciples of the dark arts they made their way through story lines with such titles as "Land of the Living Dead" and "Cobra King Strikes Back." John Dunning notes in On the Air that "there was usually a near-rational explanation" for the events that took place. Seldom did it come, however, until the listener's imagination had been enthralled by instances of the dreadful and even unthinkable. All told, there were eight serials comprised of a total of fifty-two episodes, each thirty minutes in length. They originally aired in syndication for a year beginning in October, 1944. All have been preserved in high quality sound for those enticed by the show's signature opening to enter a world of "high adventure," "the stealth of intrigue" and "blood and thunder." For other excellent Carlton E Morse productions, see also: • Adventures by Morse • I Love a Mystery • I Love Adventure • One Man's Family • Vic and Sade • The Upper Room • Carlton E Morse Collection

ADVENTURES BY MORSE This series takes its place alongside I Love a Mystery, One Man's Family and other works by prolific author Carlton E. Morse. Produced after I Love a Mystery, this transcribed and syndicated show continued the earlier program's preoccupation with the eerie and the exotic. Captain Bart Friday and his trusted companion Skip Turner ranged throughout the world in their quest for dangerous challenges to overcome. Undaunted by Nazis, murderers, vampires, deadly serpents, zombies and disciples of the dark arts they made their way through story lines with such titles as "Land of the Living Dead" and "Cobra King Strikes Back." John Dunning notes in On the Air that "there was usually a near-rational explanation" for the events that took place. Seldom did it come, however, until the listener's imagination had been enthralled by instances of the dreadful and even unthinkable. All told, there were eight serials comprised of a total of fifty-two episodes, each thirty minutes in length. They originally aired in syndication for a year beginning in October, 1944. All have been preserved in high quality sound for those enticed by the show's signature opening to enter a world of "high adventure," "the stealth of intrigue" and "blood and thunder." For other excellent Carlton E Morse productions, see also: • Adventures by Morse • I Love a Mystery • I Love Adventure • One Man's Family • Vic and Sade • The Upper Room • Carlton E Morse Collection

Ex-policeman Bill Galbraith is caught up in mystery and murder in these two gripping, fast-paced detective dramas. After a long career in the Flying Squad, veteran copper Bill Galbraith is hanging up his truncheon and saying goodbye to the police force. He's looking forward to a quiet life on civvy street - but his best friend, private investigator Tommy Evans, has other ideas.... The Midas Touch sees Bill accosted once again by his old PI pal, who shows him a mysterious photograph of a party on a lawn, with circles drawn round the heads of three people. The photo was part of a parcel addressed to a retired criminal lawyer, which also contained bearer bonds, a list of jewellery worth £750,000 and a letter threatening the life of a man named Paul Carson. The crime the package tells of has yet to be discovered - can Galbraith root it out? Created by the award-winning writer of Z Cars and Softly Softly, Robert Barr, these two suspenseful full-cast dramas star Bernard Hepton as the reluctant investigator, with Richard Davies as Tommy Evans. Production credits: Written by Robert Barr. Produced by John Browell. The Midas Touch Galbraith - Bernard Hepton Tommy Evans - Richard Davies Bernie Finch - Garard Green Sailor/Andreas - Kevork Malikyan Nick Tully - Clive Merrison Bavister - Eric Richard Mrs Palmer - Margery Withers Doc McDowall - Robert Gillespie Thorn - David Ryall Chief Inspector Collins/Inspector Burridge - Michael Kilgarriff Rita - Rosalyn Slater Carson - Matthew Francis First broadcast BBC Radio 4, 4th October - 8th November 1977.

ADVENTURES BY MORSE This series takes its place alongside I Love a Mystery, One Man's Family and other works by prolific author Carlton E. Morse. Produced after I Love a Mystery, this transcribed and syndicated show continued the earlier program's preoccupation with the eerie and the exotic. Captain Bart Friday and his trusted companion Skip Turner ranged throughout the world in their quest for dangerous challenges to overcome. Undaunted by Nazis, murderers, vampires, deadly serpents, zombies and disciples of the dark arts they made their way through story lines with such titles as "Land of the Living Dead" and "Cobra King Strikes Back." John Dunning notes in On the Air that "there was usually a near-rational explanation" for the events that took place. Seldom did it come, however, until the listener's imagination had been enthralled by instances of the dreadful and even unthinkable. All told, there were eight serials comprised of a total of fifty-two episodes, each thirty minutes in length. They originally aired in syndication for a year beginning in October, 1944. All have been preserved in high quality sound for those enticed by the show's signature opening to enter a world of "high adventure," "the stealth of intrigue" and "blood and thunder." For other excellent Carlton E Morse productions, see also: • Adventures by Morse • I Love a Mystery • I Love Adventure • One Man's Family • Vic and Sade • The Upper Room • Carlton E Morse Collection

ADVENTURES BY MORSE This series takes its place alongside I Love a Mystery, One Man's Family and other works by prolific author Carlton E. Morse. Produced after I Love a Mystery, this transcribed and syndicated show continued the earlier program's preoccupation with the eerie and the exotic. Captain Bart Friday and his trusted companion Skip Turner ranged throughout the world in their quest for dangerous challenges to overcome. Undaunted by Nazis, murderers, vampires, deadly serpents, zombies and disciples of the dark arts they made their way through story lines with such titles as "Land of the Living Dead" and "Cobra King Strikes Back." John Dunning notes in On the Air that "there was usually a near-rational explanation" for the events that took place. Seldom did it come, however, until the listener's imagination had been enthralled by instances of the dreadful and even unthinkable. All told, there were eight serials comprised of a total of fifty-two episodes, each thirty minutes in length. They originally aired in syndication for a year beginning in October, 1944. All have been preserved in high quality sound for those enticed by the show's signature opening to enter a world of "high adventure," "the stealth of intrigue" and "blood and thunder." For other excellent Carlton E Morse productions, see also: • Adventures by Morse • I Love a Mystery • I Love Adventure • One Man's Family • Vic and Sade • The Upper Room • Carlton E Morse Collection

Orbiter X: An adventure in the conquest of space was a BBC Radio science fiction programme written by B. D. Chapman. Only a single series was produced which was broadcast by the BBC Light Programme on Monday evenings in late 1959. Presumed to have been wiped and lost, a set of discs of the entire series, recorded for the BBC Transcription Service, was discovered and restored. Since 2016, Orbiter X has occasionally been repeated on the BBC's archive station, BBC Radio 4 Extra. Plot The fictional Commomwealth Space Project (CSP), based in Woomera, South Australia, is working to build a space station orbiting a thousand miles above the Earth's surface: Orbiter X. Planned to be a refuelling station for further space exploration, along with laboratories and other services, the CSP has launched the various components for the space station into orbit. But before construction can begin, the first assembly ship, Orbiter 1, is seemingly attacked and loses contact with CSP Control. A second ship, Orbiter 2, piloted by Captain Bob Britton (John Carson), sent to rescue the first crew finds Orbiter 1 deserted and the spacecraft's log missing. Orbiter 2 is also attacked by a UFO and Flight Engineer 'Hicky' (Barrie Gosney) seriously injured. With their spacecraft crippled, the crew have no alternative but to abandon ship and place themselves at the mercy of their attackers. Once aboard the UFO, they meet Commander Gelbin (Arthur Lawrence), the deputy leader of the Unity organisation: a group of technocrats who plan to use Orbiter X themselves and create a New World Order. Background Writing in the Radio Times, the programme's creator said: With the arrival of the Russian moon probe in the lunar Sea of Serenity a fortnight ago, scientific fact and fiction have become curiously interwoven. The time cannot be far distant when man himself will be setting foot on the moon, but such an undertaking still poses major problems, not least of which is the question of fuel for the return trip. At the present time, a rocket consumes the bulk of its fuel during its breakaway from the earth. To make the return trip possible, a refuelling point or terminal will be required beyond the limits of the atmosphere. This dual purpose could be served by a space station which would also be equipped with facilities such as a space laboratory, workshops, an observatory and, of course, living accommodation for the crew. I believe that we shall see such a station taking shape within the course of the next ten years or so, and it is this possibility which has given me the background of the new serial. For myself, I am hoping that the serial will not be outdated by the News before it starts! Production details The producer of Orbiter X, Charles Maxwell, aimed to make the series authentic as possible. During the studio recordings, the cast wore 'space helmets' to help them to achieve a sense of realism. Harry Morriss and Ian Cook created around 40 different sound effects for the series, with "as many as four or five effects sometimes being blended together to produce one particular sound". Cast The complete cast, as listed in the Radio Times, was: Part Played by Captain Bob Britton John Carson Captain Douglas McClelland Andrew Crawford Flight Engineer Hicks Barrie Gosney Colonel Kent Donald Bisset Captain Jack Bradley John Witty Control Officer Brown Peter Noel Cook Control Officer Camm Francis Hall U F O Commander Gelbin Arthur Lawrence Radio Operator John Matthews Max Kramer Gerik Schjelderup Greta Ravel Irene Prador Sir Charles Day Leslie Perrins Neasen Ian Sadler Letmann John Cazabon Captain Knight John Graham Episode list No. First broadcast title 1 28 Sep 1959 The First Step to the Stars 2 5 Oct 1959 Conflict in Space 3 12 Oct 1959 The Master Plan 4 19 Oct 1959 Flight to the Moon 5 26 Oct 1959 Inside the Moon Station 6 2 Nov 1959 Breakaway 7 9 Nov 1959 Price of Survival 8 16 Nov 1959 Marooned in Space 9 23 Nov 1959 Operation Salvage 10 30 Nov 1959 Return to Woomera 11 7 Dec 1959 A Flight Against Time 12 14 Dec 1959 Building the Space Station 13 21 Dec 1959 The Net Closes 14 28 Dec 1959 The Final Round

Orbiter X: An adventure in the conquest of space was a BBC Radio science fiction programme written by B. D. Chapman. Only a single series was produced which was broadcast by the BBC Light Programme on Monday evenings in late 1959. Presumed to have been wiped and lost, a set of discs of the entire series, recorded for the BBC Transcription Service, was discovered and restored. Since 2016, Orbiter X has occasionally been repeated on the BBC's archive station, BBC Radio 4 Extra. Plot The fictional Commomwealth Space Project (CSP), based in Woomera, South Australia, is working to build a space station orbiting a thousand miles above the Earth's surface: Orbiter X. Planned to be a refuelling station for further space exploration, along with laboratories and other services, the CSP has launched the various components for the space station into orbit. But before construction can begin, the first assembly ship, Orbiter 1, is seemingly attacked and loses contact with CSP Control. A second ship, Orbiter 2, piloted by Captain Bob Britton (John Carson), sent to rescue the first crew finds Orbiter 1 deserted and the spacecraft's log missing. Orbiter 2 is also attacked by a UFO and Flight Engineer 'Hicky' (Barrie Gosney) seriously injured. With their spacecraft crippled, the crew have no alternative but to abandon ship and place themselves at the mercy of their attackers. Once aboard the UFO, they meet Commander Gelbin (Arthur Lawrence), the deputy leader of the Unity organisation: a group of technocrats who plan to use Orbiter X themselves and create a New World Order. Background Writing in the Radio Times, the programme's creator said: With the arrival of the Russian moon probe in the lunar Sea of Serenity a fortnight ago, scientific fact and fiction have become curiously interwoven. The time cannot be far distant when man himself will be setting foot on the moon, but such an undertaking still poses major problems, not least of which is the question of fuel for the return trip. At the present time, a rocket consumes the bulk of its fuel during its breakaway from the earth. To make the return trip possible, a refuelling point or terminal will be required beyond the limits of the atmosphere. This dual purpose could be served by a space station which would also be equipped with facilities such as a space laboratory, workshops, an observatory and, of course, living accommodation for the crew. I believe that we shall see such a station taking shape within the course of the next ten years or so, and it is this possibility which has given me the background of the new serial. For myself, I am hoping that the serial will not be outdated by the News before it starts! Production details The producer of Orbiter X, Charles Maxwell, aimed to make the series authentic as possible. During the studio recordings, the cast wore 'space helmets' to help them to achieve a sense of realism. Harry Morriss and Ian Cook created around 40 different sound effects for the series, with "as many as four or five effects sometimes being blended together to produce one particular sound". Cast The complete cast, as listed in the Radio Times, was: Part Played by Captain Bob Britton John Carson Captain Douglas McClelland Andrew Crawford Flight Engineer Hicks Barrie Gosney Colonel Kent Donald Bisset Captain Jack Bradley John Witty Control Officer Brown Peter Noel Cook Control Officer Camm Francis Hall U F O Commander Gelbin Arthur Lawrence Radio Operator John Matthews Max Kramer Gerik Schjelderup Greta Ravel Irene Prador Sir Charles Day Leslie Perrins Neasen Ian Sadler Letmann John Cazabon Captain Knight John Graham Episode list No. First broadcast title 1 28 Sep 1959 The First Step to the Stars 2 5 Oct 1959 Conflict in Space 3 12 Oct 1959 The Master Plan 4 19 Oct 1959 Flight to the Moon 5 26 Oct 1959 Inside the Moon Station 6 2 Nov 1959 Breakaway 7 9 Nov 1959 Price of Survival 8 16 Nov 1959 Marooned in Space 9 23 Nov 1959 Operation Salvage 10 30 Nov 1959 Return to Woomera 11 7 Dec 1959 A Flight Against Time 12 14 Dec 1959 Building the Space Station 13 21 Dec 1959 The Net Closes 14 28 Dec 1959 The Final Round

Orbiter X: An adventure in the conquest of space was a BBC Radio science fiction programme written by B. D. Chapman. Only a single series was produced which was broadcast by the BBC Light Programme on Monday evenings in late 1959. Presumed to have been wiped and lost, a set of discs of the entire series, recorded for the BBC Transcription Service, was discovered and restored. Since 2016, Orbiter X has occasionally been repeated on the BBC's archive station, BBC Radio 4 Extra. Plot The fictional Commomwealth Space Project (CSP), based in Woomera, South Australia, is working to build a space station orbiting a thousand miles above the Earth's surface: Orbiter X. Planned to be a refuelling station for further space exploration, along with laboratories and other services, the CSP has launched the various components for the space station into orbit. But before construction can begin, the first assembly ship, Orbiter 1, is seemingly attacked and loses contact with CSP Control. A second ship, Orbiter 2, piloted by Captain Bob Britton (John Carson), sent to rescue the first crew finds Orbiter 1 deserted and the spacecraft's log missing. Orbiter 2 is also attacked by a UFO and Flight Engineer 'Hicky' (Barrie Gosney) seriously injured. With their spacecraft crippled, the crew have no alternative but to abandon ship and place themselves at the mercy of their attackers. Once aboard the UFO, they meet Commander Gelbin (Arthur Lawrence), the deputy leader of the Unity organisation: a group of technocrats who plan to use Orbiter X themselves and create a New World Order. Background Writing in the Radio Times, the programme's creator said: With the arrival of the Russian moon probe in the lunar Sea of Serenity a fortnight ago, scientific fact and fiction have become curiously interwoven. The time cannot be far distant when man himself will be setting foot on the moon, but such an undertaking still poses major problems, not least of which is the question of fuel for the return trip. At the present time, a rocket consumes the bulk of its fuel during its breakaway from the earth. To make the return trip possible, a refuelling point or terminal will be required beyond the limits of the atmosphere. This dual purpose could be served by a space station which would also be equipped with facilities such as a space laboratory, workshops, an observatory and, of course, living accommodation for the crew. I believe that we shall see such a station taking shape within the course of the next ten years or so, and it is this possibility which has given me the background of the new serial. For myself, I am hoping that the serial will not be outdated by the News before it starts! Production details The producer of Orbiter X, Charles Maxwell, aimed to make the series authentic as possible. During the studio recordings, the cast wore 'space helmets' to help them to achieve a sense of realism. Harry Morriss and Ian Cook created around 40 different sound effects for the series, with "as many as four or five effects sometimes being blended together to produce one particular sound". Cast The complete cast, as listed in the Radio Times, was: Part Played by Captain Bob Britton John Carson Captain Douglas McClelland Andrew Crawford Flight Engineer Hicks Barrie Gosney Colonel Kent Donald Bisset Captain Jack Bradley John Witty Control Officer Brown Peter Noel Cook Control Officer Camm Francis Hall U F O Commander Gelbin Arthur Lawrence Radio Operator John Matthews Max Kramer Gerik Schjelderup Greta Ravel Irene Prador Sir Charles Day Leslie Perrins Neasen Ian Sadler Letmann John Cazabon Captain Knight John Graham Episode list No. First broadcast title 1 28 Sep 1959 The First Step to the Stars 2 5 Oct 1959 Conflict in Space 3 12 Oct 1959 The Master Plan 4 19 Oct 1959 Flight to the Moon 5 26 Oct 1959 Inside the Moon Station 6 2 Nov 1959 Breakaway 7 9 Nov 1959 Price of Survival 8 16 Nov 1959 Marooned in Space 9 23 Nov 1959 Operation Salvage 10 30 Nov 1959 Return to Woomera 11 7 Dec 1959 A Flight Against Time 12 14 Dec 1959 Building the Space Station 13 21 Dec 1959 The Net Closes 14 28 Dec 1959 The Final Round

Orbiter X: An adventure in the conquest of space was a BBC Radio science fiction programme written by B. D. Chapman. Only a single series was produced which was broadcast by the BBC Light Programme on Monday evenings in late 1959. Presumed to have been wiped and lost, a set of discs of the entire series, recorded for the BBC Transcription Service, was discovered and restored. Since 2016, Orbiter X has occasionally been repeated on the BBC's archive station, BBC Radio 4 Extra. Plot The fictional Commomwealth Space Project (CSP), based in Woomera, South Australia, is working to build a space station orbiting a thousand miles above the Earth's surface: Orbiter X. Planned to be a refuelling station for further space exploration, along with laboratories and other services, the CSP has launched the various components for the space station into orbit. But before construction can begin, the first assembly ship, Orbiter 1, is seemingly attacked and loses contact with CSP Control. A second ship, Orbiter 2, piloted by Captain Bob Britton (John Carson), sent to rescue the first crew finds Orbiter 1 deserted and the spacecraft's log missing. Orbiter 2 is also attacked by a UFO and Flight Engineer 'Hicky' (Barrie Gosney) seriously injured. With their spacecraft crippled, the crew have no alternative but to abandon ship and place themselves at the mercy of their attackers. Once aboard the UFO, they meet Commander Gelbin (Arthur Lawrence), the deputy leader of the Unity organisation: a group of technocrats who plan to use Orbiter X themselves and create a New World Order. Background Writing in the Radio Times, the programme's creator said: With the arrival of the Russian moon probe in the lunar Sea of Serenity a fortnight ago, scientific fact and fiction have become curiously interwoven. The time cannot be far distant when man himself will be setting foot on the moon, but such an undertaking still poses major problems, not least of which is the question of fuel for the return trip. At the present time, a rocket consumes the bulk of its fuel during its breakaway from the earth. To make the return trip possible, a refuelling point or terminal will be required beyond the limits of the atmosphere. This dual purpose could be served by a space station which would also be equipped with facilities such as a space laboratory, workshops, an observatory and, of course, living accommodation for the crew. I believe that we shall see such a station taking shape within the course of the next ten years or so, and it is this possibility which has given me the background of the new serial. For myself, I am hoping that the serial will not be outdated by the News before it starts! Production details The producer of Orbiter X, Charles Maxwell, aimed to make the series authentic as possible. During the studio recordings, the cast wore 'space helmets' to help them to achieve a sense of realism. Harry Morriss and Ian Cook created around 40 different sound effects for the series, with "as many as four or five effects sometimes being blended together to produce one particular sound". Cast The complete cast, as listed in the Radio Times, was: Part Played by Captain Bob Britton John Carson Captain Douglas McClelland Andrew Crawford Flight Engineer Hicks Barrie Gosney Colonel Kent Donald Bisset Captain Jack Bradley John Witty Control Officer Brown Peter Noel Cook Control Officer Camm Francis Hall U F O Commander Gelbin Arthur Lawrence Radio Operator John Matthews Max Kramer Gerik Schjelderup Greta Ravel Irene Prador Sir Charles Day Leslie Perrins Neasen Ian Sadler Letmann John Cazabon Captain Knight John Graham Episode list No. First broadcast title 1 28 Sep 1959 The First Step to the Stars 2 5 Oct 1959 Conflict in Space 3 12 Oct 1959 The Master Plan 4 19 Oct 1959 Flight to the Moon 5 26 Oct 1959 Inside the Moon Station 6 2 Nov 1959 Breakaway 7 9 Nov 1959 Price of Survival 8 16 Nov 1959 Marooned in Space 9 23 Nov 1959 Operation Salvage 10 30 Nov 1959 Return to Woomera 11 7 Dec 1959 A Flight Against Time 12 14 Dec 1959 Building the Space Station 13 21 Dec 1959 The Net Closes 14 28 Dec 1959 The Final Round

Orbiter X: An adventure in the conquest of space was a BBC Radio science fiction programme written by B. D. Chapman. Only a single series was produced which was broadcast by the BBC Light Programme on Monday evenings in late 1959. Presumed to have been wiped and lost, a set of discs of the entire series, recorded for the BBC Transcription Service, was discovered and restored. Since 2016, Orbiter X has occasionally been repeated on the BBC's archive station, BBC Radio 4 Extra. Plot The fictional Commomwealth Space Project (CSP), based in Woomera, South Australia, is working to build a space station orbiting a thousand miles above the Earth's surface: Orbiter X. Planned to be a refuelling station for further space exploration, along with laboratories and other services, the CSP has launched the various components for the space station into orbit. But before construction can begin, the first assembly ship, Orbiter 1, is seemingly attacked and loses contact with CSP Control. A second ship, Orbiter 2, piloted by Captain Bob Britton (John Carson), sent to rescue the first crew finds Orbiter 1 deserted and the spacecraft's log missing. Orbiter 2 is also attacked by a UFO and Flight Engineer 'Hicky' (Barrie Gosney) seriously injured. With their spacecraft crippled, the crew have no alternative but to abandon ship and place themselves at the mercy of their attackers. Once aboard the UFO, they meet Commander Gelbin (Arthur Lawrence), the deputy leader of the Unity organisation: a group of technocrats who plan to use Orbiter X themselves and create a New World Order. Background Writing in the Radio Times, the programme's creator said: With the arrival of the Russian moon probe in the lunar Sea of Serenity a fortnight ago, scientific fact and fiction have become curiously interwoven. The time cannot be far distant when man himself will be setting foot on the moon, but such an undertaking still poses major problems, not least of which is the question of fuel for the return trip. At the present time, a rocket consumes the bulk of its fuel during its breakaway from the earth. To make the return trip possible, a refuelling point or terminal will be required beyond the limits of the atmosphere. This dual purpose could be served by a space station which would also be equipped with facilities such as a space laboratory, workshops, an observatory and, of course, living accommodation for the crew. I believe that we shall see such a station taking shape within the course of the next ten years or so, and it is this possibility which has given me the background of the new serial. For myself, I am hoping that the serial will not be outdated by the News before it starts! Production details The producer of Orbiter X, Charles Maxwell, aimed to make the series authentic as possible. During the studio recordings, the cast wore 'space helmets' to help them to achieve a sense of realism. Harry Morriss and Ian Cook created around 40 different sound effects for the series, with "as many as four or five effects sometimes being blended together to produce one particular sound". Cast The complete cast, as listed in the Radio Times, was: Part Played by Captain Bob Britton John Carson Captain Douglas McClelland Andrew Crawford Flight Engineer Hicks Barrie Gosney Colonel Kent Donald Bisset Captain Jack Bradley John Witty Control Officer Brown Peter Noel Cook Control Officer Camm Francis Hall U F O Commander Gelbin Arthur Lawrence Radio Operator John Matthews Max Kramer Gerik Schjelderup Greta Ravel Irene Prador Sir Charles Day Leslie Perrins Neasen Ian Sadler Letmann John Cazabon Captain Knight John Graham Episode list No. First broadcast title 1 28 Sep 1959 The First Step to the Stars 2 5 Oct 1959 Conflict in Space 3 12 Oct 1959 The Master Plan 4 19 Oct 1959 Flight to the Moon 5 26 Oct 1959 Inside the Moon Station 6 2 Nov 1959 Breakaway 7 9 Nov 1959 Price of Survival 8 16 Nov 1959 Marooned in Space 9 23 Nov 1959 Operation Salvage 10 30 Nov 1959 Return to Woomera 11 7 Dec 1959 A Flight Against Time 12 14 Dec 1959 Building the Space Station 13 21 Dec 1959 The Net Closes 14 28 Dec 1959 The Final Round

Orbiter X: An adventure in the conquest of space was a BBC Radio science fiction programme written by B. D. Chapman. Only a single series was produced which was broadcast by the BBC Light Programme on Monday evenings in late 1959. Presumed to have been wiped and lost, a set of discs of the entire series, recorded for the BBC Transcription Service, was discovered and restored. Since 2016, Orbiter X has occasionally been repeated on the BBC's archive station, BBC Radio 4 Extra. Plot The fictional Commomwealth Space Project (CSP), based in Woomera, South Australia, is working to build a space station orbiting a thousand miles above the Earth's surface: Orbiter X. Planned to be a refuelling station for further space exploration, along with laboratories and other services, the CSP has launched the various components for the space station into orbit. But before construction can begin, the first assembly ship, Orbiter 1, is seemingly attacked and loses contact with CSP Control. A second ship, Orbiter 2, piloted by Captain Bob Britton (John Carson), sent to rescue the first crew finds Orbiter 1 deserted and the spacecraft's log missing. Orbiter 2 is also attacked by a UFO and Flight Engineer 'Hicky' (Barrie Gosney) seriously injured. With their spacecraft crippled, the crew have no alternative but to abandon ship and place themselves at the mercy of their attackers. Once aboard the UFO, they meet Commander Gelbin (Arthur Lawrence), the deputy leader of the Unity organisation: a group of technocrats who plan to use Orbiter X themselves and create a New World Order. Background Writing in the Radio Times, the programme's creator said: With the arrival of the Russian moon probe in the lunar Sea of Serenity a fortnight ago, scientific fact and fiction have become curiously interwoven. The time cannot be far distant when man himself will be setting foot on the moon, but such an undertaking still poses major problems, not least of which is the question of fuel for the return trip. At the present time, a rocket consumes the bulk of its fuel during its breakaway from the earth. To make the return trip possible, a refuelling point or terminal will be required beyond the limits of the atmosphere. This dual purpose could be served by a space station which would also be equipped with facilities such as a space laboratory, workshops, an observatory and, of course, living accommodation for the crew. I believe that we shall see such a station taking shape within the course of the next ten years or so, and it is this possibility which has given me the background of the new serial. For myself, I am hoping that the serial will not be outdated by the News before it starts! Production details The producer of Orbiter X, Charles Maxwell, aimed to make the series authentic as possible. During the studio recordings, the cast wore 'space helmets' to help them to achieve a sense of realism. Harry Morriss and Ian Cook created around 40 different sound effects for the series, with "as many as four or five effects sometimes being blended together to produce one particular sound". Cast The complete cast, as listed in the Radio Times, was: Part Played by Captain Bob Britton John Carson Captain Douglas McClelland Andrew Crawford Flight Engineer Hicks Barrie Gosney Colonel Kent Donald Bisset Captain Jack Bradley John Witty Control Officer Brown Peter Noel Cook Control Officer Camm Francis Hall U F O Commander Gelbin Arthur Lawrence Radio Operator John Matthews Max Kramer Gerik Schjelderup Greta Ravel Irene Prador Sir Charles Day Leslie Perrins Neasen Ian Sadler Letmann John Cazabon Captain Knight John Graham Episode list No. First broadcast title 1 28 Sep 1959 The First Step to the Stars 2 5 Oct 1959 Conflict in Space 3 12 Oct 1959 The Master Plan 4 19 Oct 1959 Flight to the Moon 5 26 Oct 1959 Inside the Moon Station 6 2 Nov 1959 Breakaway 7 9 Nov 1959 Price of Survival 8 16 Nov 1959 Marooned in Space 9 23 Nov 1959 Operation Salvage 10 30 Nov 1959 Return to Woomera 11 7 Dec 1959 A Flight Against Time 12 14 Dec 1959 Building the Space Station 13 21 Dec 1959 The Net Closes 14 28 Dec 1959 The Final Round

Orbiter X: An adventure in the conquest of space was a BBC Radio science fiction programme written by B. D. Chapman. Only a single series was produced which was broadcast by the BBC Light Programme on Monday evenings in late 1959. Presumed to have been wiped and lost, a set of discs of the entire series, recorded for the BBC Transcription Service, was discovered and restored. Since 2016, Orbiter X has occasionally been repeated on the BBC's archive station, BBC Radio 4 Extra. Plot The fictional Commomwealth Space Project (CSP), based in Woomera, South Australia, is working to build a space station orbiting a thousand miles above the Earth's surface: Orbiter X. Planned to be a refuelling station for further space exploration, along with laboratories and other services, the CSP has launched the various components for the space station into orbit. But before construction can begin, the first assembly ship, Orbiter 1, is seemingly attacked and loses contact with CSP Control. A second ship, Orbiter 2, piloted by Captain Bob Britton (John Carson), sent to rescue the first crew finds Orbiter 1 deserted and the spacecraft's log missing. Orbiter 2 is also attacked by a UFO and Flight Engineer 'Hicky' (Barrie Gosney) seriously injured. With their spacecraft crippled, the crew have no alternative but to abandon ship and place themselves at the mercy of their attackers. Once aboard the UFO, they meet Commander Gelbin (Arthur Lawrence), the deputy leader of the Unity organisation: a group of technocrats who plan to use Orbiter X themselves and create a New World Order. Background Writing in the Radio Times, the programme's creator said: With the arrival of the Russian moon probe in the lunar Sea of Serenity a fortnight ago, scientific fact and fiction have become curiously interwoven. The time cannot be far distant when man himself will be setting foot on the moon, but such an undertaking still poses major problems, not least of which is the question of fuel for the return trip. At the present time, a rocket consumes the bulk of its fuel during its breakaway from the earth. To make the return trip possible, a refuelling point or terminal will be required beyond the limits of the atmosphere. This dual purpose could be served by a space station which would also be equipped with facilities such as a space laboratory, workshops, an observatory and, of course, living accommodation for the crew. I believe that we shall see such a station taking shape within the course of the next ten years or so, and it is this possibility which has given me the background of the new serial. For myself, I am hoping that the serial will not be outdated by the News before it starts! Production details The producer of Orbiter X, Charles Maxwell, aimed to make the series authentic as possible. During the studio recordings, the cast wore 'space helmets' to help them to achieve a sense of realism. Harry Morriss and Ian Cook created around 40 different sound effects for the series, with "as many as four or five effects sometimes being blended together to produce one particular sound". Cast The complete cast, as listed in the Radio Times, was: Part Played by Captain Bob Britton John Carson Captain Douglas McClelland Andrew Crawford Flight Engineer Hicks Barrie Gosney Colonel Kent Donald Bisset Captain Jack Bradley John Witty Control Officer Brown Peter Noel Cook Control Officer Camm Francis Hall U F O Commander Gelbin Arthur Lawrence Radio Operator John Matthews Max Kramer Gerik Schjelderup Greta Ravel Irene Prador Sir Charles Day Leslie Perrins Neasen Ian Sadler Letmann John Cazabon Captain Knight John Graham Episode list No. First broadcast title 1 28 Sep 1959 The First Step to the Stars 2 5 Oct 1959 Conflict in Space 3 12 Oct 1959 The Master Plan 4 19 Oct 1959 Flight to the Moon 5 26 Oct 1959 Inside the Moon Station 6 2 Nov 1959 Breakaway 7 9 Nov 1959 Price of Survival 8 16 Nov 1959 Marooned in Space 9 23 Nov 1959 Operation Salvage 10 30 Nov 1959 Return to Woomera 11 7 Dec 1959 A Flight Against Time 12 14 Dec 1959 Building the Space Station 13 21 Dec 1959 The Net Closes 14 28 Dec 1959 The Final Round

Orbiter X: An adventure in the conquest of space was a BBC Radio science fiction programme written by B. D. Chapman. Only a single series was produced which was broadcast by the BBC Light Programme on Monday evenings in late 1959. Presumed to have been wiped and lost, a set of discs of the entire series, recorded for the BBC Transcription Service, was discovered and restored. Since 2016, Orbiter X has occasionally been repeated on the BBC's archive station, BBC Radio 4 Extra. Plot The fictional Commomwealth Space Project (CSP), based in Woomera, South Australia, is working to build a space station orbiting a thousand miles above the Earth's surface: Orbiter X. Planned to be a refuelling station for further space exploration, along with laboratories and other services, the CSP has launched the various components for the space station into orbit. But before construction can begin, the first assembly ship, Orbiter 1, is seemingly attacked and loses contact with CSP Control. A second ship, Orbiter 2, piloted by Captain Bob Britton (John Carson), sent to rescue the first crew finds Orbiter 1 deserted and the spacecraft's log missing. Orbiter 2 is also attacked by a UFO and Flight Engineer 'Hicky' (Barrie Gosney) seriously injured. With their spacecraft crippled, the crew have no alternative but to abandon ship and place themselves at the mercy of their attackers. Once aboard the UFO, they meet Commander Gelbin (Arthur Lawrence), the deputy leader of the Unity organisation: a group of technocrats who plan to use Orbiter X themselves and create a New World Order. Background Writing in the Radio Times, the programme's creator said: With the arrival of the Russian moon probe in the lunar Sea of Serenity a fortnight ago, scientific fact and fiction have become curiously interwoven. The time cannot be far distant when man himself will be setting foot on the moon, but such an undertaking still poses major problems, not least of which is the question of fuel for the return trip. At the present time, a rocket consumes the bulk of its fuel during its breakaway from the earth. To make the return trip possible, a refuelling point or terminal will be required beyond the limits of the atmosphere. This dual purpose could be served by a space station which would also be equipped with facilities such as a space laboratory, workshops, an observatory and, of course, living accommodation for the crew. I believe that we shall see such a station taking shape within the course of the next ten years or so, and it is this possibility which has given me the background of the new serial. For myself, I am hoping that the serial will not be outdated by the News before it starts! Production details The producer of Orbiter X, Charles Maxwell, aimed to make the series authentic as possible. During the studio recordings, the cast wore 'space helmets' to help them to achieve a sense of realism. Harry Morriss and Ian Cook created around 40 different sound effects for the series, with "as many as four or five effects sometimes being blended together to produce one particular sound". Cast The complete cast, as listed in the Radio Times, was: Part Played by Captain Bob Britton John Carson Captain Douglas McClelland Andrew Crawford Flight Engineer Hicks Barrie Gosney Colonel Kent Donald Bisset Captain Jack Bradley John Witty Control Officer Brown Peter Noel Cook Control Officer Camm Francis Hall U F O Commander Gelbin Arthur Lawrence Radio Operator John Matthews Max Kramer Gerik Schjelderup Greta Ravel Irene Prador Sir Charles Day Leslie Perrins Neasen Ian Sadler Letmann John Cazabon Captain Knight John Graham Episode list No. First broadcast title 1 28 Sep 1959 The First Step to the Stars 2 5 Oct 1959 Conflict in Space 3 12 Oct 1959 The Master Plan 4 19 Oct 1959 Flight to the Moon 5 26 Oct 1959 Inside the Moon Station 6 2 Nov 1959 Breakaway 7 9 Nov 1959 Price of Survival 8 16 Nov 1959 Marooned in Space 9 23 Nov 1959 Operation Salvage 10 30 Nov 1959 Return to Woomera 11 7 Dec 1959 A Flight Against Time 12 14 Dec 1959 Building the Space Station 13 21 Dec 1959 The Net Closes 14 28 Dec 1959 The Final Round

Orbiter X: An adventure in the conquest of space was a BBC Radio science fiction programme written by B. D. Chapman. Only a single series was produced which was broadcast by the BBC Light Programme on Monday evenings in late 1959. Presumed to have been wiped and lost, a set of discs of the entire series, recorded for the BBC Transcription Service, was discovered and restored. Since 2016, Orbiter X has occasionally been repeated on the BBC's archive station, BBC Radio 4 Extra. Plot The fictional Commomwealth Space Project (CSP), based in Woomera, South Australia, is working to build a space station orbiting a thousand miles above the Earth's surface: Orbiter X. Planned to be a refuelling station for further space exploration, along with laboratories and other services, the CSP has launched the various components for the space station into orbit. But before construction can begin, the first assembly ship, Orbiter 1, is seemingly attacked and loses contact with CSP Control. A second ship, Orbiter 2, piloted by Captain Bob Britton (John Carson), sent to rescue the first crew finds Orbiter 1 deserted and the spacecraft's log missing. Orbiter 2 is also attacked by a UFO and Flight Engineer 'Hicky' (Barrie Gosney) seriously injured. With their spacecraft crippled, the crew have no alternative but to abandon ship and place themselves at the mercy of their attackers. Once aboard the UFO, they meet Commander Gelbin (Arthur Lawrence), the deputy leader of the Unity organisation: a group of technocrats who plan to use Orbiter X themselves and create a New World Order. Background Writing in the Radio Times, the programme's creator said: With the arrival of the Russian moon probe in the lunar Sea of Serenity a fortnight ago, scientific fact and fiction have become curiously interwoven. The time cannot be far distant when man himself will be setting foot on the moon, but such an undertaking still poses major problems, not least of which is the question of fuel for the return trip. At the present time, a rocket consumes the bulk of its fuel during its breakaway from the earth. To make the return trip possible, a refuelling point or terminal will be required beyond the limits of the atmosphere. This dual purpose could be served by a space station which would also be equipped with facilities such as a space laboratory, workshops, an observatory and, of course, living accommodation for the crew. I believe that we shall see such a station taking shape within the course of the next ten years or so, and it is this possibility which has given me the background of the new serial. For myself, I am hoping that the serial will not be outdated by the News before it starts! Production details The producer of Orbiter X, Charles Maxwell, aimed to make the series authentic as possible. During the studio recordings, the cast wore 'space helmets' to help them to achieve a sense of realism. Harry Morriss and Ian Cook created around 40 different sound effects for the series, with "as many as four or five effects sometimes being blended together to produce one particular sound". Cast The complete cast, as listed in the Radio Times, was: Part Played by Captain Bob Britton John Carson Captain Douglas McClelland Andrew Crawford Flight Engineer Hicks Barrie Gosney Colonel Kent Donald Bisset Captain Jack Bradley John Witty Control Officer Brown Peter Noel Cook Control Officer Camm Francis Hall U F O Commander Gelbin Arthur Lawrence Radio Operator John Matthews Max Kramer Gerik Schjelderup Greta Ravel Irene Prador Sir Charles Day Leslie Perrins Neasen Ian Sadler Letmann John Cazabon Captain Knight John Graham Episode list No. First broadcast title 1 28 Sep 1959 The First Step to the Stars 2 5 Oct 1959 Conflict in Space 3 12 Oct 1959 The Master Plan 4 19 Oct 1959 Flight to the Moon 5 26 Oct 1959 Inside the Moon Station 6 2 Nov 1959 Breakaway 7 9 Nov 1959 Price of Survival 8 16 Nov 1959 Marooned in Space 9 23 Nov 1959 Operation Salvage 10 30 Nov 1959 Return to Woomera 11 7 Dec 1959 A Flight Against Time 12 14 Dec 1959 Building the Space Station 13 21 Dec 1959 The Net Closes 14 28 Dec 1959 The Final Round

Orbiter X: An adventure in the conquest of space was a BBC Radio science fiction programme written by B. D. Chapman. Only a single series was produced which was broadcast by the BBC Light Programme on Monday evenings in late 1959. Presumed to have been wiped and lost, a set of discs of the entire series, recorded for the BBC Transcription Service, was discovered and restored. Since 2016, Orbiter X has occasionally been repeated on the BBC's archive station, BBC Radio 4 Extra. Plot The fictional Commomwealth Space Project (CSP), based in Woomera, South Australia, is working to build a space station orbiting a thousand miles above the Earth's surface: Orbiter X. Planned to be a refuelling station for further space exploration, along with laboratories and other services, the CSP has launched the various components for the space station into orbit. But before construction can begin, the first assembly ship, Orbiter 1, is seemingly attacked and loses contact with CSP Control. A second ship, Orbiter 2, piloted by Captain Bob Britton (John Carson), sent to rescue the first crew finds Orbiter 1 deserted and the spacecraft's log missing. Orbiter 2 is also attacked by a UFO and Flight Engineer 'Hicky' (Barrie Gosney) seriously injured. With their spacecraft crippled, the crew have no alternative but to abandon ship and place themselves at the mercy of their attackers. Once aboard the UFO, they meet Commander Gelbin (Arthur Lawrence), the deputy leader of the Unity organisation: a group of technocrats who plan to use Orbiter X themselves and create a New World Order. Background Writing in the Radio Times, the programme's creator said: With the arrival of the Russian moon probe in the lunar Sea of Serenity a fortnight ago, scientific fact and fiction have become curiously interwoven. The time cannot be far distant when man himself will be setting foot on the moon, but such an undertaking still poses major problems, not least of which is the question of fuel for the return trip. At the present time, a rocket consumes the bulk of its fuel during its breakaway from the earth. To make the return trip possible, a refuelling point or terminal will be required beyond the limits of the atmosphere. This dual purpose could be served by a space station which would also be equipped with facilities such as a space laboratory, workshops, an observatory and, of course, living accommodation for the crew. I believe that we shall see such a station taking shape within the course of the next ten years or so, and it is this possibility which has given me the background of the new serial. For myself, I am hoping that the serial will not be outdated by the News before it starts! Production details The producer of Orbiter X, Charles Maxwell, aimed to make the series authentic as possible. During the studio recordings, the cast wore 'space helmets' to help them to achieve a sense of realism. Harry Morriss and Ian Cook created around 40 different sound effects for the series, with "as many as four or five effects sometimes being blended together to produce one particular sound". Cast The complete cast, as listed in the Radio Times, was: Part Played by Captain Bob Britton John Carson Captain Douglas McClelland Andrew Crawford Flight Engineer Hicks Barrie Gosney Colonel Kent Donald Bisset Captain Jack Bradley John Witty Control Officer Brown Peter Noel Cook Control Officer Camm Francis Hall U F O Commander Gelbin Arthur Lawrence Radio Operator John Matthews Max Kramer Gerik Schjelderup Greta Ravel Irene Prador Sir Charles Day Leslie Perrins Neasen Ian Sadler Letmann John Cazabon Captain Knight John Graham Episode list No. First broadcast title 1 28 Sep 1959 The First Step to the Stars 2 5 Oct 1959 Conflict in Space 3 12 Oct 1959 The Master Plan 4 19 Oct 1959 Flight to the Moon 5 26 Oct 1959 Inside the Moon Station 6 2 Nov 1959 Breakaway 7 9 Nov 1959 Price of Survival 8 16 Nov 1959 Marooned in Space 9 23 Nov 1959 Operation Salvage 10 30 Nov 1959 Return to Woomera 11 7 Dec 1959 A Flight Against Time 12 14 Dec 1959 Building the Space Station 13 21 Dec 1959 The Net Closes 14 28 Dec 1959 The Final Round

Orbiter X: An adventure in the conquest of space was a BBC Radio science fiction programme written by B. D. Chapman. Only a single series was produced which was broadcast by the BBC Light Programme on Monday evenings in late 1959. Presumed to have been wiped and lost, a set of discs of the entire series, recorded for the BBC Transcription Service, was discovered and restored. Since 2016, Orbiter X has occasionally been repeated on the BBC's archive station, BBC Radio 4 Extra. Plot The fictional Commomwealth Space Project (CSP), based in Woomera, South Australia, is working to build a space station orbiting a thousand miles above the Earth's surface: Orbiter X. Planned to be a refuelling station for further space exploration, along with laboratories and other services, the CSP has launched the various components for the space station into orbit. But before construction can begin, the first assembly ship, Orbiter 1, is seemingly attacked and loses contact with CSP Control. A second ship, Orbiter 2, piloted by Captain Bob Britton (John Carson), sent to rescue the first crew finds Orbiter 1 deserted and the spacecraft's log missing. Orbiter 2 is also attacked by a UFO and Flight Engineer 'Hicky' (Barrie Gosney) seriously injured. With their spacecraft crippled, the crew have no alternative but to abandon ship and place themselves at the mercy of their attackers. Once aboard the UFO, they meet Commander Gelbin (Arthur Lawrence), the deputy leader of the Unity organisation: a group of technocrats who plan to use Orbiter X themselves and create a New World Order. Background Writing in the Radio Times, the programme's creator said: With the arrival of the Russian moon probe in the lunar Sea of Serenity a fortnight ago, scientific fact and fiction have become curiously interwoven. The time cannot be far distant when man himself will be setting foot on the moon, but such an undertaking still poses major problems, not least of which is the question of fuel for the return trip. At the present time, a rocket consumes the bulk of its fuel during its breakaway from the earth. To make the return trip possible, a refuelling point or terminal will be required beyond the limits of the atmosphere. This dual purpose could be served by a space station which would also be equipped with facilities such as a space laboratory, workshops, an observatory and, of course, living accommodation for the crew. I believe that we shall see such a station taking shape within the course of the next ten years or so, and it is this possibility which has given me the background of the new serial. For myself, I am hoping that the serial will not be outdated by the News before it starts! Production details The producer of Orbiter X, Charles Maxwell, aimed to make the series authentic as possible. During the studio recordings, the cast wore 'space helmets' to help them to achieve a sense of realism. Harry Morriss and Ian Cook created around 40 different sound effects for the series, with "as many as four or five effects sometimes being blended together to produce one particular sound". Cast The complete cast, as listed in the Radio Times, was: Part Played by Captain Bob Britton John Carson Captain Douglas McClelland Andrew Crawford Flight Engineer Hicks Barrie Gosney Colonel Kent Donald Bisset Captain Jack Bradley John Witty Control Officer Brown Peter Noel Cook Control Officer Camm Francis Hall U F O Commander Gelbin Arthur Lawrence Radio Operator John Matthews Max Kramer Gerik Schjelderup Greta Ravel Irene Prador Sir Charles Day Leslie Perrins Neasen Ian Sadler Letmann John Cazabon Captain Knight John Graham Episode list No. First broadcast title 1 28 Sep 1959 The First Step to the Stars 2 5 Oct 1959 Conflict in Space 3 12 Oct 1959 The Master Plan 4 19 Oct 1959 Flight to the Moon 5 26 Oct 1959 Inside the Moon Station 6 2 Nov 1959 Breakaway 7 9 Nov 1959 Price of Survival 8 16 Nov 1959 Marooned in Space 9 23 Nov 1959 Operation Salvage 10 30 Nov 1959 Return to Woomera 11 7 Dec 1959 A Flight Against Time 12 14 Dec 1959 Building the Space Station 13 21 Dec 1959 The Net Closes 14 28 Dec 1959 The Final Round

Orbiter X: An adventure in the conquest of space was a BBC Radio science fiction programme written by B. D. Chapman. Only a single series was produced which was broadcast by the BBC Light Programme on Monday evenings in late 1959. Presumed to have been wiped and lost, a set of discs of the entire series, recorded for the BBC Transcription Service, was discovered and restored. Since 2016, Orbiter X has occasionally been repeated on the BBC's archive station, BBC Radio 4 Extra. Plot The fictional Commomwealth Space Project (CSP), based in Woomera, South Australia, is working to build a space station orbiting a thousand miles above the Earth's surface: Orbiter X. Planned to be a refuelling station for further space exploration, along with laboratories and other services, the CSP has launched the various components for the space station into orbit. But before construction can begin, the first assembly ship, Orbiter 1, is seemingly attacked and loses contact with CSP Control. A second ship, Orbiter 2, piloted by Captain Bob Britton (John Carson), sent to rescue the first crew finds Orbiter 1 deserted and the spacecraft's log missing. Orbiter 2 is also attacked by a UFO and Flight Engineer 'Hicky' (Barrie Gosney) seriously injured. With their spacecraft crippled, the crew have no alternative but to abandon ship and place themselves at the mercy of their attackers. Once aboard the UFO, they meet Commander Gelbin (Arthur Lawrence), the deputy leader of the Unity organisation: a group of technocrats who plan to use Orbiter X themselves and create a New World Order. Background Writing in the Radio Times, the programme's creator said: With the arrival of the Russian moon probe in the lunar Sea of Serenity a fortnight ago, scientific fact and fiction have become curiously interwoven. The time cannot be far distant when man himself will be setting foot on the moon, but such an undertaking still poses major problems, not least of which is the question of fuel for the return trip. At the present time, a rocket consumes the bulk of its fuel during its breakaway from the earth. To make the return trip possible, a refuelling point or terminal will be required beyond the limits of the atmosphere. This dual purpose could be served by a space station which would also be equipped with facilities such as a space laboratory, workshops, an observatory and, of course, living accommodation for the crew. I believe that we shall see such a station taking shape within the course of the next ten years or so, and it is this possibility which has given me the background of the new serial. For myself, I am hoping that the serial will not be outdated by the News before it starts! Production details The producer of Orbiter X, Charles Maxwell, aimed to make the series authentic as possible. During the studio recordings, the cast wore 'space helmets' to help them to achieve a sense of realism. Harry Morriss and Ian Cook created around 40 different sound effects for the series, with "as many as four or five effects sometimes being blended together to produce one particular sound". Cast The complete cast, as listed in the Radio Times, was: Part Played by Captain Bob Britton John Carson Captain Douglas McClelland Andrew Crawford Flight Engineer Hicks Barrie Gosney Colonel Kent Donald Bisset Captain Jack Bradley John Witty Control Officer Brown Peter Noel Cook Control Officer Camm Francis Hall U F O Commander Gelbin Arthur Lawrence Radio Operator John Matthews Max Kramer Gerik Schjelderup Greta Ravel Irene Prador Sir Charles Day Leslie Perrins Neasen Ian Sadler Letmann John Cazabon Captain Knight John Graham Episode list No. First broadcast title 1 28 Sep 1959 The First Step to the Stars 2 5 Oct 1959 Conflict in Space 3 12 Oct 1959 The Master Plan 4 19 Oct 1959 Flight to the Moon 5 26 Oct 1959 Inside the Moon Station 6 2 Nov 1959 Breakaway 7 9 Nov 1959 Price of Survival 8 16 Nov 1959 Marooned in Space 9 23 Nov 1959 Operation Salvage 10 30 Nov 1959 Return to Woomera 11 7 Dec 1959 A Flight Against Time 12 14 Dec 1959 Building the Space Station 13 21 Dec 1959 The Net Closes 14 28 Dec 1959 The Final Round

Orbiter X: An adventure in the conquest of space was a BBC Radio science fiction programme written by B. D. Chapman. Only a single series was produced which was broadcast by the BBC Light Programme on Monday evenings in late 1959. Presumed to have been wiped and lost, a set of discs of the entire series, recorded for the BBC Transcription Service, was discovered and restored. Since 2016, Orbiter X has occasionally been repeated on the BBC's archive station, BBC Radio 4 Extra. Plot The fictional Commomwealth Space Project (CSP), based in Woomera, South Australia, is working to build a space station orbiting a thousand miles above the Earth's surface: Orbiter X. Planned to be a refuelling station for further space exploration, along with laboratories and other services, the CSP has launched the various components for the space station into orbit. But before construction can begin, the first assembly ship, Orbiter 1, is seemingly attacked and loses contact with CSP Control. A second ship, Orbiter 2, piloted by Captain Bob Britton (John Carson), sent to rescue the first crew finds Orbiter 1 deserted and the spacecraft's log missing. Orbiter 2 is also attacked by a UFO and Flight Engineer 'Hicky' (Barrie Gosney) seriously injured. With their spacecraft crippled, the crew have no alternative but to abandon ship and place themselves at the mercy of their attackers. Once aboard the UFO, they meet Commander Gelbin (Arthur Lawrence), the deputy leader of the Unity organisation: a group of technocrats who plan to use Orbiter X themselves and create a New World Order. Background Writing in the Radio Times, the programme's creator said: With the arrival of the Russian moon probe in the lunar Sea of Serenity a fortnight ago, scientific fact and fiction have become curiously interwoven. The time cannot be far distant when man himself will be setting foot on the moon, but such an undertaking still poses major problems, not least of which is the question of fuel for the return trip. At the present time, a rocket consumes the bulk of its fuel during its breakaway from the earth. To make the return trip possible, a refuelling point or terminal will be required beyond the limits of the atmosphere. This dual purpose could be served by a space station which would also be equipped with facilities such as a space laboratory, workshops, an observatory and, of course, living accommodation for the crew. I believe that we shall see such a station taking shape within the course of the next ten years or so, and it is this possibility which has given me the background of the new serial. For myself, I am hoping that the serial will not be outdated by the News before it starts! Production details The producer of Orbiter X, Charles Maxwell, aimed to make the series authentic as possible. During the studio recordings, the cast wore 'space helmets' to help them to achieve a sense of realism. Harry Morriss and Ian Cook created around 40 different sound effects for the series, with "as many as four or five effects sometimes being blended together to produce one particular sound". Cast The complete cast, as listed in the Radio Times, was: Part Played by Captain Bob Britton John Carson Captain Douglas McClelland Andrew Crawford Flight Engineer Hicks Barrie Gosney Colonel Kent Donald Bisset Captain Jack Bradley John Witty Control Officer Brown Peter Noel Cook Control Officer Camm Francis Hall U F O Commander Gelbin Arthur Lawrence Radio Operator John Matthews Max Kramer Gerik Schjelderup Greta Ravel Irene Prador Sir Charles Day Leslie Perrins Neasen Ian Sadler Letmann John Cazabon Captain Knight John Graham Episode list No. First broadcast title 1 28 Sep 1959 The First Step to the Stars 2 5 Oct 1959 Conflict in Space 3 12 Oct 1959 The Master Plan 4 19 Oct 1959 Flight to the Moon 5 26 Oct 1959 Inside the Moon Station 6 2 Nov 1959 Breakaway 7 9 Nov 1959 Price of Survival 8 16 Nov 1959 Marooned in Space 9 23 Nov 1959 Operation Salvage 10 30 Nov 1959 Return to Woomera 11 7 Dec 1959 A Flight Against Time 12 14 Dec 1959 Building the Space Station 13 21 Dec 1959 The Net Closes 14 28 Dec 1959 The Final Round

Orbiter X: An adventure in the conquest of space was a BBC Radio science fiction programme written by B. D. Chapman. Only a single series was produced which was broadcast by the BBC Light Programme on Monday evenings in late 1959. Presumed to have been wiped and lost, a set of discs of the entire series, recorded for the BBC Transcription Service, was discovered and restored. Since 2016, Orbiter X has occasionally been repeated on the BBC's archive station, BBC Radio 4 Extra. Plot The fictional Commomwealth Space Project (CSP), based in Woomera, South Australia, is working to build a space station orbiting a thousand miles above the Earth's surface: Orbiter X. Planned to be a refuelling station for further space exploration, along with laboratories and other services, the CSP has launched the various components for the space station into orbit. But before construction can begin, the first assembly ship, Orbiter 1, is seemingly attacked and loses contact with CSP Control. A second ship, Orbiter 2, piloted by Captain Bob Britton (John Carson), sent to rescue the first crew finds Orbiter 1 deserted and the spacecraft's log missing. Orbiter 2 is also attacked by a UFO and Flight Engineer 'Hicky' (Barrie Gosney) seriously injured. With their spacecraft crippled, the crew have no alternative but to abandon ship and place themselves at the mercy of their attackers. Once aboard the UFO, they meet Commander Gelbin (Arthur Lawrence), the deputy leader of the Unity organisation: a group of technocrats who plan to use Orbiter X themselves and create a New World Order. Background Writing in the Radio Times, the programme's creator said: With the arrival of the Russian moon probe in the lunar Sea of Serenity a fortnight ago, scientific fact and fiction have become curiously interwoven. The time cannot be far distant when man himself will be setting foot on the moon, but such an undertaking still poses major problems, not least of which is the question of fuel for the return trip. At the present time, a rocket consumes the bulk of its fuel during its breakaway from the earth. To make the return trip possible, a refuelling point or terminal will be required beyond the limits of the atmosphere. This dual purpose could be served by a space station which would also be equipped with facilities such as a space laboratory, workshops, an observatory and, of course, living accommodation for the crew. I believe that we shall see such a station taking shape within the course of the next ten years or so, and it is this possibility which has given me the background of the new serial. For myself, I am hoping that the serial will not be outdated by the News before it starts! Production details The producer of Orbiter X, Charles Maxwell, aimed to make the series authentic as possible. During the studio recordings, the cast wore 'space helmets' to help them to achieve a sense of realism. Harry Morriss and Ian Cook created around 40 different sound effects for the series, with "as many as four or five effects sometimes being blended together to produce one particular sound". Cast The complete cast, as listed in the Radio Times, was: Part Played by Captain Bob Britton John Carson Captain Douglas McClelland Andrew Crawford Flight Engineer Hicks Barrie Gosney Colonel Kent Donald Bisset Captain Jack Bradley John Witty Control Officer Brown Peter Noel Cook Control Officer Camm Francis Hall U F O Commander Gelbin Arthur Lawrence Radio Operator John Matthews Max Kramer Gerik Schjelderup Greta Ravel Irene Prador Sir Charles Day Leslie Perrins Neasen Ian Sadler Letmann John Cazabon Captain Knight John Graham Episode list No. First broadcast title 1 28 Sep 1959 The First Step to the Stars 2 5 Oct 1959 Conflict in Space 3 12 Oct 1959 The Master Plan 4 19 Oct 1959 Flight to the Moon 5 26 Oct 1959 Inside the Moon Station 6 2 Nov 1959 Breakaway 7 9 Nov 1959 Price of Survival 8 16 Nov 1959 Marooned in Space 9 23 Nov 1959 Operation Salvage 10 30 Nov 1959 Return to Woomera 11 7 Dec 1959 A Flight Against Time 12 14 Dec 1959 Building the Space Station 13 21 Dec 1959 The Net Closes 14 28 Dec 1959 The Final Round

Orbit One Zero by Peter Elliot Hayes “A glimpse across a weird threshold, on the rim of space where there should be nothing but eternal, frozen darkness. Yet where there was something more…” Newspaper reporter, Tom Lambert has decided to reinvestigate the strange events of ten years before, concerning the “cosmic noise”. Believing the inside story was never told, he’s tracked down the only man who knows, Dr Hayward Petrie. 6 parts. Told in flashbacks, the story unfolds from Dr Petrie’s own recordings of the time when the detection of a strange pattern of signals sparked a mysterious discovery… Cast: Dr Petrie ... Felix Felton Tom Lambert … David Spenser Clifford Brown … Graydon Gould Elizabeth Ryder … Elaine Macnamara Professor Campbell McLaren … Ian Sadler Peter Garrick … Harold Reese

Earthsearch: A Ten-Part Adventure Serial in Time and Space is a science fiction radio series written by James Follett. It consists of ten half-hour episodes. It was first broadcast on BBC Radio 4 between January and March 1981. Three crew-generations previously, the starship Challenger - a vast ten-mile-long survey vessel – was launched from Earth on an interstellar mission to search the universe for an Earth-type planet to colonise. This has been unsuccessful, and the ship's once enormous crew-count has now been reduced to four. Telson (the ship's Commander), Sharna (Science officer), Darv and Astra are the third-generation crew- the only survivors of the disastrous Great Meteoroid Strike which seriously damaged the ship two decades previously, killing the entire second-generation crew and rendering large areas of the ship "uncontrolled" and inaccessible to its electronic systems. From infancy, the four third-generation crew members (now in their early twenties) have been raised by robots and by the Angels – mysterious unseen beings who run the ship and who only manifest as disembodied voices. Darv, the most skeptical and enquiring of the crew members, suspects that the Angels are merely computers; but the others consider them as "Guardian Angels" and work entirely under their guidance.

Episodes contained in this series. 1 Fair Shares 2 Follow That Star 3 The Girl Next Door 4 Sun, Sea and Sabotage 5 Stranger on a Train 6 The Great Escape If you’d like to help support our channel, please visit our Patreon page. patreon.com/TeslaWirelessRadio Michael Williams stars in all three series of the BBC Radio 4 sitcom based on Frank Dickens’ famous comic strip character. Bristow is a middle-aged, ineffectual buying clerk for the Chester-Perry Organization. He is merely a small cog in a gigantic wheel...and he knows it. But he has his own small ways of rebelling, and together with sparring partner, Jones, and tea lady, Mrs. Purdy, he weaves hopeless tangles of red tape to confound the system and liven up everyone’s day. In these 14 episodes, Bristow hopes to make a mint from a rumored takeover bid, helps Jones to plan his escape from Chester-Perry, crusades to improve conditions for the cleaning ladies, and falls in with troublemaker, Tom Paine, at the office dinner dance. Plus, he obtains some inside information that must surely lead to promotion, learns the meaning of poetic justice while writing for the house journal, and bumbles towards proving his theory that he is surrounded by incompetents. Adapted by Frank Dickens from his own cartoon strip, which ran for 41 years in London’s Evening Standard, and was syndicated internationally, this charming corporate comedy stars Michael Williams (A Fine Romance) as Bristow, with Rodney Bewes (The Likely Lads) as Jones, and Dora Bryan (Last of the Summer Wine) as Mrs. Purdy. Cast: Michael Williams, Rodney Bewes, Dora Bryan, Owen Brenman, Jon Glover, Bernard Cribbins, Norman Bird, Katy Odey, Carol Starks, David Battley, Simon Schatzberger, Christopher Benjamin, Sheila Reid, Liz Fraser, Roger Lloyd Pack, Robert Bathurst, Leslie Phillips, David Ryall and Sarah Huntley Written by Frank Dickens Produced and directed by Neil Cargill Music composed and performed by John Whitehall First broadcast on BBC Radio 4: 21 April-26 May 1999 (Series 1), 24 November-15 December 1999 (Series 2), 7-28 July 2000 (Series 3) Frank William Huline-Dickens (9 December 1931 – 8 July 2016) was a British cartoonist, best known for his strip Bristow, which ran for 51 years in the Evening Standard and was syndicated internationally. According to Guinness World Records, Bristow was the longest running daily cartoon strip by a single author. The character Bristow is even one year older than that, as he debuted in Dickens' older series Oddbod in The Sunday Times in 1960. Due to his popularity, he received his own spin-off series soon afterwards. Dickens broke the original record held by Marc Sleen, whose The Adventures of Nero was drawn for 45 years without any assistance. However, even Dickens' record has been broken in his turn by Jim Russell, whose series The Potts ran for 62 years. Dickens received eight awards for "Strip Cartoonist of the Year" from the Cartoonists' Club of Great Britain.

Episodes within Series 2 1 When Melancholy Autumn Comes to Chester 2 The Power of the Press 3 Mr Bristow Regrets 4 The Girl in the Yellow Overcoat Michael Williams stars in all three series of the BBC Radio 4 sitcom based on Frank Dickens’ famous comic strip character. Bristow is a middle-aged, ineffectual buying clerk for the Chester-Perry Organization. He is merely a small cog in a gigantic wheel...and he knows it. But he has his own small ways of rebelling, and together with sparring partner, Jones, and tea lady, Mrs. Purdy, he weaves hopeless tangles of red tape to confound the system and liven up everyone’s day. In these 14 episodes, Bristow hopes to make a mint from a rumored takeover bid, helps Jones to plan his escape from Chester-Perry, crusades to improve conditions for the cleaning ladies, and falls in with troublemaker, Tom Paine, at the office dinner dance. Plus, he obtains some inside information that must surely lead to promotion, learns the meaning of poetic justice while writing for the house journal, and bumbles towards proving his theory that he is surrounded by incompetents. Adapted by Frank Dickens from his own cartoon strip, which ran for 41 years in London’s Evening Standard, and was syndicated internationally, this charming corporate comedy stars Michael Williams (A Fine Romance) as Bristow, with Rodney Bewes (The Likely Lads) as Jones, and Dora Bryan (Last of the Summer Wine) as Mrs. Purdy. Cast: Michael Williams, Rodney Bewes, Dora Bryan, Owen Brenman, Jon Glover, Bernard Cribbins, Norman Bird, Katy Odey, Carol Starks, David Battley, Simon Schatzberger, Christopher Benjamin, Sheila Reid, Liz Fraser, Roger Lloyd Pack, Robert Bathurst, Leslie Phillips, David Ryall and Sarah Huntley Written by Frank Dickens Produced and directed by Neil Cargill Music composed and performed by John Whitehall First broadcast on BBC Radio 4: 21 April-26 May 1999 (Series 1), 24 November-15 December 1999 (Series 2), 7-28 July 2000 (Series 3) Frank William Huline-Dickens (9 December 1931 – 8 July 2016) was a British cartoonist, best known for his strip Bristow, which ran for 51 years in the Evening Standard and was syndicated internationally. According to Guinness World Records, Bristow was the longest running daily cartoon strip by a single author. The character Bristow is even one year older than that, as he debuted in Dickens' older series Oddbod in The Sunday Times in 1960. Due to his popularity, he received his own spin-off series soon afterwards. Dickens broke the original record held by Marc Sleen, whose The Adventures of Nero was drawn for 45 years without any assistance. However, even Dickens' record has been broken in his turn by Jim Russell, whose series The Potts ran for 62 years. Dickens received eight awards for "Strip Cartoonist of the Year" from the Cartoonists' Club of Great Britain.

Episodes contained in this series. 1 Of Moles and Men 2 The Good, the Bad and the Temporary 3 Chapter and Verse 4 Repaying Mr Piper If you’d like to help support our channel, please visit our Patreon page. patreon.com/TeslaWirelessRadio Michael Williams stars in all three series of the BBC Radio 4 sitcom based on Frank Dickens’ famous comic strip character. Bristow is a middle-aged, ineffectual buying clerk for the Chester-Perry Organization. He is merely a small cog in a gigantic wheel...and he knows it. But he has his own small ways of rebelling, and together with sparring partner, Jones, and tea lady, Mrs. Purdy, he weaves hopeless tangles of red tape to confound the system and liven up everyone’s day. In these 14 episodes, Bristow hopes to make a mint from a rumored takeover bid, helps Jones to plan his escape from Chester-Perry, crusades to improve conditions for the cleaning ladies, and falls in with troublemaker, Tom Paine, at the office dinner dance. Plus, he obtains some inside information that must surely lead to promotion, learns the meaning of poetic justice while writing for the house journal, and bumbles towards proving his theory that he is surrounded by incompetents. Adapted by Frank Dickens from his own cartoon strip, which ran for 41 years in London’s Evening Standard, and was syndicated internationally, this charming corporate comedy stars Michael Williams (A Fine Romance) as Bristow, with Rodney Bewes (The Likely Lads) as Jones, and Dora Bryan (Last of the Summer Wine) as Mrs. Purdy. Cast: Michael Williams, Rodney Bewes, Dora Bryan, Owen Brenman, Jon Glover, Bernard Cribbins, Norman Bird, Katy Odey, Carol Starks, David Battley, Simon Schatzberger, Christopher Benjamin, Sheila Reid, Liz Fraser, Roger Lloyd Pack, Robert Bathurst, Leslie Phillips, David Ryall and Sarah Huntley Written by Frank Dickens Produced and directed by Neil Cargill Music composed and performed by John Whitehall First broadcast on BBC Radio 4: 21 April-26 May 1999 (Series 1), 24 November-15 December 1999 (Series 2), 7-28 July 2000 (Series 3) Frank William Huline-Dickens (9 December 1931 – 8 July 2016) was a British cartoonist, best known for his strip Bristow, which ran for 51 years in the Evening Standard and was syndicated internationally. According to Guinness World Records, Bristow was the longest running daily cartoon strip by a single author. The character Bristow is even one year older than that, as he debuted in Dickens' older series Oddbod in The Sunday Times in 1960. Due to his popularity, he received his own spin-off series soon afterwards. Dickens broke the original record held by Marc Sleen, whose The Adventures of Nero was drawn for 45 years without any assistance. However, even Dickens' record has been broken in his turn by Jim Russell, whose series The Potts ran for 62 years. Dickens received eight awards for "Strip Cartoonist of the Year" from the Cartoonists' Club of Great Britain.

Five Episodes Sequel to John Wyndham's classic science fiction tale, in which humanity is threatened by giant plants, set 25 years on. Simon Clark's 2001 novel is the sequel to John Wyndham's sci-fi classic. At the conclusion of 'The Day of the Triffids', scientist Bill Masen had escaped with his wife and four-year-old son to the island. Now grown up, Bill's son, David wakes up one morning to a world plunged into darkness. Now, the Triffids have an advantage over humanity.

AIR MAIL MYSTERY 12 action packed episodes. Episode 7 is missing. Early air mail flight was dangerous and its pilots needed to have a considerable amount of daredevil in them to brave the risks. These pioneers exhibited extraordinary bravery or were merely doing their job, the careers of the members of this "suicide club" were like those of few others. One company, Trans American, delivered mail for the government and for some reason, their planes were literally falling from the sky. Is it sabotage??? Or just plain bad luck??? Tune in to Air Mail Mystery to find out.

AIR MAIL MYSTERY 12 action packed episodes. Episode 7 is missing. Early air mail flight was dangerous and its pilots needed to have a considerable amount of daredevil in them to brave the risks. These pioneers exhibited extraordinary bravery or were merely doing their job, the careers of the members of this "suicide club" were like those of few others. One company, Trans American, delivered mail for the government and for some reason, their planes were literally falling from the sky. Is it sabotage??? Or just plain bad luck??? Tune in to Air Mail Mystery to find out.

AIR MAIL MYSTERY 12 action packed episodes. Episode 7 is missing. Early air mail flight was dangerous and its pilots needed to have a considerable amount of daredevil in them to brave the risks. These pioneers exhibited extraordinary bravery or were merely doing their job, the careers of the members of this "suicide club" were like those of few others. One company, Trans American, delivered mail for the government and for some reason, their planes were literally falling from the sky. Is it sabotage??? Or just plain bad luck??? Tune in to Air Mail Mystery to find out.

12 action packed episodes. Episode 7 is missing. Early air mail flight was dangerous and its pilots needed to have a considerable amount of daredevil in them to brave the risks. These pioneers exhibited extraordinary bravery or were merely doing their job, the careers of the members of this "suicide club" were like those of few others. One company, Trans American, delivered mail for the government and for some reason, their planes were literally falling from the sky. Is it sabotage??? Or just plain bad luck??? Tune in to Air Mail Mystery to find out.

12 action packed episodes. Episode 7 is missing. Early air mail flight was dangerous and its pilots needed to have a considerable amount of daredevil in them to brave the risks. These pioneers exhibited extraordinary bravery or were merely doing their job, the careers of the members of this "suicide club" were like those of few others. One company, Trans American, delivered mail for the government and for some reason, their planes were literally falling from the sky. Is it sabotage??? Or just plain bad luck??? Tune in to Air Mail Mystery to find out.

12 action packed episodes. Episode 7 is missing. Early air mail flight was dangerous and its pilots needed to have a considerable amount of daredevil in them to brave the risks. These pioneers exhibited extraordinary bravery or were merely doing their job, the careers of the members of this "suicide club" were like those of few others. One company, Trans American, delivered mail for the government and for some reason, their planes were literally falling from the sky. Is it sabotage??? Or just plain bad luck??? Tune in to Air Mail Mystery to find out.

12 action packed episodes. Episode 7 is missing. Early air mail flight was dangerous and its pilots needed to have a considerable amount of daredevil in them to brave the risks. These pioneers exhibited extraordinary bravery or were merely doing their job, the careers of the members of this "suicide club" were like those of few others. One company, Trans American, delivered mail for the government and for some reason, their planes were literally falling from the sky. Is it sabotage??? Or just plain bad luck??? Tune in to Air Mail Mystery to find out.

12 action packed episodes. Episode 7 is missing. Early air mail flight was dangerous and its pilots needed to have a considerable amount of daredevil in them to brave the risks. These pioneers exhibited extraordinary bravery or were merely doing their job, the careers of the members of this "suicide club" were like those of few others. One company, Trans American, delivered mail for the government and for some reason, their planes were literally falling from the sky. Is it sabotage??? Or just plain bad luck??? Tune in to Air Mail Mystery to find out.

12 action packed episodes. Episode 7 is missing. Early air mail flight was dangerous and its pilots needed to have a considerable amount of daredevil in them to brave the risks. These pioneers exhibited extraordinary bravery or were merely doing their job, the careers of the members of this "suicide club" were like those of few others. One company, Trans American, delivered mail for the government and for some reason, their planes were literally falling from the sky. Is it sabotage??? Or just plain bad luck??? Tune in to Air Mail Mystery to find out.

12 action packed episodes. Episode 7 is missing. Early air mail flight was dangerous and its pilots needed to have a considerable amount of daredevil in them to brave the risks. These pioneers exhibited extraordinary bravery or were merely doing their job, the careers of the members of this "suicide club" were like those of few others. One company, Trans American, delivered mail for the government and for some reason, their planes were literally falling from the sky. Is it sabotage??? Or just plain bad luck??? Tune in to Air Mail Mystery to find out.

12 action packed episodes. Episode 7 is missing. Early air mail flight was dangerous and its pilots needed to have a considerable amount of daredevil in them to brave the risks. These pioneers exhibited extraordinary bravery or were merely doing their job, the careers of the members of this "suicide club" were like those of few others. One company, Trans American, delivered mail for the government and for some reason, their planes were literally falling from the sky. Is it sabotage??? Or just plain bad luck??? Tune in to Air Mail Mystery to find out.

12 action packed episodes. Episode 7 is missing. Early air mail flight was dangerous and its pilots needed to have a considerable amount of daredevil in them to brave the risks. These pioneers exhibited extraordinary bravery or were merely doing their job, the careers of the members of this "suicide club" were like those of few others. One company, Trans American, delivered mail for the government and for some reason, their planes were literally falling from the sky. Is it sabotage??? Or just plain bad luck??? Tune in to Air Mail Mystery to find out.

A five-part BBC Radio adaptation by Michelene Wandor of H.G. Well's 1905 "rags-to-riches" novel. . Kipps: The Story of a Simple Soul is a novel by H. G. Wells, first published in 1905. It was reportedly Wells's own favorite among his works, and it has been adapted for stage, cinema and television productions, including the musical Half a Sixpence. Arthur ‘Artie’ Kipps leaves school, and his first love Ann, when he’s apprenticed to a Folkestone draper. His life – and fortune - changes dramatically when he answers an advertisement in a newspaper. HG Wells ... Paul Daneman Kipps ... Mark Straker Chitterlow ... Nickolas Grace Miss Walshingham ... Kathryn Hurlbutt Emily ... Rosalind Ayres Uncle .... John Hollis Aunt ... Jane Wenham Sid Pornick ... Michael Jenner Ann ... Moir Leslie Driver ... Jon Strickland Mr Shalford .. Michael Bilton Carshot ... Christopher Biggins Buggins ... John Webb Flo ... Helen Atkinson-Wood Chester Coote .... Christopher Good Henry Walshingham ... Spencer Banks Miss Lomax ... Margot Boyd Adapted by Michelene Wandor Directed by Martin Jenkins.

Aliens of the Mind started life as an outline for TV’s Doctor Who by the show’s script editor Robert Holmes. Although not commissioned for the show, Holmes was asked to develop the idea for Radio 4. However work commitments meant that the scripts were ultimately written by Rene Bascilico based on Holmes’ original idea. The six-part drama centers around the discovery, on a remote Scottish island, of a community of ‘human mutants’ capable of telepathy. A plan is in place to use them to control the British Government, and friends Curtis Lark (Vincent Price) and Hugh Baxter (Peter Cushing) join forces to combat them. Originally broadcast on BBC Radio 4 in 1977. ‘Cushing is the perfect gentleman investigator, while Price could be reading a tax return and it would still be gripping. It might be old, but this screams quality, just as loudly as that howling wind.’ Radio Times (Jane Anderson)

Aliens of the Mind started life as an outline for TV’s Doctor Who by the show’s script editor Robert Holmes. Although not commissioned for the show, Holmes was asked to develop the idea for Radio 4. However work commitments meant that the scripts were ultimately written by Rene Bascilico based on Holmes’ original idea. The six-part drama centers around the discovery, on a remote Scottish island, of a community of ‘human mutants’ capable of telepathy. A plan is in place to use them to control the British Government, and friends Curtis Lark (Vincent Price) and Hugh Baxter (Peter Cushing) join forces to combat them. Originally broadcast on BBC Radio 4 in 1977. ‘Cushing is the perfect gentleman investigator, while Price could be reading a tax return and it would still be gripping. It might be old, but this screams quality, just as loudly as that howling wind.’ Radio Times (Jane Anderson)

Aliens of the Mind started life as an outline for TV’s Doctor Who by the show’s script editor Robert Holmes. Although not commissioned for the show, Holmes was asked to develop the idea for Radio 4. However, work commitments meant that the scripts were ultimately written by Rene Bascilico based on Holmes’ original idea. The six-part drama centers around the discovery, on a remote Scottish island, of a community of ‘human mutants’ capable of telepathy. A plan is in place to use them to control the British Government, and friends Curtis Lark (Vincent Price) and Hugh Baxter (Peter Cushing) join forces to combat them. Originally broadcast on BBC Radio 4 in 1977. ‘Cushing is the perfect gentleman investigator, while Price could be reading a tax return, and it would still be gripping. It might be old, but this screams quality, just as loudly as that howling wind.’ Radio Times (Jane Anderson)

Aliens of the Mind started life as an outline for TV’s Doctor Who by the show’s script editor Robert Holmes. Although not commissioned for the show, Holmes was asked to develop the idea for Radio 4. However work commitments meant that the scripts were ultimately written by Rene Bascilico based on Holmes’ original idea. The six-part drama centers around the discovery, on a remote Scottish island, of a community of ‘human mutants’ capable of telepathy. A plan is in place to use them to control the British Government, and friends Curtis Lark (Vincent Price) and Hugh Baxter (Peter Cushing) join forces to combat them. Originally broadcast on BBC Radio 4 in 1977. ‘Cushing is the perfect gentleman investigator, while Price could be reading a tax return and it would still be gripping. It might be old, but this screams quality, just as loudly as that howling wind.’ Radio Times (Jane Anderson)

Aliens of the Mind started life as an outline for TV’s Doctor Who by the show’s script editor Robert Holmes. Although not commissioned for the show, Holmes was asked to develop the idea for Radio 4. However work commitments meant that the scripts were ultimately written by Rene Bascilico based on Holmes’ original idea. The six-part drama centers around the discovery, on a remote Scottish island, of a community of ‘human mutants’ capable of telepathy. A plan is in place to use them to control the British Government, and friends Curtis Lark (Vincent Price) and Hugh Baxter (Peter Cushing) join forces to combat them. Originally broadcast on BBC Radio 4 in 1977. ‘Cushing is the perfect gentleman investigator, while Price could be reading a tax return and it would still be gripping. It might be old, but this screams quality, just as loudly as that howling wind.’ Radio Times (Jane Anderson)

Aliens of the Mind started life as an outline for TV’s Doctor Who by the show’s script editor Robert Holmes. Although not commissioned for the show, Holmes was asked to develop the idea for Radio 4. However work commitments meant that the scripts were ultimately written by Rene Bascilico based on Holmes’ original idea. The six-part drama centers around the discovery, on a remote Scottish island, of a community of ‘human mutants’ capable of telepathy. A plan is in place to use them to control the British Government, and friends Curtis Lark (Vincent Price) and Hugh Baxter (Peter Cushing) join forces to combat them. Originally broadcast on BBC Radio 4 in 1977. ‘Cushing is the perfect gentleman investigator, while Price could be reading a tax return and it would still be gripping. It might be old, but this screams quality, just as loudly as that howling wind.’ Radio Times (Jane Anderson)

The Slide is a sci-fi radio serial in seven parts by Victor Pemberton. The story begins with an earthquake in Southern England, and then the local wildlife starts to disappear. It starred Roger Delgado as Professor Josef Gomez, Maurice Denham as Hugh Deverill MP, David Spenser as Dr. Ken Richards and Miriam Margolyes as Mrs. Wilson. The producer was John Tydeman and sound effects were by the BBC Radiophonic Workshop. The Slide was Victor Pemberton's first science fiction story; it was accepted as a radio serial commissioned by future Doctor Who producer Peter Bryant. BBC Genome lists the program as first transmitted on the BBC Light Program on 13 February 1966 at 19:00 with the next six episodes following weekly. BBC Radio 4 Extra broadcast a repeat run of the serial 10 - 18 August 2020. The story in Doctor Who Victor Pemberton originally submitted The Slide to the BBC TV series Doctor Who in 1964; it was rejected by script-editor David Whitaker, but following a revision it did inspire the story Fury from the Deep. The story was to feature the Doctor, Ian, Barbara and Vicki discovering sentient mud invading London from a fishing bay.

Host Planet Earth by Colin Cooper and Anne Howell Host Planet Earth is a BBC Light Program sci-fi serial in six parts originally broadcast between July and September 1967. At that time, concerns were being raised about microbes being brought back to Earth by the American and Russian space programs. Produced by - Nesta Pain Music by - Clive Webster, BBC Radiophonic Workshop Set in England, the British space program is eager to compete and has gained an advantage with the invention of a propulsion system that enables exploration of distant regions of the universe within weeks instead of years. The danger of invading – or invasive – alien species is only being realized very slowly, following some bizarre and seemingly unconnected events. Has that realization come too late? Cast: Harold Benson .… Ian Thompson Claire Stuart .… Brenda Bruce Professor Tate .… Rolf Lefebvre Professor Ormskirk .… Clive Morton David Holland .… Alexander John Rathbone .… Timothy Bateson Dr Edwards .… Heron Carvic Sister .… Beth Boyd Nat Blakey .… Nigel Anthony Editor .… Antony Viccars Policeman .… Preston Lockwood

This was an old-time radio serial based on the Jules Verne classic of the same name, that was broadcast on the BBC Radio in 1963. The adventures of Professor Von Hardwigg, his nephew Harry and their guide, Hans are told as they go through a volcanic tube in Iceland. As they reach the center of the earth, they encounter prehistoric animals and other hazards. There have been films, cartoons, amusement park rides, video games and even a musical album, adapted from this famous novel.

This was an old-time radio serial based on the Jules Verne classic of the same name, that was broadcast on the BBC Radio in 1963. The adventures of Professor Von Hardwigg, his nephew Harry and their guide, Hans are told as they go through a volcanic tube in Iceland. As they reach the center of the earth, they encounter prehistoric animals and other hazards. There have been films, cartoons, amusement park rides, video games and even a musical album, adapted from this famous novel.

This was an old-time radio serial based on the Jules Verne classic of the same name, that was broadcast on the BBC Radio in 1963. The adventures of Professor Von Hardwigg, his nephew Harry and their guide, Hans are told as they go through a volcanic tube in Iceland. As they reach the center of the earth, they encounter prehistoric animals and other hazards. There have been films, cartoons, amusement park rides, video games and even a musical album, adapted from this famous novel.

This was an old-time radio serial based on the Jules Verne classic of the same name, that was broadcast on the BBC Radio in 1963. The adventures of Professor Von Hardwigg, his nephew Harry and their guide, Hans are told as they go through a volcanic tube in Iceland. As they reach the center of the earth, they encounter prehistoric animals and other hazards. There have been films, cartoons, amusement park rides, video games and even a musical album, adapted from this famous novel.

This was an old-time radio serial based on the Jules Verne classic of the same name, that was broadcast on the BBC Radio in 1963. The adventures of Professor Von Hardwigg, his nephew Harry and their guide, Hans are told as they go through a volcanic tube in Iceland. As they reach the center of the earth, they encounter prehistoric animals and other hazards. There have been films, cartoons, amusement park rides, video games and even a musical album, adapted from this famous novel.

This was an old-time radio serial based on the Jules Verne classic of the same name, that was broadcast on the BBC Radio in 1963. The adventures of Professor Von Hardwigg, his nephew Harry and their guide, Hans are told as they go through a volcanic tube in Iceland. As they reach the center of the earth, they encounter prehistoric animals and other hazards. There have been films, cartoons, amusement park rides, video games and even a musical album, adapted from this famous novel.

This was an old-time radio serial based on the Jules Verne classic of the same name, that was broadcast on the BBC Radio in 1963. The adventures of Professor Von Hardwigg, his nephew Harry and their guide, Hans are told as they go through a volcanic tube in Iceland. As they reach the center of the earth, they encounter prehistoric animals and other hazards. There have been films, cartoons, amusement park rides, video games and even a musical album, adapted from this famous novel.

This was an old-time radio serial based on the Jules Verne classic of the same name, that was broadcast on the BBC Radio in 1963. The adventures of Professor Von Hardwigg, his nephew Harry and their guide, Hans are told as they go through a volcanic tube in Iceland. As they reach the center of the earth, they encounter prehistoric animals and other hazards. There have been films, cartoons, amusement park rides, video games and even a musical album, adapted from this famous novel.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.

This is a 52-part radio serial. You will get the most from it by starting with episode 1 and moving forward. It took the genius of Robert Louis Stevenson to fashion this tale of the dual forces which are forever at war in every human breast—the powers of good and evil that lie dormant in us all. And he has given us a tale so weird, so strange and yet so filled with the eternal conflict of man's immortal soul, that we who hear it stand petrified, because in the tormented character of this strange fantasy... we see ourselves. A 1932 52-part radio adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, starring George Edwards. Focusing on Dr. Henry Jekyll's life from childhood until death, it expands upon the novella considerably while adding common tropes found in adaptations, such as Jekyll being a younger man and having a love interest or two. Jekyll also struggles with Hyde's evil his entire life, occasionally acting monstrous with little or no provocation.